No-brainer Kickstarter from Jonny Trunk which, judging by the pledges so far, might well be fully funded by the end of the day at this rate. Pledge your allegiance to space dust, curly wurlys and bubblegum here.
Design
Out today: #5 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Pre-order:
Phonica
Juno
Bleep
Clone
Rush Hour
Red Eye
Norman
Deejay
Decks
HHV
Triple Vision
The newest release from Ghost Box is another leftfield curveball, even for a label so esoteric. In a scene currently awash with acts sporting tenuous back stories to the origins of their material (usually involving Satanic rituals, fictitious B-movie composers or uncovered master tapes), GB has unearthed a tale deeply rooted in UK history. In the South of England lies Chanctonbury Ring, an ancient site that contains a hill-fort and a ring of beech trees said to be haunted or the site of weird visitations. Scour the web and you’ll find numerous accounts of incidents said to have taken place there at different times of year from unnatural acts to strange sightings.
Justin Hopper, an American writer based in the UK, takes us on a journey to the Rings where several occurrences make his trip more than a quiet ramble in the countryside. His soft American accent is in stark contrast to the very British history and myth he explores but it works and bears repeated listens. Accompanying him musically is Sharron Kraus, folk singer and multi-instrumentalist who has previously appeared on the final Other Channels 7″ release from the label. I can’t say I was a huge fan of that release personally so I approached this album with some trepidation but needn’t have worried as, aided by Belbury Poly aka Jim Jupp, she fleshes out Justin’s observations beautifully with just enough to evoke the scenes he’s witnessing.
Much like the best examples of Mike Mignola‘s original Hellboy comics, where ancient local myths and locations are explored in silent panels before a big reveal, Chanctonbury Rings, weaves its tale over 16 short chapters/tracks that work best as a whole rather than singularly. Listened to in one continuous, seamless sitting it has some genuinely affecting moments and I wasn’t expecting to be so easily transported to the South Downs whilst sitting at a computer in my concrete residence in such a busy city. The album explores and unsettles as it unfolds and I imagine would be quite the companion in headphones on a walk through the countryside it describes. Top marks to all involved for pushing out of the usual comfort zone but still exploring the essence of the hauntology genre the label is known for.
Pre-order it here: LP/CD/DL
To launch the above album, Ghost Box and Trunk records are holding an incredible gig on June 21st in London, featuring Justin and Sharron performing live, Pye Corner Audio, The Soundcarriers soundtracking a Julian House film, Jonny Trunk and Robin The Fog playing original Basil Kirchin tapes, a Wisbey request set, DJ sets, T-shirt printing, food and an exhibition of Clay Pipe Music artwork.
Last weekend I did the rounds of some current and newly-opened exhibitions in London, Stanley Kubrick at the Design Museum, Emma Kunz at The Serpentine and Mary Quant at the V&A.
I wouldn’t call myself a Kubrick fan particularly but I’ve always been drawn to the design and imagery in 2001 and A Clockwork Orange in particular and this exhibition doesn’t disappoint on those fronts with many examples of props, artwork and ephemera associated with the films on display at close quarters. Philip Castle‘s airbrush paintings and foreign logo designs are a treat as are the Allan Jones-esque Korova Milk Bar figures and Droog costume.
If you’re a Kubrick fan who hasn’t visited his archive I’d say there is probably everything you could want here. It was particularly nice to view Saul Bass’ concepts for The Shining poster up close complete with letters to Kubrick and the latter’s rejection comments.
Emma Kunz was a wild card, I’d never heard of her but seen the work online and decided to give it a go as I was nearby. Not hugely impressive technically and with little to explain what and why she’d chosen to make these drawings with the most perfunctory titles, I was a little underwhelmed. The art was very hard to photograph in the light of the Serpentine so don’t take these as the complete picture.
For Mary Quant I went for the packaging and graphics more than the clothes (although plenty were to my taste). The slightly confusing layout of the exhibits took some navigating if you wanted a chronological experience but the display design was excellent. I left wanting just a bit more than was on display and if this had been coupled with the content of the recent Fashion & Textlie Museum contents along similar lines then I think it would have felt more fulfilling.
Out today: #4 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off. This one comes with an extra Peshay track as a digital download too.
