This has got to be a dream. No one makes better toys vs the best weekly sci-fi comic in the galaxy. I think I might be very poor over the next few years.
Comics
Ashley Wood is one of my favourite artists, he is ridiculously prolific, can draw and paint like a demon and designs very unique robots. They manage to look both futuristic and retro and they’re always battered, scratched, rusty and dirty. Not only does he draw and paint them but his company 3A makes them a reality in various different scales (1/6, 1/12 and a forthcoming 1/32 scale series’).
His Bramble bot in 1/12 finally arrived the other week, well actually three did – Merc, Medic and Deep Powder variants, all perfect miniatures of the existing 1/6 scale Bramble. The detail is unbelievable and each is articulated in a multitude of places. I’ve ordered a set of Berties in 1/12 too which should be ready for Xmas. All these sets sell really fast and are then made to order although some are starting to make their way into retail chains as well as being flipped on eBay.
No one makes better robots, 3A are slowly revolutionising the way toys are made, designed, packaged and painted.
Just received a bumper package from my man Jim Mahfood aka Food One in LA. We did a swap of goodies and he really outdid me with the contents of his box. Aside from the comic books, T-shirt, stickers, cards and mix CD he also signed the inner covers of all 3 Mixtape collections AND included the limited edition Paul’s Boutique comic he did about the Beastie Boys’ classic album. Yep, I’m gloating here…
[singlepic id=1982 w=650 h=400 float=left][singlepic id=1986 w=650 h=400 float=left]
I met up with Jim Mahfood, Scott Campbell and friends Saturday night at Cafe 1001 off Brick Lane on Saturday night in the midst of a live painting session. They had covered a corner of the cafe as well as several flattened cardboard boxes and seemed to be having a great time. I had feared that their trip over would be marred by the tube strike but it seems like the show opening on Thursday was packed and they sold nearly everything already. I’ve been a fan of his work for a while now but this was the first time we had met and we hit it off immediately, resolving to collaborate on something in the future. Food One vs DJ Food, it has to be done…
I have a short mental list of things I’d like to see, hear or experience before I die, and today another one of them stepped closer to reality. This list includes things like the KLF‘s ‘Black Room’ album, Richard Williams‘ ‘The Thief and the Cobbler’ film and used to include Brian Wilson‘s ‘Smile’ LP until he miraculously finished it a few years back.
Most of these projects will never see fruition as the time has passed and the creators have moved on leaving a few tantalising snippets of material promising much but revealing little. One such entry on this list is Alan Moore and Bill Sienkiewicz‘s ‘Big Numbers’ comic from the great comic / graphic novel boom in the late 80’s and early 90’s. This comic promised so much being as Moore was riding a creative high from Watchmen and From Hell.
Sienkiewicz had done Elektra, Daredevil and Stray Toasters and was, Dave McKean aside, one of the most daring artists working in comics at the time. The run was supposed to be twelve issues starting in black and white, and tones and colour would be gradually added over the course of the story which revolved around mathematics and chaos theory according to Moore.
Frustratingly the comic was halted after issue 2 by the company going bust and Sienkiewicz’s assistant, an unknown Al Columbia, taking over at issue 4 and then having a breakdown and refusing to release the art. The project stopped, people moved on and it was consigned to the pile of unfinished projects that were never to be.
I never thought I’d ever see this but someone has posted photocopies of the whole of issue 3 here. They are reportedly the real thing and Alan Moore has given his permission to have them made public. Also, Sienkiewicz gives a long and fascinating account of what happened to the comic here. Now, if only Moore, Sienkiewicz and Columbia could be persuaded to finish this potential masterpiece…
PS: to see the quality of these pages (2nd or 3rd generation photocopies apparently) against what could have been, 10 of the fully toned pages can be seen on the web as they were printed, sans speech bubbles, in a fanzine sometime in the 90s.
