I mistakenly listed last week’s mix as Part 2 for some reason, probably because it was that way wrong on the PRS sheet despite an opening sample starting, “tonight on Solid Steel we have… “. Anyway, tonight we have a lesser known Boards of Canada remix from Funkstorung’s Michael Fakesch’s first solo single, ‘Demon. 1’ opening the show. It flows into a Pilote track I’d completely forgotten but am very glad to be reminded of (bit out of tune but have you ever tried mixing Boards with anything melodic? Virtually impossible).

The Psychic Warriors Ov Gaia track is one of my very favourite techno tracks of the 90s, as you can hear by my attempt to mix the whole thing in and under Four Tet’s ‘Glasshead’ despite the latter being loose as hell and the tuning being off, bass lines fighting etc. Trevor Jackson’s Output label was really firing on all cylinders around this time, his Skull EP, Kieran’s 12” and 7-Hurtz’ first release, all top drawer material and we’d hadn’t even got to the DFA connection yet.

Part 2:
MICHEAL FAKESCH  – SERFAISE (BOARDS OF CANADA MIX)
PILOTE – JUNIOR
PSYCHIC WARRIORS OV GAIA – OBSIDIAN
FOUR TET – GLASSHEAD
7-HURTZ – 7-HURTZ THEME
PSYCHIC WARRIORS OV GAIA – OBSIDIAN

We’ve had a lot of the ’00’s recently so I thought I’d reach back into the 90s a bit and pulled these from the DAT files, a couple of mixes from the same show near the end of ’99. Both are quite different so I’ve split them up as the part 1 and 2 that I recorded them as. We kick off with a hip hop-heavy half hour full of crashing beats and samples from a time when R’n’B hadn’t quite started to invade hip hop and the underground scene was in rude health.

Trevor Jackson’s Skull alias kicks the door in and crops up later too, there’s a healthy UK/US crossover with The Herbaliser collaborating with Latyrx on ‘8 Point Agenda’. I can hear a few samples that were floating around during the making of ‘Kaleidoscope’ in this and we would have been finishing it around this point. The computer ‘ghost voice’ also appears, programmed from an app and used as a presenter for the mixes as we’d left KISS FM by this time and were either recording mixes up at Ninja HQ in Ahead of Our Time studios or at home. There was no way to talk on the mic in the studio and, freed up from the need to play ads and ‘reads’ for the station, we just got on with the music. Streaming in a basic form was being explored by Matt Black via the Ninja Tune website ‘Pipe’ and track lists could be posted but this was early days and only a few were engaged on that level. This was sort of a wilderness period when we weren’t officially on the radio, just the web but we never stopped recording a show each week. Coldcut were very insistent that we keep going and not stop the weekly routine as something would come up, and it did in the form of the BBC a year down the line.

Porn Theatre Ushers’ ‘Me & Him’ is an under recognised classic and Public Enemy had made a decent enough single to get featured after a string of so-so releases. I first heard the second Skull track appearing here at a gig I was doing with DJ Vadim somewhere, he played the track from the beginning and let it run to an increasingly puzzled crowd, once the beat dropped everyone was on board though and I had to know what it was. The looseness and uniqueness of the production really made you stop in your tracks and pay attention. Finishing off with Shadow’s Lifer’s Group remix which got bootlegged at some point in the 90s along with the Zimbabwe Legit mix, this is pretty straight up but leads us into a more mellow late night techno excursion next week.

Part 1:
SKULL – SPAZTIK
THE HERBALISER – 8 POINT AGENDA
D.I.T.C. – GET YOURS
STEADY – TRICKNOLOGY
PORN THEATRE USHERS – ME & HIM
SKULL – CRASH
PUBLIC ENEMY – WHAT WHAT
LIFERS GROUP – THE REAL DEAL (DJ SHADOW REMIX)

My archive disc says this is an extended version and it clocks in at 69 minutes so there’s an extra 9 minutes that wouldn’t have been on the Solid Steel broadcast.
The lovely sax sample used in the intro is from Stan Getz‘s ‘Soul Dance’ that also crops up in full later and he features twice here. That track reminds me so much of pillaging the easy listening bins for Command, Project 3 and others on North American tours. The Jim Backus record (the voice of Mr. Magoo and also God on a recent rock opera I found) was absolutely scratched to bits but I managed to clean it up. Who knew that that Bonobo remix of Pilote would wind up on a phone advert and he’d go on to become not only one of the biggest Ninja artists but one of the biggest on the world stage? Ah, this Neotropic stuff slays me every time, her best album of the era, ‘La Prochaine Fois’ is an electronic folk masterpiece, great memories associated with that one.

