I just received this gorgeous screen print from Glass Siren Studios – check out their site for more amazing designs – not sure how many colours this is but it’s a work of art.
Art
This weekend I visited the Yorkshire Sculpture Park for the final week of the KAWS and Eduardo Paolozzi exhibitions (not shown but awesome). Highly recommended but only one week left! I’ll let the pictures do the talking, they’re mainly KAWS but there are some other incidentals from the park added in too.
I’ve always been fascinated by this cover art, the artist is simply listed as ‘Corrigan’. On the back of the Castor LP it has a passage about the cover, possibly written by Corrigan (?):
“The illustration depicts Jimmy Castor in a double role: as a Gemini and Cancer personality. Gemini’s aspects are described as egocentric, intellectual and airy. Castor’s egocentric aspect is affirmed by his unconcealed face; his intellect is symbolized by the tube running from a fitting on his temple to a fitting in the musical tree. His mind drives his music. A second tube runs on to a small cluster of clouds hovering near Castor’s head, symbolizing his airy and mutable nature. Castor’s Cancer aspects are symbolized on the right by the slum tenement which rises out of wasteland. Castor is directly above a large opening in a wall containing his heart; this serves to stress Cancer’s intuitive qualities. Castor’s face is partially concealed to correspond to the introverted nature of Cancer personalities. The tube which runs from his heart is attached to an armored egg; spilling out of the egg are three elements associated with Cancer: the moon, water and food. The prehistoric, “Troglodyte”-like figures are the end products of the intellectual, emotional and astrological input of Castor from above.”
After a bit of help from fellow facebook-ers, it seems the man responsible was Dennis Corrigan, a surrealist American illustrator who only has one other record sleeve listed on Discogs (The New York Rock & Rock Ensemble, front and back covers below).
Still with us and now teaching at Marywood University in Pennsylvania, he has work in various art institute collections and illustrated for the likes of The New York Times, Random House, Pan American Airways and more. He’s had several books of his work published, ‘The Amusement Park’ from 1982 and ‘True Love Knows No Boundaries’ from just last year. You can find more about his weird world at his website, Dennis Corrigan Artist.
Ted Coconis – love this cover art, he didn’t do many record covers but the ones he did are beautiful.
Just saw this via the Imaginary Cities Twitter feed – an animated gif version of Nelson Daniel‘s cover for Judge Dredd #30 from US publishers, IDW. Below is some of the work in progress from his Deviant Art page.
Amazing! From Mark Bodé‘s Facebook page:
“Never before published Vaughn Bode story. Vaughn presented this to his college professor at Syracuse University as a gift. Its so great to see new stuff after 41 years like finding a new unrecorded song by Jimi Hendrix out of the blue. This has risen up for auction at Heritage Auctions May 13th and 14th by the family it was gifted to. Thanks to John P Rovnak for bringing it to my attention. I was able to save large files for future printing of the art. Enjoy!!!”
The Alan Kitching exhibition at Somerset House is fantastic, a huge collection of letterpress posters, experiments and book designs that stretch the medium to its limits. It’s only on until May 2nd so be quick, Alan is also doing live, Utopian-themed demonstrations between 12 – 3pm on Saturday 30th April and Monday 2nd May.
This is ‘Beneath The Tree’ by John Vernon Lord, a British artist probably best know for illustrating the children’s classic ‘The Giant Jam Sandwich’ or Deep Purple‘s ‘The Book of Taliesyn’ album cover. The image is huge, 122 x 244 cm, and was drawn in 1966. Nobrow have published a book of his work entitled ‘Drawn To Drawing’ which is well worth a look with over 300 illustrations.
I did a gig with Ameet Hindocha, aka Ambigraph, last summer and we ended up collaborating on an audio visual alt. soundtrack to Dune. I was so impressed with his geometric designs I asked him to do me a commission based on a complex pattern we both chose. Here are some work-in-progress shots and the final thing, all hand drawn, no computer was used, just pen, pencil and ruler. See more of his work here
You’re probably sick of reading about these two characters on here – Dan Lish and Rammellzee – a perfect combination, a before and after depiction, a pair of limited, signed colour A4 prints available from Gamma Proforma now.
I’m very chuffed to have an interview with Savage Pencil aka Edwin Pouncey in the new Rough Trade book celebrating 40 years of the shop and associated labels. Just published by Thurston Moore‘s Ecstatic Peace imprint it’s packed with scrapbook-like anecdotes, photos, poems, drawings and interviews by a who’s who of the independent scene.
My piece runs to five pages and covers SavX‘s career from aspiring cartoonist and early employee of the Portobello shop to Blast First cover artist and abstract painter with Battle Of The Eyes. The interview was so long that I had to cut it down by more than half so I’ll publish the full thing here with many illustrations once the book has been out a while.
*Also – there’s a free John Grant one-sided 45 with etched B side if you buy the book from Rough Trade shops
Just opened at the Yorkshire Sculpture Park (alongside the current KAWS exhibition) Eduardo Paolozzi collage prints from their collection. I’m booking a train to Wakefield.
Found on the web, anyone know who did it? Drawing a blank so far
UPDATE: thanks to M in the comments who seems to have identified Nemons (Gary Hall) as the culprit – thanks!
Photographer Tim Walker has channeled Hieronymus Bosch for this new shoot for Love Magazine‘s Spring issue. These are the more ‘safe for work’ images but there are loads more here.
Bosch is back in the news at the moment as there is a major exhibition of his work at the Noordbrabants Museum, ’s-Hertogenbosch in the Netherlands at the moment with paintings and drawings assembled from across the globe to mark 500 years since his birth.
Always nice to see a refreshing take on the usual sci-fi tropes of aliens, robots, vehicles and weapons. This lot is by Darren Bartley and you can see loads more on his FightPunch tumblr.
Went to the British Library yesterday to see the Alice In Wonderland exhibition, a collection of many vintage books illustrated by various artists over the last 150 years as well as puzzles, cards, posters and ephemera featuring the characters. Also present were some of Lewis Carroll‘s original notebooks, letters and photos plus printing blocks of John Tenniel‘s original illustrations, used for the first edition.
Interesting as all that was though, it was the design of the exhibition that wowed the most, with playful typography riffing off quotes from the book and that fantastic logo hanging from a balcony on a giant tag. I would have got more of it if there hadn’t be an over-zealous security guard warning people from taking photos. Nevertheless, it’s free as it’s in the foyer and it’s worth your time if you’re in the Kings Cross area plus there’s a pop up shop separate from the main one with about 20 different Alice book versions, loads of merchandise and the swirly floor seen in the last photo.
I really like what this guy does. Comics and collage, two of my favourite things combined, especially when it’s this out there. He’s doing a similar thing to what Cyriak does with film in some instances but the subject matter that’s being used also makes some of his work reminiscent of Robert Williams‘ paintings too. There is a ton of this and much more to view on the Samplerman tumblr
This is just stunning and beautiful to see the sounds connect with the shapes. In the 70’s, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti’s ‘Artikulation’. Donald Craig scanned the pages and synchronized them with the music, check his YouTube channel for more.
Some of the recent Kosmischer Debris experiments from my Instagram – not sure about these, there are a couple of interesting ones but nothing I’m super happy with. These images are all generated from one piece, collaged elements of the Musée des Confluences that I took in Lyon last year. I want to see how far I can push them before they look like visual soup. The lower right one is pretty much there I’d say.