Really liking this new Pye Corner Audio 12″ on Front & Follow, ‘The Black Mist EP’. The EP features an extended mix of the title track ‘Black Mist’ (the original featured on last year’s Outer Church compilation), new track ‘Bulk Erase’ and a remix of ‘Black Mist’ by fellow OC collaborators Old Apparatus. Released on August 18th as a limited edition (of 500) 12” on 180g vinyl and download, more info and order details here.
Music
Matt Johnson of The The doesn’t give many interviews any more but he made an exception for John Doran from the Quietus recently and the resulting piece is chock full of revealing anecdotes and information.
Only two weeks away from my own interrogation of Matt at Rough Trade for the release of the deluxe ‘Soul Mining’ reissue and I’m cursing John as he’s used a good few of my questions already 
Nevertheless, this is a fascinating piece that reveals many aspects of Matt’s past career and present state of mind.
This is an interesting use of vinyl to promote a new artist. This arrived a while back now but I’ve only just got round to putting it up here. This LP arrived in the post unannounced, no clue as to where it came from (although I have a possible lead). It’s a used album (Peters & Lee in this case) with ‘CC’ 07.04.14 screen printed over the front with another black square covering most of the back.
The record inside is unplayable due to two large paper square’s being stuck over the grooves, one blank but for a ‘cc.’ in the centre and the other with message and illustration. “Want a tune for today? Well here’s two. Take a listen, you might just smile, Count Counsellor www.viewsource.cc“
I think this is first time I’ve seen vinyl used a the carrier for a web link and it’s a clever way to get the attention in an age of digital promos. The image of the head viewed from the back suggests that the Count isn’t ready to fully reveal himself yet although I see a few music blogs have picked up one track last month. If you visit the site at the link above you will be able to hear two tracks with very little other information aside from a few ‘coming soon…’ messages. A curio for sure but an innovative attempt to engage the attention by customising a music format to carry a message rather than a sound.
Death Waltz Recording Company releases for Record Store Day 2014 (only 2 of the 4). Each album has a splattered colour vinyl disc, a huge 36″x36″ poster, a 12″x12″ card print of the poster plus sleeve notes, a housebag that’s both embossed and debossed and a paper wraparound with release details.
These retail at an average of £20 each – incredible when you see the prices of other releases only offering half that. Plus Spencer Hickman, the label owner, is a straight up dude, one of the soundest people I’ve come across in the music industry. 
I visited the MoWax 21 / Urban Archaeology exhibition that opened at the Southbank Centre in London, currently home to the James Lavelle-curated Meltdown season.it was stuffed with everything you could want from a visual label retrospective with memorabilia and artwork from across the label’s history and beyond into post MW UNKLE releases.
For those familiar with the label there us much here to wallow in but plenty of behind the scenes stuff too. A letter from Mike D about a planned MoWax / Grand Royal ‘Battle of the Beats’ record, working drawings and model for Futura Pointmen toys and plenty of original art that graced many a sleeve. There are toys in every kind of colourway, some still at prototype stage, flyers reaching back to the early 90’s to when MoWax was more of a Talking Loud wannabe than the trip hop and electronica powerhouse of its heyday.
It’s free but only open until June 22nd so you only have this week to catch it before it’s gone. But if you don’t manage to make it down then there is an extensive book now available with even more info and photos. Initially funded via Kickstarter, I received a copy last week and it’s beautiful to behold, a perfect visual encapsulation of the label.
These beautiful objects are soon to be available from Canadian label Artoffact Records. 808 State’s classic turn of the decade albums, ’90’ and ‘Ex:el’ have been made in 8 different colours on cassette at the very reasonable price of CAN $9.98 each.
For the completists out there they are also selling a bundle of all 8 tape colours for CAN$74.98. View all the different colours and buy here.
Great little video mix from Black Channels , the band are working towards their first album and originally made this video as promo for the upcoming Third Rail Festival. Unfortunately it’s just been cancelled and they are looking for some support slots for their live show.
More Trunk TV. Quick, before it gets taken down like EP.1!