Buy:
Red Eye: https://bit.ly/2Vzl9T6
Bleep: https://bit.ly/2uNPfqm
Norman Records: https://bit.ly/2FSdQiW
Intense Records: https://bit.ly/2D1Y6t7
Juno: https://bit.ly/2YQzYDb
Clone: http://bit.ly/2UtbpZy
Deejay: http://bit.ly/2XAEB2O
Decks: http://bit.ly/2GzOKqH
HHV: http://bit.ly/2UOU02o
Triple Vision: http://bit.ly/2W3edOw
The Delaware Road event in August continues to ramp up the line up as word gets around about it with more announcements to come. This will be a truly unique event, the likes of which haven’t been seen on this scale before. Transplant yourself to a secluded army base in the middle of the Salisbury countryside for over 12 hours of sonic, audio visual and performance-based adventures in sight and sound with a who’s who of the current crop of leftfield electronic, weird, and experimental practitioners working on the margins today. Buried Treasure, the label who hosted the last two experiences, have put together a mix showcasing some of the acts playing.
Tickets are available for the event, including group and camping options and follow the Facebook event for updates and competitions to win tickets and packages of merch from some of the featured acts and labels.
Out today: #3 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Order
Phonica:
Juno:
Bleep:
Clone:
Rush Hour:
Red Eye:
Norman:
Deejay:
Decks:
HHV:
Triple Vision:
The first three releases from the De:tuned 10th anniversary monthly releases just turned up! I’ve been waiting to get my hands on these for months, turned out even nicer than expected 
These are selling very fast with DE:10.01 sold out at the label (but still available from Phonica on that link), DE:10.02 down to the last 10 copies and half of the pressing for DE:10.03 spoken for despite it not being out for two more weeks.
Very happy, roll on the next seven 12″s…
Hit me up for design work if you like these or check www.openmindesign.uk
The highlight of my recent trip to Paris to play at the Ping Pong 20th anniversary party was a trip to the Pompidou Centre to bask in the first major Victor Vasarely retrospective. A comprehensive overview of his work was on display, from earliest experiments through to his breakthrough op art achievements. Whilst a lot of his large scale work wasn’t present there were some 300 pieces to admire including paintings, sculpture, ceramics, prints, logos, textiles and more. The final room was particularly good with very low light and excellent lighting that picked out the paintings in a glow that seemed to make them radiate and become even more three dimensional. The level of skill and draughtsmanship on display was incredible and I’d highly recommend a day trip over before it finishes in May, the book shop at the end is something else too, take lots of money and a strong bag is all I can say!
I’m playing catch up after getting a new computer and all the hassle that entails so forgive me because this exhibition has already passed. Augustine Kofie‘s first solo show in London was at the Stolen Space gallery in East London this February. He’s already had work featured as part of group shows over the years but this is his first one-man outing. Shown are a selection of his collage pieces including details. These formed only a small part of the work as there were some newer pieces that seek to achieve the same effect as these but solely with paint. This was a new direction that I’d not seen before and, while technically brilliant, they seemed to lack something that these works contain. Maybe the layering, textures and grit is what I like in his work, the sampling of old material to build the structures he makes, but the newer painting held less for me than these assemblages. The show may be over but Stolen Space have a print available if you’d like a souvenir of his visit to these shores as well as some originals if you have deep pockets.
The new Sister Corita Kent exhibition has been on at the House of Illustration in Kings X now for a month, expanded from the version shown in Ditchling last year. It’s still small but packed with lots of beautiful prints, books, posters and ephemera that she created during her lifetime both in and outside of the church. I urge you to go and see these beautiful prints in the flesh and pick up a free copy of her ‘rules’ taken from an art department classroom.
Hats off to Electronic Sound magazine for their next issue cover, the best looking (and smelling) magazine about electronic music celebrates all that is European. For anyone outside the UK reading this, the UK has descended into madness, more than half of us don’t want to leave the European Union, and most of the British people never gave it a second thought until a minority of Tory MPs decided that the new EU tax laws would threaten their bank balances thus forcing a weak Prime Minister’s hand into calling an advisory referendum on something few fully understood, either inside or outside of Parliament. The British people have been duped by the 1% and the right wing press while the supposed ‘opposition’ party has done anything but. Two days after we leave is April 1st – April Fool’s Day in the UK – but our country has become an international joke, due to lose much more than we would ever gain by leaving the EU. Rant over
A new Pepe Deluxe record is always a reason to get excited, and this beauty goes in sale this Friday. Just a one-sided 7″ but look at it, all 60 copies will be lathe cut (!). The new song accompanies an original Graphic Novel by Josh Frank, published by Quirk Books and based on a screenplay by Salvador Dalí for The Marx Brothers – a lost un-filmed classic from the masters of the bizarre: Giraffes on Horseback Salad.
