If, like me, you’re following King Gizzard & The Lizard Wizard’s current world tour to support their new ‘Infest The Rat’s Nest’ album then you’ll be aware that ‘8th member’ Jason Galea who provides all their artwork is making individual posters for each headline show of the tour. Galea, who has made videos, sleeves, T-shirts and more for the band since they started out has long put repeated motifs and characters into the artwork and is drawing on much of this for the subject matter of the posters.
He continues to knock it out of the park with new posters almost daily and the quality threshold is high, see examples from the US tour here. I saw the band in London recently and he was doing the visuals for them as well! You can follow him on Instagram
Design
It’s Cassette Store (Shop) Day today in the UK and two of the best-looking entries this year are from Spun Out Of Control . Namely the third Stefan Bachmeier release – a clone-obsessed author gets paranoid when he starts to discover other dopplegangers – and Grayson by Jane Borré, a conceptual sci-fi soundtrack in a glitter-speckled shell. These will go quick, they usually sell out in a few hours so be ready if you want one. Also out is The The‘s See Without Being Seeing which also sold out from their site on pre-order last week.
Out today: #8 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Order:
Juno: http://bit.ly/2mokvex
Phonica: http://bit.ly/2kWzZGo
Bleep: http://bit.ly/2mr6qwZ
Clone: http://bit.ly/2m35sa2
Deejay: http://bit.ly/2kpn9jA
Norman: http://bit.ly/2kVPhLJ
Decks: http://bit.ly/2muZVt1
HHV: http://bit.ly/2m7jEiu
I chanced upon these beautiful new posters for the Royal Opera House down in the London Underground this weekend. Shot by Giles Revell and designed by Atomic – they captures the motion of ballet dancers to stunning effect.
Out today: #7 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Order:
Juno: http://bit.ly/2KYVW0s
Phonica: http://bit.ly/2HlDApr
Bleep: http://bit.ly/2ZkbbpK
Clone: http://bit.ly/2HmDL3Y
Deejay: http://bit.ly/2ZcuPJp
Red Eye: http://bit.ly/2HoS2gr
Norman: http://bit.ly/2ZpTM38
Decks: http://bit.ly/2Nvt6YC
HHV: http://bit.ly/2NrkAJU
Triple Vision: http://bit.ly/2NqUmY9
Sad to hear of the passing of Pedro Bell, best known for his covers for Funkadelic and George Clinton, his art is so rich in detail, colour and messages with the pre-computer hand-drawn type and awkward figure drawing giving the work an untutored edge. That he was legally blind for 20 years and struggling with health issues is an all too familiar story but his black psychedelic comic visions will live on.
If, like me, you’re following King Gizzard & The Lizard Wizard’s current world tour to support their new ‘Infest The Rat’s Nest’ album then you’ll be aware that ‘8th member’ Jason Galea who provides all their artwork is making individual posters for each headline show of the tour. Galea, who has made videos, sleeves, T-shirts and more for the band since they started out has long put repeated motifs and characters into the artwork and is drawing on much of this for the subject matter of the posters.
Drawing different designs and screen printing 100 copies per show, only to be sold at the gig on the night, this is going to test even the hardest of hardcore fans in ways such as the 180 and counting formats of their ‘Polygondwanaland’ album that they gave permission for anyone to press would. The Australian leg of the tour is already done and they’re now well into the North American leg before heading to the UK and Europe in a month’s time.
I’ve included just a few of the posters so far here, there are about as many again and grows weekly with an estimated 40 different designs being made by the end of the run. My tickets for their London show just arrived in the post, i’m looking forward to seeing what Jason cooks up for that gig.
It’s been nearly a week and I’ve been away since returning from this madness so this is late but: The Delaware Road, 2019 : Ritual & Resistance, a 1 day event deep in the heart of Salisbury in a working army base was a blast. Hidden at the end of a road which went through a ghost village and fields of rusted tanks and distant watch towers, red Routemaster buses ferried us to the destination, driven by a man who asked us to reset our watches to the local time of 1944.