I think the comedy inserts throughout about the car starting and the radio DJs are from a Robert Klein comedy album, ‘Child of the Fifties’ (also check his ‘Mind Over Matter‘ release). He was a comedian who also did a radio show in the late 70s and early 80s, some of which were syndicated and pressed onto vinyl. So much great stuff in here that I’d forgotten, the Groop track, ‘Moonbase‘, a nice slice of psych on Jazzman offshoot, Stark Reality, Ian O’Brien‘s beautiful ‘Midnight Sunshine’, cLouddead‘s ‘Jon Abercrombie-sampling ‘Jimmy Breeze’. Sixtoo‘s ‘Work In Progress’ is still some kind of crazed masterpiece, shame about the tuning in the mix! I remember going to his apartment in Nova Scotia before he moved to Montreal and him playing us demos of forthcoming tracks, telling tales of neighbours banging on the door complaining about the noise (something he recorded for a future release). We went digging with Dynamic Syncopation and Fink in the freezing weather on a Sunday with huge icicles hanging off gutters and spent all afternoon in a local record store with condensation steaming up the windows, when we emerged hours later it had snowed and the whole street was covered in fresh powder. The second appearance of Stan Getz features my favourite song of his, ‘Bonjour Tristesse’, a beautiful track from his ‘Communications ’72’ album and something I ended up featuring in my live turntable re-score of The Monkees’ ‘Head’ film around this time.

As you can see from the sticker accompanying the tracklisting, this was from the period when Solid Steel was on BBC London, or LDN as they rebranded it. After Stan we have the extended content including another great lost artist, Broadway Project, who also samples the same track as cLouddead earlier. I believe he largely writes for film and TV these days although has recently upped loads of work to Bandcamp. The ‘William Tell Overture’ version I have no recollection of but looking it up, it’s from the Zachariah soundtrack which has some superbly weird moments as I recall. Tony Mottola‘s smoother than smooth version of ‘Spinning Wheel’ plays us out, coupled with more Robert Klein. This was definitely a phase I was going through.

Track list:
Phase 3
Jim Backus & Friend – Delicious
Pilote  – Turtle (Bonobo remix)
Neotropic – Still
Neotropic feat. Shorti – Memories
Groop – Moonbase
Mike Sharpe – Spooky
The Allies – D-Day
Ian 0’Brien – Midnight Sunshine
Stan Getz – Soul Dance
Phase 4 
cLOUDDEAD – Jimmy Breeze
Tortoise – Seneca
Dakota Oak – How Danny’s Friend Became A Force For Good
Neotropic – Je Suis
Sixtoo – Work in Progress
Stan Getz – Bonjour Tristesse
Broadway Project – Life of a Refugee
Jimmie Haskell – William Tell Overture
Tony Mottola – Spinning Wheel

Approximately 12 years ago this weekend I played my first set at a Halloween-themed version of Posthuman’s I Love Acid parties (see graphic above I made for a DVD of visuals I compiled for the set). Whilst there’s no recording of that set that I know of, there are photos as I took my good friend, photographer Martin LeSanto-Smith, along with me and he ended up shooting countless nights of the parties for them afterwards.

Roughly three and a half years earlier I’d put together a mix christened ‘Rave New World’ for Solid Steel, full of old late 80s and early 90s favourites which isn’t far off some of the Big Fish Little Fish or acid 45 sets I’ve been doing in recent years direct from only 7” vinyl. I’m not sure what prompted this collection of tunes at the time but I still stand behind each and every one of them.

The first track after the intro is from a clear flexi disc I’d traded with someone with no info at all on it (re-edited to say me name at one point) which I’ve since found out the origin of. Without Discogs to provide this valuable information I was in the dark for years but the full story behind this can be found here as part of my Flexibition entry of party and rave invites.

A couple of notable debuts feature later in the mix in the shape of Aphex Twin (Pacman) and Autechre’s debut release, two slices of hardcore from before they found their voice. I don’t know what to say about any more of these tracks as I love them all so much – the set gets heavier and heaver as it goes on so you have been warned. There’s a short, mystery track unlisted at the end that I have no recollection of putting there and can’t remember who made, let’s just leave it that way.

