I really like what this guy does. Comics and collage, two of my favourite things combined, especially when it’s this out there. He’s doing a similar thing to what Cyriak does with film in some instances but the subject matter that’s being used also makes some of his work reminiscent of Robert Williams‘ paintings too. There is a ton of this and much more to view on the Samplerman tumblr
This is just stunning and beautiful to see the sounds connect with the shapes. In the 70’s, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti’s ‘Artikulation’. Donald Craig scanned the pages and synchronized them with the music, check his YouTube channel for more.
Some of the recent Kosmischer Debris experiments from my Instagram – not sure about these, there are a couple of interesting ones but nothing I’m super happy with. These images are all generated from one piece, collaged elements of the Musée des Confluences that I took in Lyon last year. I want to see how far I can push them before they look like visual soup. The lower right one is pretty much there I’d say.
Absolutely love that logo by Fiona Barlow, shouldn’t work but it does. To celebrate 150 of Alice In Wonderland there’s a small exhibition at the British Library with art from various versions of the book over the years, including John Tenniel’s original illustrations as well as examples from Ralph Steadman, Salvador Dali and morel.
And still the tributes come… this is really quite excellent, if hypnotic and slightly sinister. No idea who did it, if you know, please post their name in the comments. Here’s all 21 Bowies
UPDATE: Seems it’s by Butcher Billy and it’s a work in progress, he’s already added more
Pete Fowler aka The Monsterist has started a crowd funding drive to publish a book of the best of 25 years of his sketchbooks called ‘Decades of Lead’ via Unbound. There are various levels from eBook to hardback, signed, sketched and ever an option to go for a curry and have a studio tour with Pete.
And they keep coming, looks like there’s a lot of mileage in the Kylo / Han / Leia / Darth family unit. More here…
The last nine Kosmischer Debris images from my Instagram – follow me there for daily experimental graphics + found records, art and more… https://www.instagram.com/strictlykev/
More of these adorable Calvin & Hobbes / Star Wars mash ups from Brian Kesinger. Follow him on Instagram.
I’m lost for words, there’s so much to say here and I just don’t have it in me to write how much Andy’s work means to me, sitting alongside his brother Matt’s music and helping shape me as a teenager. Gutted.
I’ve been spending a bit of time updating my Openmindesign portfolio website this week as well as making art for the new daily ‘Kosmischer Debris’ series on Instagram, hence the minimal activity on here. The portfolio is now way easier to get around, I’ve taken a lot out and stripped it back to the bare essentials, although there’s still 20+ years of work on there.
There’s a new format series that I’ve been meaning to start on here but I’ve been too busy to implement it and also, The Vinyl Factory made a return visit this week for a second round of the ‘Freaky Formats’ series which should be up shortly. I’m editing a huge 28,000 word interview I did with Mr Scruff for Dust & Grooves and have finished a 45s mix for the 45/7 Vinyl Club which will debut in March. There’s more but I don’t want to shout about it right now…
Brian Kesinger works for Disney‘s animation studio among other things, I don’t know if this Chewie & Han from a few years ago was also him but it fits the mould. *UPDATE: The Chewie & Han illustration below is by Chris Wahl – which he did about 3-4 years ago. http://chriswahlart.blogspot.com/
Check Brian’s Twitter for more…
A cross-over album from the end of 2015, delayed until 2016 – these records always get lost in the Xmas rush and so I’m secretly glad that the original release date of mid December was pushed back to the new year for Markey Funk‘s second solo album, ‘Instinct: A Study In Tension, Fear and Anxiety’. A dark, brooding imaginary soundtrack of a record full of swirling synths, ghostly voices and taut, brittle beats. Out now on LP and DL via his Bandcamp page (there’s also an LP/CD bundle that includes his rare first album (Forgot the Word) too). You can preview the album in full and also find several of his other releases there. An early package that came with a screen print of Asfe‘s excellent cover image has long sold out and we have a Solid Steel mix from him being lined up soon…
I went to see Jimmy Cauty’s ‘New Bedford Rising’ model installation today down near London Bridge. Huge in scale, an incredible amount of detail and took nine months to make. A kind of dystopian diorama where only police are left to deal with some inexplicable carnage. Billboards, graffiti and chain logos are everywhere and what it’s commenting on is up to the individual. The police seem to be building a huge Tower of Babel at one end, packed with gold bullion and fueled by fast food. It’s on until Jan 28th at 7 America St. London, SE1, nearest tube is probably London Bridge, £4 to view plus the ‘Riot in a Jam Jar’ pieces and some Riot Shields are there too, highly recommended.
