This was taken from the end of a show I opened with 45 minutes of REALLY odd/awful versions of songs in ways that you wouldn’t expect. I was obviously still into the mash up thing as it pitted Melle Mel with Grenadier Guards, Dick Hyman covering James Brown, an Adam & the Ants cut up and Autechre reworking Rakim (from a live set by the group themselves). A set of tunes named after days of the week are shoehorned together by some unknown creator while Beyonce and Destiny’s Child get twisted into reggae and ragtime styles. It went on and was all a bit of a car crash, lots of it had aged pretty badly so I won’t be featuring it here I’m afraid – believe me, I’ve spared you. But that was version 1 – I’ve since discovered that I felt pretty much the same way back in 2004 and reworked the mix into something much better which I’ll share next week.

Si Begg aka Cabbageboy was the guest that week and then I wrapped up the show with this 30 minute mix which has faired far better over the 17 years since it was first broadcast. Around the early 00’s we had a competition for listeners to rework the show intro and were inundated with material, it was a seriously difficult job choosing favourites. One of mine was by someone under the name of Pangaea who made a beautifully musical version using the bleeps we provided which opens this set.

As you might guess from the mix title, this is a restrained affair featuring music for the quieter hours. Max Richter’s ‘The Blue Notebooks’ are featured twice, from the original release on Fat Cat sub label 130701 and this was the first time I’d heard of him. It’s a beautiful album and has since been quite rightly reissued after his later success. Stunningly atmospheric late night music, I used to listen to it in headphones, working to the early hours and it’s all too short. Neotropic appears from a compilation called ‘Crossfaded: Vol.2’ which I don’t remember at all, or it could have come from a CDr Riz gave me at the time because this track also appeared on her ‘White Rabbits’ LP four years later.

This is a far more mature set than the one that preceded it with M Craft and Animal Collective providing some contemporary folk songs before The Free Design beam in from the 60s. I think their records were being rediscovered and reissued around this time and Stones Throw did a series of remix EPs. I have no idea how Status Quo got to close the show but I was delving into psychedelia around this time and was surprised to find out that their early, pre-denim riffing was quite a bit different. From their second album, ‘Spare Parts’, and not written by the group, it’s a full on post-Sgt. Pepper ‘flower children’ epic with strings and brass but they were a little behind the times with this arriving in ’69 and it was a commercial flop. They changed musical course after this, dropped the psychedelia and the rest is history…

* Dates on the CDR refer to when the mixes were recorded, the PRS sheet says 28th, Solid Steel.net says 31st.

Track list:
Pangaea – Solid Steel intro
Max Richter – The Blue Notebooks
Neotropic – Feeling Remote
Max Richter – Shadow Journal
M Craft – Cone To My Senses
Animal Collective – Leaf House
The Free Design – 2002 A Hit Song
Satus Quo – Mr Mind Detector

This mix was the third part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels.
A more restrained intro with Fridge’s Steve Reich-esque ’Astrozero’ from their Anglepoised release on Output Recordings blending into ‘Orgien IV’ which was a really odd LP by Khan I found in New York on tour. Khan is the brother of Cem Oral, part of Air Liquide, and they would often feature on the same compilations so I’d always look out for his work which could range from acid techno to ambient. Around the time he was living in NYC and owned a record shop in Manhattan called Temple Records (quite possibly where I found this) and a label of the same name. The album came wrapped in a huge A1 sized poster printed on newsprint that was folded around the disc.

We pick up the pace with the excellent ‘Ape Shall Never Kill Ape’ from UNKLE, possibly the last everyone-pile-into-the-studio-and-see-what-comes-out track from James Lavelle and co. before Shadow stepped in a took the reigns. It’s an excellent breaks and Planet of the Apes soundtrack cut up with scratching by Tony and Joel from The Scratch Perverts and production by Jadell but we can now see that James had his eyes on something a bit bigger in scope. This was later retitled as ‘March of the General’ and released on Nigo’s album in 2000, this would have been from a Japanese 12” release at the time I played it. A really rather ropey mix of Stasis’ ‘Samba de Fat Bloke’ lurches into the fray and shows that just because two things are in time, they don’t necessarily go together smoothly.

