The Paris show on Friday was great fun, packed out, great to see Vadim and Yarah on a Ninja bill again too. During mine and DK’s set someone pulled the fire alarm and all the power went off on stage for more than 5 minutes. Unfortunately we were in the middle of a drum n bass section so that went down like a damp squib. Before the gig I went up to the Galerie Chappe to see the exhibition of Ninja art and sleeve design that had been put on, apparently 1,500 people turned out for the opening! Ping Pong, who have done promotion for Ninja for over a decade now under the leadership of Fred ‘DJ Oof’ Elalouf, did a great job of putting together a show which included original art, paste up sheets, sleeves, huge posters and specially made prints of selected covers. They also made exclusive T-shirts, seats and a huge banner for the gigs which greeted me when I walked into the venue. See photos from the exhibition here (warning, this is a Facebook photo album), and it’s on until October 2nd. There are 4 more gigs coming up in Paris over the next few weeks including a huge, long sold out line up at La Machine and two gigs at the Pompidou Centre.
Books
Tomorrow, DK and I do the first of the official Ninja Tune XX gigs in Paris, there’s an exhibition opening tonight with cover art and all sorts of material picked from the archives. I’m looking forward to seeing photos but couldn’t be there myself as we’re gearing up with our live set for the anniversary shows. The 4 deck set with be audio/visual with a heavy bias towards Ninja’s greatest moments from the last two decades.
Also just out in France is music magazine Trax which generously devotes a WHOLE ISSUE to the birthday celebrations and includes a free sampler CD too. Yours truly was interviewed about the artwork side of things and chose my favourite Ninja-related release (the suitably-titled ‘La Prochaine Fois’ seeing as this subject of this post is France). Also there are several of Nigel Peake’s drawings published including his study of the Ninja HQ and a mini version of the family tree poster available with the new box set.
I was having a shitty day with nothing going right when this was hand-delivered from the Think Tank offices out of the blue this afternoon. Eight months of hard slog, revisions, deadlines, corrections, proofs, more revisions, changed constructions and over 50 GB of information went into this.
A slipcase containing 3 hardback books – ’20 Years of Beats & Pieces’ was actually started back in July 2009 and completed just under a year later with a solid six months spent on it and little else. The other two, containing 6 CDs, 6 45’s, 2 posters, a booklet and a sticker sheet (which should have been straight forward but I had no end of hassle with) took another 2 months at least with meetings and discussions as to how the packaging would work going on since March. I even managed to find time to write a new track to go on the damned thing which is on one of the exclusive CDs.
When I look back at 2010 and think what I did that year, this is what will sum most of it up. If you have one on the way then you’re in for a treat believe me, want one, didn’t get round to buying one yet or were maybe sitting on the fence then there are still some available to buy before the big release day on September 20th.
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Black Dog Publishing open their doors on a Saturday this weekend for people who haven’t been able to make it to the Ninja 20th exhibition in the week. Between 12 and 5pm they will be open and Ninja will have a special pop up shop there selling selected items. I’m not entirely sure what will be available yet but there might be some of the new Ninja Tune XX releases and you will be able to buy the 20 years of Beats & Pieces book for £15 which is a fiver cheaper than the shops. It’s free and at 10a Acton Street, London,WC1X 9NG. This is the last week of the exhibition so it’s now or never…
Back from holiday and ready to kick off the Ninja Tune 20th autumn in fine style. The array of gigs, press, releases and events is staggering, there are now 20 different things happening over the next two or so months and plenty of magazine coverage to come shortly. Be on the look out for a 6 page feature on rare Ninja releases in Record Collector, a 6 page design feature in Blueprint, a 70-odd page tribute issue of Trax magazine from France and an 8 page pull out supplement from Clash magazine amongst many more. The ’20 Years of Beats & Pieces’ book by Stevie Chick is now out, the exhibition in London is on until September 16th and the run of dates in France, organised by Ping Pong, start next Friday, the 10th, in Paris.
Djouls and Grant Phabao – the Paris DJs – have been doing some excellent podcast mixes of rare, remixed and psychedelic Ninja Tunes from the past two decades and have contributed to the Trax magazine articles too, find more info here.
There are gigs being set up in the US and Japan for late October and early November plus a huge line up for the Bristol show on November 13th. This weekend I’ll be doing three shows in Russia, one in St Petersburg and two in Moscow – the Migz festival and a special show after at the Dome Bar between 1 and 3am.
At some point in the next week. the box set should arrive at the Ninja office along with the six 12″s and there’s still a mix CD and DVD to come after that. Keep checking here for more info, shots of the packaging and related material…
Well last night’s book launch at Black Dog’s gallery in Kings Cross was a lot of fun, a huge turn out of artists, staff, friends and family made it a massive success. Thanks to everyone at Black Dog for a supreme effort in turning the exhibition round in three days, also everyone who came down, there were a few old faces I’d not seen in years and some who I’d only known via email but never met in person. Photos by Martin LeSanto-Smith, on form as ever to capture the event.
