By Matt Kaufenburg from www.illustrationaday.com
Art
The uber-talented Felt Mistress has some of her creations on show at the NoBrow shop for a final week before they move to Foyles bookshop in the west end to accompany her partner Jonathan Edwards‘ exhibition as part of the sketching the city season. She will also be giving a monster-making workshop in Foyles on July 30th, details and tickets are here.
Long time heroes of mine, graffiti legends, absolute masters from back in the day whose influence is still felt. They have a show opening tonight in Soho, London. Can’t make it myself but will definitely check this out. See examples of their work here.
Here’s the Nuclear Dawn mural in Brixton as it was when it was first painted. Anyone who has ever traveled into Brixton on Coldharbour Lane from the East will have seen this, it’s been there since the early 80’s apparently and was painted by Brian Barnes and Dale McCrea.
30 years of wear and tear have not been kind to the image, especially the lower half which is partly covered with bushes and graffiti not to mention the condition of the paint in general. But there is a movement underway to try and restore the mural to its former glory on Facebook – please have a look, ‘like’ the page and see if you can help.
Seen on Megatrip‘s blog via the Heritage Auctions site: Jim Steranko Infinity One Paperback Cover Original Art (Lancer Books, 1970). This mixed-media piece has an overall size of 11″ x 17.5″, and the art is in Excellent condition. Sold for nearly $10,000 in Nov 2008. Stunning work.
The first in a series of vinyl postcards from Six Ton Armour, sadly now sold out but check their Psychcast mixes.
I didn’t know who did this for a while because I found it online, it’s the work of Mike Alacantara – check out more of his stuff here.
An amazing, but very hard to photograph, mural dedicated to Moebius that wraps round three sides of a building in Shoreditch, London. Featuring many scenes and images he created in his lifetime and also a little MCA dedication too, I tried my best to join the images together fluidly but had to take some of these standing in the middle of the road. UPDATE: The mural was painted by JimVision / Probs over 9 days, check some much better photos over at the End of the Line blog.
I finally got to the Tate Modern to see the Damien Hirst exhibition yesterday and his butterfly ‘paintings’ are stunning. Kaleidoscopic, geometric mandalas, some of which glow like stained glass windows, they are quite breathtaking to behold. I’m no particular Hirst fan, I can take or (usually) leave him but occasionally he comes up with a winner and this is definitely one of them.
I came across these on Facebook the other day, does anyone recognise the artist? I think it’s all the same person judging by the tags I can see but I’m not certain. My first thought was that it was Replete but I’m not sure.
UPDATE: This is the guy who did these – Made514 – plus a whole lot more, check out his site here.
So much to say about the last few days and the opening of the DJ Food & Henry Flint exhibition at the Factory Road Gallery in Hinckley, Leicester with my friends Sarah (aka Inkymole) and Leigh. I’ve known them for around 15 years now and always enjoy their company so it was a no-brainer when they asked if they could host the work I’d got together for the Pure Evil Gallery earlier this year. What’s unique about this is that the gallery is in their own home, on the corner of a quiet suburban street, not in the middle of a hip part of a big city. A few years ago they did some major architectural restructuring and turned the downstairs of their home into a workspace cum gallery, dependent on what was on at the time. This is the third or fourth exhibition to be held there and, with the help of their intern, Brook, and amazing chef Jed Smith, they managed to make it a very unique event.
The difference between this and the Pure Evil show is that they were keen to feature a sort of retrospective element of my design work with Ninja Tune over the years alongside work that Henry and I had generated for ‘The Search Engine’ album, his book ‘Broadcast’ and past comic work. This took the form of a whole wall running the length of the downstairs plus a tabletop collage under glass of all manner of flyers, sleeves, proofs and other ephemera. Two sides of the central supporting wall were taken up with Henry’s past comic work with prints and original art from the album near the entrance. Near the rear of the gallery we set up a turntable and zoetrope disc to project animations that were also meant for London but didn’t happen as well as a 55 minute mix with visuals based on my planetarium show of the same time.
To add to this Sarah and Leigh always do special merchandise to go with each show, a regular item being a tea towel – or rather a visor / helmet polishing cloth (ooer) – printed locally and hemmed by Sarah’s mum. Also for sale was a limited edition ‘Skullstronaut’ giclee print and locally sourced chocolate bars, cleverly playing on the outer space theme and packaged like freeze-dried astronaut food.
Speaking of food, the killer addition of the night was Jed Smith in the kitchen, whipping up amazing bite-sized, space-themed eats for everyone. The cubed chips, baked pea shells and sauce were the hit of the night, a bowl of ‘space dust’ (homemade sherbert) looked like a moon surface and the dried rice and beetroot dip was literally out of this world (sorry). Everyone who came looked uncertainly at it all, took the plunge and were instantly in for seconds.
