The French, it seems, went gaga for flexi disc magazines in the late 50s as these four examples from Stephen Coates‘ collection illustrate. The 7″x 7.5″ ring bound format, similar to the American Echo magazines and their own long-running Sonorama seems to have been a winner although there are less pages in these examples which lean towards more specialist subjects. Occasionally included as a supplement with the main magazine, Theatrorama showcased extracts from plays across no less than nine discs and made it to at least a third issue in 1959.
Cuisinorama (can you spot a theme emerging here?) followed the same format in the same year with five discs, a full colour cover as well as colour pages inside, concentrating on recipes, restaurants and food prep. You can see more examples of ‘orama’ spin-off publications on this excellent Made In Vinyl page including many of the issues featured here, Echo and the previously featured Soviet magazine, Krugazor.
‘Sound magazine of medical information’ Medicophone, issue seven from 1961. I’ve found evidence of up to 26 issues of this, all with the same cover. This one came with five discs covering such fascinating subjects as the heart and hernias.
In The Beginning There Was Rhythm, ‘strictly reserved for the medical corps‘ (this is stamped no. 0131 inside) concentrates on jazz and seems to be a freebie produced or sponsored by Vegetaline, a coconut-based lard.
Music
Again from the collection of Stephen Coates (The Real Tuesday Weld, Antique Beat, X-Ray Audio), Echo magazine no.1 (“a magazine of sight and sound”) debuted in 1959 with five two-colour, card-backed flexi discs featuring Mike Nichols & Elaine May, Fred Astaire, Larry Alder, ‘Gypsy’ and Alexander King on the Human Dilemma. Art directed by Cynthia Pennell, the issue has an almost medieval look from the choice of fonts with a more ‘jazz’ feel to the discs which include the red and gold of the cover – sadly lacking in later issues, of which no.2 will be featured here soon.
Stephen Coates – he of The Real Tuesday Weld, Antique Beat and the X-Ray Audio project amongst other things – gamely lent me part of his collection of flexi discs and postcard records late last year with the express purpose of me showcasing them on the blog. So here we have the first of several posts highlighting some of the treasures he’s found over the years.
Some of these were on show at the Horse Hospital in 2015 when the X-Ray Audio book debuted but have been hidden since. I especially coveted the nearly 6″ in diameter Atomium postcard above when I spied it back then and inspecting it now I see that it seems to be an idealised painting or possibly a hand-tinted photo with part of the background erased as similar photographs don’t quite match this viewpoint. The song, ‘Marche Atomium’ by M. Leemans, is a swinging brass type number which sadly doesn’t mirror the futuristic architecture it plays over.
The tiny, beautiful but fairly unremarkable postcard below takes on a new importance when you turn it over to discover that the Beach Boys‘ ‘Help Me Rhonda’ is etched into the front image. Or ‘Help Me Rondoo’ as it’s spelt here. It measures 12cm x 10cm and, despite sounding like you’re listening to the song through a sandstorm, you can easily make out the pop classic, possibly a live version to boot which has very odd soft and loud parts near the end.
The 19cm x 16cm postcard below is the Polish singer Maryla Rodowicz as a young woman, and the song pressed across her face was the one that made her famous, ‘Malgoska’.
US Marines were allowed to record messages home for their loved ones and discs came with a pre-printed design as well as an envelope that broadcast the contents for the postman and recipients. This one is unused, approx 6.5 inches across and has a second hole stamped in the center label, presumably to steady the disc when it was being cut. The darker ring over the illustrations is a thick, shiny layer where the grooves would have been cut. The cartoons make war out to be a fairly light-hearted affair.
Clocolan‘s album ‘Nothing Left To Abandon’ is out Jan 13th, it’s been on repeat here the last few days. Absolutely beautiful electronica in the same vein as Boards of Canada / Christ. Digital only on the Enpeg label at the moment, hope it gets a physical release too at some point, it really deserves it.