The exhibition is open to the public, free, between 12-5pm Monday-Friday until September 16th. It’s situated at 10a Acton St, London, WC1X 9NG, nearest tube is Kings Cross and then it’s a 5 minute walk, press the buzzer and you’ll be let in.
Black Dog Publishing, 10a Acton St. London, WC1X 9NG
There’s a buzzer to the left, you get let in when you ring
This little beauty was released today apparently – from Black Dog Publishing. The exhibition opens to the public on Friday too…
This dropped through the post last week, well, it actually arrived by courier, soaking wet, looking like it had been sitting in a puddle for some time, the cardboard around it literally falling off when I unwrapped it. Good job they wrapped it in bubble wrap, and it’s a heavy bugger too at 12″x12″ size. This is Entr3At – a visual celebration of the first 2 years of Ashley Wood and Kim Fung Wong’s 3A toy making company, makers of the best robot toys in the world by a long chalk. This is my kind of book, studio shots of the badly weathered toys, production designs, work in progress, box layouts and logo art for the individual figures. To think that they made all this in just 2 years is incredible and there’s already much more in the pipeline for a follow up later.
Their latest release is a ‘Heavy’ version of the popular Bramble bot, this time with huge bazooka and tougher build, coming in 4 different colourways. My good friend JP McCarthy managed to score me a Grave Digger variant this week and they sold out on pre-order in hours. Not cheap at $280 a pop but that includes shipping to anywhere in the world (and these bots aren’t small), some of the nicest packaging you’ll ever see and the most detailed paint jobs this side of a film set. These will doubtless not even turn up until around xmas time, if that, as they take a long time to make but a 3A package at the door is always a treat.
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I finally got my hands on the thing that consumed most of my waking hours for the first 6 months of this year today… the Ninja Tune book I slaved over. I was up at Black Dog Publishing sorting out some things for the forthcoming exhibition and a shipment arrived from Italy, soaking wet, with the card board split down the sides in some cases! Hilariously the delivery man placed them beneath a poster proclaiming “Properly packed parcels please” They only had one copy of the hardback edition which comes with the XX box set because all other copies are being routed to the factory where it is being put together but it is a beautiful thing to behold. Also in the pictures you can see some of the exhibits stacked up ready for the opening on the 20th. The paperback version should be in stores by the end or the month, 192 pages, priced £19.95, if you see one, have a flick through and find out what the label has been up to for the last two decades.
Opening in 2 weeks time will be Ninja’s first bonafide exhibition in the UK to celebrate the publication of the book, ‘Ninja Tune: 20 Years of Beats & Pieces’. Black Dog Publishing have generously offered to host a little showcase of the design and imagery that went into it and, after designing the book, the box set and all the paraphernalia that goes with it, I’m curating the exhibition too. It will feature lots of original artwork, models, posters, sleeves, flyers and promo bits from across the years.
It opens Friday, 20th of August at Black Dog’s gallery space, 10 Acton St. London, WC1X 9NG between 12-5pm weekdays and is only on for a month. There will be a special pop up shop on Saturday 11th September where there will be several special items for sale, hand picked from the Ninja archives as well as the new book.
Test mock up, not laminated, not foil blocked, shrinkwrapped etc…
There’s a lot of talk about Harper Lee’s classic at the moment being that it’s 50 years since its original publication and I’m going to jump on the bandwagon and declare my love for it. I read this in school and it was probably the first ‘proper’ book to affect me, even though I haven’t read it for 25 years or more I can still remember passages of the book and being enthralled by it.
The reason for this post though is that my friend Sarah ‘Inkymole’ Coleman was asked to illustrate the cover for the American 50th anniversary edition I just found out. Being that it is one of her favourite books, this is a lifetime dream and I was really pleased for her when I found out. Even more impressed when I saw what she’s come up with for it, love the detail of the hole in the tree trunk where Boo Radley leaves his gifts on the spine. More info with work in progress on Sarah’s site and you can buy the book from Barnes and Noble as well. I’ve included a selection of other covers from across the years too.
I can recommend this to anyone with even a passing interest in Brian Eno although there are plenty of insights into many of his associates over the years too – Fripp, Bryars, Cale, Ferry, Bowie, Byrne – they’re all here. The bulk of the book concentrates on the 70’s and the research is impeccable. It’s no rose-tinted ride either, there’s dirt amongst the many platitudes despite this being 100% Eno sanctioned which is refreshing. Occasionally it does seem that he can do no wrong and this isn’t all the writer’s imagination as the hit factor on projects and records involving ‘The Captain’ is remarkably high when you collect them all together. Amongst the reams of info in the book I was surprised to learn that Brian doesn’t drive and that, when he first moved to London in the sixties, he lived about a 5 minute walk away from where I currently live.
My only criticism of the book is that the ending feels rushed and lapses into ‘list-mania’ seemingly trying to cram everything Eno has done into a rapidly dwindling page count. We spend 360 odd pages idling through the sixties and seventies up until 1984 and a phone call from U2 and then it’s a headlong dash through the next two decades in less than 100 pages. True that the meat and the more interesting material has been well documented and most fans will want his early career explored to it’s fullest – and they won’t be disappointed – but after the expert job done with the first half the end leaves you feeling frustrated.
