Film
This was out a few months back, Philippe from Rat Records played it to me while I was in his shop and it’s brilliant. He gets it spot on, even the twist at the end. Great video too.
Love this video from the new Datassette release, ‘Existenzmaximum EP’, by Geometric Love (who did the Humanoid LP sleeve earlier this year). Available on ltd. edition vinyl here
The excellent To Pikap record shop and bar in Thessaloniki, Greece asked me to pick five records from their racks while I was there last year and talk a little bit about them. Here’s what I chose…
The annual Beyond Fest post featuring La Boca‘s poster for the film festival in LA is here. Full details of this year’s programme here
The excellent Vanishing Twin have just premiered a new video for ‘You Are Not An Island’ from their ‘Age of Immunology’ LP. Most of their videos so far have been monochromatic, surreal mini-masterpieces, harking back to various visual movements of the 20th century (check the Man Ray-isms of ‘Telescope’) but the new one changes the format somewhat. Adding muted colours and a Moebius-like world vision full of bowl helmeted figures and pulsing black spheres.
They are also off on tour around the UK and Europe over the next few months. Go and see them, buy their records, they’re one of the most interesting bands out there at the moment.
An excellent film about the use of the turntable as instrument (not in the hip hop scratching sense) and especially fascinating to see as I’m currently developing something along the same lines for performance. Go here for the original article on the Vinyl Factory site and try to see Graham Dunning live if you can, what he does is incredible.
Also just premiered via Resident Advisor is a film about dubplate cutting and present in both films is Shiva Fesharecki who performs both in clubs and concert halls with turntables.
The video to the new Anna Meredith single, taken from her forthcoming second album, is incredible. A one-take Lego train ride around a huge track with Anna and her band playing along in different locations.
The king of puns, Andrew Harrison, and the lovely Siân Patternden invited me back onto the Big Mouth podcast this week to review the Warp 30th anniversary, the new Thom Yorke album, Anima, and the current TV adaptation of Joseph Heller’s Catch 22. The Quietus’ Luke Turner also joined us and we each chose current favourite tunes and stories we’d seen in the news recently. It you become a Patreon backer of the podcast you’ll get the show at least a day early and an exclusive ‘Extra Bit’ each week, where we describe our worst and best festival experiences this time round.
The current musical landscape is awash with great new music in equally great design and packaging – at least in the independent sector, I can’t speak for the mainstream because I rarely dip my toe in. On the fringes there are some fantastic records and tapes being made and I’ll attempt a potted round up here as much for my own sanity as anything else because I can barely keep up. Phew! This took ages to compile, buying links in descriptions…
Jane Weaver – Loops In The Secret Society 2xLP (Fire Records) A gentler, deeper, cosmic take on parts of Jane’s last two albums, The Silver Globe and Modern Kosmology, with new tracks and interludes to tie it all together into one sublime trip. Buy here NOW!
Luke Vibert – Valvable 2xLP (Balkan Vinyl) – Luke makes an entire double album using only a Roland TB303, TR808 and JX-3P, on random variant coloured vinyl. It’s funky, minimal and instantly recognisable as Vibert. Coloured and black vinyl has sold out at the label’s Bandcamp but check the shops as black variants are shipping this week.
Various Artists – Corroded Circuits EP 12″ (Downfall Records) Great contemporary acid, ConSequence‘s ‘Glass Of Water’ is one of the most joyous, funky pieces of dance music I’ve heard all year. Downfall shop – warning, no digital.
Beans – Triptych (Gamma Proforma) A curveball from Gamma, who ceased operations a while back, these are the last two releases from that phase of the label, finally released. The Beans album is a collection of works from 3 albums that were released simultaneously and isn’t available in any usual retailers unless directly from either Beans, artist O.Two who hand-painted all 140 of the covers or Rob at Gamma. The shame is that it’s a cracking hip hop record that’s provided one of the only breaths of fresh air I’ve heard in the genre for years. Worth it for the Broadcast-sampling ‘Pendulum’ alone, destined to be a sought after classic. Listen to selections here
DJ Krush – Cosmic Yard LP (Gamma Proforma) The Krush album was actually released late last year, also has its fair share of banging beats plus two collaborations from old cohort Toshinori Kondo and this one should at least be more generally available. *Also catch him with me in support on July 21st at Oslo, Hackney, London, plug plug*
Vanishing Twin – The Age of Immunology LP/CD/Cassette/DL (Fire Records) One of the albums of 2019 already and a cracking live band – the comparisons with Stereolab and Broadcast are warranted but only a starting point, they’re far more cosmic than that. Beautiful artwork, spiral picture disc version and full colour fold out band poster – a very special record, why they’re not bigger is a mystery to me. Buy here from the label or find the cassette direct from the group’s Bandcamp page.
