The Electric Hoax Pt.13 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Art
The Electric Hoax Pt.12 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version.
Dark Horse Presents is currently running Brendan’s new creation, ‘The Deleted’ which is up to chapter 3. The latest Judge Dredd Megazine issue 346 has a huge interview with Pete Milligan about his writing career.
Exactly what is says in the header – staggering work of course and including some of Kirby’s collage work too – view them all here.
The Electric Hoax Pt.11 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Arts London Music Magazine asked me to name 10 influential tracks to kick off their Rewind series. These are specifically songs that took me through my three year BA degree course at Camberwell College of Art in London during the years 1990-93. I wrote a little piece about each including design inspirations as well as a couple of old pieces of college work that I did in response to music-related briefs whilst on the course, unseen for 21 years pieces. To cap it all off I gave them a mix I made for a college reunion in 2012 that features many of the songs plus plenty more and runs for nearly 2 hours. Full track list and info in the link above.
ALM Mix 01: DJ FOOD – Citrus ’12 by Arts_London_Music_Magazine on Mixcloud
Below are some more detailed shots of the ‘Little Fluffy Clouds’ piece I made. It takes the Ricki Lee Jones interview that’s heavily sampled on the track and twists it typographically using hot metal and wood block printing on tissue paper (in itself a very difficult thing to achieve without ripping the paper). That was then mounted on clear acetate and meant to be hung away from the wall so that light could pass through it to reflect the cloud-like nature of the piece (student thinking huh?).
The Electric Hoax Pt.10 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Great sleeves and great music from the Antinote label out of Paris, France. Run by Gwen Jamois – ex of The Sycophants and now excavating old techno tapes he recorded in the 90’s as Iueke. The label is only just 2 years old and their latest release is a total beauty by Nico Motte, a synth-led future music soundtrack with a gorgeous sleeve.
I found some time to add some more to my Art of ZTT blog, we’re on to Propaganda‘s ‘Dr Mabuse’ now with interviews with John Stoddart, Paul Morley, David Smart, Lo Cole and Garry Mouat to come this year… I’ve had to start watermarking some of the content as it’s been shared around on certain social networking sites without credit.
2001: Space Odyssey (1968, r.: Stanley Kubrick) – Grafika: Gyárfás Gábor, 1979
Amazing film posters from Hungary via this website – plenty more there too, including the Star Wars ones I featured a while back.
Fahrenheit 451 (1969, r.: François Truffaut) – Grafika: Kemény György
Eolomea (1972, r.: Zschoche Hermann) – Grafika: ismeretlen
Phase IV (1974, r.: Saul Bass) – Grafika: András Andor, 1980
A New Hope (1977, r.: George Lucas) – Grafika: Felvidéki András, 1979
Alien (1979, r.: Ridley Scott) – Grafika: Helényi Tibor, 1981 és egy ismeretlen művész
RoboCop (1987, r.: Paul Verhoeven) – Grafika: Helényi Tibor, 1987
The Electric Hoax Pt.9 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Humanoids (Les Humanoïdes Associés – roughly translated as ‘United Humanoids’), the French publishing imprint set up by Jean ‘Moebius’ Giraud, Phillip Druilett and others in 1974 has recently opened a UK office.
Instantly recognisable on shelves by their large HUMANOIDS logo on each book spine, they produce beautiful hardback editions of French and European comics include oversize versions of Moebius and Jodorowsky‘s ‘The Incal’. This year is their 40th anniversary and it looks like they have big plans for the international market.
Last week they had the chance to buy the original art for their first logo, drawn by Moebius and long thought lost, from an auction in Manhattan (above right).
Now that they have a UK office (as well as relocating their French HQ to LA and opening one in Japan) I hope we will see lots of new issues of classic material associated with their founders. Moebius’ ’40 Days In The Desert’ and ‘Quatre-vingt huit’ would be top of my list and I think the English translation of the ‘Final Incal’ book is due any time soon (cover below not final and taken from Robot 6).
The Electric Hoax Pt.8 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
The Electric Hoax Pt.7 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Still no idea when this is getting a proper release but I guess at some point this year we’ll see it in regular cinemas or on DVD. There’s a Facebook page for it now and a couple of posters with Chris Foss and Moebius artwork, possibly a book of some sort too maybe?
The Electric Hoax Pt.6 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Wish I could afford this, currently on sale on eBay – going at $1,525.00 with 1 day left. Nice story behind it from the seller too:
“My mother used to work for King Features in New York, and as a young child I would often accompany her to work. Many times to keep me entertained I would be seated in a screening room and shown Yellow Submarine, as I was a huge Beatles fan. One day, I found a large selection of Yellow Sub production material on the floor by the freight elevator in the process of being thrown out. Needless to say, I grabbed a lot of it (wish I’d grabbed it all!). I had a rather large collection of cels, backgrounds and production drawings. Eventually, I decided to part with them, and over the years I’ve sold them all, both on eBay and at auction through the It’s Only Rock and Roll auction house in NYC. Recently, however, I found that I still had this piece left.
Although it is about 45 years old and certainly shows its age, it is unique and lovely. Please feel free to ask any questions. If you bid, please remember that this is a one of a kind piece that has not been stored in a fancy vault somewhere…I was about 12 when I acquired the Yellow Sub pieces, and a plastic bag was my idea of storage. It is in far from perfect condition, but is also historical, unique, and from one of the most wonderful and classic animated films ever made.”
The second volume of Ed Piskor‘s ‘Hip Hop Family Tree‘ – a history of rap music in comic book form – is out this summer. It features another round of guest artist pin ups and a few of these have leaked on the web in the past week or so. There will also be a free issue, drawing from both volumes and sporting a new cover, out for Free Comic Book Day this May.
Fantastic work here by Alexandre ‘Zedig’ diboine – tons more over on his tumblr too.
The Electric Hoax Pt.5 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version