These turned up yesterday, Julian House lushness as usual, looking forward to checking out the Farmer’s Angle reissue as it’s the only one I don’t have.
Design
The Paris show on Friday was great fun, packed out, great to see Vadim and Yarah on a Ninja bill again too. During mine and DK’s set someone pulled the fire alarm and all the power went off on stage for more than 5 minutes. Unfortunately we were in the middle of a drum n bass section so that went down like a damp squib. Before the gig I went up to the Galerie Chappe to see the exhibition of Ninja art and sleeve design that had been put on, apparently 1,500 people turned out for the opening! Ping Pong, who have done promotion for Ninja for over a decade now under the leadership of Fred ‘DJ Oof’ Elalouf, did a great job of putting together a show which included original art, paste up sheets, sleeves, huge posters and specially made prints of selected covers. They also made exclusive T-shirts, seats and a huge banner for the gigs which greeted me when I walked into the venue. See photos from the exhibition here (warning, this is a Facebook photo album), and it’s on until October 2nd. There are 4 more gigs coming up in Paris over the next few weeks including a huge, long sold out line up at La Machine and two gigs at the Pompidou Centre.
I was having a shitty day with nothing going right when this was hand-delivered from the Think Tank offices out of the blue this afternoon. Eight months of hard slog, revisions, deadlines, corrections, proofs, more revisions, changed constructions and over 50 GB of information went into this.
A slipcase containing 3 hardback books – ’20 Years of Beats & Pieces’ was actually started back in July 2009 and completed just under a year later with a solid six months spent on it and little else. The other two, containing 6 CDs, 6 45’s, 2 posters, a booklet and a sticker sheet (which should have been straight forward but I had no end of hassle with) took another 2 months at least with meetings and discussions as to how the packaging would work going on since March. I even managed to find time to write a new track to go on the damned thing which is on one of the exclusive CDs.
When I look back at 2010 and think what I did that year, this is what will sum most of it up. If you have one on the way then you’re in for a treat believe me, want one, didn’t get round to buying one yet or were maybe sitting on the fence then there are still some available to buy before the big release day on September 20th.
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Black Dog Publishing open their doors on a Saturday this weekend for people who haven’t been able to make it to the Ninja 20th exhibition in the week. Between 12 and 5pm they will be open and Ninja will have a special pop up shop there selling selected items. I’m not entirely sure what will be available yet but there might be some of the new Ninja Tune XX releases and you will be able to buy the 20 years of Beats & Pieces book for £15 which is a fiver cheaper than the shops. It’s free and at 10a Acton Street, London,WC1X 9NG. This is the last week of the exhibition so it’s now or never…
More info here Photos by Paul Lamont
Well last night’s book launch at Black Dog’s gallery in Kings Cross was a lot of fun, a huge turn out of artists, staff, friends and family made it a massive success. Thanks to everyone at Black Dog for a supreme effort in turning the exhibition round in three days, also everyone who came down, there were a few old faces I’d not seen in years and some who I’d only known via email but never met in person. Photos by Martin LeSanto-Smith, on form as ever to capture the event.
The exhibition is open to the public, free, between 12-5pm Monday-Friday until September 16th. It’s situated at 10a Acton St, London, WC1X 9NG, nearest tube is Kings Cross and then it’s a 5 minute walk, press the buzzer and you’ll be let in.
Black Dog Publishing, 10a Acton St. London, WC1X 9NG
There’s a buzzer to the left, you get let in when you ring
This dropped through the post last week, well, it actually arrived by courier, soaking wet, looking like it had been sitting in a puddle for some time, the cardboard around it literally falling off when I unwrapped it. Good job they wrapped it in bubble wrap, and it’s a heavy bugger too at 12″x12″ size. This is Entr3At – a visual celebration of the first 2 years of Ashley Wood and Kim Fung Wong’s 3A toy making company, makers of the best robot toys in the world by a long chalk. This is my kind of book, studio shots of the badly weathered toys, production designs, work in progress, box layouts and logo art for the individual figures. To think that they made all this in just 2 years is incredible and there’s already much more in the pipeline for a follow up later.
Their latest release is a ‘Heavy’ version of the popular Bramble bot, this time with huge bazooka and tougher build, coming in 4 different colourways. My good friend JP McCarthy managed to score me a Grave Digger variant this week and they sold out on pre-order in hours. Not cheap at $280 a pop but that includes shipping to anywhere in the world (and these bots aren’t small), some of the nicest packaging you’ll ever see and the most detailed paint jobs this side of a film set. These will doubtless not even turn up until around xmas time, if that, as they take a long time to make but a 3A package at the door is always a treat.
Coming in September – Study Series 3 & 4
Here’s something interesting I stumbled across whilst perusing the Kraftwerk Facebook page that’s been set up by fans. A limited edition of the band’s Tour De France 12″ that comes with a built in player like those cheesy birthday cards you can get that play a tune when you open them.
The designer’s name is Woes Van Haaften and there are 5 different sleeve colours to choose from but they don’t come cheap let me warn you! Full info and a little film here
The good man DJ Woody foisted one of these beauties on me at the weekend at the Big Chill, I never knew he was a graphic designer in a previous life. This is the logo for his AV performances ‘Turntables in Technicolour’, a homage to Santa Cruz artist Jim Phillips‘ iconic screaming hand logo and a beautiful job he’s done too, this shirt is quality.
