According to Sesame Street, who celebrate their 50th anniversary this year, Walt Kramer‘s ‘Pinball Number Count’ (featuring the Pointer Sisters on vocals) debuted today 43 years ago in Season 8 of the show. To celebrate they’ve made an online pinball game version that you can play here.
Of course Ninja Tune were the first label to release the track on vinyl back in 2003, on the B side of the Larry Levan remix of ‘C Is For Cookie’, which I also had the pleasure of designing the sleeve for.
I was very saddened to hear of Ken Nordine‘s passing today at the the age of nearly 100, my consolations go out to his family. I was first introduced to his amazing voice via a Rhino Records CD compilation of the best of his Word Jazz albums that Mixmaster Morris played me back in 1993 and I instantly became a fan. Finding his records and any info on him in the pre-internet / pre-eBay days was difficult but the excellent ‘Incredibly Strange Music vol. II‘ book held a fascinating interview with him about his career so far. Upon first traveling to the US in the mid 90s, his records were top of my wants list and I managed to find copies of most of his catalogue before hoovering up more in the early 00’s via eBay.
PC and I were privileged to record a version of his piece, ‘The Ageing Young Rebel’, with him back in 2000 for our album, ‘Kaleidoscope’ and it remains one of my favourite collaborations from that time. Over 20 years ago I interviewed him for Solid Steel at Coldcut‘s Ahead Of Our Time studios near London Bridge whilst he was in London playing the voice of God in a Laurie Anderson play – he was cast perfectly. During the interview he was funny, playful, humble and extremely on the ball, at one point striking up a dialogue with the squeaky chair he was sitting on. RIP Ken – you were unique, so glad we met. Listen to our interview below
The line up for this summer’s Delaware Road event at a secret army base in Wiltshire is finally confirmed and Buried Treasure – the label run by Alan Gubby who set up the gig – is dripping out performer names and info over the next few weeks. I’ll add them as they appear – Collect the set! This will not be like any other festival you attend this year. A new dedicated website explains all and there is a bus service you can book to get you to the venue.
Tickets are available here
….and last but not least – the master of ceremonies….
Out today: #1 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Listen:
Pre-orders available now:
Phonica: bit.ly/2BypxZV • Bleep: bit.ly/2HUwLOw • Japhy: bit.ly/2Gejlv8 • Red Eye: bit.ly/2F8v4ut • Norman: bit.ly/2HffoaD • Deejay: bit.ly/2Vu5NQk • Decks: bit.ly/2BvWTso • Rush Hour: bit.ly/2H9ev3B • Triple Vision: bit.ly/2zsIpJt • Juno: bit.ly/2Fa03q3
Nicked from Brandon Graham‘s Instagram last week, I increased the saturation on the colours to make it pop a bit.
One of the reasons it’s been so quiet on here this year is because I’ve had my head in the video editing suite for this Saturday’s premiere of my new AV show; Kraftwerk: Klassics, Kovers & Kurios. I’ll be taking this up to Manchester for its initial outing, at The Deaf Institute, who have previously hosted my other AV sets (why should London have all the good stuff first?). Tickets are available here
The show (at the moment) is very dance-orientated with the obvious techno, electro styles accompanied by hip hop, samba, breaks, mash ups and maybe a bit of juke if I can make it fit. Above is a tiny excerpt from one track where I got a bit carried away. The show takes the band’s various eras, looks and line ups and combines them into a 60 track, 90 min+ collage of Teutonic Techno, European Electro & Kraut Crunk together with the visual history of the group. I’ve really dug around for old archive for this one, which is hard on the older material as there is so little and in bad quality but I’ve been collecting this stuff since the early ’00s so have a fair bit. Below are some screen grabs of an Italian performance of Pocket Calculator where the cameraman really wanted to know what they were playing.
Less than a month to go – my AV series #3 debuts at The Deaf Institute on Feb 9th – a new Audio Visual set of Kraftwerk-orientated covers, samples and classics.
Bookings via Ben Child at Hot Cakes
The latest release from Shapes of Rhythm (Tom Central‘s label) is from a new duo from Wroclaw, Poland, Gaijin Blues. The band certainly know how to throw everything at the record and there’s a big Japanese influence running through their music – channeled via Poland – never sitting still long enough for you to pin them down.
