Great interview with designer Luke Insect over on the WeHeart site
Design
Steve Cook over at Secret Oranges has had something put in his coffee I think, several blinding psychedelic posts today alone…
I received this beautiful item the other day after seeing it on both the RokRiot and Hardformat sites. Upon watching the short film of the record being opened (see below) I knew I had to have a copy. The group is Machine, Dear and the album is called ‘Killing Something That’s Already Dead’. Designed by Klaus Matthiesen of OddFischlein, there are only 150 copies and you can grab one here.
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I highlighted this before when it first appeared but I only had two of the four discs then and the photos didn’t really do it justice. I now have the complete set so I thought I’d revisit the package and try to get some better images of all the parts (very difficult). For those who missed these there is now a 2 CD version with all this and more out on Modern Love.
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Jean Giraud aka Moebius has died, he was a massive inspiration, especially on the recent artwork for my album with Henry Flint.
Moebius contributed to the European anthology ‘Métal Hurlant’ in the 70’s, a lot of which was reprinted in the American version, ‘Heavy Metal’, which helped to bring him to worldwide attention. He also drew the cowboy books ‘Blueberry’, collaborated on comics with Alejandro Jodorowsky and contributed designs to many classic films such as Alien, Tron and The 5th Element.
What with Ralph McQuarrie dying last week, it’s the end of an era for some of the most original designers of the sci-fi I grew up with.
Here’s the first images of the forthcoming Amon Tobin box set, both open and closed, designed by Oscar & Ewan, and based on a flower press. Released on 21st May, it contains 6 x 10″ vinyl, 7 x CD, 2 x DVD and several posters – you can pre-order it here at an early bird price.
This turned up today, the latest Ghost Box release, in beautiful Julian House designed sleeve as usual. Here’s an excerpt with a clip from the forthcoming film ‘New Summer Wavelengths’, by House, to accompany, also a Radio Belbury radio programme.
Programme 8: “Ask the Family” by Radio Belbury on Mixcloud
[youtube width=”640″ height=”480″]http://www.youtube.com/watch?v=yGW05V7nCOQ&feature=player_embedded[/youtube]
My good friend Aaron Thomason aka 2econd Class Citizen will release his 2nd album in early May this year, I’m lucky enough to have heard it in many stages of production and he’s outdone himself this time. To head off the promotion and campaign, Equinox Records have cooked up a treat for 25 lucky people.
“Perception / Identity”, the second postcard package on the label, includes two beautiful vinyl postcards – designed by the American illustrator toobz – and features two new exclusive songs which will give you a preview of what you can expect to hear on his album “The Small Minority”. The set goes on sale tomorrow (Friday Feb 24th) from the Equinox shop – be quick!
Another great cover from the Stones Throw label, truly becoming the Blue Note of this generation
Of course I’m biased but wouldn’t you be with a quote like that used on the official poster?
The ‘Queen of the Wave’ LP vinyl is finally ready as well as a 7″ of ‘Night & Day’, T-shirts, badges and more – over at the online Catskills Record shop.
Limited to 100 signed copies, an A2 lithograph by Mr Krum for the new DJ Format album, the price is unbelievable, go get one…
Further to the 2000ad-related posts this week to mark the comic’s 35th birthday here’s a nicely timed gem that turned up recently on Pete Fowler‘s blog. In 2005 I took part in an exhibition in London curated by Playlounge called ‘Zarjaz’, the brief being for artists who were fans of the comic to reinterpret any character in their own way. I chose to do a fantasy cover that never was featuring Torquemada, a Terminator and the many tunnels of Termight, a homage to Kevin O’Neill and very influenced by this cover, which I later managed to acquire from him. In hindsight it’s a bit overworked but I included it as an oddity in the current exhibition at the Pure Evil Gallery as the timing seemed good.
Anyway, another artist in the ‘Zarjaz’ exhibition was Pete Fowler, who did a gorgeous T-shirt design featuring Nemesis as one of his wood sprites, which I love and still wear to this day. Amazingly he’s just unveiled a toy version of the same design (maybe as a tie-in to the anniversary?) that he’s done with Togetherplus. I’ll be wanting one of them then.
I found an hour to visit the Jean-Paul Goude retrospective at Les Arts Decoratifs whilst in Paris over the weekend (two gigs in France and I managed to forget my Serato controller discs!) after a tip off from Steve Cook. You will probably know Goude’s work from the iconic images of Grace Jones he produced in the 80’s but he has photographed and mutated everyone from Bjork to Naomi Campbell to Vanessa Paradis. The retrospective features original photos, models, clothes and a huge steam train in the main hall (that looks like it was made for a parade of some sort if I understand correctly).
