Beautiful poster that appeared earlier this week on the Pink Floyd socials, looks like a Mark Boyle/Boyle Family liquid image transposed into a screen printed poster. It dates from 1968 which was when Boyle was doing lights for them.
Poster / flyer
A beautiful poster for Edgard Varése‘s ‘Poéme Electronique’ at the 1958 World’s Fair in Brussels, Belgium that I ran across online and upscaled. There’s a good short reconstruction film here that explains what and where it was used.
I was watching a Jamiroquai video – NO, stay with me! Why was I doing that you ask? Well, the song is a bit of an electro pop banger and Jay Kay is some sort of robot coming out of hibernation in a post-apocalyptic world who just wants to see the sun. It’s supposed to be a warning against living a digital life and that we should get back to nature, which is fair enough really. To make you believe he’s an automaton (the title of the song) he has an automated headdress that lights up and at one point stops in a subway to focus on an old poster on the wall.
Weirdly it’s a joint Madam Tussaud’s / London Planetarium poster, designed in the style of Peter Max or Milton Glaser, that popular pop style made famous by Heinz Edelmann’s Yellow Submarine. I very much doubt it was done by either Max or Glaser because they generally sign their work but it looked cool enough for me to google it as I’d not seen it before. Typing in ‘Madam Tussauds Planetarium poster’ only netted two results, different shots of the same poster, on the wall in a subway in the disused Aldwych underground station. One of the shots, by Payne & Gunter, was very well framed so I downloaded it.
On close inspection it was pretty obvious that it was the same poster, so we all know where parts of the ‘Automaton’ video was shot at the very least. The wear and tear of time, coupled with what looks like a few people stubbing cigarettes out on parts of the image (that dates it!) mean that the poster isn’t in the best condition. So I couldn’t resist cleaning the image up and restoring it to some of its former glory. What an amazing design!
Talking of Milton Glaser, there’s a stunning looking book of his work coming out next month via Phaidon.
Pre-order here
And talking of Peter Max, I just acquired this set of his Book of Red, Blue and Yellow from the excellent Book Cellar in Camberwell. Max is sadly embroiled in a guardianship case in the US whilst suffering ill health, his daughter has been trying to extract him for some time now, for more info follow Free Peter Max
Mainline Love, artist Unknown, 1969
High Meadows is a new account showcasing an incredible collection of psychedelic posters inherited from a lifelong collector who has many obscure examples I’ve never seen before. As well as prime examples of classic posters by the likes of Hapshash & The Coloured Coat there are many uncredited images including black light posters that would have been sold in head shops and Op Art designs that rarely crop up in the usual exhibitions or books. Well worth checking out on Instagram and Facebook, they’re posting new examples daily at the moment – all images and info here are taken from their site.
Ass Id Egg by Nick Nickolds, 1967
Cyclops by LeRoy Olson, 1971
Electric Pig by Joe Roberts Jr, 1969
Inner Zonk, Artist Unknown, Year Unknown
International Image by Ian Andrew Galbraith, 1967
Orange Eye Circle, unknown artist, 1968
Untitled, Asher Ein-dor, 1972
Ziggy Stardust by Joseph Pentagno, 1972
A selection of gig posters for the Retinal Circus. The Circus nights, promoted by Roger Schiffer, ran from summer 1967 to the end of 1968 in a basement venue in Vancouver, Canada and would play host to many of the top bands of the day in the late 60s. The main poster artist was Steve Seymour who managed to weave all sorts of intricate typography into each image including dates, bands, start and end times and even a dot-to-dot puzzle which spelt out ‘surprise’ when filled in. The main exception I can see being the Velvet Underground one by Frank Lewis who also did other posters around Vancouver, early Afterthought ones being an example, Vancouver’s psychedelic venue before the Retinal Circus.
There was also a light show called The Retina Circus in Seattle at the same time but they weren’t connected, the main two house lighting crews were called Addled Chromish and Ecto Plasmic Assault.
*Thanks to Greg Evans from the Acid Rain light show in Victoria, Canada for additional info.
It’s back! The return of the Trunk Groovy Record Fayre. My Further partner Pete Williams and I will be having a stall again this October at the Mildmay Club, Newington Green. I will have lots of dance 45s if that’s your thing, some records from my personal collection and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
Do stop by, last year’s was amazing (see photos here), from the daytime fair to the evening pop quiz and after party get down.
And it’s FREE!