The EP is out Feb 1st but is up for pre-order now
In another premiere for the label, they’ve got an extremely limited run of screen prints of the cover illustration up for grabs too by my sometime screen-printing cohort, Hannah Brown, aka Kvist. You can order one here
I was asked in the last post if The Simonsound were still going? Well, now that you mention it, Simon James has just released a cassette of recordings he made in China last year via Nick Luscombe’s label. ‘Musicity 003 – Shenzhen / Shanghai’ appeared just before Xmas so was easy to get lost in the rush before the end of year, it’s a progression from previous works, consisting of field recordings and Buchla treatments of strange and private areas of the cities that the public might not hear. As of writing there are less than 20 cassettes left but the digital release includes multiple bonus tracks that take the playing time to over 2.5 hours.
Annnnnd we’re barely into the new year and there’s a Ghost Box record in the inbox, new Pye Corner Audio, sounding excellent to these ears on the second listen today. I found his first for the label a game of two halves, wasn’t keen on side A but side B did it for me. His second, ‘Stasis’, was much better and ‘Hollow Earth’ is sounding very good too. Supposedly a companion to ‘Stasis’, it mines the same dark channels but with an increasing nod to 80s synth soundtracks and 90’s era techno like The Black Dog (‘Bytes’ era) and B12. Beautiful artwork as always from Julian House, can’t wait to see one of these in the flesh! Out on LP / CD / DL Feb 15th, pre-orders up now.
Two extra tracks on the CD plus a bundle deal with ‘Stasis’ elsewhere in the shop. Listen here
It’s the end of the year and reading down the list of sounds that have moved me most in 2018 I’m struck by how much new music there is after years of digging a lot of reissues over current styles. This may well be because the well is finally running dry on a lot of the stuff I’m interested in but more likely that the old adage of great music being made in times of great strife is coming home to roost again. There is no order to the lists below, no No.1 or ‘best’ of anything although they are mostly chronological as I write stuff down as I hear or see it.
Special mentions though for the Castles In Space label that continues to go from strength to strength, the Confidence Man album which got a lot of play despite me missing them live twice. Trevor Jackson‘s beautiful design for his ‘System’ CD and cassette, so good I bought it three times, The Advisory Circle‘s ‘Ways Of Seeing’ LP and the Tomorrow Syndicate‘s excellent ‘Future Tense’ album, complete with Nick Taylor artwork.
Supporting both The The (on several UK dates) and the Art Of Noise was the stuff of teenage dreams and the former’s biography by Neil Fraser is a fascinating read. The Karminsky Experience Inc.’s ‘See Inside’ VR single was a genuinely eye-opening experience and having them and Markey Funk down at Further was a treat. Walking into the House of Illustration‘s John Vernon Lord exhibition to be unexpectedly confronted with the original drawing of his 1966 masterpiece, ‘Beneath The Tree’, was the art high of the year and the People’s Vote march in October restored my faith in humanity for an afternoon. Electronic Sound magazine continues to excel and their first LP release, Jack Dangers‘ remix of Terry Riley‘s ‘In C’, was another disc that saw a lot of play this year.
On Dec 23rd I played a lot of my favourite releases of 2018 on WNBC‘s Out Of The Wood show which you can hear below, complete with mic. fluffs and wrong track listings.
