I curated this month’s Dust & Grooves You Dig? newsletter – tons of record-related links in there for your Sunday
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Books
I’ve been waiting for this day for several years – Dust & Grooves delivery day! Having worked with Eilon Paz over the last few years on parts of this I know the blood, sweat and tears that have gone into just a small portion of it but nothing prepared me for seeing the final product last week at the launch night in London.
The new book is HUGE, it weighs a ton and looks incredible. The attention to detail throughout is beautiful, with spot varnish and embossing on the slipcase of the deluxe edition plus printed insides and a free poster.
The first volume has been re-covered and fits snugly with the second, make no mistake, this is a huge piece of work and will test the strength of any bookcase. I’m extremely proud to have contributed three extensive features to the back half of the book as well as several for the Dust & Grooves website (the Alex Paterson one is already up there with several yet to come that didn’t fit in the book). Interviews with Kid Koala, Andy Votel and Tom Ravenscroft fill pages alongside Eilon’s incredible photography and make this a must for all serious diggers out there.
We’ll never own all these records but we can share in the knowledge and stories behind them via this tome. As you could see from the photos of the launch party in London the other week, it bought together collectors from around the UK with nothing but goodwill and shared enthusiasm. Well done to Eilon and all the editors, designers and proofreaders who helped make this happen. Grab your own copy here
Let’s not the forget the Portables book that Eilon shot alongside the Dust & Grooves volume 2 one! The man’s a machine and this book lovingly catalogues 222 portable turntables – available now, here
There’s obviously something about the word, ‘groove’ that ticks several boxes for me. My favourite record fair of the year is this Saturday, The Groovy Record Fayre at the Mildmay Club on Newington Green. The record fair is in the day until about 5-6pm then a pub quiz after 7pm followed by a party until 1am – all FREE!
Then on November 19th it’s the UK launch of the Dust & Grooves vol.2 at the BBE Store in Hackney – could this be the line up of the year? Also FREE but you have to RSVP here
Communication Arts, 1966
I think this is the back cover of Morals ’68
A book of experimental music scores, essays and notations – view it on the Internet Archive
Print magazine, US, 1961
Today is release day for my good friend Eilon Paz‘s monster of a book Dust & Grooves vol.2!
A decade after the first volume and after over two years of tireless work and globetrotting, he presents this follow up tome, clocking in at 650 pages. It charts the world of record collecting in all its myriad forms through Eilon’s incredible photography (this man cannot take a bad photo).
I’m yet to see the finished book but being asked to contribute and come along on some of his adventures was the stuff of dreams. From interviewing Alex Paterson about the contents of his live DJ boxes to navigating the tidal wave of Andy Votel‘s collection to picking Kid Koala‘s brains about his methods to visiting Peel Acres and hearing vinyl hoarding stories you wouldn’t believe from Tom Ravenscroft.
The latter three are all in the book and the Alex Paterson interview is on the Dust & Grooves website in full. Still to come: long-form interviews with Zoe Luckycat Baxter, DJ Format and Trevor Jackson – see some behind the scenes photos here.
You can buy the book right now as well as a revamped volume 1 and there’s still the companion Portable turntables book to come!
Congratulations Eilon – hardest working photographer I know, what an incredible thing you’ve created.
I wrote a huge piece for Dust & Grooves about joining Alex Paterson of the Orb to go through a couple of old DJ boxes he used to use in live sets. This took place two years ago to the day it’s been published and we’ve just finished it off as it didn’t make the forthcoming book in time for publication, mainly due to space. But on the web you can have all the space you want and space is most definitely the place for this feature. If you ever wanted to know where that sample was from or what record was used where then this feature goes some way to pulling back the curtain.