October 29th, Mildmay Club, Newington Green, London, N16
A few gigs coming up – supporting Funki Porcini on the Sunday date of his weekend residency at Iklectik, London, showing his Laserium set which has to be seen in a dark place. I’ll be bringing my Quadraphon turntable for some multi-armed action.
Tickets: https://iklectikartlab.com/funki-porcinis-laserium/
In two weeks I’ll be opening the Create Music Village festival at Coachworks in Ashford, Kent with an Audio Visual DJ set – come to party.
Tickets: www.ticketweb.uk/event/dj-food-support-casey-coachworks-tickets/12480335
Mid October I’ll be honouring a gig that was cancelled due to Covid all those years ago and returning to Belfast to play what may well be the final outing of my Selected Aphex Works audio visual set at the Ulster Sports Club.
Tickets: forthcoming…
There’s also a launch party in East London for my forthcoming book on Oct 19th, more about that soon…
This gorgeous Riso print with metallic gold ink by Raimund Wong will be on sale at the Suzanne Ciani gig this October at EartH in Hackney. The line up is a no-brainer with The Oscillation / Vanishing Twin / Tomago’s Valentina Magaletti also on the bill. Tickets still available here
Set up as a fund raiser to help International Times magazine, the hastily-organised event took place in the Alexandra Palace in North London with stages at each end competing sonically for dominance and a huge line up of the counter culture’s who’s who of the day. Reports vary as to how successful it was, it probably depended what drugs you were on but ultimately it raised very little despite thousands attending. Large numbers of tickets were either stolen or given out with payment required later, a news piece in the next issue of IT berating dishonest resellers who had not yet paid up.
The main poster by Mike McInnerney was printed in a variety of fading ‘split fountain’ colours making it highly collectable. Beware of fakes which have separated colour combinations and John Lennon‘s name added to the line up near the bottom of the list, he was there as a punter but was never down to perform.
You may have seen that Kool Herc‘s estate is going under the hammer at Christies this month. Everything from turntables and disco equipment to glasses, photos, belt buckles and records from the man called The Godfather of Hip Hop. Most interesting to me are the reams of flyers for the old Bronx jams featuring home made, hand drawn and collaged examples of the earliest form of Hip Hop promotion. There are plenty by Buddy Esq. probably the most gifted and well known exponent of early rap design work and there are fascinating little details dotted throughout about the way jams used to be from a time long since passed.
Below are my favourites and you can view the full auction online here:
“no drugs, no weapons, no sneakers”
“first 25 jazzy ladies free” – who decided?
“sneakers one nite only” love how cut and paste this is
How young are the Furious Five here?
That’s a lot of acts on the bill!
‘Guaranteed to perform’, the others might not be there but…
How many typefaces?
“giving away $50 to some lucky person, sincerely, Flash” – also “Creole’s got something special for the young ladies”
“Shea, please call me, love always, herc” – flyer done by Herc
Andy Votel has an exhibition of record sleeves containing architecture at The Modernist in Manchester. Taking inspiration from his sleeve for Jane Weaver‘s ‘The Architect’ he has created a poster and book to accompany the show. The book features records from his own collection including plenty of his own designs with intimate details that will have most running to Discogs or Google to find out more. Both the book and poster are available from The Modernist and the exhibition runs until September.
Below is my copy of a super rare hand made copy of Jane’s ‘The Architect’ which features an alternate version of the original cover.
Something that’s been sitting on my desktop for weeks, the artist is called Hamish, who I’ve never heard of but he’s doing a nice Rick Griffin impersonation. Can’t remember where I found it on the web, possibly The Rock Poster Society group on Facebook.
Today sees the auction of items from John Peel‘s amazing collection at Bonhams in Knightsbridge. You can view 200 items from the auction online here from the incredible, often historical, contents. Whilst there are letters, lyrics, acetates, clothing and promos by heavyweights like Bowie, Lennon & Ono, Bolan and Factory Records, those don’t interest me as much as these items below. The notes and photos below come from the Bonhams catalogue entries.