As we go into 2019 I’m dreading the first three months, leading up to the Br*x*t deadline, hoping against hope for a last minute chance to reconsider but bracing for a fallout post 29/03/19 that could see chaos come to the UK. I hope that I’m writing a more positive missive this time next year, if not then at least the music will only get better and better…
Music / chat:
The Karminsky Experience Inc. – See Inside 7″ (Patterns of Behaviour)
King Gizzard & The Lizard Wizard – Gumboot Soup LP (Flightless)
Beautify Junkyards – The Invisible Worlds of LP (Ghost Box)
Basil Kirchin – I Start Counting LP (Trunk)
Bigmouth podcast (Audioboom)
The Turbans – Baba Ganooz 7″ (Mona Tone/Delights)
Cavern Of Anti-Matter – Hormone Lemonade LP (Duophonic)
The Advisory Circle – Ways Of Seeing LP (Ghost Box)
Janelle Monae – Make Me Feel (single) (Wondaland)
Confidence Man – Confident Music For Confident People LP (Heavenly)
Concretism – For Concrete & Country LP (Castles In Space)
Trevor Jackson – System CD (Pre_)
Tomorrow Syndicate – Future Tense LP (Polytechnic Youth)
Chaka Khan – Like Sugar (single) (Dairy)
Jonny Trunk – OST show (Resonance FM)
Regal Worm – Pig Views / Use And Ornament (Uranium Club)
Meat Beat Manifesto vs Terry Riley – In C (Electronic Sound)
Patrick R. Park – Library Sounds LP (Castles In Space)
David Shire – The Conversation LP (Trunk)
Amgala Temple – Invisible Airships LP (Pekula)
Adam Buxton podcast
Type 303 – The New Ravelution EP (Insult To Injury)
Luke Vibert – 165 303 – from the Gradients vol.2 LP (Astrophonica)
Luke Vibert presents Garave vol.1 LP (Hypercolour)
Kosmischer Laufer – Vol.4 LP (UCR)
Packaging / design:
The Karminsky Experience Inc. – See Inside VR glasses (Patterns of Behaviour)
Chop – CDL 10″ (Drumetrics)
Concretism – For Concrete & Country LP (2nd edition) (Castles In Space)
Trevor Jackson – System 1st & 2nd edition CD + Cassette (Pre_)
Sculpture – Nearest Neighbour Cassette & comic (Tapebox)
Tomorrow Syndicate – Future Tense Regular + Ltd Ed. LP (Polytechnic Youth)
Spider Jazz – splatter vinyl edition LP (Trunk)
Spun Out Of Control vinyl + cassettes
Aver – River of Ice Cream 7″ promo flexi disc
Listening Centre 5″ lathe cut picture disc (Polytechnic Youth)
Books/Comics:
VS – Ivan Brandon / Eric Ribic (Image)
A Year In The Country ‘Wandering Through Spectral Fields’ – Stephen Prince
The Adventures of Jodelle – Guy Peellhaert (Fantagraphics)
Batman – White Knight – Sean Murphy (DC)
Orla Kiely – A Life In Pattern (Octopus Books)
Electronic Sound magazine
Unusual Sounds: The Hidden History of Library Music – David Hollander (Anthology Editions)
House Industries – The Process Is The Inspiration (Watson-Guptill Publications)
Sculpture – Nearest Neighbour comic (Tapebox)
Proxima Centuri – Farel Dalrymple (Image)
Doomsday Clock – Geoff Johns / Gary Frank (DC)
Saga – Brian K. Vaughn / Fiona Staples (Image)
Long Shadows, High Hopes – Neil Fraser (Omnibus Press)
Judge Dredd – The Small House (Rob Williams & Henry Flint) (2000AD/Rebellion)
Lawless – Dan Abnett / Phil Winslade (Judge Dredd Megazine/Rebellion)
Pete Fowler – Decades of Lead (Unbound)
Diary of a Bookseller – Shaun Bythell (Profile books)
Film/TV:
Inside No.9 series 4 + Halloween special
The Inertia Variations documentary
Flowers series 2
Avengers: Infinity War
Yellow Submarine 50th anniversary remaster
The Karminsky Experience Inc. – See Inside VR + packaging
Bobby Gillespie on Newsnight
The Clock – Christian Marclay, Tate Modern
Bros: After The Screaming Stops (BBC)
Events / Gigs:
Art of Noise, British Library
‘O Is For Orange’ premiere Archspace, London
The The, Albert Hall, The Troxy, London, Royal Concert Hall, Glasgow
The Crystal Palace Festival afterparty @ The Paxton Pub, Gypsy Hill, London – one of those gigs where every track flows and lands just right.
The Indie Label Market, Spitalfields, London
The People’s Vote march in October
Jane Weaver at EArtH, London
The Soundcarriers, Gloria and Strange Majick @ The Victoria, London
Dirty Fan Male at the Bethnal Green Working Man’s Club, London
Exhibitions:
Sister Corita Kent – Ditchling Art & Craft Museum
Orla Kiely – Fashion & Textile Museum, London
Aphex Twin posters – Elephant & Castle underground, London
The Shape of Light, Tate Modern, London
May The Toys Be With You – New Walk Museum, Leicester
John Vernon Lord – The House of Illustration, London
Peanuts – Somerset House, London
Daniel Mullen – Lisa Norris Gallery, London
“Another year over and what have I done?”
Designed Peshay‘s ‘Reflections’ LP for the De:Tuned label
Created a 3 minute spoken word collage for Penguin/Random House‘s Voices event at the London Palladium on World Book Day
Supported the Art Of Noise at The British Library
DJed multiple times at Secret Cinema presents Blade Runner
Opened for The The at several of their UK gigs including the Royal Albert Hall, Brixton Academy, Glasgow Barrowlands and Glasgow Royal Concert Hall
Further at the Portico Gallery with Pete Williams, Markey Funk and the Karminsky Experience Inc.
