Nice graphics on a French Border Control leaflet I picked up recently
Art by Henry Flint, colours by Strictly Kev, coming this Autumn…
So excited to finally be able to see this, I’ve been privy to some of the workings of this for the past year now (my wife works for them) and it opens this week in London at the National Maritime Museum. Part of a major new exhibition, although this will be a permanent installation, content-heavy video mapping based around the moon’s relationship to the sea, this is just a tiny part of it.
[vimeo width=”640″ height=”360″]http://vimeo.com/26328656[/vimeo]
I’m currently enjoying People Like Us’ (aka Vicki Bennett) new album ‘Welcome Abroad’, it’s a frequently hilarious mixture of cut and pastry based around her time stuck abroad due to the recent volcanic eruptions in Iceland. You can listen to the whole album on her Soundcloud page or buy it here. She also has her first solo exhibition, ‘The Doors of Perspection’, opening at the end of July in London at the Vitrine Gallery, previewing new films she has made by extending panning shots from existing films into widescreen format (if i’ve understood the press release correctly).
Also a few months back I received a lovely box set from the Edinburgh Printmakers‘ ‘Prints of Darkness’ exhibition, which includes a gatefold sleeve housing a poster and 12″ picture disc by Vicki entitled ‘This Is Light Music’. This 10 track mini album heavily cross references some of the music on ‘Welcome Abroad’ too and can still be bought here although it is limited to 250 copies.
PS: I actually think this is even more wonderful than ‘Welcome Abroad’, I’ll never be able to hear certain well known classics the same way again.
in production now, not the 3rd EP, not the album, more info soon…
Another killer album from Ghost Box regular The Advisory Circle, if you like mid-70’s Kraftwerk, melancholic Radiophonica and that undefinable Britishness of yesteryear then this is for you. Definitely in the albums of the year list.
Continuing the theme of paintings on walls: New 3 track EP by Martyn out on Brainfeeder August 1st. Love the cover and the London’s Arches edit of ‘Viper’ is exceptional.
I was very excited to learn that Remi and Augustine were going to be painting a wall together in London whilst Kofie was in the UK taking part in a couple of exhibitions. Little did I realise that they would be painting a local pub on the high street of the neighborhood where I (and Remi) live. Said pub is the Bishop on Lordship Lane in East Dulwich, South East London and they spent two days in very changeable weather transforming the side of the building much to the surprise of the locals who don’t have anything like this round here. The first three images are by Timid, via Remi’s blog.
Here’s a selection of pictures I took this afternoon and there should be a timelapse film at some point in the future. Kofie is off back to the US tomorrow and Remi has a new mini book out of Selected Paintings as well as an EP of new tracks, available here.
Remember the VW ad featuring a kid dressed as Darth Vader trying to use the Force to move things I posted a while back? Now there’s a follow up…[quicktime width=”636″ height=”400″]http://www.djfood.org/wp-content/uploads/2011/07/GreenpeaceNordic-Video-Player.mp4[/quicktime]
As you can see at the end, it’s not VW behind this sequel, but Greenpeace, in what has to be one of the most interesting campaigns in recent years. Taking off where VW left they’ve taken the side of the Rebellion and created a whole website devoted to getting VW to change their stance on CO2 emissions and fuel efficiency standards.
They’ve also set up an ingenious way to get people to spread their message through signing up and going through ‘Jedi Training’ to gain points to unlock further levels by referring others to the page. Each click earns you a point and each person who signs up because of it earns you 5 points.
One question begs asking though: Is there anyone who George Lucas WON’T license his franchise out to?
God I love these. Buy them and many more from here
Preview of an artwork book I was involved in a few years ago – copies still available here
[vimeo width=”640″ height=”360″]http://vimeo.com/25976745[/vimeo]
Chemistry book, 1975, ex-library, carboot sale find.
Spotted a graffiti-covered car park on the way to the hotel, I had time explore so I tried out some more photo apps, Leme Leme, Classic INSTA and Autostitch.
Filling a train and car journey with more app experiments, Leme Leme and Tiny World. Kid Koala rocks the house at the Au Foin de la Rue Festival, France at the end.
Messing about with the Leme Leme app on the bus from Camberwell to Waterloo
I don’t know where to start, I really don’t. I don’t usually do film reviews and was never particularly into Transformers as a kid so there’s no ‘Michael Bay raped my childhood’ angle here but I thought I’d try and put something down about the film I’ve just seen.
Early reviews suggested that it was ‘epic’, ‘long’, ‘laughably acted’ and ‘better than the second one’. It’s all that but it’s only just better than the second one, that not being difficult because that episode was the most confused, disjointed, stupid, insult to the intelligence since Charlies Angels 2. To start with some positives: it has possibly the best cgi work I’ve ever seen, just amazing stuff, tens of robots and ships in some scenes, all believable, fitting right into the enviroment. The sound design is amazing too, really noticeable as it was in 7.1 where I saw it. The robot design is still as intricate and fussy as you like but they’ve discovered weathering finally, especially on a battle damaged Megatron, who is back with half his head missing after the battle in TF2.