His cut up images are simply stunning, where he slices people up and repeats parts of their body, turning them into graphic works of angular abstraction. My biggest thrill was seeing the original cover photo for Grace’s ‘Slave To The Rhythm’ album, a record that I adore and have held the master tape of, all I need now is to see her perform it live and my life will be complete (or something).
Anyway, I’ll let some of the images do the talking and just recommend you try and catch it before it ends on March 18th.
Steve even found time to shoot a short film on his phone while he was there:
Goudemalion from Temporal An0maly on Vimeo.
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The day had finally arrived and the first problem to be solved was the audio/video one, re-exporting wasn’t an option as there wasn’t the time so I decided to copy both parts to an external hard drive and just hope Charley (Pure Evil gallery owner) had enough kit to play both back separately. Next was the name cards, they were printed but had to be mounted on foam board and then cut out, also there was the matter of framing one of the postcard records I’d made specially for the show. They’d arrived the week before but, with the planetarium gig and others, I’d not had time to put them in for a mount to be cut so that they could be framed. I tried several different backgrounds but decided in the end to just screw the card to the wall and hang a frame around it sans anything else.
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Anyway, time ran out and I left for the gallery, when I got there it was looking fantastic as Charley and Molly had done a great job with the painting and hanging, just the AV thing to sort now and, with the help of Aneek and Mark, who I’d met through Matt Black, we set about trying to find the best combination with the laptop we had. Downstairs was a little stark so the guys hired in oil projectors and it was nearly time to open when we finally got the audio and video projection to synch. The Ninja staff had arrived to set up banners, beer and merch tables but no sign of Henry yet as he’d said he’d be there around 6pm with a box of forty ‘Broadcast’ books.
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Just time to frame one final piece that I’d found and give the pictures a wipe before people started coming in and a queue quickly formed to buy the postcard records. As with every event like this, the rest is a blur of beer, catching up with friends and people asking questions, all the while keeping an eye on the artwork, straightening the odd picture or resetting the audio. Matt Johnson popped by with his girlfriend, Nathaniel aka Natural Self turned up, Matt Black from Coldcut and Pete Quicke, Ninja Tune label manager, with his boys in tow. Tons of friends I’d not seen for a while and a few I knew but had never met in person too. Steve Cook, Rian Hughes and David Hine turned up to represent the comic contingent and soon Steve was tapping me on the shoulder to tell me Henry had arrived. It was great to finally meet him in person as we’d only ever emailed before and he is the nicest, most unassuming guy you’ll ever meet, so good to meet your heroes and not be disappointed.
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The whole thing went on way past 9pm and, right at the end, Mat Ducasse from Skylab, an old friend of Charley’s, dropped in having jut played a 6 minute gig round the corner. Drunk and on cloud 9 with relief that it had all come together, I staggered home and watched the new Noel Fielding luxury comedy which was just what my addled brain needed after the previous four days. I crashed out, only to be woken by a steaming hangover at 6am before getting ready to go to France for two more gigs.
Thanks to everyone who helped out to make it happen and came down to have a look and wonder what it was all about. Most of all I’ve got to thank Charley and Molly at Pure Evil, Will Cooper-Mitchell for his outstanding photos of me in the astronaut suit and of course, Henry Flint, for his amazing artwork which kicked all this off and his continued help and support (donating personal work for the event). Also thanks to the various people who let me use their photos here: Matt Black, Steve Cook & David Hine but if anyone else has shots I’d love to see them.
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It’s on for three more weeks, the last day is Feb 12th and you can pre-order the gicleé prints there, including two which are exclusively available from Pure Evil during the exhibition – ‘Octopus’ (from the ‘Magpies, Maps & Moons’ cover) and ‘Beats Per Second’ (from the ‘Shape Of Things That Hum’ – below). These are both editions of 33, come signed by the two of us and anyone can order via the web or phone too, you don’t have to go to the gallery personally. The previously released prints are on sale too, including the new ‘Cosmonaut’ one featured on the album cover that made its debut last week, plus limited copies of Henry’s book, ‘Broadcast’, which features the original drawings and tons more – on sale for £12.99 which is a bit cheaper than retail price.