Designed a nine disc set for De:tuned‘s forthcoming 10th anniversary releases
Mixes for Solid Steel, 45 Live, Brokers, Rat Records, Out Of The Wood, Diggers Dozen and radio show appearances for Resonance and Soho Radio
Overhauled my Openmindesign.uk website
RIP: France Gall, Ken Dodd, Stephen Hawking, Matt Dike, Lovebug Starski, Jabo Starks, Tom Wolfe, Aretha Franklin, Orla Kiely shops, Carlos Ezquerra, Paul Allen, Stan ‘The Man’ Lee, HMV, June Whitfield.
Looking forward to: The Delaware Road 2019, Keith Haring retrospective at Tate Liverpool, the Wobbly Sounds book, Further at the Ace Hotel, Sister Corita Kent at the House of Illustration, De:tuned‘s monthly 10th anniversary 12″s, Avengers: Endgame
Happy New Year!
I’m very pleased to have been asked to design the De:tuned label’s 10th anniversary releases, nine 12″s released monthly throughout 2019, which they have just announced. The above image is a representation of elements of the nine sleeves which, when put together, form a larger image. I’ll be posting them here as they’re released along with pre-order links, the line ups are a who’s who of electronica from the past 25 years, some of which are revealed below.
“De:tuned celebrates their 10th anniversary with a 10 part EP series released across 2019. The first part is planned for February and the project will continue each month throughout 2019. The artwork of the first 9 releases of the series forms a 3 x 3 poster display.
PRE-ORDER l Phonica: https://bit.ly/2QNtuVi
De:tuned have called on designer Kevin Foakes (Openmind, DJ Food, Ninja Tune) to create all graphic work.
‘DE:10.01’ kicks off with a special treat from the golden 90s era: on offer a welcome combination of previously unreleased DAT material by Kirk Degiorgio and affectionate As One remix treatments of both original Sensurreal and Jedi Knights (Mark Pritchard and Tom Middleton) work, pure bliss.
PRE-ORDER l https://bit.ly/2BypxZV
The second EP of the series dives deep down into the ambient techno world. The A side makes you drift away on a rare Sun Electric get together, followed by a beautiful Higher Intelligence Agency piece. DeepChord’s dubbed lushness completes this highly intense journey.
PRE-ORDER l https://bit.ly/2LtqIOZ
John Beltran, Mark Archer, Future Beat Alliance and max 404 line up on the third 10 years anniversary 12″ for De:tuned. Both John and Mark deliver a timeless, Detroit indebted techno vibe, resulting in 2 dancefloor-friendly tracks. FBA and max 404 activated their DAT recorder and struck gold with previously unheard crisp yet sensitive cuts.”
PRE-ORDER l https://bit.ly/2ByYTQA
Tickets are already on sale and the line up is being drip feed out over the Xmas period for The Delaware Road‘s third incarnation next August at a secret military base somewhere in Salisbury. This promises to be the biggest and most ambitious version yet, and those who were present at the first two will know that there is nothing quite like them. I’m very pleased to be asked to play for a second time and so far the whole line up is looking like a who’s who of the leftfield electronica/radiophonic/hauntology scene. Put August 17th in the diary and get in on the early bird tickets before they’re gone.
“A unique festival of music, theatre, film, sound & light inside a secret military base near Stonehenge.
Featuring an incredible line up of artists, DJs, video producers, sound designers, record labels, speakers, writers, illustrators & agitators. Gathered inside the austere military complex of New Zealand Farm near West Lavington, artists will perform work inspired by landscape, myth, broadcast propaganda & the transformative nature of sound.
Performances start at 5pm Saturday evening & end at 3am Sunday morning. Licensed bar, food & merch stalls.
Overnight camping & parking. This event contains adult themes & strobing effects. Under 18s must be accompanied by a responsible adult.”
