How do they do it? They must just live and breath music. This is from King Gizzard & The Lizard Wizard‘s 4th album THIS YEAR (!) (they’ve said they’ll release 5). Not content with releasing ‘Flying Microtonal Banana’ containing the instant classic, ‘Rattlesnake’ they then released ‘Murder of the Universe’ with the astonishing prog-rock ‘Altered Beast’ and all sorts of references to existing King Giz records. Then just a couple of months back they collaborated with Mild High Club on ‘Sketches of Brunswick East’ which showcased a mellower jazz vibe and now this, apparently from an album called ‘PollyWollyGonnaWannaDoodleAllDayLand EDIT: (never believe YouTube comments) ‘Polygonawanaland’. None of this is simple music, the time signatures are all over the place and it’s played ridiculously tight, if they don’t go down as this generation’s Hawkwind or Zeppelin it’ll be a crime. No idea when this one’s out but check out the previous album if nothing else as it’s been on repeat when I can get near a record player.
Hi there, sorry for the lack of posts recently, the home renovation continues as does the 2 week (!) half term my kids have been bestowed with and many other things like preparation for the next Further at the Portico Gallery on Nov 18th. The mix that I made of material both released and unreleased from the Death Waltz Originals label run by Spencer Hickman has materialised as a free CD available with all orders of Death Waltz or Mondo releases while stocks last. It should also be available at selected independent record shops too and you can also listen to it here via Soundcloud. The spoken word throughout is from a private tape where my friend Steve Cook is interviewed by John Tomlinson about experiences he and his family experienced growing up in a haunted house.
The next Further at The Portico Gallery is on Sat Nov 18th. Pete Williams and I are very excited to be joined by Sculpture for one of their incredible live AV sets and Simon James (Simonsound / Black Channels /Akiha Den Den) will be performing a live set from his Buchla easel system. Early bird tickets on sale now
We’ll also have the Book & Record Bar stall with releases from both acts and a hand-picked selection to compliment plus delicious food and plenty of seating. See below for what to expect on the night.
Sculpture
Simon James
The last Further at the Portico Gallery
This summer, during my visit to Liverpool to attend The JAM’s ‘Welcome To The Dark Ages’ event I found some time to visit a few landmarks around Liverpool. My first stop was the 50 year old Metropolitan Cathedral of Christ the King which has some of the most stunning architectural features and stained glass windows I think I’ve ever seen. 
The photos speak for themselves but my camera just couldn’t capture the vividness of colour created by the sun lighting up the windows. For a building half a century old it’s an incredibly modern piece of art, right down to some of the imagery and sculptures they have installed.
New trailer is out, WARNING: POSSIBLE SPOILERS! Looks good, tickets on sale now for December 14th in the UK, fans were quick to give the new poster a makeover too (see below)
Pete Williams and myself set up our Further environment in support of The Heliocentrics at the Synthesis festival at Stanley Halls in South Norwood at the end of September. The group were utterly spellbinding with their vocalist tying everything together with an incredible vocal range somewhere between Roisin Murphy and Shirley Bassey. They played for two hours with visuals by Innerstrings and for a Thursday evening in deepest South London (nearly Croydon if we’re honest) it was pretty mind blowing.
Following dates featured DJ Krush, Andrea Parker, Juice Aleem, Beak and more in a hugely ambitious three day event – all the brainchild of Rob Swain, owner of the Gamma Proforma label and the local Sector 25 bar/gallery. If you check out the streets of South Norwood now you’ll see all sorts of new murals and paintings adorning walls and hoardings by international artists like Mode 2, Delta, Kofie 1, SheOne, O-Two, Will Barras and more.
The reason there haven’t been as many posts here recently is because my time has been taken up with renovating a new home that I’ll be moving into soon. The whole place is in need of modernising and I’ve been peeling back layers upon layers of paper and paint, revealing some quite beautiful reminders of yesteryear. I’ve taken to documenting the best bits before it’s all gone forever, there’s lots of wallpaper hidden behind plug sockets and trunking plus the hidden spaces behind radiators and an extremely faded carpet.
Back in 1999 I went to Colourscape on Clapham Common and took a ton of photos, some of which ended up on the cover of the ‘Kaleidoscope’ album. 18 years later, with my two children in tow, I revisited it and was as wowed as I was nearly two decades before. If you get the chance, it’s a beautiful environment to wander around in for an hour, there’s contemporary classical music in the centre chamber and these photos don’t do it justice because it’s impossible to photograph and sends camera phones into convulsions. For more info where Colourscape is going to be next ,check them out on Facebook.
