Lots of 45Live action today – Crossover festival tonight in Nice, France with Pete Isaac, DJ Woody & DJ selector the punisher plus my annual guest mix on 45 Live Radio with the DJ Greg Belson airs tonight on dublab
Mixes / Podcast
The king of puns, Andrew Harrison, and the lovely Siân Patternden invited me back onto the Big Mouth podcast this week to review the Warp 30th anniversary, the new Thom Yorke album, Anima, and the current TV adaptation of Joseph Heller’s Catch 22. The Quietus’ Luke Turner also joined us and we each chose current favourite tunes and stories we’d seen in the news recently. It you become a Patreon backer of the podcast you’ll get the show at least a day early and an exclusive ‘Extra Bit’ each week, where we describe our worst and best festival experiences this time round.
The current musical landscape is awash with great new music in equally great design and packaging – at least in the independent sector, I can’t speak for the mainstream because I rarely dip my toe in. On the fringes there are some fantastic records and tapes being made and I’ll attempt a potted round up here as much for my own sanity as anything else because I can barely keep up. Phew! This took ages to compile, buying links in descriptions…
Jane Weaver – Loops In The Secret Society 2xLP (Fire Records) A gentler, deeper, cosmic take on parts of Jane’s last two albums, The Silver Globe and Modern Kosmology, with new tracks and interludes to tie it all together into one sublime trip. Buy here NOW!
Luke Vibert – Valvable 2xLP (Balkan Vinyl) – Luke makes an entire double album using only a Roland TB303, TR808 and JX-3P, on random variant coloured vinyl. It’s funky, minimal and instantly recognisable as Vibert. Coloured and black vinyl has sold out at the label’s Bandcamp but check the shops as black variants are shipping this week.
Various Artists – Corroded Circuits EP 12″ (Downfall Records) Great contemporary acid, ConSequence‘s ‘Glass Of Water’ is one of the most joyous, funky pieces of dance music I’ve heard all year. Downfall shop – warning, no digital.
Beans – Triptych (Gamma Proforma) A curveball from Gamma, who ceased operations a while back, these are the last two releases from that phase of the label, finally released. The Beans album is a collection of works from 3 albums that were released simultaneously and isn’t available in any usual retailers unless directly from either Beans, artist O.Two who hand-painted all 140 of the covers or Rob at Gamma. The shame is that it’s a cracking hip hop record that’s provided one of the only breaths of fresh air I’ve heard in the genre for years. Worth it for the Broadcast-sampling ‘Pendulum’ alone, destined to be a sought after classic. Listen to selections here
DJ Krush – Cosmic Yard LP (Gamma Proforma) The Krush album was actually released late last year, also has its fair share of banging beats plus two collaborations from old cohort Toshinori Kondo and this one should at least be more generally available. *Also catch him with me in support on July 21st at Oslo, Hackney, London, plug plug*
Vanishing Twin – The Age of Immunology LP/CD/Cassette/DL (Fire Records) One of the albums of 2019 already and a cracking live band – the comparisons with Stereolab and Broadcast are warranted but only a starting point, they’re far more cosmic than that. Beautiful artwork, spiral picture disc version and full colour fold out band poster – a very special record, why they’re not bigger is a mystery to me. Buy here from the label or find the cassette direct from the group’s Bandcamp page.
The Relations – Night’s Prelude cassette/DL (Spun Out Of Control) – Correlations‘ Neil Hale unveils a multi-collaboration side project with touches of psychedelia, krautrock and a lovely cover by Eric Adrian Lee. Buy digital here
Justin Hopper & Sharron Kraus w The Belbury Poly – Chanctonbury Rings LP/CD/DL (Ghost Box)
Another essential GB release – see full review here
Pictogram – Trace Elements cassette/DL (Miracle Pond) Beautiful ambient music from one man graphic factory Nick Taylor on his new Miracle Pond label, is there no end to this man’s talent? Buy Miracle Pond releases.