A rough idea of the scale with these tools left on one section
There’s a wall around most of it with spy holes cut at different intervals to view specific events
A little nod to ‘The White Room’ album cover
Lots of the police are intrigued by the edge of the model
McDonalds Drive Thru – literally
For 2016 I have a vague idea to post a graphic image a day under the title of Kosmischer Debris with the intention of forcing me to explore ideas and avenues I don’t usually have time to. I don’t want to formulate any rules aside from that the images must be self-generated pieces of art or design, maybe some works in progress, some variations of an idea, work with no specific home. I don’t know, let’s see how it goes anyway. I don’t intend to post it all here but to put it on my Instagram account where it’ll be more suitable so follow me there if this interests you.
They say that creativity flourishes under oppression and bleak times and it’s been a great year for music so there must be a grain of truth there. In an effort to glean something positive to remember 2015 by in light of all the injustice and hate out there in the world, here are some of my favourite things, in no order whatsoever.
There were several amazing music releases that went far beyond the normal album format – the main one being Aphex Twin‘s incredible Soundcloud dump of archive tracks which continue to drip out and now number over 200 tracks even if he has taken a lot of them down now. If there’s a ‘release’ of the year then that wins hands down although I’m still trying to process it all and tried to compile a selection of the cream in this mix for Solid Steel but bear in mind that that was when he’d only released half of it so by it’s no means definitive.
The other mega-release that deserves special mention is Rammellzee‘s ‘Cosmic Flush’ magnum opus that’s still in the process of materializing in a physical format. Released across seven 12″s with one track + remix + instrumentals + art print each, to be collected in a limited box with booklet around Spring 2016, it’s taken a huge effort by the Gamma Proforma label to bring to fruition seven years after the record’s completion and five years after Rammellzee’s death. It’s been a vintage year for independent Hip Hop too with great albums by Divine Styler, Ollie Teeba, Memory Man and The Fabreeze Brothers.
It’s nice to see the Leaf label celebrating 20 years of existence and still as vital as ever with Melt Yourself Down, Polar Bear, Radioland and new signing The Comet Is Coming all releasing excellent records this year. One last mention must go to the album at the top of the list below that crept out under everyone’s noses on Record Store Day and has slowly been gathering attention through word of mouth in the last eight months. So much so that it won the Dead Albatross Music Prize – an alternative to the Mercury award set up by independent Norman Records to nominate records that would otherwise be passed over at such things. If you only listen to one album from the list below, make it the Annabel (lee) one.