D&G creator and photographer, Eilon Paz beautifully captured the results of the momentous occasion which was situated first at the Book & Record Bar in West Norwood and later at Alex’s home nearby. I’m proud of all my work with Dust & Grooves (and there’s a fair bit more to come) but this was quite the fanboy’s dream as I’d probably first seen the Orb close to thirty years before. You can read the full piece here. The huge 650 page Dust & Grooves 2 arrives in a month’s time and can be ordered here along with its sister publication, Portables, all about, you guessed it – portable turntables. Enjoy…
I found a copy of this at the local carboot at the weekend (with Martin Sharp cover illustration) and had been collecting up other psychedelic book covers around the web, coincidentally most with a Tim Leary connection.
I’ll chuck in this one as it’s in the style of too although not from the 60s or 70s.
Gotta give it up for Jason Galea – just churning out work for King Gizzard & The Lizard Wizard constantly. Record sleeves, videos, merch and posters like these, almost for every gig they do. Results vary of course but here’s the pick of the bunch from about the last year.
He’s also put together a book of all his work, due out this Winter with over a decade’s worth of designs and other material. You can order it here.
Beautiful poster by Victor Hubinon from Spirou magazine in 1968
A Bryan Talbot cover for Zig Zag in 1976
Ian Wright does the Damned for Zig Zag in 1981
Unknown artist for another Zig Zag cover of the Stones from 1977
One of Andy DOG Johnson’s first commissions – think I’ve shown this before but this is possibly better quality – Kraftwerk for Record Mirror in 1978
Savage Pencil covering Sun Dial, this poster was from 1995 I believe
Robert Crumb illustrates the Whole Earth Catalog’s Last Supplement – see what he did there?
It’s fair to say that Peter Max put his mark all over popular commerce and culture in the 70s. One of the few commercial artists to fully embrace merchandising and recognise that he had a valueable brand, he was arguably better at it than Warhol and had ranges of stationary, puzzles, book, posters and clothing for sale all with his name emblazoned on them at one point. Here’s a selection of stuff I dug up on the web including magazine covers, cookery books, puzzles and a poster for Mary Quant.
After being interviewed for the Dust & Grooves site over a decade ago and interviewing Kieran Hebden for the first book I have been heavily involved in the follow up – Dust & Grooves 2 with creator/photographer Eilon Paz. Accompanying him on many trips around the UK to interview noted collectors like Andy Votel, DJ Format, Alex Paterson, Zoe Baxter, Trevor Jackoson and Tom Ravenscroft was a treat and I also conducted a transatlantic interview with old friend Eric San aka Kid Koala. The full book contains way more and clocks in at 650 pages, to be released this October alongside a reprint of the first D&G volume with a new cover and also available in a 2 in 1 slipcased edition.
Not only that but Paz also shot a second book in parallel; Portables, a visual history of over 200 portable turntables from around the world – the guy is a machine. Also available this October, you can find out more about all these and sign up to be notified once they are up for pre-order over at the Dust & Grooves site. There’s more in the pipeline to come too so sign up to stay in the loop.
I recently took delivery of this incredible book, ‘A Decade of Handmade Music Packaging’ by the label Time Released Sound.
The label specialises in handmade limited edition packaging for each release, mainly CD but also lathe cut vinyl.
They’ve made over 100 releases in 10 years which is quite something when you see the work that goes into every one.
The level of detail is staggering as each release is collaged together from found ephemera and assembled by hand. I’m going to have to post more spreads because 10 images just doesn’t do it justice.
For fans of music packaging, there’s never been a book as good as this since the Independent Project Records‘ ‘Savage Impressions’ collection.
Time Released Sound have copies available to buy now, each comes with 2 CDs of music from the label on the inside cover, give them a follow and check out all the wonderful art they make.