Saying that it’s only about one fifth of the book and the other four are a gripping read, you really wonder how he managed to fit so much in and be so on top of the game for so long. All his major releases and collaborations are explored in detail with plenty of archive interview material interspersed with modern day recollections from friends and family past and present. The dilemma-solving Oblique Strategies are present throughout and I have one of my own which I keep in mind whenever I get stuck on something – “What would Eno do?”
My Funky Eno mix “More Volts” is also still up on the downloads page if you haven’t heard it.
From the forthcoming Ninja Tune XX box set – only 1 more day to pre-order it for under £100. This is my poster, a visual discography of Ninja, Big Dada, Ntone and Counter up until this point. The blue lines are just there to show where it will fold, should be 70 x 80 cm at least.
This has been consuming my time for the last 6 to 8 months – mainly the book but recently the box set and all its contents.
The set includes 3 hardback books: one is an exclusive hardback edition of the forthcoming Ninja Tune – 20 Years of Beats & Pieces book by Stevie Chick, published by Black Dog Publishing and designed by yours truly.
The second houses 6 CDs – 2 of them only available in this set, with 90% new and exclusive material specially made for this compilation. There is also a large format 24 pg booklet with a download code for a 7th CD’s worth of material (I can’t say what it is yet but it’s excellent).
The third book contains six 7″ singles with exclusive material not on the CDs, two posters – a Ninja family tree by Nigel Peake and a complete cover gallery by me – and 20 stickers. All this is housed in a heavy slipcase with foil blocking.
Go to the Ninjashop to pre-order at a limited cheaper price until July 8th and see the full tracklist. I’m pretty excited to hear these:
Big Dada Sound ‘Signs’ *
Eric B & Rakim ‘Paid In Full’ (Switch meets Coldcut Remix) *
Diplo ‘Summers Gonna Hurt You’ (Diplo 2010 Remix) *
Quincy & Xen Cuts Allstars ‘I Hear The Drummer’ (Tunng edit) *
DJ Vadim ‘Terrorist’ (Gaslamp Computer Killer Remix) *
Roots Manuva ‘Witness’ (Slugabed Remix) *
The Bug ‘Skeng’ (Autechre Remix) *
King Cannibal ‘The Grind & Crawl’ *
Coldcut ‘Autumn Leaves’ (2010 Budapest Mix) *
Coldcut ‘True Skool’ (Zomby Remix) *
Clifford Gilberto ‘Deliver The Weird’ (Dorian Concept Remix) *
The Bug ‘Poison Dart’ (Prefuse 73 Broke Moog Version) *
Roots Manuva ‘Witness’ (Modeselektor Remix) *
Roots Manuva ‘Join The Dots’ (Cut Chemist Remix) *
Kid Koala ‘3 Bit Blues’ *
Pop Levi ‘Blue Honey’ (Amorphous Androgenous Remix Edit) *
Coldcut & Hexstatic ‘Timber’ (The Orb Remix) *
DJ Kentaro ‘Paid In Full’ *
DJ Food ‘African Rhythms’ (Tom Middleton Remix) *
DJ Food ‘Dark Lady’ (808 State Remix) *
Herbaliser ‘Something Wicked’ (Roots Manuva Dub)
Two Fingers ‘Bad Girl’ (The Bug Dub) *
DJ Vadim ‘Bang it Out’ *
Wagon Christ ‘Sloth Gets Paid’ *
One of my favourite artists and certainly my favourite toy-making company – Ashley Wood and 3A – launch their new book range today on the eve of a massive art and toy show in Beijing. Two hardback books with work from Phil Hale and Ashley Wood are available for $25 each but the one I’m most excited about is ‘Entr3At’, a 282 page celebration of the first 2 years of 3A toys. Packed with paintings, photos, works in progress, designs and box art, it’s going to be one of my books of the year for sure. Order any or all of them from bambalandstore now.
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It was my better half’s birthday yesterday and a friend of ours got her this lovely Heston Blumenthal cooklbook. The big difference between this and any cookbook I can think of it that it’s illustrated by Dave McKean, he of Arkum Asylum, Signal To Noise, Cages and the Sandman comic covers amongst many others. This has to be a first surely? The book is gorgeous both in content and quality and very heavy too! Check the gallery for some of the spreads, there are many more although I’m not sure how much my wife will actually be attempting to serve up.
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Starting tomorrow, because it’s Record Store Day, a week long, series of daily posts on vinyl worth buying for both the cover and content.
For the hundredth post: the first in an occasional series, miscellaneous shots from around the studio…
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Bought this book for my boys yesterday (I’m a sucker for beautifully designed childrens books) Such a unique way of presenting the old tale and at the end her eyes close after she eats the horse. We also have another version by Jan Pienkowski (who did Meg & Mog and the classic Haunted House pop up book) in which she turns into a ghost on the last page!
This book though is illustrated by Jeremy Holmes and available from Chronicle Books from San Francisco, presumable available online but I got mine from Tales on Moon Lane in Herne Hill who have re-installed part of my Where the Wild Things Are Window display.