The Relations – Night’s Prelude cassette/DL (Spun Out Of Control) – Correlations‘ Neil Hale unveils a multi-collaboration side project with touches of psychedelia, krautrock and a lovely cover by Eric Adrian Lee. Buy digital here
Justin Hopper & Sharron Kraus w The Belbury Poly – Chanctonbury Rings LP/CD/DL (Ghost Box)
Another essential GB release – see full review here
Pictogram – Trace Elements cassette/DL (Miracle Pond) Beautiful ambient music from one man graphic factory Nick Taylor on his new Miracle Pond label, is there no end to this man’s talent? Buy Miracle Pond releases.
The Future Sound of London – Yage LP/DL / Humanoid – Built By Humaoid LP/CD/DL (FSOLDigital) – While they finish their Amorphous Androgynous magnum opus, ‘We Persuade Ourselves That We Are Immortal’, there’s more than enough to keep hungry FSOL fans happy. ‘Yage’ from their Dead Cities album has been revived, remixed and expanded into an album and Brian has reactivated his Humanoid alias for a new album of acid experimentation. Order here, including new T-shirts, magazines, posters and more, it’s hard to keep up.
King Gizzard & The Lizard Wizard – Fishing For Fishes LP (Flightless) Back for their first LP of the year (so far) Giz decide to go glam boogie and it works! Comes with full colour fold out poster and seaweed-coloured vinyl.
The Home Current – Civilian Leather LP (Castles In Space) A unique album of 80’s post punk electronics meets Plaid-like hyper-detailed composition, a real mixed bag of a record, sometimes sounding more like a compilation because of the variety of styles. Lovely Nick Taylor cover and inserts too Check it out here
Heat Death – Dalham LP (Castles In Space) – Shades of Boards of Canada permeate this album of instrumental electronica on the now essential Castles In Space label. There’s more going on here than mere BoC pastiche though, I’ve not had enough time with it to fully immerse yet, hear a couple of tracks on the mix below to judge for yourself. Or preview / buy here
Andy Votel – Archipelagogo cassette (Hypocrite) Soundtrack to the exhibition of Felt Mistress and Jonathon Edwards figures inspired by the work of Tove Jansson and first release under the Votel name for a while.
Colours May Vary in Leeds have copies.
Simon James – Cosmic Surgery cassette / DL (Spun Out Of Control) Soundtrack previously only available with a book gets a full release via the excellent Spun Out Of Control label. It’s hard to keep up with James’ output of late, not only did he release a tape on Nick Luscombe‘s Musicity label of foley and Buchla recordings in China but also has a meditation/relaxation release entitled Space No Space out on Golden Ratio Frequencies at the beginning of July.
Posthuman – Voyager 3 cassette (The Dark Outside) More cassette-only madness with The Dark Outside and a concept album based on the (possibly fictitious – or is it?) Voyager 3 space probe from Posthuman. More ambient than acid, this tape goes deep and needs the full headphone treatment for full effect. Unfortunately this is all sold out so it’s a hunt on the secondary market for this one. UPDATE: Digital is now available here
Various artists – WXAXRXP 30 broadcasts (NTS) Boards of Canada dropping a rare mix of inspirations scattered with little unreleased sketches from their archive, Autechre delving into their unreleased pre-Warp tape archive, Brian Eno with Extinction Rebellion, Aphex Twin live sets, a vintage mix tape made by Trish from Broadcast, unreleased Mark Pritchard club edits, Warp really know how to celebrate a birthday in style. 100 hours of exclusive material, they even played my Blech 20.1 mix from 10 years ago as well apparently
If you want to hear some of the above then here’s a recent Out Of The Wood radio show I did for WNBC.London which features selections from about 50% of the above and other recent purchases.