Track list:
Redruth – Solid Steel intro
Strictly Underground – lllegal Rave II advert
808 State – Cubik
Doug Lazy – Let It Roll (accapella)
John & Julie – Circles (Spiral mix)
Bam Bam – Give it To Me
The Destroyer – Senses (Hooligan mix)
DJ Dick – Weekend
GTO – Listen To The Rhythm Flow (remix)
Future Sound of London – Papa New Guinea
Meat Beat Manifesto – Radio Babylon
Incubus – The Spirit
Eon – Fear: the Mind Killer
Hardfloor – Hardtrance Acperience
Meat Beat Manifesto – Mindstream (Orbital remix)
Pacman – Power Pill
Autechre – Cavity Job
Sulphuric – The Acid Chamber
Vapourspace – Gravitational Arch of 10
The Hypnotist – Hardcore U Know the Score (remix)
The Hypnotist – House Is Mine (GTO remix)
Wiseblood – Death Rape 2000
Amen Andrews – Fear
Squarepusher – Come On My Selector
Aphex Twin – Cock 10 (Delco Freedom mix)
Caustic Visions – cvthru202
DJ Redoo – Bulldozer

I realised we hadn’t had anything from 2004 yet so went to find something from around this time back then. Just over 16 years ago the world was a very different but no less scary place, 9/11 had happened and the Iraq war was in full flow, as evidenced by some of the cut up speeches from George Bush Jnr. near the end of this mix. Despite that, this mix features an assortment of versions, covers and parodies of classic tracks as a running theme. From 60s pop to piano ballads, reggae mash ups (when they were still a new thing) and string versions. You can still hear the fallout of the bootleg craze and Armando Ianucci spoken word crops up throughout, possibly from Time Trumpet?

This mix is an odd one with virtually no contemporary tracks save for maybe the Depeche Mode remix and the M83 track at the end. It was also put together partly digitally as there are a lot of overdubs and extra touches. By the 00’s I was fully utilising the editing capabilities of Cubase to chop up and overlay mixes from the decks and construct sets that had a lot more going on in them than just a pair of records being played. The availability of more digital music via the web meant that songs could be edited in that I didn’t have physical copies of but this was still a year or so before I got Serato and was able to mix the two formats more easily.

Incidentally, the mix opens with the winner of the Solid Steel intro competition – an online comp for people to record new intros to the radio show using only the famous bleeps as a guide. It was won by Tom Miller and Jules Green – who both went on to set up the Keep Up! label and later, Tom with Shapes of Rhythm – the ‘version galore’ sample in their intro gave the mix its title. Les Surfs, who start the mix proper, released a ridiculous amount of singles during the 60s including this version of ‘The Clapping Song’ which I was collecting copies of at the time. The two versions of ‘Wild Thing’ later on are both sides of a mid 60s 7” I picked up somewhere in North America, parodying two competing senators recording versions to win votes but both ‘wildly’ out of their depth. Regarding the role call of American actors and musicians and US Army speeches that bookend the M83 track – I can’t recall their origins but both most likely came from the web.

Track list:
Tom & Jules – Version Galore Solid Steel intro
Les Surfs – Clac Tape
Anita Harris – The Clapping Song
Josie & the Pussycats – Clapping Song
Goyte – Just Can’t Get Enough (Mothloop mix)
Depeche Mode – Clean (Colder remix)
Marilyn Manson – Personal Jesus
Unknown – Dr Who theme
String Quartet – Work It Out
Beyonce – Work It Out (a capella)
Leroy Sibbles – Express Yourself
The Killer Meters – Just Kissed My Baby
Hot Paste – Make It Busta
Grandmaster Melle Mel – The Message (Paul Nice bootleg mix)
Bumps Jackson – Funky In Jamaica pt.2
Senator Bobby – Wild Thing
The Party Party / RX – Sunday Bloody Sunday
Senator Everett McKinley – Wild Thing
M83 – Dead Cities, Red Seas & Lost Ghosts

Plus contributions from Beat Street, Mantronix, Armando Ianucci, George Bush Snr and Jnr

This is the other side of the tape from week 15 (which was the week after this) and comprises a mix I did of 45 minutes which is all I have of this show. There may have been more but the cassette ran out. This is still billed as Openmind but Matt Black refers to me as ‘Strictly Kev on the mix’ at one point so this is somewhere midway to coming to the Solid Steel / Ninja fold and becoming a part of DJ Food.
Trip hop and electro is in full flow on this one with the first release on Clear – The Jedi Knights’ ‘May The Funk Be With You’, Afrika Bambaataa and an early Andrea Parker / David Morley production for the Apollo label under the name Two Sandwiches Short of a Lunchbox.

Jon More‘s (then) secret weapon – Forrest J. Ackerman’s ‘Music For Robots’ is deployed for spoken word effect (just wait until we got to Japan in a few years time…) and coincidentally (or maybe on purpose) the Yoshinori Sunahara track that opens the set is titled ‘Music For Robot For Music’.