Albums:
Annabel (lee) – By The Sea & Other Solitary Places (If Music/Ninja Tune)
Rammellzee – Cosmic Flush (Gamma Proforma)
Divine Styler – Def Mask (Gamma Proforma) (technically 2014)
Memory Man – Broadcast One (Chopped Herring)
Eagles of Death Metal – Zipper Down
Jane Weaver – The Amber Light (Bird)
Cavern Of Anti-Matter – Blood Music (Grautag Records) (technically 2013)
The The – Hyena (Death Waltz)
The Fabreeze Brothers – S/T (AE Productions)
Markey Funk – Instinct (Audio Montage) (released fully in Jan 2016)
Aphex Twin – Soundcloud Archive dump
Amon Tobin – Dark Jovian EP (Ninja Tune)
Radioland – Radio-Activity Revisited (Leaf)
Ollie Teeba – Short Order (World Expo)
Kurt Stenzel – Jodorowsky’s Dune (Light In The Attic)
Various Artists – The Delaware Road (Buried Treasure)
Floating Points – Elaenia (Pluto)
Morgan Delt – S/T (Trouble In Mind) (technically 2014)
Gaz Coombes – Matador (Universal)
Black Devil – Disco Club (Lo Recordings)
Bruce Ditmas – Yellow Dust (Finders Keepers)
Rodinia – Drumside / Dreamside (Now Again)
Various Artists – In A Moment (Ghost Box)
Jaga Jazzist – Starfire (Ninja Tune)
Tracks:
a few of these are from a few years ago but new to me…
Noel Gallagher – The Right Stuff (Sour Mash)
Graeme Miller & Steve Shill – Moomins Theme (Finders Keepers)
The The – Everybody Wants To Go To Heaven But Nobody Wants To Die) (Cineola)
The Comet Is Coming – Neon Baby (Leaf)
Reso – Richochet (Hospital)
Black Channels – Oracles (Death Waltz Originals)
Paul Rutherford – Get Real (Hardcore) (1989)
Beck – Dreams (Capitol)
Band of Skulls – Hootchie Cootchie (Ignition Records) (2014)
Pond – Zond (EMI)
Ash Grunwald – Walking (2011 but via the Amorphous Androgynous ‘Wizards of Oz’ 2015 RSD comp)
Olivier Libaux – No One Knows (feat. Inara George) (2013)
Alan Copeland – Mission Impossible/Norwegian Wood (ABC) (1968!)
Design / packaging / covers:
so many incredibly high quality creations, a oglden age for record sleeve packaging and design…
Science Fiction Dancehall Classics compilation (Trevor Jackson) (On-U Sound)
The The – Hyena (Cineola / Death Waltz/Mondo)
Kurt Stenzel – Jodorowsky’s Dune (Signal Starr) (Light In The Attic)
Jaga Jazzist – Starfire (Ninja Tune)
Tame Impala – Currents (Robert Beatty)
The ‘Beat Bop’ record case (Jean-Michel Basquiat)
Grasscut – Everyone Was A Bird (Lo Recordings)
Artists:
Dan Lish
Kim Jung Gi
Signal Starr
Oddly Head
Ameet Hindocha
Reuben Sutherland
Stan & Vince
Jonathan Edwards
Laurie Lipton
Larry Carlson
Books / Comics:
Augustine Kofie – Keep Drafting (ZERO+ Publishing)
Stephen Coates – X-Ray Audio (Strange Attractor Press)
Roger Perry – The Writing On The Wall (Plain Crisp Books Ltd)
Hanson, Godtland & Krassner – Psychedelic Sex (Taschen)
Island – Various (Image)
Sandman: Overture – Gaiman/Williams (Vertigo)
Ody-C – Fraction/Ward (Image)
8-House – Various (Image)
B.P.R.D: Hell On Earth – Various (Dark Horse)
Punks: The Comic – Fialkov/Chamberlain (Image)
Judge Dredd: Enceladus – New Life – Williams / Flint (2000AD)
Exhibitions:
Peter Kennard at the Imperial War Museum
Charles & Ray Eames at the Barbican
Cosmonauts at the Science Museum
X-Ray Audio at the Horse Hospital
Trevor Jackson / Format at the Vinyl Factory space
Zulu Nation 42nd Anniversary at House of Vans
Film / TV: (I really didn’t watch much this year)
Mad Max: Fury Road
Star Wars : The Force Awakens
Love & Mercy
Dune The Complete Saga (Fan edit)
‘Colossus: The Forbin Project’
Rick & Morty
Moments:
The X-Wing Fighter flying overhead during Star Wars Secret Cinema
The Frankie Goes To Hollywood box set getting nominated for an AIM award for best box set design
Interviewing Edwin Pouncey aka Savage Pencil for a forthcoming book
Getting to wear a full Stormtrooper suit whilst DJing during Star Wars Secret Cinema
DJ Shadow & Cut Chemist – Renegades of Rhythm show at Koko
Writing a piece and creating a mix about Rammellzee for the Quietus
The moving sale finds at Lambiek in Amsterdam
Crazy scenes at the Southbank for the Big Fish Little Fish free Sunday session
Heroes:
Ben Coghill (again) for being the best agent in the business
The NHS – for saving my mum’s life and generally being incredible
Joshu Docherty – for recommending me for Star Wars Secret Cinema
Jeremy Corbyn – for giving hope that there can be an alternative
Sarah Coleman & Leigh Adams – for releasing their first film, making unique and
interesting things and generally being great people
Pete Williams – for getting the keys to the basement
Shindig! magazine – for overcoming the odds and turning a bad situation to their advantage
Pete Isaac & Scott Boca 45 for getting the whole 45 Live crew together and building an international collective
Everyone who gave their time and dug through their collections to contribute to the weekly Flexibition posts on the site: Jonny Trunk, Pete Isaac, Jon Brooks, Markey Funk & Ofer Tal, Stephen Coates, Jon More, John Stapleton, Steve Cook, Anton Armtone, Sarah & Leigh, Spencer Hickman.