I’d completely forgotten this A Reminiscent Drive track, aptly named ‘The King & The Elephant’ because it sounds like a large mammal lumbering along, from his debut album, Mercy Street on F Comm. ‘Iced Cooly’ by Boards of Canada is from their debut 12”, Twoism and yes, this was played from an original copy which I still own – proof I had one back in ’98. The Fifty Foot Hose track isn’t from an original sadly, from another one of those dodgy Italian compilations that were so prevalent in the late 90s (The Might Mellow – A Folk – Funk Psychedelic Experience) and we close with the beautiful ‘Lillian Lust’ by Dudley Moore from the Bedazzled soundtrack.

Fridge – Astrozero
Khan – Orgien IV
UNKLE feat. Nigo & Scratch Perverts – Ape Shall Never Kill Ape
Stasis – Samba de Fat Bloke
A Reminiscent Drive – The King & The Elephant
Boards of Canada – Iced Cooly
Fifty Foot Hose – Rose
Dudley Moore – Lillian Lust

This mix was part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St. before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels. Ali was the resident engineer around this time and also helped mix tracks on Kaleidoscope and loads of club and live events.

The Psychedelic Beach Trip Part 3 remix of The Lightning Seeds was by Ashley Beedle, from a promo 12” of the time that includes Psychedelic Beach Funk Part 1 & 2 mixes on the flip and can be had for less than £1 on Discogs. The bizarre but brilliant version of Melle Mel and the Furious Five’s ‘White Lines’ was by UK hip hop DJ’s Pogo and Cutmaster Swift. This was from some reissue around this time and their slowing down of the song to make a jazz version using the same bassline that The Herbaliser had half-inched for ‘Scratchy Noise’ a few years earlier was pure genius. ‘King Wasp’ was Add N To X’s second single on Satellite Records before then signing to Mute and old flatmate Chantal Passamonte’s debut on Warp as Mira Calix, ‘Sandsings’, features briefly. Two takes on Lalo Schifrin’s ‘Bullit’ theme tune appear in the form of The Midnight Funk Association (a Mark Broom project) and The Black Dog’s late 90’s remix version.

The Giancarlo Gazzani ‘Under Drama’ track was alas not from an original but from the excellent set of Easy Tempo compilations out of Italy that were around at the end of the 90s. At this point there were so many comps of soundtracks, easy listening and library around, some legal, most bootlegs, that it was hard to keep up but these were definitely good ones and ran to ten volumes by 2003. Tadashi Takatsuka’s ‘Odd Job’ was from a great little 4 track 7” EP titled Man From Electone that I must have picked up in Tokyo on tour.

The Lightning Seeds – Psychedelic Beach Trip Part 3
Grandmaster Melle Mel & The Furious Five – White Lines (Swift & Pogo mix)
Kid Loco – Relaxin’ With Cherry
Add N To X – King Wasp
Mira CalIx – Sandsings
Midnight Funk Organisation – Byte The Bullet
Lalo Schifrin – Bullit (Black Dog mix)
Giancarlo Gazzani – Under Drama
Tadashi Takatsuka – Odd Job
Rhys Chatham – Domestik Life

If there’s one mix that I’ve found that’s the genesis of my main contributions to the Coldcut Journey’s By DJ mix then it’s this one. This was my set from a Solid Steel show, recorded at the Ahead Of Our Time studios inside Ninja Tune HQ at Clink St, London and fans of the JDJ mix will recognise many of the tracks here. There’s no finesse of the finished mix and several inclusions that didn’t make the final version (I seem to remember Public Enemy was refused) but here are some of the building blocks. Apologies for the quality, this was recorded from the radio broadcast so it’s a little ‘fluffy’ around the top end, just on the edge of distortion.

The Sabres of Paradise mix of Red Snapper was a huge tune at the time, here not yet embellished with the Dr Who theme by PC’s hand – always a supremely melodic mixer, listening for musicality over the adrenalin rush of a heavy drop. I first heard The Octagon Man being played by Rob Hall of Gescom in The Sound Shaft at Heaven for one of the Thursday night Megatripolis sessions we would sometimes play at. I knew J Saul Kane’s Depth Charge moniker but this weird electro/techno hybrid full of crazy machine gun drum programming. I found a copy as soon as I could.