Along the way locals muttered about a rave happening at the military base but this was no ordinary party. 40 performers ranging from live bands to DJs, poets, installation art, spoken word artists, a witch and a lot of men looking very intently at laptops, tape machines, keyboards and modular synths filled the concrete spaces with a huge amount of sonic beauty and debauchery. The stark concrete and brick huts and outhouses housed all manner of the most leftfield electronica and alternative music and performance you’ll see in any venue or festival, let alone a working M.O.D. facility.
The main gathering space and stage inside the curved Nissen hut
Stand out moments are hard to quantify as there was so much on and it was a battle to either catch certain acts or get into the rooms they were playing in as some were cramped/crammed by the time you’d arrive. The exception was the main Nissen hut/stage which was big enough to accommodate many and came into its own once the sun went down and the projections kicked in. In the Psyché Tropes room, Sculpture rocked as they always do and Howlround with Merkaba Macabre in a tape loop/modular synth soundclash definitely blew the cobwebs away and probably affected the baby swallows in the nest up in the rafters forever. The Castles In Space room was rammed for Polypores, The 12 Hour Foundation and Concretism and the Buried Treasure room hosted Ian Helliwell, Simon James and Soundhog whose set I caught the last part of with the memorable special lighting effect deployed during his ode to the Commodore 64. Add Andrea Parker playing an electronic pioneers set and Doug Shipton layering cosmic sounds in the main hut before a frankly terrifying performance by Lone Taximermist after which Steve Davis and myself closed things and this was still only half of what was on offer. You could have gone again and had a completely different festival so props to Alan Gubby for all his hard work making it one of the most memorable and manic line ups yet in the Delaware Road saga.
I never did find out who this lot were but they seemed to play all over the place, Push and Neil from Electronic Sound magazine look on over the wall.
Frances Castle from Clay Pipe Music exhibiting her wares
Nick Taylor from Spectral Studio exhibiting his work
A short blast from their set at this link https://www.facebook.com/strictly.kev/videos/10156224556540025/
(above) The line up for Saturday’s event, I’ll be on before Steve Davis, playing acid/kraut/electronica to get you moving.
(below) Event guides, one for each audience member. Some ticket options have now sold out. Visit FIXR, Bandcamp or Ticket Tailor for availability:
Ticket Tailor: https://
FIXR: https://fixr.co/event/
Bandcamp: https://
(below) Exclusive Spectral Studio merch by Nick Taylor, available at the event, there should be plenty of goodies for sale so bring cash (no wi-fi on site so no card payments) and Frances Castle of Clay Pipe Music will be selling her wares too.
Out today: #6 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Order:
Juno:
Phonica:
Bleep:
Rush Hour:
Deejay:
Clone:
Red Eye:
Norman:
Decks:
HHV:
Triple Vision:
The current musical landscape is awash with great new music in equally great design and packaging – at least in the independent sector, I can’t speak for the mainstream because I rarely dip my toe in. On the fringes there are some fantastic records and tapes being made and I’ll attempt a potted round up here as much for my own sanity as anything else because I can barely keep up. Phew! This took ages to compile, buying links in descriptions…
Jane Weaver – Loops In The Secret Society 2xLP (Fire Records) A gentler, deeper, cosmic take on parts of Jane’s last two albums, The Silver Globe and Modern Kosmology, with new tracks and interludes to tie it all together into one sublime trip. Buy here NOW!
Luke Vibert – Valvable 2xLP (Balkan Vinyl) – Luke makes an entire double album using only a Roland TB303, TR808 and JX-3P, on random variant coloured vinyl. It’s funky, minimal and instantly recognisable as Vibert. Coloured and black vinyl has sold out at the label’s Bandcamp but check the shops as black variants are shipping this week.
Various Artists – Corroded Circuits EP 12″ (Downfall Records) Great contemporary acid, ConSequence‘s ‘Glass Of Water’ is one of the most joyous, funky pieces of dance music I’ve heard all year. Downfall shop – warning, no digital.