After that the Art of Noise gets molested by Rick Rubin’s uber slow, ultra heavy ‘Dust Cloud’ from the Tommy Boy ‘Masters of the Beat’ compilation, it doesn’t always work but you can hear what I was trying to do. An early David Holmes mix for Justin Warfield and the Future Sound of London in their Far Out Son of Lung guise both dip their toes in psyched out trip hop with long, tripped out distorted beats and FX, this was the stuff I really loved (and still do) – weird, heavy, psychedelic beats and samples.

I think most people are hip to Justin’s LP debut LP by now, ‘My Field Trip To Planet 9’ – a trip hop classic before the term was even coined, if you’ve not heard it then check it out. The only other things like it at the time coming from the US were bits of Beastie Boys’ circa Check Your Head, some Divine Styler and maybe a bit of the DJ Muggs stable. UK remixes by Holmes, Ashley Beedle and The Dust Brothers (UK version, pre-name change). In a weird twist of fate Justin would soon feature on Bomb The Bass’ ‘Bug Powder Dust’ single which would also sample DJ Food’s ‘Dark Lady’. Sadly he largely left hip hop for more rock-based bands for about 20 years after this although he made another rap album 20 years later and made this astute observation: “The only caveat being I didn’t know what to talk about, and since hip-hop is at it’s best a vehicle for an artist with something he or she has to say, a point of view given voice over beats, and that if you had nothing to say, well…then better to not say anything at all. (A point lost on some modern rappers, and more importantly, the ever-growing audience that gobbles it up).

Track list:

Coldcut – Solid Steel intro jingle
Yoshinori Sunahara – M.F.R.F.M. (Armed)
Boymerang – The Don
Forrest J. Ackerman – Music For Robots
Art of Noise – Moments In Love
Rick Rubin – Dust Cloud
The Jedi Knights – May The Funk Be With You
Afrika Bambaataa & The Soul Sonic Force – Looking For The Perfect Beat (Bonus Beats)
DJ Food – A Little Samba
Afrika Bambaataa & The Soul Sonic Force – Looking For The Perfect Beat (instrumental)
Two Sandwiches Short of a Lunchbox – Too Good To Be Strange
Justin Warfield – Live From The Opium Den (David Holmes Dub)
Future Sound of London – Far Out Son of Lung & The Ramblings of a Madman
Bandulu – Run Run

As we conclude our field trip with Mr Geets Romo and the hopelessly out of his depth square narrator, played by Del Close and John Brent on their ‘How To Speak Hip‘ album we continue down the electronic jazz path of the late 90s. The Death track came on a silver 12” with no labels but a skull sticker listing the components used to make it and I regularly used it as a rhythmic bridge between styles when DJing. Looking it up now I see that it was the only release under this name by Thomas P. Heckman who started making all manner of electronic records in the 90s including starting the Trope label which this is on. It’s great having the internet and Discogs now to look this stuff up, back in the 90s, although we had email and a vague version of the web, it was hard to find out about some of the more obscure releases that turned up in record shops unless they came with a press release or were featured in a magazine.

The Tortoise remix here is by Bundy K. Brown who I was keeping close tabs on after we’d met in Chicago on our first tour of the US and pledged to work together. I love his remixes, there’s something about the way he puts things together with both a musician and engineer’s mind that brings out unique results. I love the way he draws things out here, the groove and mood gently unfolding with minute changes. Also, this one is LONG, so much so that I play the whole of the next record over it and barely get time to mix another track in before that’s ended.

Those records being Jamie Hodge’s Born Under a Rhyming Planet alias and Kingsuk Biswas’ Bedouin Ascent with their takes on electronic, abstract jazz. Both were prolific in the mid 90s and then went quiet as the 00’s appear, neither having released any music for over a decade now. Kingsuk especially I thought could have been as big as Aphex or label mate Luke Vibert, his complex angular rhythms were like no one else’s. Following this we have a track from the rare MASK 400 12” from Gescom’s Skam label, which sees Grace Jones’ ‘Private Life’ remixed by Post which may have been an alias for Mike Williamson. We get another (very out of tune, mix wise) track from Papa Blue’s ‘En Velo’ 12” (remember, cheap over on Discogs) and ‘Proxima Session’ was from a 12” entitled Jazz Roux by Uriel who followed a similar pattern to others here by being super active in the mid to late 90s and then disappearing.

Track List:
Del Close & John Brent – Field trip no.3
Death – Electronic Realisations 2
Tortoise – Find The One (Wait , Abstraction No.3)
Born Under A Rhyming Planet – Spasm Band
Bedouin Ascent – Internal Bleeding
Grace Jones – Private Life (Post remix)
Papa Blue – Luna en la Pampa
Uriel – Proxima Session