The Jedi Knights were kicking off the Clear label’s mission to reinstate electro into clubland with their superb ‘Noddy Holder’ and covered several musical bases in the process. When in doubt, pull out Bam Bam’s ‘Where’s Your Child?’, I seem to have played this a lot more than I remember across sets over the years but then it is one of the greatest acid tracks of all time. Keeping with acid of a (then) modern nature is Ritchie Hawtin’s Plastikman with Coldcut’s ‘More Beats’ on 45 mixed over the top.

Depth Charge proper comes after, we really wanted this to kick off the mix but it was refused so we cheekily took the beginning spoken word only, figuring it was a sample anyway. The PE mix into it is pretty shoddy and also the 2 Player remix out of that – still learning about the different swing of beats in the mix, just because they’re the same tempo doesn’t mean they’ll slot together cleanly. The Wagon Christ remix was a no-brainer because we were all so excited about it and being on Ninja it was a dead cert, obviously it turned up elsewhere in the final mix.

Vapour Space was/is a great tune but was used as a bridge here for a tempo change to Autechre and friends under their Gescom guise. ‘Mag’ (sampling Ultra Magnetic MC’s) is still such a killer tune with that huge breakdown. I’m glad we didn’t go into the Chemical Brothers in the final mix as it changes the tone quite a lot, it would sound great in a club though. You can hear the sample, ‘This Is just the beginning, we’re just getting started’ at one point which was later used to finish the ‘Now, Listen’ Solid Steel mix, flown in from one of Coldcut’s ‘Word Treasure’ compilations of spoken word made for the radio shows. After a word from Lord Buckley from the same CD it’s PC’s turn to step up and he performs his Junior Reid/Truper mix before the tape ends, sadly I don’t have the rest of the show.

Coldcut’s brief for the mix was always that we just do what we do on the radio show but the best we’ve ever done it. To those who tuned in every week the released mix wasn’t maybe anything new but to many it seemed to be a revelation that this many different styles could be so easily mixed together on one disc.

Red Snapper – Hot Flush (Sabres of Paradise remix)
The Octagon Man – The Demented Spirit (Okugai Eigakan)
Jedi Knights – Noddy Holder
Bam Bam – Where’s Your Child?
Plastikman – Fuk
Coldcut – More Beats
Depth Charge – Depth Charge (Han Do Jin)
Public Enemy – Mi Uzi Weighs A Ton
2 Player – Extreme Possibilities (Wagon Christ remix)
Vapour Space – Gravitational Arch of 10
Gescom – Mag
Chemical Brothers – Leave Home
Lord Buckley – The Bugbird (The Raven)
Junior Reid – One Blood
The Truper – Street BeatsVol.2

If there’s one mix that I’ve dug up so far that encapsulates the moment and excitement of the Ninja Tune label finally coming into its own and starting to release what are now considered classics of the era then it’s this mix. From early 1995 this Solid Steel set showcases track after track from the label that bring the memories flooding back, lots of these would have been played from white labels and I would have been designing the artwork for them at the same time, playing our first gigs and tours around the UK and Europe. There was also the work on the DJ Food ‘A Recipe For Disaster’ album and Coldcut’s Journeys By DJ mix (more of that next week), the first Ninja Cuts compilation and, later on, the first Stealth nights at the Blue Note.

1995 was a vintage year, I’d quit my day job at a book shop on Oxford St, was still working some weekends in the record shop Ambient Soho on Berwick St. in between gigs away with Coldcut, PC and The Herbaliser and was designing whatever Ninja Tune could throw at me. Solid Steel shows were usually pre-recorded Friday evenings at KISS FM on the Holloway Road or in Coldcut’s newly constructed Ahead of our Time studio in Clink St. This mix was the former and you can hear Matt on the mic at one point saying ‘Ninja Tune blowing up in ’95’ as there was a sense of excitement and direction at the label with lots of new signings and singles from The Herbs, Funki Porcini, London Funk Allstars, Up, Bustle & Out, Neotropic and Food of course.