THE PERFUMED GARDEN: THE ORIGINAL ARTWORK BY KEN HAYES CREATED FOR JOHN PEEL’S ARTICLE IN THE MAGAZINE ‘GANDALF’S GARDEN’, 1967,
Gouache on artboard, hand-painted by Ken Hayes (Graphics Dept) as an illustration to accompany an article by John Peel in Issue No.1 of the sub-culture magazine ‘Gandalf’s Garden’. The centrepiece of the artwork reading John Peel all at sea in the galaxy with the names of bands such as The Beatles, Jefferson Airplane, Captain Beefheart, The Rolling Stones, The Byrds, Dylan, The Velvet Underground, Pink Floyd and Donovan among others in the design around it, signed and dated ‘67 by the artist in the bottom right corner, the back of the board with a handwritten football score Chelsea 1 – Liverpool 2, 14 1/2in x 24 1/2in (37cm x 62cm)
*Sold for £4,462.50
‘Gandalf’s Garden’ was a publication focusing on a ‘mystical community’ which flourished at the end of the 1960s as part of the London hippie-underground movement. The magazine emerged in 1968 and ran for 6 issues. This artwork can be seen on Page 8 of Issue No.1 alongside John Peel’s article ‘A Dawn Walk In The Mind Of The Musical Gardener’, published 1st May 1968.
PINK FLOYD/JOHN PEEL: AN IMPORTANT AND RARE ‘EVOLUTIONS’ SOUTHAMPTON UNIVERSITY CONCERT POSTER, Friday 26th January 1968,
Printed on metallic paper, for a concert featuring performances by Pink Floyd, John Peel, Incredible String Band, Jimmy Cliff and the Shakedown Sound, Tyrannosaurus Rex, Chicken Shack, Nelson’s Column, held at the Old Refectory, University of Southampton, England, 20in x 30in (51cm x 76cm)
The title of this event is eerily apposite, the date being that on which Pink Floyd effectively sacked Syd Barrett. His increasingly drug-related erratic and difficult behaviour through 1967 and the band’s evolving musical direction led them to seek another guitar player.
At the end of that year they brought in one of Syd’s friends, David Gilmour, and the band played a handful of gigs as a five-piece in January 1968. In his book, Echoes: The Complete History Of Pink Floyd, Glenn Povey writes: “Syd Barrett was clearly never going to come back to the real world, and his role within Pink Floyd was all but over. One solution the band thought of was to use him as an off-stage songwriter in the same way that the Beach Boys retained Brian Wilson. But almost at once they realised that this was an impossibility.” Travelling to Southampton for this gig, the band simply decided not to pick Syd up en route.
As MC/DJ for the evening, this poster was kept as a souvenir by John Peel. It is thought this is the first example of the poster ever to appear at auction and it may possibly be a unique survivor of the small number that would have been put up around the University campus to publicise the concert.
*SOLD for £8,925
PSYCHEDELIA: A HAPSHASH & THE COLOURED COAT-STYLE POSTER, 1960s,
Printed on gold coloured card, with typical Hapshash-style castle and sky motif and twisting prose about a grain of sand, origin unknown, 20in x 30in (51cm x 76cm)
Hapshash and the Coloured Coat was an influential British graphic design and avant-garde musical partnership in the late 1960s, consisting of Michael English and Nigel Waymouth, who produced popular psychedelic posters. Though this poster has no artist or publishing credit, it bears several stylistic similarities to other well-known Hapshash posters.
*Sold for £637.50
OZ: AN OBSCENITY TRIAL VEST TOP, 1971,
A fawn cotton vest top printed with brown and pink slogan ‘Oz Obscenity Trial Old Bailey London 1971’, labelled size 34.
Issue 28, May 1970 (the School Kids Issue), which included a very adult Rupert Bear cartoon strip, led to obscenity charges being brought against the three editors. Peel appeared in court as a defence witness for Neville and co-editors at the trial, held at the Old Bailey in 1971. John Lennon was also one of the high profile supporters of the magazine and released the single “God Save Oz” in order to help raise funds for the magazine’s defence. The three were found guilty, but their convictions were overturned following appeal, resulting in an embarrassing defeat for the Establishment.
*(Bonhams neglect to mention that the image is by Robert Crumb)
*Sold for £828.75
JOHN PEEL: A NORTH CHESHIRE COLLEGE STUDENT’S UNION CHRISTMAS BALL POSTER, 17th December 1982,
Printed on paper, for the John Peel Roadshow at which Peel invited Frankie Goes To Hollywood to do a session that included an early version of ‘Two Tribes’, at North Cheshire College in Warrington, 20in x 29in (51cm x 73cm)
Soon after this show, the group was asked to record a video for their hit ‘Relax’ which was shown by Channel 4 on ‘The Tube’ in 1983. The growing popularity of the group convinced Grammy Award-winning producer Trevor Horn to sign them to his newly formed ZZT [*ZTT actually] Records. The band later performed the song on Top of The Pops before the song was banned from the BBC in 1984.
