Looks perfect, Cumberbatch is just perfect casting
Film
Zyprazol 7″ animation picture disc by Sculpture from Sculpture on Vimeo.
As usual with Sculpture, they just knock things out the park again with this new single/video. More ideas in one second of music and video that most songs in the top 40. Pre-order here.
This looks great, a new(ish) 2 hr documentary about a number of electronic music pioneers and companies, soundtracked by I Monster with guests into a big electronic concept album. Buy the film and album here
Old news by now but looks good
Czech this out (sorry, couldn’t resist) via Jonny Trunk’s fabulous weekly newsletter comes a trailer for a remastered mix of live action and animated collage from 1958 (!) Think Jules Verne meets Terry Gilliam.
The launch party for Jonny’s new book, ‘The Music Library’, last night was excellent with a bit of celeb-spotting going down (Jarvis, Matt Berry) and a storming reggae cover version set from Jerry Dammers. The book is an expansion of the original version he released 10 years ago, this time with twice as many covers and a nifty, if pricey, slipcased edition with a 10″ record. There is of course a reasonably priced version without either of those two as well, get them both here.
New Shadow album campaign starting, check the track on his site djshadow.com
Graphic Means (Official Trailer) from Briar Levit on Vimeo.
Graphic Means is a film about graphic design processes through history from hot metal, PMT to the desktop publishing revolution of the 90s and beyond. Funded by a Kickstarter in 2014, director Briar Levit has pulled together 25 interviews with many leading figures in the field and is now in post-production with the aim of an Autumn 2016 release. You can find out more at the Graphic Means website, pre-order the DVD and buy a calendar and badges to help fund the film to the finish line.
The Delaware Road is a psychological thriller & an audio-visual treat for fans of archived electronica, far out jazz & haunted folk grooves. Loosley based on the lives of influential electronic musicians Delia Derbyshire & John Baker from the BBC Radiophonic Workshop.
Compere: Dolly Dolly
Live perfomers: Howlround, The Dandelion Set, Ian Helliwell, The Rowan Amber Mill, Robin Lee, Loose Capacitor, Tim Hill, The Twelve Hour Foundation, Revbjelde.
Now booking for live shows in 2016. Contact: [email protected]
Also available as a 19 track compilation CD + download via Buried Treasure Records
I saw this poster – designed by Rich Fox – for the film ‘High Rise’ on the Cube Cinema‘s twitter feed and it led me down a wormhole of other, official posters for the film.
I know I’ve written about this before but I’ve finally finished reading Stephen Coates‘ ‘X-Ray Audio’ book, about how underground bootleggers from the Soviet Union used to cut forbidden music onto old X-Rays. It’s a fascinating read in a time when we have pretty much any media we desire at our fingertips. It tells of a time where just possessing certain records could get you in serious trouble or even thrown in prison. Having to buy forbidden songs for huge amounts of money that were sometimes not even on the disc or of a fidelity so bad that they were virtually unlistenable.
But what it highlights most of all is the power of music, what lengths people will go to to hear it and when they do, the effect it can have. This quote from an interview with Kolya Vasin really stood out, he became known as ‘The Beatles Guy’ and he recounts first hearing ‘All My Loving’.
“When I heard them I felt something so phenomenal, even the great Little Richard whom I had adored faded for me. They enlightened me, it was insane. Little Richard was atomic happiness but The Beatles were insanity, something else, the limit, something unexplainable. And I understood everything… I felt in them a holiness. It was freedom.”
The Vinyl Factory also recently premiered a new short film about the phenomenon that they’d made with Stephen
Thanks to Mr Primate for pointing this new trailer out for the restored version of Belladonna of Sadness. Incredible animated psychedelia from Japan with an additional 8 minutes of restored footage. It’s getting a US cinema release this May and will hopefully make it’s way overseas too. Finders Keepers recently reissued the soundtrack by Masahiko Sato with an unheard track and have promised more in the future. Here’s the original trailer too, both are a bit NSFW but incredibly beautiful
This is just stunning and beautiful to see the sounds connect with the shapes. In the 70’s, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti’s ‘Artikulation’. Donald Craig scanned the pages and synchronized them with the music, check his YouTube channel for more.
You’ve probably seen this doing the rounds, it’s justifiably so. So many words spring to mind… NSFW too.
Some great late 90s footage of Req One, She One and Jase (Jason Brashill) aka The Dusty Knights painting in Brighton in this new Mongrels release by Kid Acne & Benjamin. You can pick up a copy of the limited six track 10″ here, complete with signed, numbered screen-printed covers.
If you haven’t seen this video, which is going viral fast, then don’t delay – hilarious. The one below is pretty good too.
With the new Bowie ‘Blackstar’ LP just out and the world (quite rightly) going gaga over it, I thought I’d revisit the original version ‘Sue (Or In A Season Of Crime)’ from the ‘Nothing Has Changed’ compilation of last Xmas. This version is different to the one on the new LP, being way more jazz-orientated than the newer LP one which adds guitars to stunning effect. What I’d not seen before was the video that accompanied the original release and is quite beautiful, taking all sorts of visual cues from Carol Reed‘s ‘The Third Man’ tunnel scenes with added projected lyrics. This is also an edit of the original near eight minute track so try and check that out if you’re liking this.
If you’ve still not seen the ten minute video to lead LP track ‘Blackstar’ then it’s a must too. Equally beautiful, disturbing and fascinating it’s a mini epic that reveals more with each viewing. Any video featuring a skeleton in a spacesuit is OK with me and Bowie’s cheeky moves to camera in the second half are delightful.