Right, that’s got the plus’s out of the way, on to the negatives. Where to begin? Acting: bad all round but everyone looks like an ageing thespian next to the wooden-ness that is Rosie whatshername, the underwear model who looks like a Barbie and somehow got a leading role in the summer blockbuster without an ounce of charisma. I was wondering why she didn’t speak in any of the trailers and now we know why, every time she opens her mouth it’s like we’re transported from a blockbuster Hollywood film to a school play. It doesn’t help that she has some of the lamest dialogue as well as one line that should go down in history as one of the worst ever in film.
Plot: why does everything have to be so complicated? Why does Sam always somehow get involved in these situations through seemingly random occurrences? Lightning might strike once, maybe twice, but three times? So many scenes and characters could have been edited out of this film and none would have been missed, the story would have gone on it’s merry way. Sam doesn’t need to be in it, Barbie doesn’t, she just provides a reason for him to do stuff amongst the robots, we certainly don’t need his parents or another autobot comedy duo either. We don’t really need the army troops on the ground, as they generally run about completely ineffectually or scout things out until Optimus arrives. I’ve said this before and I’ll say it again, no one goes to see Transformers for the humans, they go for the robots, they’re the stars. The sooner someone realises this and takes people out of the equation the better, the cgi robots can out-act half the cast anyway. But Optimus, ah Optimus, the most righteous, downright dull robot ever, there he goes again with one of his speeches about ‘freedom’ – yawn. At one point a soldier comments. “Why do the Decepticons get all the good shit?”, when some fighter or rocket ship bursts overhead, and you do find yourself rooting for them over the good guys as they at least have some personality.
Where was I? The plot: space race, autobot moon crash, dark secret, space gate, cannisters, Sentinel Prime, military hiding stuff, Optimus pissed off, Sam needs a job, parents visit, girlfriend’s boss has the hots for her, John Malcovich, strange japanese guy knows about Sam, Japanese guy gets killed by a Decepticon, Chernoybl, earthworm Decepticon, CIA, Africa, Sam and hotty have a bust up, cue comedy ex CIA guy and his butler to get involved, chase on a freeway, army, hotty gets kidnapped by her boss who’s in with the bad guys, space gate opens, Decepticons invade, fighting, shouting, comedy autobots, Sam and parents have a chat, ex CIA agent goes to Russian bar, Sam HAS to go into an alien invasion war zone to find his girlfriend and the army help him because ‘they killed one of my buddies’, soldiers jump out of a plane, soldiers run up a building that’s falling down, building falls down, they have to get to a bridge, find camera in the rubble, Barbie and Sam have a hot link to the CIA and tell them what’s happening, soldiers run up another building so they can parachute out again, Optimus battles then gets caught up in some rope, cannisters bring Cybertron to earth, more shouting, Barbie has a chat with Megatron, Sam fights Starscream but can barely kick Barbie’s boss’ arse, Optimus gets free and has a big battle, Sam and Barbie love each other in the middle of a warzone and have a little joke.
But getting back to the plot – there really isn’t one, everything is so rapidfire that you barely have time to register a flippant remark about ‘we’ve got three marks on the screen, closing fast’ before you’re plunged into some fight or chase scene with a random bot who you can’t recognise unless he’s Bumblebee (Yellow and Black) or Optimus (Red and Blue). Every scene seems to be either an action sequence or a lame attempt at comedy with the occasional line of dialogue threading it all together. At one stage there’s a scene of Optimus and Sentinel Prime talking in what looks like the outback of Africa, then we’re back to Chicago. Bay rams the pedal down and cranks the volume up to 11 from the off and it’s all you can do to keep up. There is no dynamic at all, no soft and slow to balance the fast and loud, just a massive race from one set piece to the next with zero tension. The film is the equivalent of an audio track that’s been compressed and brickwall-limited into an oblong waveform.
I found it so hard to enjoy the good stuff simply because I was reeling from either a jump cut from elsewhere or some useless scene that need never have been in the film in the first place. Watching it is like being repeatedly punched, spun round, amazed and assaulted whilst having lame jokes thrust upon you for 2/3 hours. The 3D is nothing to write home about, in fact the film has some of the worst ghosting in parts that I’ve ever seen, really shoddy compositing. So much is happening in each scene, as well as rapid edits, you never get a chance to focus on the 3D much. Another thing was the beginning, where they included original 60’s news footage to show Kennedy implementing the space race. Intercut with restaged, retro-styled footage, both artificially grained and clean, the artificial grain looked cheap and nasty and didn’t match the original footage at all, more like a cheap Final Cut Pro filter, the whole thing just didn’t work.
All in all a massive let down but marginally better than the second, which isn’t saying much. Here’s a short film on the sound design of it all to end on a positive.
Going to see Transformers 3 at the Imax on Friday (after TF2 I’m not expecting much but, giant robots in 3D can’t be ignored). Here are two variants on a poster that will be given away at the Arclight cinema, Hollywood for the midnight screening tonight. The artist is Jesse Philips and the gold variant will be available to buy sometime Wednesday online.