Music:
Kosmischer Laufer – Volume 5 LP (UCR)
Soia, Julien Sénélas, Jérôme Vassereau – In C for 11 Oscillators and 53 Forms LP (unjenesaisquoi)
Cate Brooks – Tapeworks DL (Cafe Kaput)
Memorials – Music For Film: Tramps! LP (State 51 Conspiracy)
King Gizzard & The Lizard Wizard – PetroDragonic Apocalypse… LP (Album of the year)
Field Lines Cartographer – Moonbuilding Sessions LP (CiS Subscription Library)
Brian Eno – The Lighthouse radio station (Sonos) (most listened to)
Niholoxica – Source of Denial LP (Crammed Discs)
SareemOne – Olivine Window
Coast Contra – Breathe & Stop Freestyle/Never Freestyle/Scenario Freestyle
Move78 – Grains LP
Heiroglyphic Being – The Moon Dance LP (Apnea)
Raj Pannu – Past Crimes EP 12″ (To Pikap Records)
Gordon Chapman-Fox – The Nine Travellers LP (Castles In Space Subscription Library)
Podcasts:
Oh God What Now?
Cartoonist Kayfabe
Jonny Trunk’s Patreon Show
What Goes Around
The Bunker
The Bureau of Lost Culture
Not A Diving Podcast with Scuba
Gigs / Events:
Art of Noise @Jazz Café, London
The Light Surgeons – SuperEverything launch @iklectik, London
Quadraphon debut @Ramsgate Music Hall, Ramsgate
Beyond The Streets exhibition @Saatchi gallery, London
Pop Up Subculture festival, Stroud
Holotronica, @IMAX Bristol
Sunroof / Finlay Shakespeare @iklectik, London
0282 Club, the library, Burnley
Paul Cousins @iklectik, London
The Light Surgeons – The Consensual Hallucination @iklectik, London
Memorials at the State 51 Summer Psych party @State 51, London
Queens of the Stone Age @Glastonbury
FogFest2 @iklectik, London
JG Thirlwell & Emsemble @Bush Hall, London
The Book & Record Bar 10th anniversary party, London
Machina Bristronica, Bristol
Visiting Peel Acres with Eilon Paz of Dust & Grooves
Nihiloxia @the Jazz Cafe, London
NEXT Festival, Bratislava, Slovakia
Design / Packaging:
Yves Malone – A Hello To A Goodbye LP (Castles In Space)
Drumetrics – Phuzzle (Drumetrics)
Waclaw Zimpel – Train Spotter LP (State 51)
David Boulter – Factory 3″ CD (Clay Pipe Music)
Fluctuosa – Wetware EP 12″ (Analogical Force)
Fluxus – Orbit & Shine LP (Castles In Space)
Floating Points – Birth4000 12″ (Ninja Tune)
Cate Brooks – Easel Studies LP + badge (Clay Pipe Music)
Brian Eno – Top Boy OST CD (Beatink)
Artists:
Kallamity
Soda
Nick Taylor (Spectral Studio)
Louise Mason
Francis Castle (Clay Pipe)
Tradd Moore
KO_Computer
Kishi Omori
Autone1
Mike Mignola
Geometric Love
Anna Readman
Zoe Thorogood
Colin & Maria @ Time Released Sound
Books / Magazines / Comics:
Medical Grade Music – Steve Davis & Kavis Torabi (White Rabbit)
Doctor Strange – Fall Sunrise – Tradd & Heather Moore (Marvel)
Tales To Enlighten – The New Testament – Matt King and James Edward Clark
Beyond The Streets exhibition book
Pop – Milton Glaser (Phaidon)
Kevin O’Neill Apex Edition (2000AD)
Mark Stafford – Salmonella Smorgasbord (Soaring Penguin Press)
Savage Impressions – Bruce Lichen (Independent Project Records)
Hexagon Bridge – Richard Blake (Image)
Monica – Daniel Clowes (Fantagraphics)
Acid Valley – Luke Insect
Petrol Head – Rob Williams & Pye Parr (Image)
Lawless – Dan Abnett & Phil Winslade (Rebellion)
Giant Robot Hellboy – Mignola/Fegredo (Dark Horse)
Facelss & The Family – Matt Lesniewski (Oni Press)
Film:
Barbie
Squaring The Circle : The Story of Hipgnosis
Another year over and what have I done?