My set from Spiritland on Dec 11th was uploaded to Mixcloud but was so quiet you could barely hear it. I got to work on the file and remastered it whilst compiling the track list for the full 5 hours. Photo by Karla Davis
DJ Food – Spiritland 11/12/16 track list…
The Heliocentrics w. Melvin Van Peebles – Prologue (Now Again)
Bernard Szajner – The Fremen (Cache Cache)
Voyager – Arrival (excerpt) (Union City Recordings)
Basement Jaxx – Stanley (Sunday Best Records)
unknown – Blue (CDR)
DJ Shadow – I’ve Been Trying (Third World Orchestra’s Folkumbia Remix – DJ Food edit) (https://soundcloud.com/punk-cho)
DJ Shadow – Come On Ride (Through The Cosmos) (Secret 7s / Island)
DJ Shadow – Dark Days (Spoken For Mix) (MCA)
Andre Previn – Executive Party Dance (UA)
The Dragons – Peace Garden (Rural)
Kool & The Gang – Summer Madness (De-Lite)
Stan Getz – Bonjour Tristesse (MGM)
Fourtet – I’m On Fire (part 2) (Text)
Lalo Schifrin – Joy To The World (Lo Recordings)
Warner Jepson – Deck The Halls (Shinkoko.com)
The Soulful Strings – Little Drummer Boy (Cadet Records)
Warner Jepson – Silent Night (Shinkoko.com)
J. P. Massiera – Silent Night (Finders Keepers)
Warner Jepson – Good King Wenceslas (Shinkoko.com)
Vincent Geminiani – Ophis Le Serpentaire (Jazzman)
Paul Schutze – Doubts About Waking (edit) (Extreme)
Alice Coltrane – A Love Supreme (Impulse)
Arnaud Robotini – The Choir Of The Dead Lovers (Blackstrobe Records)
Brain Machine – Massive Dying Stars Vibrating Like Giant Speakers (Tinae)
Chapterhouse – Beta Phase (Global Communication remix) (Dedicated)
Voyager – Arrival (excerpt) (Union City Recordings)
Howlround – OH feat. abandoned playground (The Fog Signals)
Sheila Chandra – One (Indipop)
Eurhythmics – The City Never Sleeps (Capitol)
Annabel (lee) – (1849) (IF Music/Ninja Tune)
Beautify Junkyards – Constant Flux (Ghost Box)
Cavern of Anti-Matter – Zone Null (Duophonic UHF Discs)
Stepkids – La La (Stones Throw)
Broadcast & The Focus Group – The Be Colony (Warp)
Vanishing Twin – Floating Heart (Soundway)
Stereolab – Miss Modular (Duphonic UHF Discs)
Sirconical – Moondance (Twisted Nerve)
The Twelve Hour Foundation – Sun and Air (Part 2) (Bandcamp/Environmental Studies)
Voyager – Arrival (excerpt) (Union City Recordings)
The Orb – A Huge 54 Minute Mix Mk.2 (excerpt 1) (CDR)
Grace Jones – Don’t Cry, It’s Only The Rhythm (ZTT)
Grace Jones – Rough Slave (Better Days version) (unreleased)
Flying White Dots – Slave To The Grid (soundcloud.com/flyingwhitedots)
Grace Jones – The Crossing (Ooh The Action) (ZTT)
The Orb – A Huge 54 Minute Mix Mk.2 (excerpt 2) (CDR)
Szuletet – Domino (Bandcamp) https://afxtribute.bandcamp.com/releases
David Sylvian – Home (Virgin)
Paul Schutze – Doubts About Waking (edit) (Extreme)
Sheila Chandra – Nada Brahma (Indipop)
Camille – Ta Douleur (EMI)
The Beastie Boys – Something’s Got To Give (Live) (Grand Royal)
NT – Distances By Air (RCA)
Annis le Neve – Stories (Apeman)
Grandmagneto – Night Fever (Big Single)
The Karminsky Experience Inc. – The Fifth Peg (Patterns of Behaviour)
The Hellers – Take 46 (Command)
The Karminsky Experience Inc. – Through A Prism Backwards (Patterns of Behaviour)
The Karminsky Experience Inc. – The House Band Takes A Break (Patterns of Behaviour)
The Casuals On The Square – Moonbound (Trans International Airlines)
Nino Nardini – Tropicola (Jazzman)
Vincent Geminiani – Ophis Le Serpentaire (Jazzman)
Jacky Chalard & Dynastie Crisis – Les Scandales (Fat City)
Bomb The Bass – One To One Religion (Skankapella) (Stoned Heights)
Scarper – Lacuna (Jani R Remix) (Plexus)
Drog – Curtains (Bandcamp) https://afxtribute.bandcamp.com/releases
The Shamen – Possible Worlds (Reverse) (One Little Indian)
Nico Motte – Morning Mist (Antinote)
As One – Where Did He Go… And Why? (De:tuned)
Steve Hauschildt – Same River Twice (Kranky)
Queen – In The Space Capsule / Ming’s Theme (EMI)
As One – Where Did He Go… And Why? (Heinrich Mueller Lamb Shift Model) (De:tuned)
Nico Motte – Necroville (Antinote)
The Emperor Machine – Introduction To Outer Space (part 1) (DC Recordings)
E.A.R. – Interlude (Earworm)
V.I.V.E.K. – Mantra (System Music)
E.A.R. – Transistor Music (Earworm)
Boards of Canada – Satellite Anthem Icarus (Warp)
Santa brought this beauty on Xmas day, lots of fun to make and great attention to detail. On sale now from Lego
Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Trevor Jackson meets Trevor Horn (NTS) Interview
Clocolan – Nothing Left To Abandon (Enpeg) LP
Manuel Gottsching – E2:E4 (MG.ART) LP
DJ Food – Live at Spiritland 11.12.16 (Mixcloud) DJ set
Great gig to finish the year with – clipping. at Corsica Studios.