A recent trip to East London to see the British Underground Press exhibition (see previous post) yielded a wealth of great street art including the new Banksy homage to Basquiat at the Barbican (the former street artist’s show was booked up but you could see the Banksy for free – just how it should be)
Down the road on Coin Street there was a huge installation that was a companion to another in a park near Spitalfields market, unfortunately I didn’t get the name of the artist.
Over in Brick Lane there was almost too much to see and it’s hard to process the good from the bad. A huge Shok 1 I’d not seen before covered an entrance gate and there are plenty of paste ups of strange animals.
Hasworld, who’s work I’ve been enjoying for about a year, had been busy with some new posters too.
A Space Invader cemented to a wall on Brick Lane and, for no apparent reason, a stencil of Adam Ant.
Just opened at the A22 Gallery in Clerkenwell is an exhibition supporting the British Underground Press of the Sixties book by Barry Miles and James Birch that collects the covers to all (big claim I know) the major magazines of the late 60s and 70s together. The exhibition features much more than just the magazines though with archive posters, badges, promo material and memorabilia collected together in a mass of psychedelic colour and badly registered print.
Oz, International Times, Frendz, Gandalf’s Garden, Black Dwarf, Ink, cOzmic Comics and more all feature and it’s a wonder to behold. Some of the covers verge on pornographic and serve to remind of more anarchic and sometimes unsavoury times. The book is spectacular, highly recommended at £35 from Rocket 88 and is also available at the gallery with a deluxe edition containing vintage copies of original undergrounds for a silly money price too.
*SPOILER-FREE* I saw this a couple of days ago and I’m still thinking about it. The film is a triumph, something I never thought would or even needed to happen. The perfect film that didn’t need a sequel now has one and it’s incredible.
Dennis Villeneuve and his team have done the impossible, taken the essence of the original and created something that expands on the world Ridley Scott, Syd Mead and Doug Trumbull made in 1982.
The look and grit of the original are all there and more, the sound of Vangelis‘ score is in there with a contemporary twist, and any worries about Hans Zimmer‘s late involvement should be put aside, he and Benjamin Wallfisch have crafted something beautiful and gripping that I immediately had to buy afterwards. The design and visuals… oh my god, where to begin, there is so much I need to watch it on slow mo when the Blu Ray comes out and there’s plenty of fan service paid but I only thought one particular scene was unnecessary.
Gosling is good, Leto as the main villain, Wallace, is good if a lot hammier than his predecessor, Tyrell and Ford acquits himself of his last two franchise returns. Villeneuve’s pacing is perfect, the film clocks in at over 2.5 hrs but it didn’t feel like that to me, the director takes his time with every scene and nothing felt rushed, and the ending, oh the ending is just sublime.
Go and see it, go to the biggest screen you can find with the best sound, make sure you go to the toilet beforehand and just sit back and bathe in the glory of it all. Also, try to watch the three prequel shorts before you do, they will help flesh out some of the backstory.
Four From Food Fridays – a weekly look at four things I’ve been loving in the last seven days. Old or new, whatever’s been on in the studio. From top left:
Blackash – Black Witch EP (Swordfish Records) 12″ – Freaky psych rock with meditational ambient tracks straight out of Birmingham
The Belbury Circle – Outward Journeys (Ghost Box) LP – Jim Jupp and Jon Brooks join forces with John Foxx again to whip up an album of early 80s inspired tracks.
Misha Panfilov – Kallaste Elektrooniline Muusika (aina lomala) 7″ – Superb hauntological / radiophonic / electronic 45 from prolific Estonian producer Panfilov
King Gizzard & The Lizard Wizard live session in the KEXP studio (YouTube) – I have to watch this about once a week, such fantastic timing and musicianship
These short prequels to the new Blade Runner 2049 are excellent, I’m going to the IMAX on Thursday and can’t wait, reviews so far have been incredible…
It’s taken me an age to post these because life is currently getting in the way in the form of moving and renovating a new home. The Pink Floyd exhibition, ‘Their Mortal Remains’ at the V&A Museum, is very much worth seeing even if, like me, Pink Floyd don’t mean much to you. I swore off them for a long while due to ‘Another Brick In The Wall Pt.2’ being no.1 for so many weeks as a child and finding myself utterly sick of it.