Designed a retro jungle cover for District 1727 release Rinse Out The Raw Steel
Opened for The Art of Noise two nights running at the Jazz Cafe
Designed The Home Current & Peter Wix and UNE CDs for Spun Out Of Control
Performed at Candlemas with Julian Hand, Heena Song, Paul Naudin and Whyte Light Visuals
Started working with visual artist PuttyRubber with my Quadraphon turntable at live gigs
Designed the Stasis 12″‘Quondam Sequences’ for De:tuned
Edited a short video for Holotronica after their Bristol event (not sure this ever got broadcast/finished actually)
Restarted my Infinite Illectrik label with 7 monthly releases from May
Mixed two new volumes of The Funky Eno with selections provided by Nohbodhi
Gave talks about Wheels of Light in Stroud and Brighton
Collaborated with Graham Dunning live with visuals by PuttyRubber and Chromatech for FogFest2
Appeared on the 45 Live and What Goes Around podcasts
Wrote the theme for the new Why? podcast
Remade and remixed Amon Tobin’s Permutation LP artwork for the 25th reissue
Continued the weekly Mixcloud Select series of archive mix uploads
Designed and illustrated Wonders of the Undersea World LP for Trunk Records including a sheet of stickers to make your own cover design.
Designed zoetropes for T Rex, Donna Summer, Dr Who, Lily Allen and Steps(!)
Designed the Pulse Five EP, poster and postcards for FSOL, working with Jonas Ranson again on the screenprint
Designed the De:tuned 15 logo and T-shirt for the label’s fifteenth year in 2024
Designed the Clerkenwell Kid Junkyard Melodies album + ephemera and 3″ Xmas Winter Warmers companion CD for Stephen Coates/The Real Tuesday Weld
Designed the A’bear album sleeve for Castles In Space
Contributed vintage graffiti photos to the second Old So Kool book about the UK graf scene in the 80s
Ongoing research into at least three other book projects…
RIP:
Alan Rankin, Jeff Beck, David Crosby, Burt Bacharach, Raquel Welch, Alain Goraguer, Lee Purkis aka In Sync, Paul O’Grady, Al Jaffee, Jah Shaka, Mary Quant, Mark Stewart, Frank Kozik, Andy Rourke, Peter Jones (Colourscape designer), Martin Amis, Kenneth Anger, Tina Turner, Astrud Gilberto, John Romita Snr, Glenda Jackson, Jane Birkin, Paul Rubens, Jamie Reid, Michael Parkinson, David McCallum, Mark the 45 King, Benjamin Zephaniah, Ian Gibson,
Looking forward to:
Candlemas II
Gary Hustwit’s Eno film
The Time Released Sound Book – A Decade of Handmade Music Packaging
Furiosa – A Mad Max Saga
The Hoppy documentary
Richard Norris’ autobiography, Strange Things Are Happening
Sophia Satchell-Baeza’s ‘Sensuous Laboratories’ book
The The’s new tour
Doug Shipton’s new Fundamental Frequencies label
More collaborations
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.
#22. Old So Kool book 2 – The Lost Years
A huge second volume of 80s UK graffiti photos and interviews compiled by Paul Pilgrim and Steven O’Hara. 400+ pages sourced from photo albums and black books from back in the day and a follow up to the first volume from last year – an incredible feat in such a short space of time. I was supposed to have photos in the original but didn’t get my shit together so made up for it this time round.
The Lost Years expands upon the first volume, covering the same time frame (the 80s) with a couple of differences. There are a few standalone sections aside from the geographical locations most of the book is grouped into, namely a look at the legendary Bridlington Jam, a tribute to departed writers and a ‘where are they now’type round up of key contributors. These slightly sparser chapters work well and serve to break up the visual overload of the other sections in which as many images as possible have been fitted on every page.