The line up so far:
THE SEANCE / FRONT & FOLLOW / KEMPER NORTON / THE SLOWEST LIFT / EMBLA QUICKBEAM / ARC SOUNDTRACKS / DJ FOOD \ SARAH ANGLISS / CLAY PIPE MUSIC / SIMON JAMES / REVBJELDE / CASTLES IN SPACE / THE TWELVE HOUR FOUNDATION / CONCRETISM / POLYPORES / PSYCHE TROPES / SCULPTURE / HOWLROUND / MERKABA MACABRE / A’BEAR / DOUG SHIPTON / NICK TAYLOR / ALISON COTTON / IAN HELLIWELL / RADIONICS RADIO
Tickets : https://fixr.co/event/839412645
I’m loving these new designs by Luke Insect for Margate’s Transmission record shop. Skulls, giant eyeballs in green and orange, you can’t lose. Available now and you get 20% off today if you use the code ‘fuckfriday’.
Big piece on the Fax label by Red Bull Music Academy using my tribute poster to Pete Namlook from a few years back (hi rez downloadable here). They also have a whole host of articles under the umbrella of Synths & Psychedelia that’s worth diving into.
Not much flexi disc action this year aside from the odd purchase here and there but there has been a flurry of activity of late regarding our flexible friends.
First up, Aver from The Natural Curriculum contacted me with a super limited lathe cut flexi promo from his new album, ‘Dressed For CCTV’ – out today. The track is cut onto x-rays of his dad’s broken pelvis from an accident years ago, each one is unique and you can see the various different cuts on his Instagram. There’s only one feature on his largely instrumental album but it’s a big one, Cappo – say no more. You can get the album here
Next up, earlier this week I joined Stephen and Paul of X-Ray Audio fame at Soho Radio to pre-record a one hour show all about flexi discs. We were also accompanied by Barry Cain, one of the original publishers of Flexipop magazine, the anarchic early 80s pop monthly that came with a free disc each issue containing exclusive music from some very big artists of the day (The Jam, Adam & The Ants, Soft Cell, The Cure, Spandau Ballet…).
We all bought a handful of favourite flexi’s to play and Barry showed us a super rare promo compilation of some of the flexi’s the mag had featured, cut onto a vinyl LP. The programme will air mid November as part of a week-long residency by the X-Ray Audio team including five themed shows and an installation in the front of the station.
Lastly, I’m pleased to be involved with a forthcoming book from Four Corners Books called ‘Wobbly Sounds’ which will form part of their Irregulars series of esoteric collections. Jonny Trunk (Trunk Records), Shane Quentin (Garden of Earthly Delights) and myself have pooled our collections of UK-manufactured flexi discs for a selection of these playable plastic curios and it should be out in the Spring next year.
Fantastic new official video created for ‘Glass Onion’ ahead of the reissue of The White Album next week.
If, like me, you find the tales behind band logos and graphic design fascinating then you’ll love this site. BandLogoJukeBox brings together the stories behind some of the most recognisible band logos of all time, written by designers with a love for music.
I was asked to contribute a guest mix to Belgian radio show Brokers on The Word radio station in Brussels, which just aired on Monday morning. It’s a little glimpse into what’s currently floating my boat from recent releases with the odd old gem thrown in for good measure.
Hinterhof – Molecular Love With A Molecular Sound (Deep Distance)
Trevor Jackson – Machine Worshippers (Pre_)
Correlations – Resistance Is Underground (Spun Out OF Control)
Todd Rundgren – Born To Synthesize
Meat Beat Manifesto vs Terry Riley – In C (Version 4.2) (Electronic Sound)
The Tomorrow Syndicate – A Glitch In Time (Polytechnic Youth)
Kallaste Elektrooniline Muusika – Pohjast Pinnani Aina Lomalla)
Silke Schwinger und Fatty George – Sexsong (Digitone)
Concretism – Black Special (Castles In Space)
The Tomorrow Syndicate – Altered State (Polytechnic Youth)
Rodinia – Neusi (Now Again)
Nicola Spiromarino – Senza Titolo Uno (Delights)
Popera Cosmic – Batman (Finders Keepers)
Silke Schwinger und Fatty George – SchluBmusik (Digatone)
The The – Occupy Your Mind (Lazarus)
The Natural Yoghurt Band – Satellites (Black Milk Music)
Embryo – Tausendfussler (Wah Wah)
Popera Cosmic – Etreinte Metronomique (Finders Keepers)
Nicola Spiromarino – Senza Titolo Due (Delights)
A little 7″ only set I did instore at my local, Rat Records in Camberwell, this summer to mark Pete’s last day after working there for years. It was sweltering hot and we were all dripping with sweat but it was a fun, laid back day just hanging out and drinking on a Saturday. Rat is one of my favourite record shops in London, always something new in there to find, cheap prices and weekly rack restocks keep me coming back regularly.
