This guy’s work is phenomenal, that perfect balance of 70’s and 80’s retro, vague sci-fi overtones, interesting lost fonts, saturated colours and a distinctly weathered texture all round. Check out his site, Signalstarr Portals for more.
Art
Those lovely people at Factory Road (purveyors of Solid Eggs, 45 adaptors, gallery spaces, Inkymole illustration etc) also run an occasional record label called Blunt Force Trauma.
Their latest release is in conjunction with Sage Francis, an artist they’ve enjoyed a long association with, providing artwork for several of his releases over the years. Co-released with his Strange Famous label this one consists of a mini Hip Hop supergroup, the Epic Beard Men aka Sage, B. Dolan and the UK’s very own Buddy Peace.
It’s a double A-sided 45 with an ode to black plastic on the A (“Viva La Vinyl‘) and a stomping funk party rap on the flip (‘You Can’t Win‘). As usual they’ve gone the extra mile on the packaging and artwork on this one and the 7″ comes in a 12″ fold out ‘sleeve’ with tear off double-sided art print and custom Factory Road 45 dink in the center.
You can also listen to it and buy direct from them right now, ahead of its April 14th release date HERE. Also, check Sarah (Inkymole) Coleman illustrating some of the work in these two shorts.
The Electric Hoax Pt.14 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
There’s a Kickstarter that just, er… started for a new Tank Girl book. Maybe this is nothing special because Alan Martin has been churning them out with an revolving door of artists for a few years now.
This time though, Jamie Hewlett is back on board, = and no, this is not an April Fool. Firstly for a cover (two actually) but also for his first strip for nearly 20 years. Add to this a line up of Philip Bond, Jim Mahfood, Jonathan Edwards and more and you get what could be the ultimate Xmas present come it’s projected Nov 2014 release date.
This is only if they reach their goal of £57,000 in the next 29 days though. They’re off to a strong start with over £16k pledged already after less than a day but there’s a long way to go. You can check their progress and even pledge yourself HERE – the basic hard back book package is a very reasonable £23 + postage and there are all sorts of other extras and incentives to be had as add-ons too.
A few artists are conspicuous by their absence – Rufus Dayglo for one who helped (ahem) kick start TG back into the public eye all those years back as well as Ashley Wood and Mike McMahon. Check Hewlett’s Kickstarter-only cover below with a huge blue-veiner of a space ship.
*UPDATE* – Funded in 48 hours!
I love these examples of early Star Wars and Empire Strikes Back posters with alternate logos and artwork. Even the finished film poster above has a rare shot of the heroes with Leia in Chewbacca‘s arms and the uneven red ‘crawl’ logo which is quite badly rendered when you look at it.
Below is an even earlier version with Ralph McQuarrie paintings plus an invite to one of the first public screenings.
Below are what look like poster prelims for Empire… with a totally different logo design that I’d never seen before.
Then another, more finished version of the logo with original SW poster art adapted. Love the way Leia is riding side saddle on the version above.
Actually, for all I know, these could be fan art but all the images are sourced from the Star Wars Archives page on Facebook which lends some sort of credibility to them.
Below we get yet another logo with a Luke on Tauntaun image.
Lastly, a preview poster for Empire with a big “BEWARE!” warning across it, this certainly looks real.
The Electric Hoax Pt.13 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
The Electric Hoax Pt.12 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version.
Dark Horse Presents is currently running Brendan’s new creation, ‘The Deleted’ which is up to chapter 3. The latest Judge Dredd Megazine issue 346 has a huge interview with Pete Milligan about his writing career.
Exactly what is says in the header – staggering work of course and including some of Kirby’s collage work too – view them all here.
The Electric Hoax Pt.11 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Arts London Music Magazine asked me to name 10 influential tracks to kick off their Rewind series. These are specifically songs that took me through my three year BA degree course at Camberwell College of Art in London during the years 1990-93. I wrote a little piece about each including design inspirations as well as a couple of old pieces of college work that I did in response to music-related briefs whilst on the course, unseen for 21 years pieces. To cap it all off I gave them a mix I made for a college reunion in 2012 that features many of the songs plus plenty more and runs for nearly 2 hours. Full track list and info in the link above.
ALM Mix 01: DJ FOOD – Citrus ’12 by Arts_London_Music_Magazine on Mixcloud
Below are some more detailed shots of the ‘Little Fluffy Clouds’ piece I made. It takes the Ricki Lee Jones interview that’s heavily sampled on the track and twists it typographically using hot metal and wood block printing on tissue paper (in itself a very difficult thing to achieve without ripping the paper). That was then mounted on clear acetate and meant to be hung away from the wall so that light could pass through it to reflect the cloud-like nature of the piece (student thinking huh?).
The Electric Hoax Pt.10 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Great sleeves and great music from the Antinote label out of Paris, France. Run by Gwen Jamois – ex of The Sycophants and now excavating old techno tapes he recorded in the 90’s as Iueke. The label is only just 2 years old and their latest release is a total beauty by Nico Motte, a synth-led future music soundtrack with a gorgeous sleeve.
I found some time to add some more to my Art of ZTT blog, we’re on to Propaganda‘s ‘Dr Mabuse’ now with interviews with John Stoddart, Paul Morley, David Smart, Lo Cole and Garry Mouat to come this year… I’ve had to start watermarking some of the content as it’s been shared around on certain social networking sites without credit.
2001: Space Odyssey (1968, r.: Stanley Kubrick) – Grafika: Gyárfás Gábor, 1979
Amazing film posters from Hungary via this website – plenty more there too, including the Star Wars ones I featured a while back.
Fahrenheit 451 (1969, r.: François Truffaut) – Grafika: Kemény György
Eolomea (1972, r.: Zschoche Hermann) – Grafika: ismeretlen
Phase IV (1974, r.: Saul Bass) – Grafika: András Andor, 1980
A New Hope (1977, r.: George Lucas) – Grafika: Felvidéki András, 1979
Alien (1979, r.: Ridley Scott) – Grafika: Helényi Tibor, 1981 és egy ismeretlen művész
RoboCop (1987, r.: Paul Verhoeven) – Grafika: Helényi Tibor, 1987
The Electric Hoax Pt.9 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Humanoids (Les Humanoïdes Associés – roughly translated as ‘United Humanoids’), the French publishing imprint set up by Jean ‘Moebius’ Giraud, Phillip Druilett and others in 1974 has recently opened a UK office.
Instantly recognisable on shelves by their large HUMANOIDS logo on each book spine, they produce beautiful hardback editions of French and European comics include oversize versions of Moebius and Jodorowsky‘s ‘The Incal’. This year is their 40th anniversary and it looks like they have big plans for the international market.
Last week they had the chance to buy the original art for their first logo, drawn by Moebius and long thought lost, from an auction in Manhattan (above right).
Now that they have a UK office (as well as relocating their French HQ to LA and opening one in Japan) I hope we will see lots of new issues of classic material associated with their founders. Moebius’ ’40 Days In The Desert’ and ‘Quatre-vingt huit’ would be top of my list and I think the English translation of the ‘Final Incal’ book is due any time soon (cover below not final and taken from Robot 6).
The Electric Hoax Pt.8 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
The Electric Hoax Pt.7 by Pete Milligan and Brendan McCarthy. This strip appeared in the weekly UK music paper, Sounds, in 24 parts sometime between mid ’78 and ’79. Click image for larger version
Still no idea when this is getting a proper release but I guess at some point this year we’ll see it in regular cinemas or on DVD. There’s a Facebook page for it now and a couple of posters with Chris Foss and Moebius artwork, possibly a book of some sort too maybe?