That such a sprawling urban artform grew out of a few books, films, record sleeves and magazine articles is fascinating, us 80s kids were certainly inspired – Subway Art being ‘the original handbook’ for most. You can see styles evolving all over the country but with a uniformity from writers who would never even see each other’s work – let alone meet – as everyone was cribbing from the same limited sources for a while. Of course the Americans were the first inspiration – you can see the character styles of Doze Green or Gnome copied here and there but unique styles and voices were held in highest regard. Cribbing off of other UK writers was inevitable though, The Chrome Angels being the most obvious as they were the most visible initially unless you were lucky enough to be able to travel abroad. You can also see British comic characters from 2000AD and computer games cropping up to replace the Marvel superheros and Vaughn Bodé lizards and wizards, a more angular computer style here, an abstract piece there.
I remember many trying to find their own identity rather than fit in with existing styles but for the most part though it’s a name and a character, with complimentary backgrounds and tags – in every conceivable permutation. There are few huge productions as you see regularly these days, a ladder was as far as you got, no cherry-pickers here and the paint quality was sometimes dubious at best with photographic skills even more sketchy. This is my only bugbear with the book, in trying to document so much it sacrifices quality for quantity and there are pieces that I personally would have disqualified on grounds of picture quality or artistic merit.
But then the graffiti world has always had its own set of politics and guidelines and maybe it’s a good thing that Paul and Steven haven’t played gatekeepers to what was a budding sub culture, learning from itself with sometimes the most meagre of resources. They’ve compiled a vast and unique snapshot in time of an urban artform’s formative years from all over the UK, something no one’s attempted before on this scale. Coupled with the first book, The Lost Years offers a time capsule of thousands of artworks, 99% of which I’d wager no longer exist, and a peek into the imaginations of a generation of kids who decided to make the streets their own galleries. And that’s to be applauded.
https://oldsokool.co.uk/store/
The piece middle right above was the first piece of graffiti in my home town of Reigate, it appeared in two halves initially (hence the ‘Rusty again’ tag) and word spread around the town like wildfire. This was painted by Russel Mears aka Rusty Spray who is now sadly no longer with us – more about him here.
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.
#16. Various Artists – Tape Excavation LP
Literally what it says on the tin; obscurities from the tape drawer compiled by Bruce Licher and beautifully printed on a custom card sleeve with inserts, all lovingly detailed in the Savage Impressions book that this originally accompanied which showcases 30 years of the Independent Print Project label’s release history.
https://brucelicher.bandcamp.com/album/tape-excavation
https://independentprojectrecords.bandcamp.com/merch/savage-impressions-an-aesthetic-expedition-through-the-archives-of-independent-project-records-press-book
https://independentprojectrecords.bandcamp.com/music
Obscure Records – Brian Eno and Gavin Bryars‘ short-lived record label from the mid 70s – is getting a lavish reissue this month via the Italian label, dialogo. The ten albums released in three batches between 1976 and 1978 are getting the box set treatment on vinyl and CD with accompanying books detailing their checkered histories with new sleevenotes and essays by key contributors. The label very kindly sent me the full digital release and I’ve been revisiting – and in some cases hearing for the first time – all the volumes in pristine, digitally-remastered quality seeing as the handful of originals I have on vinyl have been around the block a bit now.
Co-curated at the time by Eno, Bryars and Micheal Nyman and resurrected by Bryars with full co-operation of all featured artists for this release, the ten albums form a snapshot of a young, experimental set of avant garde composers, mainly from the UK, setting out in careers that would take them in different directions with varying levels of succes, fame and notoriety. The most famous of the set are by the key curators – Bryars’ ‘The Sinking of the Titanic / Jesus’ Blood Never Failed Me Yet’, Eno’s ‘Discreet Music’ and Micheal Nyman’s debut,’Decay Music’, but you’ll recognise others among them too; The Penguin Cafe Orchestra’s first LP is here alongside works by John Cage, David Toop and Harold Budd’s introductory outing.