It’s rare to attend an opening and to ask the guests if they’ve been to the toilet yet (unless it’s for some sort of nose up) but the bathroom had it’s own charm in the form of Will Cooper-Mitchell’s press shots of me in an astronaut suit, alongside a hand-painted shuttle (by Sarah’s sister, close family ties going on here) and a short musical loop of space-themed sounds.
This, alongside a big barrel of local ale for refreshments, rounded the whole event off beautifully and added to the homely vibe of the exhibition. A steady stream of visitors arrived, both local and from further afield from 6pm until midnight and I talked to everyone from fans to friends, university professors to the local record store owner. Having been there since Thursday afternoon setting up and rearranging things I was beat by then and we had an early start the next morning but that’s another story.
Thank you so much to everyone who came but especially Sarah, Leigh, Jed, Brook and everyone who helped to make it such a success, some of the photos here are by their friend, Nigel, who was also the architect who helped them build the gallery. We realised, once it was all hung and arranged, that we’d fitted in twice the content than in London, in a smaller space too so there’s twice the reason to go and have a look. The show is at 71 Factory Road, Hinckley, Leicestershire, it’s free and on until June 15th, all merchandise is on sale on the Factory Road Shop now.
Here’s the ‘Skullstronaut’ print, specially made for Friday’s exhibition opening at the Factory Road Gallery, Hinckley, Leicestershire. Taken from the cover of the recent DJ Food vs The Amorphous Androgynous 12″ single and measuring a hefty 55cm x 55cm this giclée print on Somerset Rag paper will set you back just £25 at the show. It’s an edition of 25 and will be signed by myself, any unsold stock will be on the Factory Road shop once the exhibition has finished.
Only 3 days to go until the DJ Food & Henry Flint show reopens, revitalised at the Factory Road Gallery in Hinckley. I sent a last load of sleeves, posters, flyers and other assorted memorabilia off for it today and there will be more of Henry’s old 2000ad artwork than we had in London, different pages too – all from my personal collection.
Also on sale there will be these space-themed chocolate bars in requisite silver foil packaging featuring the ‘skullstronaut’. There’ll be more exclusive merch on sale but I’ll post about that later. Sarah and Leigh, who run the gallery from their home, really take care and go to extra lengths to make bespoke items for their shows so that each one is a unique experience. I’m so pleased to be doing something with them after knowing them for over 15 years.
Two new takes on an old concept – films as Penguin Book covers – with the, now ubiquitous original Star Wars trilogy and Studio Ghibli films too. The SW ones are available as posters by Studio Concepcion, the SG ones by 84/5 Studio as prints and a postcard set.
The most anticipated comic of the year in this household: Mike Mignola‘s return to the main on-going Hellboy story on both writing AND art duties in ‘Hellboy In Hell’. Also check out Duncan Fegredo‘s incredible cover for B.P.R.D.s newest story arc, ‘The Devil’s Engine’. This Hellboy offshoot has slowly but surely stepped into a class of its own over the years and has now added a Hell On Earth suffix to the title.
This is to mark the emergence of all manner of monstrosities on Earth, no longer confined to nooks and crannies, and is just as essential as its parent publication with all sorts of plot threads currently dangling loose as well as the ever-present ‘when will Hellboy return?’ There’s a fascinating making of feature over on the Dark Horse blog too.
A gorgeous original piece of Kevin O’Neill cover art from prog 230 of 2000AD, recently acquired by my friend David Rees, what a beauty.
Also, Kevin will be signing copies of the new League of Extraordinary Gentlemen issue, 2009, on June 23rd (not May as I’d previously posted) at Gosh Comics in Soho alongside none other than Alan Moore – expect queues round the block.
Gosh will also have copies of The Black Dossier hardback for sale -WITH the 7″ record that was meant to come with it originally.
More sleeve porn from the ever-reliable Stones Throw label, a Bruce Haack remix LP and an Oh No/Doom collaboration which comes as an LP, a double sided poster and a 5″ single.
Three brilliant tributes to MCA, a ‘Sabotage’ parody by James Winters, a ‘Licensed To Ill’ mural by Aroe, and a US departure lounge sign.
[vimeo width=”640″ height=”370″]http://vimeo.com/42106181[/vimeo]
I just saw that my friend Pat Hamou did this lovely tribute to Maurice Sendak, this nails it for me. Pat said this about it:
“For Mr.Sendak.
I still remember the first time I laid eyes upon Where The Wild Things Are in my youth, leaving me wide eyed and wondering.
Here’s to the next Wild Rumpus that awaits you.”
Check out Pat’s site for his excellent gig posters and illustrations of Jewish gangsters. He lives in Montreal which is where I’m off to this week to develop my planetarium show with the people at the SAT Dome there.