8Sold for £280.50
The American Levitation festival has become THE place to see new psychedelic poster art with the organisation commissioning the current crop of 21st Century poster artists channelling the late 60s San Francisco era in new ways. Posters usually come in colour or foil variants, all for an affordable $30-40 compared to the thousands the 60s originals can go for. The two Brian Jonestown Massacre posters above by Weird Beard 72 work individually or join to form a larger image (both ways) and several artists have used this device, sometimes to form a triptych. Buy the posters from here, they also have a nice line in live recordings from their archives too.
Adults of a certain age (ie. over 50) might remember this little promotional flyer for the Matchbox Adventure 2000 line of die-cast toys from the 70s. I found this flyer in Gosh Comics a few years back but remember seeing it in some comics possibly way back and wanting to get this poster so badly. I think I may have even sent off for one to have my name printed on but never received anything back (but that could be the mind playing tricks). I know that I definitely copied the robot in the poster in my sketchbook and wanted there to be a film so badly. I still have a (Land) Raider Command vehicle in its box and my brother and I had the other two vehicles pictured as well, they were well and truly played with until they broke. Did anyone actually get a poster with their name on it?
Dear friends, I hate to be the bringer of bad news but the Covid curse has finally struck – and at the worst time possible too.
After evading the bugger for 2 years I tested positive yesterday, the day before tonight’s opening BSMT Space for EPOD‘s first solo show of new work. I was supposed to be there and this has put months of work and prep out the window. Be vigilant, we’re not through this yet, no matter what our government tells us.
But it’s not all bad news though as my man Ollie Teeba has gamely stepped up to bat at the 11th hour with his box of 45s and two turntables for your delectation tonight. I’m sure he needs little introduction but having hands in The Herbaliser, The Process and Soundsci as well as a solo artist and DJ in his own right is nothing to scoff at – he’ll do us all proud.
So – the show must go on, get down to BSMT tonight between 6-9pm, there will be excellent art, great music and free beers supplied by Vedett. Maybe even snag one of the limited slipmats or prints being sold on the night?
I’ll be there in spirit and hopefully we can do something once I’m out of isolation.
This Thursday – March 10th – .EPOD‘s first solo show opens at BSMT Space in Dalston. EPOD has made a pair of slipmats in five different colourways which will be on sale on the night and exclusively through the gallery. There will also be prints and new canvases plus beers by the Vedett brewery.
I’ll be providing the music on the opening night from 6pm-9pm via my Quadraphon turntable with the currently unreleased Omnitronic TRM-422 mixer and the Ninja Tune Zen Delay, creating music live with locked grooves and up to four tone arms.
RSVP to [email protected] for entry to the private view on Thursday.
After the Simboli Design Zodiac, the Funky Features Zodiac and the long Astrological door posters of Wespac, here’s the rest that took my fancy, picked up along the way but not fitting into a whole set that I can find.
The Fifth Dimension was a very short-lived club night in Leicester, it only lasted around two months by all accounts. I showcased plenty of acts in its short life though with an average of four gigs a week. It also had the distinction of having an original poster designed by Michael English of Hapshash & The Coloured Coat, printed in red, blue and gold as seen above. The original pencil line work for this was sold at auction many years back and a letter from Michael with it, signed and dated December 1999, explained the genesis and concept of the design.
”Normally, the structural design of our work was created on layout paper and then traced out onto the final artwork card. That layout was then invariably discarded as waste. However the 5th Dimension poster was so complex that it required a great deal more preparatory work. This meant the creation of a master drawing on cartridge paper whose more robust nature allowed us the freedom to erase and re-draw the various parts of the design until we were satisfied with it. That done, a final tracing was then made from it on layout paper which was then transferred to the card.
The complex maze like pattern that comprises the central theme of this poster was intended to give the impression of a window or doorway into a fifth dimension. The flickering effect of the colours together with the pattern creates a mesmerising experience that was supposed to draw the observer into another space. Under the influence of LSD, of course, the effect would have been much more dramatic”.
Below is a local paper listing for the opening night of the club, presumably before they had the poster above. By the end of October the night would be over.
Having already covered adverts for the UFO Club in a previous post I thought I’d try to match the posters up with the dates. The club started life at The Blarney Club in the basement of the Berkley Cinema at 31 Tottenham Court Road in December 1966. Founded by John ‘Hoppy’ Hopkins and Joe Boyd, the night was first billed as ‘UFO Presents Nite Tripper‘ because they couldn’t decide on a name, it came to be the former, pronounced, ‘You-Fo’.