Several things strike me about these albums; the amount of samples – or ‘found sound’ as they’re called in the sleeve notes – some of them use. At least half the catalogue use or manipulate voice or field recordings, in Discreet Music’s case, affecting or looping sections of another composer’s work as just another instrument. It’s also interesting to note how many of the participants were also working part time in the education system, no doubt influencing future generations in other ways beyond these albums. There’s probably a book to be written about the hidden history of art and music taught through the universities of the UK by some of its most unique practitioners.
The label have done a beautiful job representing these albums as one body of work with the CD version looking like a perfect companion to the Oblique Strategies box on the shelf. The sleeves are facsimiles of the originals, reproducing sleeve notes inside the book along with reflections from Bryars, Toop and more as well as insights into their legacy, the cover reconstructions and even the myriad of different pressings of the originals out there. According to the sleeve notes there was to be an Obscure 11, Eno’s Music For Airports, but at the last minute he changed his mind and started the Ambient Series; four albums that bear similarities to the Obscure releases, not least in their cover designs as well as his hand in their production. Times and the composer had moved on and a new movement was afoot, leaving the Obscure catalogue at a perfect ten, a time capsule of a collective that would splinter in different directions and prove influential in ways none could predict.
An aside concerning the cost of these box sets, they’re not cheap but look worth every penny. Downloads of six of the albums are also available on the label’s Bandcamp for €12 per LP – minus the classics by Eno, Penguin Cafe, Michael Nyman, Harold Budd (which you can find easily elsewhere).
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.
#11. Kevin Foakes – Wheels of Light + Four Corners Books
Got to plug something of my own – my book on projection wheel designs for British light shows has been out for just over a year now and the lovely people at Four Corners Books have a wealth of obscure publications to complement it.
There’s still time to buy from Four Corners before Xmas and, if you spend over £30 on their site, they’ll send you a limited edition enamel pin designed by John Morgan, plus a Bearandas postcard as an extra stocking filler. Offer ends 18 Dec, while stocks last
https://www.fourcornersbooks.co.uk/books/wheels-of-light/
https://www.fourcornersbooks.co.uk/
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.
#9. Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori: Appendix 8.2.3 Book / CD
/ DL
Avant garde cut and paste collage with the longest title I own plus mind-boggling paperback book from the wonderful Time Released Sound label. They are about to publish a book of 10 years of the label’s releases and packaging too – one to look out for.
https://timereleasedsound.bandcamp.com/album/official-report-on-the-intransitionalist-chronotopologies-of-kenji-siratori-appendix-823
https://timereleasedsound.bandcamp.com/
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.
#9. Luke Insect – Acid Valley book + posters
A3 sized catalogue for the recent Acid Valley exhibition documenting all the posters Luke has designed for Trades in Hebden Bridge and the Golden Lion in Todmorden. He also has limited copies of the posters for sale too if you contact him.
https://lukeinsect.bigcartel.com/product/acid-valley-a3-poster-book
https://cargocollective.com/lukeinsect
https://www.instagram.com/lukeinsect/
My book, Wheels of Light, published by Four Corners Books, is now back in stock at Steve Pavolvsky‘s Liquid Light Shop online for US customers who want a copy. Steve is the main man behind Liquid Light Lab and a major player in the light show world in NYC. His website is a treasure trove of info, both technical and historical, a great place to start if you’re interested in getting into the medium. His shop is stocked with various paraphenalia that you’ll need if you want to project your own liquid light show including inks, petri dish glass, moiré sheets and more. I’m so pleased he’s into the book, it’s a real seal approval from such a major figure in that world.
In other news, Optikinetics – a major part of my book – have reached their Kickstarter goal for their new home projector, the Kino. There’s still time to order one though and get a variety of additional wheel add ons. The projector can be held in one hand, is very quite and can be controlled via a app on your phone. You have just 4 days left to back the campaign – check it out here