Forthcoming:
Clocolan – It’s Not Too Early For Each Other cassette, July
As One – Communion LP (De:tuned) – First new album from Kirk DeGiorgio in 10 years with a cover by yours truly. Also don’t forget the monthly DE.10 releases (up to #5 currently) of a variety of artists celebrating a decade of the Belgian techno label. Listen on their Soundcloud
Tomorrow Syndicate – Citizen Input mini LP (Polytechnic Youth) Who knows what this will bring but the previous LP was one of my albums of the year.
King Gizzard & The Lizard Wizard – Infest The Rat’s Nest – yes, another LP, album no.15, merely 2 months after the last, rumour is that this is the heavy thrash record fans have been waiting for.
Nutters, no idea what is going on but looks like the thrash metal album is go
Invest The Rat’s Nest – album XV – out Aug 16th on Flightless Records
– Deluxe yellow and black galaxy wax (2000 copies)
– Deluxe black smokey wax with brown, red & gold heavy splatter (2000 copies)
– Deluxe highlighter yellow wax with blue & green splatter (2000 copies)
– Gatefold sleeve with matte lamination
– 24″ x 36″ fold out wall poster
– 4″ iron on embroidered patch
– Record sleeve comes packaged in a custom paper bag
– Comes with FLAC Lossless Download of the album
Last weekend I did the rounds of some current and newly-opened exhibitions in London, Stanley Kubrick at the Design Museum, Emma Kunz at The Serpentine and Mary Quant at the V&A.
I wouldn’t call myself a Kubrick fan particularly but I’ve always been drawn to the design and imagery in 2001 and A Clockwork Orange in particular and this exhibition doesn’t disappoint on those fronts with many examples of props, artwork and ephemera associated with the films on display at close quarters. Philip Castle‘s airbrush paintings and foreign logo designs are a treat as are the Allan Jones-esque Korova Milk Bar figures and Droog costume.
If you’re a Kubrick fan who hasn’t visited his archive I’d say there is probably everything you could want here. It was particularly nice to view Saul Bass’ concepts for The Shining poster up close complete with letters to Kubrick and the latter’s rejection comments.
Emma Kunz was a wild card, I’d never heard of her but seen the work online and decided to give it a go as I was nearby. Not hugely impressive technically and with little to explain what and why she’d chosen to make these drawings with the most perfunctory titles, I was a little underwhelmed. The art was very hard to photograph in the light of the Serpentine so don’t take these as the complete picture.
For Mary Quant I went for the packaging and graphics more than the clothes (although plenty were to my taste). The slightly confusing layout of the exhibits took some navigating if you wanted a chronological experience but the display design was excellent. I left wanting just a bit more than was on display and if this had been coupled with the content of the recent Fashion & Textlie Museum contents along similar lines then I think it would have felt more fulfilling.
The Delaware Road event in August continues to ramp up the line up as word gets around about it with more announcements to come. This will be a truly unique event, the likes of which haven’t been seen on this scale before. Transplant yourself to a secluded army base in the middle of the Salisbury countryside for over 12 hours of sonic, audio visual and performance-based adventures in sight and sound with a who’s who of the current crop of leftfield electronic, weird, and experimental practitioners working on the margins today. Buried Treasure, the label who hosted the last two experiences, have put together a mix showcasing some of the acts playing.
Tickets are available for the event, including group and camping options and follow the Facebook event for updates and competitions to win tickets and packages of merch from some of the featured acts and labels.
Whilst putting together my recent Kraftwerk: Klassics, Kovers & Kurios AV set I’ve been searching for the best quality footage possible for the visuals. One thing that has always alluded me is a decent copy of Roger Mainwood’s trippy video for ‘Autobahn’ that was commissioned by EMI in the late 70’s, originally to be issued on laserdisc. Bad to worse copies have cropped up on YouTube for years, hazy, blurred and cropped, always seemingly encoded from video sources which was the only official release it gained eventually.
Well, I finally bit the bullet and ordered a French DVD compilation of the Halas & Batchelor studio which features a whole host of animations, including the aforementioned Kraftwerk hit. I was expecting a better quality version with un-muddied colours but was blown away by not only the crystal clear clarity of the image (you can see pencil lines on the figures) but also new areas of each frame, much of which had been cropped off when encoded for the web. See above and below for some A/B comparisons of what I’d been missing, the new edition on the right will now be making its way into my future sets for your viewing pleasure.