Beans – Triptych (Gamma Proforma) A curveball from Gamma, who ceased operations a while back, these are the last two releases from that phase of the label, finally released. The Beans album is a collection of works from 3 albums that were released simultaneously and isn’t available in any usual retailers unless directly from either Beans, artist O.Two who hand-painted all 140 of the covers or Rob at Gamma. The shame is that it’s a cracking hip hop record that’s provided one of the only breaths of fresh air I’ve heard in the genre for years. Worth it for the Broadcast-sampling ‘Pendulum’ alone, destined to be a sought after classic. Listen to selections here
DJ Krush – Cosmic Yard LP (Gamma Proforma) The Krush album was actually released late last year, also has its fair share of banging beats plus two collaborations from old cohort Toshinori Kondo and this one should at least be more generally available. *Also catch him with me in support on July 21st at Oslo, Hackney, London, plug plug*
Vanishing Twin – The Age of Immunology LP/CD/Cassette/DL (Fire Records) One of the albums of 2019 already and a cracking live band – the comparisons with Stereolab and Broadcast are warranted but only a starting point, they’re far more cosmic than that. Beautiful artwork, spiral picture disc version and full colour fold out band poster – a very special record, why they’re not bigger is a mystery to me. Buy here from the label or find the cassette direct from the group’s Bandcamp page.
The Relations – Night’s Prelude cassette/DL (Spun Out Of Control) – Correlations‘ Neil Hale unveils a multi-collaboration side project with touches of psychedelia, krautrock and a lovely cover by Eric Adrian Lee. Buy digital here
Justin Hopper & Sharron Kraus w The Belbury Poly – Chanctonbury Rings LP/CD/DL (Ghost Box)
Another essential GB release – see full review here
Pictogram – Trace Elements cassette/DL (Miracle Pond) Beautiful ambient music from one man graphic factory Nick Taylor on his new Miracle Pond label, is there no end to this man’s talent? Buy Miracle Pond releases.
The Future Sound of London – Yage LP/DL / Humanoid – Built By Humaoid LP/CD/DL (FSOLDigital) – While they finish their Amorphous Androgynous magnum opus, ‘We Persuade Ourselves That We Are Immortal’, there’s more than enough to keep hungry FSOL fans happy. ‘Yage’ from their Dead Cities album has been revived, remixed and expanded into an album and Brian has reactivated his Humanoid alias for a new album of acid experimentation. Order here, including new T-shirts, magazines, posters and more, it’s hard to keep up.
King Gizzard & The Lizard Wizard – Fishing For Fishes LP (Flightless) Back for their first LP of the year (so far) Giz decide to go glam boogie and it works! Comes with full colour fold out poster and seaweed-coloured vinyl.
The Home Current – Civilian Leather LP (Castles In Space) A unique album of 80’s post punk electronics meets Plaid-like hyper-detailed composition, a real mixed bag of a record, sometimes sounding more like a compilation because of the variety of styles. Lovely Nick Taylor cover and inserts too Check it out here
Heat Death – Dalham LP (Castles In Space) – Shades of Boards of Canada permeate this album of instrumental electronica on the now essential Castles In Space label. There’s more going on here than mere BoC pastiche though, I’ve not had enough time with it to fully immerse yet, hear a couple of tracks on the mix below to judge for yourself. Or preview / buy here
Andy Votel – Archipelagogo cassette (Hypocrite) Soundtrack to the exhibition of Felt Mistress and Jonathon Edwards figures inspired by the work of Tove Jansson and first release under the Votel name for a while.
Colours May Vary in Leeds have copies.
Simon James – Cosmic Surgery cassette / DL (Spun Out Of Control) Soundtrack previously only available with a book gets a full release via the excellent Spun Out Of Control label. It’s hard to keep up with James’ output of late, not only did he release a tape on Nick Luscombe‘s Musicity label of foley and Buchla recordings in China but also has a meditation/relaxation release entitled Space No Space out on Golden Ratio Frequencies at the beginning of July.