Coupled with the label’s new visual identity, lexicon (see the Ninja Skinz inside notes) and the sense of purpose around the groups all working on debut albums, it made for a friendly but competitive environment. A small trickle of press interest had happened following Mo Wax’s emergence as the forerunner of the trip hop sound plus new labels like Wall of Sound and Skint were starting. The mix kicks off with a truncated beginning unfortunately as we’re into the latter half of The Herbaliser’s original version of ‘Repetitive Loop’ before plunging into the Autechre mix of DJ Food’s ‘Sexy Bits’ (basically the samples at the end of the Jazz Brakes albums).

The electronic side of things was also in fine form with three mixes from Autechre in this set alone, Disjecta (Seefeel’s Mark Clifford) and more than I can’t identify from ailing memory or Shazam, if anyone can fill in the gaps please let me know. I’m surprised to hear a snatch of Terry Riley’s ‘In C’ at the end here as I didn’t think I bought a copy until later than this but it was probably from a compilation from around this time.

I have three dates for mixes on this tape and it’s likely that this mix is actually two sets from different dates, as the other side of the tape is definitely one set. At around the 14 minute mark, after the Beastie Boys, there was definitely an advert break because I remember it. After this, the mix may well be from another session, possibly at the AOOT studio. The dates I have are 13/05/1995 + 21/01/95 + 23/06/1995 but my good friend, Solid Steel collector and historian Anton Kibeshev tells me that I’ve mistakenly labelled one part and it should be 21/05/95. I’m going to peg the first half of this mix as 21/05/95, then 23/06/1995 as the second. Next week – for the 50th upload – will be 13/05/1995 which is where the JDJ mix comes in…

Track list:
The Herbaliser – Repetitive Loop
DJ Food – Sexy Bits (Ae9V mix)
Heights of Abraham – 700 Channels
DJ Vadim – Live From Paris
Beastie Boys – Something’s Got To Give (live)
The Herbaliser – Scratchy Noise
Simon Harris – 95 bpm breakbeat
Akasha – Mescalin
Up, Bustle & Out – Revolutionary Woman of the Windmill (La Bandolera Del Molino)
Depth Charge – Five Deadly Venoms
Unknown – unknown
Scorn – Falling (Autechre FR 13 mix)
Disjecta – Vistic
Autechre – VLetr mx
Unknown – unknown
Terry Riley – In C

During the summer of 1998 Warp Records put out their 100th release, a compilation of new tracks from all artists entitled ‘We Are Reasonable People’, which also celebrated their 9th anniversary. I put together a mix of all the tracks on Solid Steel although don’t be expecting a Blech pt.3 as this definitely isn’t as involved as that. I think I had to do it as the vinyl sides let me over the 3 discs, pairing up tracks from different sides plus a copy of the 4 track promo 12”. (I may have had double copies actually listening to the N.O.W. section)

As it says on the DAT cover, it’s pretty pedestrian in the way it’s put together although (my mix that is, not the contents). There’s a very odd mix of the Mark Bell track out of Jimi Tenor – how to get a banging techno tune into a slow lounge number? Put it on 45 so it’s double time, mix together then turn down to 33. Sometimes you’re better off leaving a gap but I was young and determined to find a way to mix EVERYTHING together. If you just want to listen to the comp without too much interference then this is one way to do it. Just look at that line up! All tracks were exclusive to this comp at the time and several still aren’t available anywhere else.

Part 1
Plaid – Ilasas
Squarepusher / AFX – Freeman Hardy & Willis
Red Snapper – 4 Dead Monks
Broadcast – Hammer Without A Master
Plone – Plaything
Nightmares On Wax – Fishtail Parker
Part 2
Boards Of Canada – Orange Romeda
Jimi Tenor – Wear My Bikini
Mark Bell – A Salute To Those People Who Say Fuck You
Mira Calx – Umchunga Locks
Two Lone Swordsman – Circulation
Autechre – Stop Look Listen