After a very moody door exchange where I was asked first for photo ID and then if I either worked for the police or the council (!?) we got inside an absolutely rammed room.
Clipping deliver a shot blast to the inside of your skull, sometimes it’s sheer noise and you can’t make out the beats or tempo and then it suddenly locks in and you find the whole room head-nodding in unison. Daveed Diggs‘ incredible delivery propels each song using multiple time signatures, single, double and even triple time raps, dancing all over the rhythms eked out of little more than beats, bass and static. At times it seems that the roof is about to come off but there’s so little actual sound in the track that it feels more like floating in space. You want to mosh but there’s a 130 bpm tune actually only bouncing at 65 but with builds that sound like the nastiest German techno but no 4/4 kick drum to pin it down.
What was great was hearing kids 25 years younger than me rapping along word perfect, every line, every nuance, every shift in rhythm, just as I and my mates had done at Beasties, Cypress Hill or Public Enemy gigs a quarter of a century ago. This is their equivalent. They knew the old stuff best and when the group finished with the avant garde space opera of ‘Splendor & Misery’ and dropped into tracks from ‘Midcity’ and ‘CLPPNG’ they got the response they wanted.
‘Wriggle’ burst into its 303 acid second half and then got pushed up into an AFX Amen-punishing d’n’b version and ‘Body & Blood’ is still the most terrifying sex with power tools track ever.
With monochrome static and bit-crushed graphics projected across the band in the tiny run down black box of a room this was absolutely the best place to see them. So refreshing, so exciting, so far out I’m not sure it even qualifies as hip hop.
Trevor Jackson‘s 3hr interview with Trevor Horn from his NTS show is unmissable. Aside from being full of track after track of Horn-produced classic pop and experimental remixes it also manages to yield details and anecdotes that even on old devotee like me who’s listened and read everything going hasn’t heard before.
Great to hear something about ‘Legba’, ‘Relax’ just never ages and ‘Don’t Cry… It’s Only The Rhythm’ is broken down for you. Great work Trevor.
Sunday night saw my second set at Spiritland, this time for a 5 hr slot instead of 4. The chance to spread out and play a non dance floor selection in public is always welcome and the sound system there is particularly good with highly polished electronic music and deep bass tones I’m finding. In the mix you’ll find a short Xmas medley and part of an exclusive 54 Minute fan mix of The Orb’s ‘A Huge, Ever Growing, Pulsating Brain That Rules From The Centre of the Ultraworld’ interspersed with some special mixes of Grace Jones‘ ‘Slave To The Rhythm’ that I compiled. Some of the photos below are by Karla Davis and Arthur Arkin.
(The mix is a bit quiet, you need to turn it up) I’ve remastered the file now for maximum volume.
Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Graeme Miller and Steve Shill – The Moomins OST (Finders Keepers) LP
Bad Lip Reading – Seagulls! (Stop it now) (YouTube)
JG Thirlwell – Music of The Venture Bros Vol.2 (Ectopic Arts) LP
Radio Trip / Left (Markey Funk remixes) (Delights) 7″
I’ve not posted any Dan Lish Egostrip images for a while and he’s been crazily busy doing covers for all sorts of artists so it’s good to see the world catching on to his talent. As always, you can buy various giclee or lithograph prints over on his site and hopefully 2017 will see him complete the 100 drawings he wants to do before he collects them for a book.
Above: Black Sheep. Below: The Beatnuts, Grandmaster Flash & The Furious Five, Melle Mel 1, Melle Mel 2, a revised Madlib/Lord Quas/MF Doom, Marley Marl, Snow Goons ‘Goon Bap’ album artwork.