Posthuman – Voyager 3 cassette (The Dark Outside) More cassette-only madness with The Dark Outside and a concept album based on the (possibly fictitious – or is it?) Voyager 3 space probe from Posthuman. More ambient than acid, this tape goes deep and needs the full headphone treatment for full effect. Unfortunately this is all sold out so it’s a hunt on the secondary market for this one. UPDATE: Digital is now available here
Various artists – WXAXRXP 30 broadcasts (NTS) Boards of Canada dropping a rare mix of inspirations scattered with little unreleased sketches from their archive, Autechre delving into their unreleased pre-Warp tape archive, Brian Eno with Extinction Rebellion, Aphex Twin live sets, a vintage mix tape made by Trish from Broadcast, unreleased Mark Pritchard club edits, Warp really know how to celebrate a birthday in style. 100 hours of exclusive material, they even played my Blech 20.1 mix from 10 years ago as well apparently
If you want to hear some of the above then here’s a recent Out Of The Wood radio show I did for WNBC.London which features selections from about 50% of the above and other recent purchases.
Forthcoming:
Clocolan – It’s Not Too Early For Each Other cassette, July
As One – Communion LP (De:tuned) – First new album from Kirk DeGiorgio in 10 years with a cover by yours truly. Also don’t forget the monthly DE.10 releases (up to #5 currently) of a variety of artists celebrating a decade of the Belgian techno label. Listen on their Soundcloud
Tomorrow Syndicate – Citizen Input mini LP (Polytechnic Youth) Who knows what this will bring but the previous LP was one of my albums of the year.
King Gizzard & The Lizard Wizard – Infest The Rat’s Nest – yes, another LP, album no.15, merely 2 months after the last, rumour is that this is the heavy thrash record fans have been waiting for.
#throwbackthursday
Back in 2002 I designed the cover for Funki Porcini’s ‘Fast Asleep‘ album (with additional photography by Martin LeSanto-Smith). Ninja Tune then blew the image up to 1m square fly posters to advertise it. You can see one in the living room above the decks in Shaun of the Dead and one hung behind the counter in my local, Rat Records in Camberwell, for years.
No-brainer Kickstarter from Jonny Trunk which, judging by the pledges so far, might well be fully funded by the end of the day at this rate. Pledge your allegiance to space dust, curly wurlys and bubblegum here.
Out today: #5 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Pre-order:
Phonica
Juno
Bleep
Clone
Rush Hour
Red Eye
Norman
Deejay
Decks
HHV
Triple Vision
The newest release from Ghost Box is another leftfield curveball, even for a label so esoteric. In a scene currently awash with acts sporting tenuous back stories to the origins of their material (usually involving Satanic rituals, fictitious B-movie composers or uncovered master tapes), GB has unearthed a tale deeply rooted in UK history. In the South of England lies Chanctonbury Ring, an ancient site that contains a hill-fort and a ring of beech trees said to be haunted or the site of weird visitations. Scour the web and you’ll find numerous accounts of incidents said to have taken place there at different times of year from unnatural acts to strange sightings.
Justin Hopper, an American writer based in the UK, takes us on a journey to the Rings where several occurrences make his trip more than a quiet ramble in the countryside. His soft American accent is in stark contrast to the very British history and myth he explores but it works and bears repeated listens. Accompanying him musically is Sharron Kraus, folk singer and multi-instrumentalist who has previously appeared on the final Other Channels 7″ release from the label. I can’t say I was a huge fan of that release personally so I approached this album with some trepidation but needn’t have worried as, aided by Belbury Poly aka Jim Jupp, she fleshes out Justin’s observations beautifully with just enough to evoke the scenes he’s witnessing.
Much like the best examples of Mike Mignola‘s original Hellboy comics, where ancient local myths and locations are explored in silent panels before a big reveal, Chanctonbury Rings, weaves its tale over 16 short chapters/tracks that work best as a whole rather than singularly. Listened to in one continuous, seamless sitting it has some genuinely affecting moments and I wasn’t expecting to be so easily transported to the South Downs whilst sitting at a computer in my concrete residence in such a busy city. The album explores and unsettles as it unfolds and I imagine would be quite the companion in headphones on a walk through the countryside it describes. Top marks to all involved for pushing out of the usual comfort zone but still exploring the essence of the hauntology genre the label is known for.