Yes! At last I can complete (sort of) my Ghost Box collection with the forthcoming reissue of their first release, now revised and on 10″ vinyl. There will also be a new edition of the CD and a download, all coming on September 10th. No tracklist yet but it’s great to know that GB are going to slowly reissue all their back catalogue on gorgeous vinyl, yeah I’m a sucker like that.
Opening in 2 weeks time will be Ninja’s first bonafide exhibition in the UK to celebrate the publication of the book, ‘Ninja Tune: 20 Years of Beats & Pieces’. Black Dog Publishing have generously offered to host a little showcase of the design and imagery that went into it and, after designing the book, the box set and all the paraphernalia that goes with it, I’m curating the exhibition too. It will feature lots of original artwork, models, posters, sleeves, flyers and promo bits from across the years.
It opens Friday, 20th of August at Black Dog’s gallery space, 10 Acton St. London, WC1X 9NG between 12-5pm weekdays and is only on for a month. There will be a special pop up shop on Saturday 11th September where there will be several special items for sale, hand picked from the Ninja archives as well as the new book.
Got a nice piece in Music Week this errr… week.
A 3 page feature on deluxe boxsets where I’m
interviewed along with members of Think Tank
(who are helping Ninja make the box) and
Brighton’s Modo alongside comments by Peter Saville.
These were out last week, Propaganda’s classic ‘A Secret Wish’ is now remastered and expanded to 2 CDs with plenty of rare and unheard gems. The Art of Noise get a double CD set too with a great compilation of both ZTT and China-era tracks on disc 1 and remixes, rareties and unreleased cuts on disc 2.
One of these is the ‘Anne to Tears’ version of Moments in Love that I photographed when I visited the ZTT vault last year and props to Ian Peel for doing a sterling job on curating both releases. Also a tip of the hat to Philip Marshall for his excellent design skills, keenly referencing the artwork by XL and the London Design Partnership from the originals – reissues don’t get much better than this. Even more of a joy for me is a mention of my ‘Raiding The 20th Century’ mix with Paul Morley in the sleeve notes of the Influence booklet 
Well I did steal it from Paul after he stole it from the Situationists. Buy them both from here
Great cover by Arth Daniels for the new DELS single ‘Shapeshift’ on Big Dada. The video is decent too
[youtube width=”655″ height=”455″]http://www.youtube.com/watch?v=NjAnmqecMKI[/youtube]
There’s a lot of talk about Harper Lee’s classic at the moment being that it’s 50 years since its original publication and I’m going to jump on the bandwagon and declare my love for it. I read this in school and it was probably the first ‘proper’ book to affect me, even though I haven’t read it for 25 years or more I can still remember passages of the book and being enthralled by it.
The reason for this post though is that my friend Sarah ‘Inkymole’ Coleman was asked to illustrate the cover for the American 50th anniversary edition I just found out. Being that it is one of her favourite books, this is a lifetime dream and I was really pleased for her when I found out. Even more impressed when I saw what she’s come up with for it, love the detail of the hole in the tree trunk where Boo Radley leaves his gifts on the spine. More info with work in progress on Sarah’s site and you can buy the book from Barnes and Noble as well. I’ve included a selection of other covers from across the years too.
[vimeo width=”640″ height=”320″]http://www.vimeo.com/13009495[/vimeo]
If you’re in London, around the Barbican, you can witness 24 hours in the life of the city in 30 minutes. The Light Surgeons have produced an installation of visuals and rolling statistics about the city around a 360 degree LED curtain installed in the Museum of London’s benugo Sackler Hall café. This short film of the installation shows it in situ but you really have to see it in the flesh so to speak, there are some simply breathtaking shots from all over, at all times of the day as the film begins and ends at midnight, speeding through an average day in half an hour.
I have to declare an interest at this point as my better half worked on this as Producer but I’d be posting this regardless as I view the Surgeons as one of the few film makers who have transcended their beginnings as club visual specialists (sorry, I can’t say VJs, they’d kill me). They have a unique sense of space and composition which can bring out beauty in the most mundane objects and situations, coupled with a great ear for the perfect soundtrack, often composing it themselves.
The Museum has just reopened it’s doors after a major refit and it’s no longer the stuffy place of old, the items they have on show are many and span centuries of London’s history right up the present day. Have look if you’re in the area and then grab a drink and relax whilst the Surgeons’ installation speeds you through a day in the life of the Big Smoke.
I’ve been meaning to post this for a while now, Aupheus’ Excavated 7″ arrived the other week and a beautiful thing to behold it is. The cover comes on papyrus paper which is then hand stamped and stickered! The release showcases edits of two tracks from the full download EP, a code for which is contained in the 7″ – available from 2600 Recordings now but hurry, only 250 were made (assembled by Aupheus himself no less). The music is downtempo, atmospheric, leaning heavily in the older realms of DJ Shadow’s work, Sixtoo and DJ Signify and very good too.
There’s a great little trailer for the EP here too