But the fickleness of youth only lasts so long and I found myself gradually checking back through their back catalogue, picking up the odd cheap LP here and there and finally realising why everyone raves about ‘Dark Side Of The Moon’. This exhibition highlights exactly what a forward-thinking, visually aware band they were, adapting as their fame and venue sizes increased, their sleeve concepts becoming ever more outlandish as budgets made pre-photoshop surrealist montage possible. The amount of artwork and props present attest to a group with a very strong concept behind each album, courtesy of the Hipgnosis team of course.
Starting at the beginning and travelling chronologically through their career we enter a time tunnel and emerge inside a version of the UFO club circa ’67 complete with pulsating liquid light ceiling, psychedelic poster gallery and films. Rooms concentrating of Syd Barratt, Wish You Were Here, Dark Side of the Moon and more eventually give way to a stunning display of Animals and The Wall-era stage props and art. The 80s side of things were less my bag but the concepts were now reaching gigantic proportion and are impressive as last bastions of the sort of excess that just doesn’t happen any more now that we can do all these things digitally. The final room with a surround performance of their reunion at Live8 was very moving and a perfect way to end this retrospective. Go and see if before it ends on October 15th!
I finally found my Pierre Henry photos. Back in 1998 I was playing with various assorted Ninjas at the Montreux Jazz festival in Switzerland. Pierre Henry was also on the bill so we went along but were late and had to sit near the back as they were the only seats left.
Pierre came out and was introduced but there was nothing on stage, just black curtains. He promptly strode to the back of the room and played the gig from the mixing desk just behind us.
The gig was both terrifying and sublime- at one point i was so relaxed I think I nodded off. Right at the end, as he was receiving a huge round of applause, I turned round and snapped these two shots of him.
RIP Pierre Henry
Four From Food Fridays – a weekly look at four things I’ve been loving in the last seven days. Old or new, whatever’s been on in the studio. From top left:
Clocolan – Nothing Left To Abandon (BauSatz) 2xLP – Timely reissue of Clocolan’s debut album from January – then digital only – on two blue vinyl discs with extra tracks
Andy Votel’s Typewriter Jazz (Worldwide FM) Radio – Guesting on Gilles Peterson’s Worldwide radio station, Andy plays songs that feature the original journalist’s analogue keyboard of choice as musical instrument.
Annabel (lee) – The Cleansing (Youngbloods) LP – The follow up to their timeless debut, ‘By the Sea… and Other Solitary Places’, this is just as good, out today!
Yves Hayat – Conversation Between the East and the West (Timing) LP – Finally found a copy of this at a decent price, from the man himself, it’s not all on the web but you can sample some of its delights. Someone reissue this please.
I was sent a copy of this fantastic book a few months ago and now i’ve seen it appearing in a few of the better books shops over here (Magma has them I believe).
Designed in collaboration with students of the HfK Bremen it’s a 368 page B&W and colour publication from Leipzig, edited by Jan-Frederik Bandel, Annette Gilbert, Tania Prill and Prill Vieceli Cremers
Packed full of underground press magazines, fanzines and comics from West Germany, showing them in the context from which they emerged. A collection like this is priceless, you would never track down some of these publications even if you knew they existed.
Editor Tania Prill will talk about the project at Printed Matter’s NY Art Book Fair this Saturday, September 23rd at 12:00 am, at MoMA PS1, 22-25 Jackson Ave, Long Island City, NY 11101
Blimey!!! Jane Weaver European Tour poster designed by Andy Votel, see also his cover for her new single, ‘The Architect’ on Fire Records. Make prints man, you’ll sell a bundle!
With great pride and a lot of effort Pete Williams and I played one of our Further sets last Sunday evening at Spiritland, complete with multiple projections. Thanks to everyone who came by despite the bad weather. We had a great time and are in talks to bring it back there. You can hear our 4 hour set below and sample some of the projections we discreetly added to the sumptuous surroundings.
The next Further excursion is in 9 days at the SYNthesis festival in South Norwood, we’ll be playing either side of The Heliocentrics at Stanley Halls preceded by an afternoon of street art painting, food stalls and a talk by designer, Swifty at 6pm.
Tickets here
(Video nicked from Spiritland’s Instagram, photos © Martin LeSanto-Smith)
The latest issue of Electronic Sound magazine is a cracker, a huge interview with Gary Numan, an appraisal of Trevor Key’s artwork and an opening page by me, showing the final Rite of Mu with The JAMs that happened in Liverpool recently. You can also get a great remix of Numan’s ‘My Name Is Ruin’ by Meat Beat Manifesto on 7″ if you buy the bundle direct from their website.