Nice to run across a little plug for The The’s ‘GIANT’ 12″ I share billing with in the latest issue of Classic Pop magazine (issue 11, Kate Bush cover). For all those who remember Smash Hits from back in the day and yearn to break free of the endless rehashing of the Beatles/Stones/Who/Dylan/Zeppelin pop/rock mafia in the other music monthlies – this is the mag for you. Not as lightweight as Smash Hits but not as nerdy as Record Collector, it finds a fine balance between in-depth interviews, retrospective pieces, current reviews and where are they now and what have they been up to news.
In other The The news (try saying that when pissed) it’s only 3 weeks until I get to quiz Matt Johnson about the making of ‘Soul Mining’ over at Rough Trade East on June 30th. The same day sees the release of the 30th anniversary edition of the album of the same name. You can find out more info here.
My 360º fulldome presentation, ‘The Search Engine’, returns to Dome Club at a new location this summer – the Q Club Complex, Birmingham. There will be three showings – all playbacks, I won’t be present – during July, August and September.
Tickets are £10 or £8 concessions and this will be in the new portable dome they have acquired which means viewers can lie on the floor for the best experience.
Dates and ticket links: 18th July / 15th August / 19th September
Beautiful artwork on the new Dead Cert release which is another Clone record taken from a tape of instructions for birthing! Image and text taken from the Boomkat mail out:
“Utilising the ARP 2600, ARP Odyssey, Polymoog, harmonica/synthesiser interface, Eventide Omnipressor, Roland vocoder and genuinely bizarre narration imploring the listener to “push…” over a background of retro-futuristic space-age progressions, these recordings edge the concept of extreme American outsider music to its furthest reaches.
Originally broadcast as a one-off transmission for electronic harmonicist Gary Sloane’s Import Hour show on Anchorage radio station KGOT FM, it’s one of the rarest recordings in the very limited line of Clone breadcrumbs released to date – the audio discovered by Sloan in his own time capsule of C60 compact cassettes used to document the unlikely synthesised wing of an untravelled North American micro industry.”
At 10 and 12 minutes a side it’s debatable whether this should qualify as an ‘album’ but it’s certainly one of their most intriguing releases recently. Listen and buy here.
The Frankie Goes To Hollywood deluxe 30th anniversary edition of ‘Welcome To The Pleasuredome’ I designed is now 83% funded after less than 2 weeks. Here are some more images of some of the contents. You can pledge for a set or separate elements here.
Frankie Goes To Hollywood‘s ‘Two Tribes’ – one of the greatest pop singles of the 80’s and certainly one of the greatest 12″ mixes of all time – was released 30 years ago today. June 4th saw a 7″ and 12″ finally burst the bubble of expectation that ‘Relax’ had inflated after its 5 week run at the no.1 spot despite a BBC ban.
Six days later on June 10th ‘Two Tribes’ was also sitting at no.1 and would remain bedded in for another nine weeks with ‘Relax’ returning to the no.2 spot for a couple of those too. The 7″ and 12″ would be joined by three further 12″s, all sporting remixes of the title track or its B side, a cover of Edwin Starr‘s ‘War’, as well as 7″ and 12″ picture discs and a cassette compiling excerpts from all.
Add to that the phenomenon of the ‘Frankie Say’ T-shirts that swept the nation that summer and you had a roller coaster of pop product that no one could have predicted. Over on my ArtofZTT blog I’ve been adding sleeves, posters, adverts and picture discs daily to celebrate along with various quotes and info about the releases.
The ‘Inside The Pleasuredome’ box set I helped design is looking good at 83% funded over on Pledge Music and I’m waiting on the go ahead to post more photos from it. Over on his Failed Muso blog Rob Puricelli has written a great piece about the anniversary of ‘Two Tribes‘ and how it impacted on him as a teen in the 80’s, so much of it rings true to my experience too but he puts it so much better.
The Herbaliser finally release the remix companion album to their ‘There Were Seven’ LP with a cover remix by yours truly. ‘There Were Seven Remixes’ actually contains 16 of the buggers and a host of instrumentals if you get the digital version.
Unfortunately the original idea of having seven 7″s in a box has gone by the wayside because there is so much material and now they have a handy catch-all CD coming out on June 30th via their Dept. H label.
Remixes come courtesy of Gigabeatz Bonson, Coleman Brothers, Soundsci, Jenome and more. Pick of the bunch for me are the 2econd Class Citizen, No Sleep Nigel and the excellent Lopez remix, the latter of which you can hear below after the T-Power mix.
