No.5 in an occasional series…
There’s a whole host of new Finders Keepers material hitting their shop at the moment including this limited edition cassette mix from Andy Votel.
http://www.djfood.org/wp-content/uploads/2014/03/LSD4-Buckly-and-dj-food-web-2.mov
I’m very pleased to be able to feature a little exclusive clip for DJ Cheeba’s After School Special AV event which debuts on Friday in Bristol at the Cube Cinema. Even more exciting is that it features one of my own tracks interspersed with Tim Buckley and Luke Vibert. Nice company to be in. The whole concept is an educational look at drugs from both sides and is more of a sit down affair than a club gig.
On the last full day of the Australia 3-Way Mix tour we met up with Tom, Raine and the guys from Hardcore Classic, a Hip Hop show that goes out on the 2SER station in Sydney. We were quizzed for over an hour and played a short section of the live 3-Way Mix version before escaping the air condition-less studio and enjoying some down time. The interview starts at the 1hr 21 min mark and the mix follows it.
Hardcore Classic – Feb 28th 2014 (ft DJ Food, DJ Cheeba, DJ Moneyshot, Broken Thought Theory & Dboe) by Hardcore Classic on Mixcloud
At the end of the month we set out for 3 dates in France with DJ Format in support, should be fun!
I found some time to add some more to my Art of ZTT blog, we’re on to Propaganda‘s ‘Dr Mabuse’ now with interviews with John Stoddart, Paul Morley, David Smart, Lo Cole and Garry Mouat to come this year… I’ve had to start watermarking some of the content as it’s been shared around on certain social networking sites without credit.
One of my favourite tracks from the album – a lot of rap videos bore the pants off me but this is great.
2001: Space Odyssey (1968, r.: Stanley Kubrick) – Grafika: Gyárfás Gábor, 1979
Amazing film posters from Hungary via this website – plenty more there too, including the Star Wars ones I featured a while back.
Fahrenheit 451 (1969, r.: François Truffaut) – Grafika: Kemény György
Eolomea (1972, r.: Zschoche Hermann) – Grafika: ismeretlen
Phase IV (1974, r.: Saul Bass) – Grafika: András Andor, 1980
A New Hope (1977, r.: George Lucas) – Grafika: Felvidéki András, 1979
Alien (1979, r.: Ridley Scott) – Grafika: Helényi Tibor, 1981 és egy ismeretlen művész
RoboCop (1987, r.: Paul Verhoeven) – Grafika: Helényi Tibor, 1987
Great concept and surprisingly listenable too – I got this via the WFMU twitter, don’t know anything else about it.
This was for a gig I played on Saturday, I only saw it the day after but I like what they’ve done with the type.
The Electric Hoax Pt.9 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Humanoids (Les Humanoïdes Associés – roughly translated as ‘United Humanoids’), the French publishing imprint set up by Jean ‘Moebius’ Giraud, Phillip Druilett and others in 1974 has recently opened a UK office.
Instantly recognisable on shelves by their large HUMANOIDS logo on each book spine, they produce beautiful hardback editions of French and European comics include oversize versions of Moebius and Jodorowsky‘s ‘The Incal’. This year is their 40th anniversary and it looks like they have big plans for the international market.
Last week they had the chance to buy the original art for their first logo, drawn by Moebius and long thought lost, from an auction in Manhattan (above right).
Now that they have a UK office (as well as relocating their French HQ to LA and opening one in Japan) I hope we will see lots of new issues of classic material associated with their founders. Moebius’ ’40 Days In The Desert’ and ‘Quatre-vingt huit’ would be top of my list and I think the English translation of the ‘Final Incal’ book is due any time soon (cover below not final and taken from Robot 6).
UGeorge has a video for his track, ‘Blowing Up’ from the new Soundsci ‘Expo 2014’ sampler 10″ up now.
The EP is released and available now HERE and features other forthcoming joints from the crew as well as an Ollie Teeba solo cut and an exclusive group track unavailable elsewhere.
Check the sampler video I edited for them last month.
We got back from Australia at 5am on Wednesday morning after what seemed like days of flying in cramped seats but it was worth it. The first mini tour of the Paul’s Boutique 3-Way Mix went well and I’ll throw out some highlights here rather than going into a prolonged tour diary.
Playing the Perth Festival outside and finishing before 10pm then going out into the crowd to chat and give away our rider. 
Landing in Melbourne to a torrential rainstorm, worse than back in the UK but being taken around by tour manager Joel to see local graffiti spots and ERT, shop sporting a tattoo parlour, recordstore, clothing, posters and spices.
Seeing old friends at the Melbourne show and rocking it despite the show being advertised as ‘Beastie Boys (USA) Paul’s Boutique feat. DJ Food, Cheeba, Moneyshot‘ (grrrrr). Finding out about ‘Vaporwave’, ‘Sea Punk’ and ‘Business Funk’ via a radio show on Melbourne radio.
Recording an impromptu mix of originals from ‘Shake Your Rump’ and ‘Hey Ladies’ for Jack Shit‘s show on FBI radio – you can listen back to it here.
Playing our best show in Sydney in front of more friends but ducking out of the proposed after party with Grandmaster Flash as it became a roadblock.
Taking the ferry to Manly to hang out with Moneyshot’s girlfriend’s ex-pat mates who served up the best BBQ.
Meeting up with DJ Hickory Dickory Dock who took me round various Sydney record spots, ending up at the excellent Revolve store near Newtown.
Forthcoming mix set by Blank & Jones for the So Eighties series where they’ve been given access to the master tapes for some of ZTT’s classics. Here’s the cover, which was made with a little help from my image archive, and a short video of them in the studio going through the process, they’re keeping the mixes in a classic sense rather than trying to update the sound into todays styles.
In last weeks ‘Found in Sounds’ the PIL riot in New York is covered first hand with a great cover quote and photo of Lydon. Irmin Schmidt is quizzed about working with Bruno Spoerri and witnessing Cage’s ‘4’33″‘ for the first time. There are vintage film listings from London’s Leicester Square cinemas, Garry Bushell declares his love of Adam Ant‘s music (finally) and The Sweet talk about touring with ‘monster dicks’.
The Electric Hoax Pt.8 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Fantastic Mod cover design from a 1979 issue of Sounds. Below, Soft Cell reveal that they’re doing ‘a Northern Soul number’ in their live set, Savage Pencil then and now (check out the Battle of the Eyes exhibition at Orbital Comics at the moment), Tommy Vance on John Lydon, an advert for the Boy store, a Blondie gig has some very cool guests and reviews of Prince live in NYC and at his first gig in the UK at the Lyceum in 1981.
Off to Australia tomorrow for 3 gigs in the sun – can’t wait to feel warm again and hook up with the likes of DJ HDD and others. Posts on here may be sporadic to non-existent for the next 10 days but I’ve just finished a mix of 80’s pop remixes and re-edits that may appear on Solid Steel at some point.