Listings taken from the UFO wiki page, I’ve tried to match posters to the dates but sometimes bands were announced but wouldn’t play as their fame grew and other commitments called. Most were done by Michael English and Nigel Waymouth who designed under the name Hapshash & The Coloured Coat.
23/30 Dec: Nite Tripper under Gala Berkeley Cinema; Warhol movies; Soft Machine; Pink Floyd; Anger movies; Heating warm; IT god
Poster by Michael English
13 Jan: Pink Floyd; Marilyn Monroe movie; The Sun Trolley; Technicolor strobe; Five acre slides; Karate
20 Jan: Pink Floyd; Anger movie
Poster by Michael English
27 Jan: AMM Music; Pink Floyd; Five Acre Light; Flight of the Aerogenius Chpt 1; International Times; IT Girl Beauty Contest
3 Feb: Soft Machine; Brown’s Poetry; Flight of the Aerogenius Chpt 2; Bruce Connor Movies
Poster by Michael English
10 Feb: Bonzo Dog Doo Dah Band; Ginger Johnson African Drums; flix – Dali – Bunuel, WC Fields
17 Feb: Soft Machine; Indian Music; Disney Cartoons; Mark Boyle Projections; Feature Movie; ‘erogenius 3 + 4’
Poster by Michael English
24 Feb: Pink Floyd; Brothers Grimm
3 Mar: Soft Machine; Pink Floyd
10 Mar: Pink Floyd
Poster by Michael English, below is English’s original artwork, notice there is a mistake with the date, it should have read Feb 24th
17 Mar: St Patrick’s day off
The classic ‘UFO Mk2’ by Hapshash & The Coloured Coat, this is the reprint, stamped and signed by Nigel Waymouth
24 Mar: Soft Machine
31 Mar: Crazy World of Arthur Brown; Pink Alberts; ‘spot the fuzz contest’
7 Apr: Soft Machine
14 Apr: Arthur Brown; Social Deviants; Special: the fuzz
21 Apr: Pink Floyd
28 Apr: Tomorrow; The Purple Gang
(29/30 Apr: The 14 Hour Technicolor Dream at the Alexandra Palace) – To be covered in a future post…
5 May: Soft Machine; Arthur Brown
12 May: The Graham Bond Organisation; Procol Harum
19 May: Tomorrow; Arthur Brown; The People Show
26 May: The Move, The Knack
2 Jun: Pink Floyd; Soft Machine; The Tales of Ollin dance group; Hydrogen Jukebox
Poster by Jacob And The Coloured Coat (Michael English & Nigel Waymouth)
9 Jun: Procol Harum; The Smoke
10 Jun: Pink Floyd
16 Jun: Crazy World of Arthur Brown; Soft Machine; The People Blues Band 4.30am
23 Jun: Liverpool Love Festival; The Trip
30 Jun: Tomorrow; The Knack; Dead Sea Fruit
7 Jul: Denny Laine; The Pretty Things
UPDATE: Rare colour variant via the High Meadows Vintage Posters amazing poster site, absolutely essential, give them a follow.
A more accurate line up on this new poster for the next two dates
14 Jul: Arthur Brown; Alexis Korner; Victor Brox
21 Jul: Tomorrow; Bonzo Dog Doo Dah Band
28 Jul: Pink Floyd; CIA v UFO; Fairport Convention; Shiva’s Children
After an article published in the News of the World on 30 July, the landlord told Joe Boyd the UFO could not continue at the Blarney and Boyd decided to use the larger Roundhouse venue.
4 Aug: Eric Burdon & The New Animals; Family; The Hydrogen Juke Box
11 Aug: Tomorrow
18 Aug: Arthur Brown; The Incredible String Band
1/2 Sep: UFO Festival: Pink Floyd; Soft Machine; The Move; Arthur Brown; Tomorrow; Denny Laine
8 Sep: Eric Burdon & The New Animals; Aynsley Dunbar
15 Sep: Soft Machine; Family
This fantastic Martin Sharp poster sadly heralded the end of the UFO’s run at the Roundhouse.
22 Sep: Dantalian’s Chariot w/ Zoot Money & His Light Show; The Social Deviants; The Exploding Galaxy
29 Sep: Jeff Beck; Ten Years After; Mark Boyle’s New Sensual Laboratory; Contessa Veronica