I’ve been looking forward to this since I had a sneak peak about a month ago, the new Howlround album is also the soundtrack to a film called ‘A Creak in Time’. Two years in the making, “A Creak In Time is a film directed by Steven McInerney exploring the interrelation of the macrocosm and microcosm navigating its journey through time in two parts. The soundtrack has been composed entirely from creaking objects and manipulated on magnetic tape machines.”
The film is “…Taken from source material discovered in London, Yosemite and the Mojave desert, these sounds, through simple manipulation, gradually cast off their moorings and head into space, leaving their original identities far behind and chiming perfectly with the film’s recurring themes of transformation and altered perception, switching scale in a heartbeat from microscopic topography to the vast distances of the cosmos. Shot entirely on 16mm film with a musique concréte soundtrack, it’s both science and fiction and marks a dramatic new direction for all involved”.
Available to pre-order on McInerney‘s audio-visual Psyché Tropes label now, the LP comes with a download and link to an online stream of the full film. You can order it here or, if you want to see it and hear Howlround live they’re playing a launch party in London on Dec 10th at Iklectik as part of Pascal Savy‘s two day residence. The night after they’ll be doing a more traditional tape loop set at the Brunel Museum as part of the Film Sound Performance weekend – more info and tickets here (no tickets on the door).
I’ll be doing this next Feb at Echoes, something new with something old. Tickets here
Last weekend I played at The Dark Horse in Moseley, Birmingham and a fine gig it was too. The day after, Thomas, the promoter, and DJ Cro took me to The Diskery, supposedly the oldest record shop in the UK. It’s the kind you only run across occasionally these days, seemingly held together by the records pinned to every surface. Stuck in a time warp, a perfectly preserved example of your classic secondhand record shop of old, despite the Record Store Day banner in the window. There were so many records in every nook and cranny, on several floors, that I barely scratched the surface whilst I was there. We were offered tea almost immediately on entry and the two hours I had before my train yielded some great 45s, some of which are below. Definitely one of my favourite record shops in the UK and I want to go back and spend the whole day in there…
Fishure
Daniel Barassi in LA has performed a miracle with a couple of old toy Fisher Price turntables… – rechristened the Fishure-Price check his site for more. This is strictly a labour of love, he’s not in the market to mod your kid’s toys
I’ve been meaning to post about Matt Saunders‘ new(ish) Patterned Air Recordings imprint for a while now but work is taking over at the moment. Suffice to say that after The Assembled Minds’ debut release late last year he’s just released the second and third in the catalogue back to back. CukoO and Running On Air couldn’t be further apart stylistically but they make sense when tied together in the elaborate CD packaging that Matt assembles for each release.
Taking up the baton from labels like The Folklore Tapes or A Year In The Country, each pouch contains multiple items that enhance the release in some way, hand printed, stamped, signed, numbered and then tied with a leather strip. They’re a nightmare to store and get into but there’s nothing out there quite like them and the label mission statement on their website reads like a ‘Hauntology 101’. “We are a record label interested in weird things. We like analogue synths, reel-to-reel machines, Radiophonics, music for children, music for falling to sleep by, early electronic experiments, folkloric eeriness, seances, electronic voice phenomenon, old techno, deteriorated music — in a nutshell, soundtracks to get us off this mundane plain and onto an elevated, if creepy, state of euphoria”.
I’ll buy that for a dollar but there’s more at work here than that – the music is just as unique as the packaging, sitting somewhere between earthy folk, spine-chilling electronica and the kind of melodic, stately British nostalgia found in Grasscut‘s records. Labels like this are always fun at the beginning because they’re full of ideas, idealism, experiments and no musical formula in place. These are all still available from the label’s Bandcamp page.
Thursday evening last week saw the release of this fab record; ‘Beat!’ by The Karminsky Experience Inc. and they had a party above a pub in the middle of Soho to celebrate. It was small, hot, packed and great. I hadn’t seen them for years so it was nice to catch up and the music was spot on. I even danced a bit, which is very rare for me. The album is out now, packed full of beautifully cinematic / library / funky / exotic sounds and anyone who opens a side with snatches of John Rydgren closely followed by Ken Nordine is alright with me. You can buy it on vinyl, cassette and DL here.
Slightly late as I had a crazy weekend but still relevant as the consumer chaos and pressing plant queues will testify. I canvassed opinion from various DJs, collectors, sellers and artists as to what their top reissues/represses would be come the next Record Store Day and presented them to The Vinyl Factory.
You can see and read our choices HERE