Just so much going on at the moment, hard to keep track – Record Store Day was great fun, got a few releases (the Yage and Acid 88 releases are excellent, the Stone Tape less so). Played silly flexi discs at Audio Gold with Shane Quentin first thing, the shop was bustling and my Jonathan King ‘Lick A Smurpf For Christmas’ disc got a cheer. The staff generously treated us to pizza and drinks as well as pushing a couple of filthy flexi’s my way – thanks guys!
Excellent package of the day goes to the Kubrick 7″ from Silva Screen which is a delight on many levels even though it’s actually Wendy Carlos arrangements re-recorded by Mark Ayres and not quite what it was sold as on the original RSD info mail out. The Acid 88 design is also particularly tasteful with the label designs causing some excellent flickering motion when revolving.
After this we headed down to Palace Vinyl in Crystal Palace for a bit of acid techno with the Downfall crew and a dig through their considerably stuffed crates – if you want any kind of secondhand electronic dance music from the last 30 years then this is the place to go although they mainly sell online. The new Corroded Circuits EP on their label is another winner.
Last stop was the Book & Record Bar in West Norwood where we nearly didn’t get in it was so packed for the showing of Shawn Lee‘s ‘The Library Music Film’, a 2 hr journey through the medium that had our legs aching as we had to stand the whole way through. Records were bought, played and beers consumed afterwards too and it rounded off a great day with friends and a set from King Michael that culminated in a shop-clearing Goblin tune.
Monday saw a private showing of Vickie Bennet‘s ‘Gone, Gone Beyond’ 360 degree film at Goldsmith’s College, a kind of fever-dream across multiple screens with surround sound that made me wonder if she was sane. Collage cross-referencing across multiple decades and genres was the order of the day with a particularly successful hall of mirrors sequence and crazed compression of what seemed like my 70’s childhood for a finalé. If you get the chance, go and see it but it’s only showable in a tiny amount of spaces due to the nature of the surround medium.
Tuesday night saw Shane, myself and Jonny Trunk at Spiritland in Kings X for the Wobbly Sounds book launch, playing flexi discs on their mega sound system – it sounded awful! 😀 It didn’t matter though as the place was packed and everyone had a great time, especially the Four Corners Book publishers Elinor and Richard. I ended up chatting to actor Paul Putner (aka The Curious Orange from This Morning With Richard Not Judy among many other roles) who is a massive music fan who really knows his stuff.
Off to Bristol this Saturday for the second performance of my Kraftwerk: Klassics, Kovers & Kurios AV show at the Cube Cinema with DJ Cheeba, which is sold out! There are two mixes forthcoming this month too, one imminently and one on the 27th – both very different, more info soon.
This is why Ruben Sutherland is one of the trippiest animators out there – new Sculpture release just out – Tapegrot Vol.1 – a digital EP on their freshly-baked label Plastic Infinite.
The BFI are showing Kubrick’s Clockwork Orange again and have commissioned a new poster and trailer for the occasion, I think it’s the 50th anniversary this year? Not sure of the designer here but beautiful homage is paid to Philip Castle‘s classic original poster.
One of the reasons it’s been so quiet on here this year is because I’ve had my head in the video editing suite for this Saturday’s premiere of my new AV show; Kraftwerk: Klassics, Kovers & Kurios. I’ll be taking this up to Manchester for its initial outing, at The Deaf Institute, who have previously hosted my other AV sets (why should London have all the good stuff first?). Tickets are available here
The show (at the moment) is very dance-orientated with the obvious techno, electro styles accompanied by hip hop, samba, breaks, mash ups and maybe a bit of juke if I can make it fit. Above is a tiny excerpt from one track where I got a bit carried away. The show takes the band’s various eras, looks and line ups and combines them into a 60 track, 90 min+ collage of Teutonic Techno, European Electro & Kraut Crunk together with the visual history of the group. I’ve really dug around for old archive for this one, which is hard on the older material as there is so little and in bad quality but I’ve been collecting this stuff since the early ’00s so have a fair bit. Below are some screen grabs of an Italian performance of Pocket Calculator where the cameraman really wanted to know what they were playing.
Less than a month to go – my AV series #3 debuts at The Deaf Institute on Feb 9th – a new Audio Visual set of Kraftwerk-orientated covers, samples and classics.
Bookings via Ben Child at Hot Cakes