UPDATE: The sale didn’t happen until Monday in the end because of website problems, but the 7″ sold like hotcakes. There is still the digital version though which includes an instrumental not on the disc you see here.
https://www.catskillsmusic.com/product/pepe-deluxe-the-surrealist-woman/
Notes from the press release:
• This is a single but it is not a single
• Official Theme Song for a Graphic Novel adaptation of the Salvador Dalí and The Marx Brothers film “Giraffes On Horseback Salad”
• Limited 60 hand cut 7”, hand signed clear vinyl with gatefold artwork
• International book tour to support release of the Graphic Novel
• Video directed, filmed and animated by Maria Candia aka Taru N. Hohtonen
• Features Harpo Marx’s original harp and horn
Out today: #2 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Juno: bit.ly/2IBUQd8
Phonica: bit.ly/2LtqIOZ
Bleep: bit.ly/2Tbcpox
Deejay: bit.ly/2GYOK41
Rush Hour: bit.ly/2Esk75g
Clone: bit.ly/2EahG67
Red Eye: bit.ly/2Ixjsna
Norman: bit.ly/2E7iaKl
Triple Vision: bit.ly/2Sr5aEE
Juno: bit.ly/2IBUQd8
I’m doing a special gig in Paris on March 15th – DJing on a mega line up to celebrate 20 years of Ping Pong, the promotion agency headed by Fred/Jais Elalouf aka DJ Oof of Cinemix fame who has worked with Ninja Tune for two decades now. Oof is also the collector and curator of the Psychedelic Art Centre and there will be an exhibition of works featured for six weeks to launch the special issue of Perfect Bliss, the new Graph Zine and review which comes with stereoscopic glasses for 3D.
The BFI are showing Kubrick’s Clockwork Orange again and have commissioned a new poster and trailer for the occasion, I think it’s the 50th anniversary this year? Not sure of the designer here but beautiful homage is paid to Philip Castle‘s classic original poster.
I have to say, I didn’t see this coming and, while I welcome any new (official) merch with Rick Griffin artwork on it, I’m not sure what the connection with Dr Martens is? Two boots, two T-shirts and a rucksack feature both colour and B&W artwork by Griffin from his 70s heyday including plenty of flying eyeballs. The boots are around £140 and the T’s £30, available now online or in Dr Marten stores.
Out today: #1 of 10 projected releases I’ve designed for the De:tuned label as they celebrate their first 10 years. One release a month, multiple combinations of great artists coming up across nine 12″s whose covers fit together to form a larger image, with a tenth remix 12″ to finish things off.
Listen:
Pre-orders available now:
Phonica: bit.ly/2BypxZV • Bleep: bit.ly/2HUwLOw • Japhy: bit.ly/2Gejlv8 • Red Eye: bit.ly/2F8v4ut • Norman: bit.ly/2HffoaD • Deejay: bit.ly/2Vu5NQk • Decks: bit.ly/2BvWTso • Rush Hour: bit.ly/2H9ev3B • Triple Vision: bit.ly/2zsIpJt • Juno: bit.ly/2Fa03q3
The latest release from Shapes of Rhythm (Tom Central‘s label) is from a new duo from Wroclaw, Poland, Gaijin Blues. The band certainly know how to throw everything at the record and there’s a big Japanese influence running through their music – channeled via Poland – never sitting still long enough for you to pin them down.
The EP is out Feb 1st but is up for pre-order now
In another premiere for the label, they’ve got an extremely limited run of screen prints of the cover illustration up for grabs too by my sometime screen-printing cohort, Hannah Brown, aka Kvist. You can order one here
Annnnnd we’re barely into the new year and there’s a Ghost Box record in the inbox, new Pye Corner Audio, sounding excellent to these ears on the second listen today. I found his first for the label a game of two halves, wasn’t keen on side A but side B did it for me. His second, ‘Stasis’, was much better and ‘Hollow Earth’ is sounding very good too. Supposedly a companion to ‘Stasis’, it mines the same dark channels but with an increasing nod to 80s synth soundtracks and 90’s era techno like The Black Dog (‘Bytes’ era) and B12. Beautiful artwork as always from Julian House, can’t wait to see one of these in the flesh! Out on LP / CD / DL Feb 15th, pre-orders up now.
Two extra tracks on the CD plus a bundle deal with ‘Stasis’ elsewhere in the shop. Listen here