Pre-order it here: LP/CD/DL
To launch the above album, Ghost Box and Trunk records are holding an incredible gig on June 21st in London, featuring Justin and Sharron performing live, Pye Corner Audio, The Soundcarriers soundtracking a Julian House film, Jonny Trunk and Robin The Fog playing original Basil Kirchin tapes, a Wisbey request set, DJ sets, T-shirt printing, food and an exhibition of Clay Pipe Music artwork.
Last weekend I did the rounds of some current and newly-opened exhibitions in London, Stanley Kubrick at the Design Museum, Emma Kunz at The Serpentine and Mary Quant at the V&A.
I wouldn’t call myself a Kubrick fan particularly but I’ve always been drawn to the design and imagery in 2001 and A Clockwork Orange in particular and this exhibition doesn’t disappoint on those fronts with many examples of props, artwork and ephemera associated with the films on display at close quarters. Philip Castle‘s airbrush paintings and foreign logo designs are a treat as are the Allan Jones-esque Korova Milk Bar figures and Droog costume.
If you’re a Kubrick fan who hasn’t visited his archive I’d say there is probably everything you could want here. It was particularly nice to view Saul Bass’ concepts for The Shining poster up close complete with letters to Kubrick and the latter’s rejection comments.
Emma Kunz was a wild card, I’d never heard of her but seen the work online and decided to give it a go as I was nearby. Not hugely impressive technically and with little to explain what and why she’d chosen to make these drawings with the most perfunctory titles, I was a little underwhelmed. The art was very hard to photograph in the light of the Serpentine so don’t take these as the complete picture.
For Mary Quant I went for the packaging and graphics more than the clothes (although plenty were to my taste). The slightly confusing layout of the exhibits took some navigating if you wanted a chronological experience but the display design was excellent. I left wanting just a bit more than was on display and if this had been coupled with the content of the recent Fashion & Textlie Museum contents along similar lines then I think it would have felt more fulfilling.
Out today: #4 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off. This one comes with an extra Peshay track as a digital download too.
Buy:
Red Eye: https://bit.ly/2Vzl9T6
Bleep: https://bit.ly/2uNPfqm
Norman Records: https://bit.ly/2FSdQiW
Intense Records: https://bit.ly/2D1Y6t7
Juno: https://bit.ly/2YQzYDb
Clone: http://bit.ly/2UtbpZy
Deejay: http://bit.ly/2XAEB2O
Decks: http://bit.ly/2GzOKqH
HHV: http://bit.ly/2UOU02o
Triple Vision: http://bit.ly/2W3edOw
The Delaware Road event in August continues to ramp up the line up as word gets around about it with more announcements to come. This will be a truly unique event, the likes of which haven’t been seen on this scale before. Transplant yourself to a secluded army base in the middle of the Salisbury countryside for over 12 hours of sonic, audio visual and performance-based adventures in sight and sound with a who’s who of the current crop of leftfield electronic, weird, and experimental practitioners working on the margins today. Buried Treasure, the label who hosted the last two experiences, have put together a mix showcasing some of the acts playing.
Tickets are available for the event, including group and camping options and follow the Facebook event for updates and competitions to win tickets and packages of merch from some of the featured acts and labels.
Out today: #3 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Order
Phonica:
Juno:
Bleep:
Clone:
Rush Hour:
Red Eye:
Norman:
Deejay:
Decks:
HHV:
Triple Vision:
The first three releases from the De:tuned 10th anniversary monthly releases just turned up! I’ve been waiting to get my hands on these for months, turned out even nicer than expected These are selling very fast with DE:10.01 sold out at the label (but still available from Phonica on that link), DE:10.02 down to the last 10 copies and half of the pressing for DE:10.03 spoken for despite it not being out for two more weeks.
Very happy, roll on the next seven 12″s…
Hit me up for design work if you like these or check www.openmindesign.uk