RIP:
Mike Allen (Legendary Hip Hop DJ), Lemmy, Demis Roussos, The Pizz, Don Joyce (Negativland), Shusei Nagaoka, Kája Saudek, Errol Brown (Hot Chocolate), Daevid Allen (Gong), Leonard Nimoy, Brett Ewins, Noriyoshi Ohrai, Rod McKuen, Edgar Froese (Tangerine Dream), Mark B.
Looking forward to:
Transmission shop opening in Margate
David Bowie – Black Star LP
Mute 40 book
The Black Channels LP
The Allergies – Rock Rock feat. Andy Cat (Ugly Duckling)
Prophet: Earth War
Some detailed shots of my (late) entry to the Cosmic Flush exhibition at the Magda Danysz Gallery just before Xmas. This has now been taken down but will hopefully be traveling to New York in the spring with the other pieces for the second leg of the show. ‘Battlestation Z’ is inspired by Rammellzee‘s homemade Garbage God outfits, built from parts of old model kits, toys, records, CDs and even a turntable head shell into a 3D construction that partly takes its title from his old home studio. Including laser-cut perspex discs spelling out his name, album and Iconoclast Panzerism / Gothic Futurism theories, it builds in layers of debris towards a futuristic insectoid/robotic shaman character at the head.
I finally got round to checking out the Jamie Hewlett exhibition at the Saatchi Gallery just before Xmas. Split into three sections – colour renditions of the Tarot, Russ Meyer-esque posters of his wife as ‘Honey X‘, and B&W tree studies – it was good to see him pushing out of his comfort zone. The huge tarot images are in the style we know and love him for but all the pieces looked like prints rather than original art which was disappointing.
The Honey X fake film posters were enclosed in a black draped section that added to the seedy B-Movie vibe, their luminous glow alluding to the kind of dimly lit emporiums that would show such films. It’s hard to equate Hewlett with them as there’s so little of his established style visible. They weren’t bad per se, but I found it hard to care too much about them aside from the odd nicely observed graphic design placement here and there.
Much has been made of the tree studies and they are a revelation in that you can see his hand in the execution but they couldn’t be further from his usual source material. In recent years there’s been a stripping down of Hewlett’s style, a minimizing in detail and the stark contrasts of the tree images and some of the tarot remind me a lot of Mike Mignola’s work about 20 years ago when he first started drawing Hellboy. Since then Mike’s stripped his own style back even further and it will be interesting to see where Hewlett is in two decades time.
Is this the point where comic artists in the UK finally start to be accepted into the fine art world? What with this and the Comics Unmasked exhibition at the British Library last year could this be the tipping point that sees the UK catch up with our friends on the continent? Could we one day see major retrospective shows of the likes that Crumb, Hergé and Moebius have been afforded overseas in some of our major galleries? It’s been happening for years in comic shops and minor spaces but the Saatchi is a big player and tastemaker. The exhibition has been extended until January 3rd so there’s still time to catch it and it’s free.
A brilliant Sandtrooper commission I had done by Jonathan Edwards after seeing some of his Stormtroopers earlier in the month, he totally nailed it IMO. Follow him on Instagram for more of this kind of thing.