This is what the last post was all about, a project I’ve been working on for the last few months but feels like I’ve been working towards for over a decade. 10 years ago I actively started contacting and interviewing the people involved in the creation of the ZTT label’s artwork, starting with Paul Morley who I collaborated with on ‘Raiding the 20th Century’. Through the years after I met designers, illustrators and photographers who had all had hands in the late 80’s output of the label whilst collecting promo posters, magazine ads and in some cases original artwork and photos.
After starting my ArtofZTT site early last year and having been in contact with Ian Peel, responsible for the ongoing reissue series at the label, I was asked to collaborate with resident designer Philip Marshall on what would become the 30th anniversary of Frankie Goes To Hollywood’s ‘Welcome To The Pleasuredome’.
Now re-titled ‘Inside The Pleasuredome’ this deluxe box set is available to pre-order via Pledge Music and will be released on the anniversary later this year at the end of October. The set will contain:
Re-mastered and redesigned original LP,
3 x 10″s of remixes, demos and alt. takes
a hardback Art of FGTH book with sleeve art, adverts, ultra rare promo posters, LP prelims and making of interviews
a cassette of multiple ‘Relax’ remixes with new artwork inside a card slipcase
a DVD with videos plus 5.1 audio from various singles and album tracks
3 x Prints of the original Lo Cole album artwork (with uncensored back cover image)
a digital only EP of instrumentals
a Pleasuredome TV ad flick book
a Tumbometer (fans will know what this is)
6 x cards with download codes for the remastered LP, the 3 10″s, the cassette and the digital EP
I’ll be sharing photos here during the pledge period of 65 days, I’d love to post it all now but there will be a slow roll out as items are unveiled to people who pre-order . Once the order / pledge period is up no more orders will be taken and once /if the target it reached that will be the extent of the number of sets made. Of the 10 ‘elements’ contained inside the box, half of them will be exclusive including the art book and 10″ featuring ‘Slave…’ It has already made a quarter of the target less than a day after going online but there’s still a way to go. You can pre-order here but once that window is closed that will be your only chance, the box set won’t be sold in shops.
Fascinating feature on New York Rap from an old issue of Sounds in 1982. Check the feeling towards the Sugarhill Gang and the sense that some feel that the movement was already on the wain.
Go HERE to buy the album and download this and another Julian House-designed poster for free.
In case you missed it a new label has sprung up with three releases in swift succession in the last 5 months. Rotary Tower‘s first offerings are two EPs from the archives of Ron Graham aka Giallos Flame. Ron had various releases out a few years back, most notably of DC Recordings and then promptly disappeared.
Now he’s back with Archivio Giallo Vols 1 & 2 (plus a third is planned apparently for an August release). As you would expect if you knew his work of old they lean heavily towards the soundtrack and library medium, mostly on the horror, blackploitation and action genres. Heavy drums and analogue synths abound with plenty of homages to famous scores along the way.
The third release (actually no.002 here in the green cover) is by Ganzfeld – Temas Spatiale Vol.1 – which is the debut of a duo and leans more towards jazz than anything else but includes electronics and modern classical elements too. There are plenty of sound clips available to check out over on the new site, neatly divided by colour per artist. The label also acts as a licensing hub for the music, being that it’s so well suited to soundtracking other media.
I’ve been listening to The Dandelion Set‘s music for a while now and it slowly worms its way inside your head after repeated listens. It’s very much of that hauntology, library, Brit folk, children’s TV theme ilk but maybe without the horror / witchcraft elements.
The brainchild of Glyn Bush (aka Bigga Bush, Magic Drum Orchestra, Lightning Head) and PK Chown, they sent me a digital compilation of their work distilled into ‘3 Imaginary EPs’ showcasing the Set’s music so far. Although only one EP is available at the moment it looks like these will form the basis of an album later this year.
There’s also a free new EP, ‘Theme From Gameplan’ – their take on an imaginary 1970s spy thriller, complete with harpsichords, contrapuntal moogs, jazzy beats and timeless melodies. The EP then puts this version through the blender to come up with a variety of alternative versions.
Hear/download for free:
They also have a growing archive of Dandy Hour mixes on Mixcloud.