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What a week it’s been, after the planetarium shows on Thursday 19th, straight off to gigs in Amsterdam and Brighton on the Friday and Saturday and back home for a brief respite on Sunday. Monday 23rd saw the release of the album in Europe (Feb 7th in N. America) and final preparations for the show opening with Henry Flint‘s work at the Pure Evil Gallery in Shoreditch. I’d done a fair bit of framing over the Xmas period so some of the larger pictures were ready but there was still a lot of smaller pieces to finish and the show to hang. In addition to this I was playing at the Pepe Deluxe album launch party at the London Aquarium that night (see upcoming post for more). It was an early finish (mercifully for a Monday only 9pm) then it was back home to try and get some more done for the exhibition but I had to give up after half an hour as I was falling asleep.
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The first setback was on Tuesday morning when I picked up the huge front cover image from the framers and realised that it just wasn’t going to go in the car. That would have to wait another day while I worked out how to get it there. The rest of the day was spent at the gallery with the owner, Charley and his assistant Molly, working out where to put things, audio and video considerations and lighting.
When I returned that evening I still had a load of framing and mount cutting to do and ended up pulling an all-nighter to get it done. As I set off for another day at the gallery, after less than 3 hours sleep, I set the audio visual piece off rendering and figured it would be done by the time I got home. The problem of the huge picture was solved by hiring a cab driver I know with a Range Rover to deliver me and the last batch of pictures to the gallery, even then, the picture only just fitted inside. Second setback was upon arriving at the gallery I found it all locked up and no answer on any phone numbers I had. After waiting an hour in the car, dodging traffic wardens with the meter running, texting and calling everyone who I could think of with no joy, I phoned my agent whose office was down the road to ask if I could drop the pictures at his place.
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After doing that and a quick post-planetarium meeting to go over future options I went back to the gallery to find Molly and Charley there apologising profusely. Turns out Charley had to go to the American Embassy for a visa and had to leave his phone behind in the office, Molly had had a little too much to drink the night before and didn’t have my number but all was fine (although Charley got refused a visa, despite living there in the past). We’d lost the morning though and there was still a lot to painting to do where the walls had images in the past that needed covering up.
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Also there was the fact that all my pictures were sitting down the road but luckily Ninja had sent an intern up to help and we took three trips back and forth to ferry them all to their intended destination. By the end of the day we’d nearly got it all in place or had an idea where it was going. I got home to find that the AV file was still rendering and set about designing the title cards for each piece now that I knew exactly what was going in the show. Eventually the AV piece finished after 13 hours but had inexplicably only rendered the video, not the audio. Shit, I tried all sorts to embed the audio or re-export it but was so tired I was falling asleep at the machine (again).
[youtube width=”640″ height=”380″]http://www.youtube.com/watch?v=0gDZn7Klb1c[/youtube]
I’ve heard this album, every track a winner, check the cover art and video preview above. www.djformat.com
I love the switch of sides, from Obama to Anonymous, Shepard Fairey has made using the same message. I fully expect a book of all the variants the Hope poster has generated some time down the line, it’s a real iconic image for our age, like Warhol‘s Cambell’s Soup Tins or the Smiley.
Forthcoming this Spring from Damiani. Electrical Banana: Masters of Psychedelic Art by Norman Hathaway and Dan Nadel is the first definitive examination of the international language of psychedelia, focusing on the most important practitioners in their respective fields with a deft combination of hundreds of unseen images and exclusive interviews and essays, Electrical Banana aims to revise the common perception of psychedelic art, showing it to be more innovative, compelling, and revolutionary than was ever thought before.
The artists include: Marijke Koger, a Dutch artist responsible for dressing the Beatles; Mati Klarwein, who painted the cover for Miles Davis‘ Bitches Brew; Keiichi Tanaami, the Japanese master of psychedelic posters; Heinz Edelmann, the German illustrator and designer of the Yellow Submarine animated film; Tadanori Yokoo, whose prints and books, defined the ‘60s in Japan; Dudley Edwards, a painter, car designer, and graphic embellisher for the London rock scene, and the enigmatic Australian Martin Sharp, whose work for Cream and underground magazines made him a hippie household name in Europe.
Yes please. €29.00 – Order it here
Illustrator Michael De Pippo created 5 retro posters for each member of the Muppet band Dr Teeth & The Electric Mayhem in anticipation of the new Muppet film release.
Disney got wind of them and licensed them for sale on their ACME Specialty Art site, some are sold out but a couple are still available. The versions shown here are the original designs with fake creases and misregistered print which didn’t survive for the Disney versions.
It’s a shame because these really give them the sense of original gig posters, also the date of the gig is the date that the Muppets first aired on TV, nice touch.