Stunning video by Aujik with music by Daisuke Tanabe
Film

Last night I played at the launch party for Funki Porcini‘s new album, ‘Conservative Apocalypse’, at the BFI (never a more apt title that in the last two weeks). He showed his rescore to the Russian film, ‘Chemi Bebia’ which was crazed and dark and hilarious in equal measure. You can now see the new short that goes with the album of the same name via the magic of YouTube too…
Lots of old faces came out for the night, it was like a small reunion of people from the last 20 years, back when Ninja Tune was in Clink Street, London Bridge. Graeme Ross took this photo of me with a strategically placed BFI notice.
You can now buy Funki’s new album as a rather nifty box set and he has a new website too
All week Wordplay Magazine have been hosting a takeover by Soundsci who take you through the various elements of how they work as an international crew. Short films and interviews form the basis of the daily pieces leading up to the release of their new album, ‘Walk The Earth’ on Monday.
Part 1: Digging With Oxygen
Part 2: No Sleep Nigel interview – fascinating article with the legendary mixer
Part 3: Connecting the Dots with Audyessey
Part 4: Interview with Darrell Krum – the art of Soundsci, the World Expo label and many more.
Part 5: In the studio with Ollie Teeba and Jonny Cuba
Also out today is the second single, ‘Write On’ / ‘Changing The Gods’, on a limited 45 – available here
Part 6: Rhyming with Audessey
AND FINALLY!!! Here’s the album to buy SOUNDSCI BANDCAMP – it’s digital only for now, aside from the 45s but there’s talk of a vinyl edition although that’s a way off yet

I’ll be joining my old friend and label mate James Braddell aka Funki Porcini on July 7th for a night of film and music at the BFI in London. As well aa launching his new album, Conservative Apocalypse, he’ll be showing his re-score to Kote Mikaberidze’s silent film Chemi Bebia (65min). Full of clever camera trickery, this Georgian film appeared for only a few days in January of 1929 before being banned for 39 years, and is little known in the West.
James will be talking through some of the new film work he’s been making these past years, some of which will be shown for the first time in the UK. If you’ve ever heard him speak before you’ll know he’s a joy to listen to as he has some of the best anecdotes you’ll ever hear. I’ll be playing in the Benugo bar on the Southbank after the film showing and there will also be some very limited edition versions of the album on sale. Tickets are on sale now here
Sculpture, Splice festival
“Untitled” by Sculpture from The Wire Magazine on Vimeo.
More ideas in 8 minutes than some people have in an entire career…
Sculpture will be appearing at the first of 3 nights under the banner of Splice in London next weekend 3rd-5th of June along with many audio-visual acts like The Light Surgeons, DJ Cheeba, Addictive TV, Pete Elastic Eye, Cassetteboy, D-Fuse, Blinkinlab, Matt Black, Plaid, Joe Catchpole, Mixmaster Morris, Matt Sharp, Mark Pilkington and many more.
Splice Festival 2016 from Splice Festival on Vimeo.
“Three legendary synth musicians compete in a cosmic battle for synth dominance, in this recently-unearthed concert from 1986.” From Adult Swim, I defy you to show me anything as funny as this today

I just watched all 6 episodes of this in a day, utterly brilliant, Olivia Coleman and Julian Barratt are perfect as is the casting, score, script, pacing and whole tone of this dark tale of a dysfunctional family and the events that unfold and effect them. Someone said it’s like the spirit of Roald Dahl meeting Butterflies (70s Brit sitcom) and they’re not far off. If you can watch 4OD media where you are then definitely try and catch this over the next month while it’s still available to view.
Zyprazol 7″ animation picture disc by Sculpture from Sculpture on Vimeo.
As usual with Sculpture, they just knock things out the park again with this new single/video. More ideas in one second of music and video that most songs in the top 40. Pre-order here.

This looks great, a new(ish) 2 hr documentary about a number of electronic music pioneers and companies, soundtracked by I Monster with guests into a big electronic concept album. Buy the film and album here
Old news by now but looks good
Czech this out (sorry, couldn’t resist) via Jonny Trunk’s fabulous weekly newsletter comes a trailer for a remastered mix of live action and animated collage from 1958 (!) Think Jules Verne meets Terry Gilliam.
The launch party for Jonny’s new book, ‘The Music Library’, last night was excellent with a bit of celeb-spotting going down (Jarvis, Matt Berry) and a storming reggae cover version set from Jerry Dammers. The book is an expansion of the original version he released 10 years ago, this time with twice as many covers and a nifty, if pricey, slipcased edition with a 10″ record. There is of course a reasonably priced version without either of those two as well, get them both here.
New Shadow album campaign starting, check the track on his site djshadow.com
Graphic Means (Official Trailer) from Briar Levit on Vimeo.
Graphic Means is a film about graphic design processes through history from hot metal, PMT to the desktop publishing revolution of the 90s and beyond. Funded by a Kickstarter in 2014, director Briar Levit has pulled together 25 interviews with many leading figures in the field and is now in post-production with the aim of an Autumn 2016 release. You can find out more at the Graphic Means website, pre-order the DVD and buy a calendar and badges to help fund the film to the finish line.
The Delaware Road is a psychological thriller & an audio-visual treat for fans of archived electronica, far out jazz & haunted folk grooves. Loosley based on the lives of influential electronic musicians Delia Derbyshire & John Baker from the BBC Radiophonic Workshop.
Compere: Dolly Dolly
Live perfomers: Howlround, The Dandelion Set, Ian Helliwell, The Rowan Amber Mill, Robin Lee, Loose Capacitor, Tim Hill, The Twelve Hour Foundation, Revbjelde.
Now booking for live shows in 2016. Contact: [email protected]
Also available as a 19 track compilation CD + download via Buried Treasure Records

I saw this poster – designed by Rich Fox – for the film ‘High Rise’ on the Cube Cinema‘s twitter feed and it led me down a wormhole of other, official posters for the film.
I know I’ve written about this before but I’ve finally finished reading Stephen Coates‘ ‘X-Ray Audio’ book, about how underground bootleggers from the Soviet Union used to cut forbidden music onto old X-Rays. It’s a fascinating read in a time when we have pretty much any media we desire at our fingertips. It tells of a time where just possessing certain records could get you in serious trouble or even thrown in prison. Having to buy forbidden songs for huge amounts of money that were sometimes not even on the disc or of a fidelity so bad that they were virtually unlistenable.
But what it highlights most of all is the power of music, what lengths people will go to to hear it and when they do, the effect it can have. This quote from an interview with Kolya Vasin really stood out, he became known as ‘The Beatles Guy’ and he recounts first hearing ‘All My Loving’.
“When I heard them I felt something so phenomenal, even the great Little Richard whom I had adored faded for me. They enlightened me, it was insane. Little Richard was atomic happiness but The Beatles were insanity, something else, the limit, something unexplainable. And I understood everything… I felt in them a holiness. It was freedom.”
The Vinyl Factory also recently premiered a new short film about the phenomenon that they’d made with Stephen
Thanks to Mr Primate for pointing this new trailer out for the restored version of Belladonna of Sadness. Incredible animated psychedelia from Japan with an additional 8 minutes of restored footage. It’s getting a US cinema release this May and will hopefully make it’s way overseas too. Finders Keepers recently reissued the soundtrack by Masahiko Sato with an unheard track and have promised more in the future. Here’s the original trailer too, both are a bit NSFW but incredibly beautiful
This is just stunning and beautiful to see the sounds connect with the shapes. In the 70’s, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti’s ‘Artikulation’. Donald Craig scanned the pages and synchronized them with the music, check his YouTube channel for more.




