The Future Sound of London – Yage LP/DL / Humanoid – Built By Humaoid LP/CD/DL (FSOLDigital) – While they finish their Amorphous Androgynous magnum opus, ‘We Persuade Ourselves That We Are Immortal’, there’s more than enough to keep hungry FSOL fans happy. ‘Yage’ from their Dead Cities album has been revived, remixed and expanded into an album and Brian has reactivated his Humanoid alias for a new album of acid experimentation. Order here, including new T-shirts, magazines, posters and more, it’s hard to keep up.
King Gizzard & The Lizard Wizard – Fishing For Fishes LP (Flightless) Back for their first LP of the year (so far) Giz decide to go glam boogie and it works! Comes with full colour fold out poster and seaweed-coloured vinyl.
The Home Current – Civilian Leather LP (Castles In Space) A unique album of 80’s post punk electronics meets Plaid-like hyper-detailed composition, a real mixed bag of a record, sometimes sounding more like a compilation because of the variety of styles. Lovely Nick Taylor cover and inserts too Check it out here
Heat Death – Dalham LP (Castles In Space) – Shades of Boards of Canada permeate this album of instrumental electronica on the now essential Castles In Space label. There’s more going on here than mere BoC pastiche though, I’ve not had enough time with it to fully immerse yet, hear a couple of tracks on the mix below to judge for yourself. Or preview / buy here
Andy Votel – Archipelagogo cassette (Hypocrite) Soundtrack to the exhibition of Felt Mistress and Jonathon Edwards figures inspired by the work of Tove Jansson and first release under the Votel name for a while.
Colours May Vary in Leeds have copies.
Simon James – Cosmic Surgery cassette / DL (Spun Out Of Control) Soundtrack previously only available with a book gets a full release via the excellent Spun Out Of Control label. It’s hard to keep up with James’ output of late, not only did he release a tape on Nick Luscombe‘s Musicity label of foley and Buchla recordings in China but also has a meditation/relaxation release entitled Space No Space out on Golden Ratio Frequencies at the beginning of July.
Posthuman – Voyager 3 cassette (The Dark Outside) More cassette-only madness with The Dark Outside and a concept album based on the (possibly fictitious – or is it?) Voyager 3 space probe from Posthuman. More ambient than acid, this tape goes deep and needs the full headphone treatment for full effect. Unfortunately this is all sold out so it’s a hunt on the secondary market for this one. UPDATE: Digital is now available here
Various artists – WXAXRXP 30 broadcasts (NTS) Boards of Canada dropping a rare mix of inspirations scattered with little unreleased sketches from their archive, Autechre delving into their unreleased pre-Warp tape archive, Brian Eno with Extinction Rebellion, Aphex Twin live sets, a vintage mix tape made by Trish from Broadcast, unreleased Mark Pritchard club edits, Warp really know how to celebrate a birthday in style. 100 hours of exclusive material, they even played my Blech 20.1 mix from 10 years ago as well apparently 
If you want to hear some of the above then here’s a recent Out Of The Wood radio show I did for WNBC.London which features selections from about 50% of the above and other recent purchases.
Forthcoming:
Clocolan – It’s Not Too Early For Each Other cassette, July
As One – Communion LP (De:tuned) – First new album from Kirk DeGiorgio in 10 years with a cover by yours truly. Also don’t forget the monthly DE.10 releases (up to #5 currently) of a variety of artists celebrating a decade of the Belgian techno label. Listen on their Soundcloud
Tomorrow Syndicate – Citizen Input mini LP (Polytechnic Youth) Who knows what this will bring but the previous LP was one of my albums of the year.
King Gizzard & The Lizard Wizard – Infest The Rat’s Nest – yes, another LP, album no.15, merely 2 months after the last, rumour is that this is the heavy thrash record fans have been waiting for.
I completed this a few weeks back for my friend Allison who hosts the Mix-Ins show, it’s her birthday today so we agreed to hold it until then. Nearly two hours of contemporary acid, rave and footwork, this is what’s floating my boat club-wise at the moment. If anyone wants to book me to do this kind of set at their night (or even send me this kind of music) then get in touch.
I met Allison years ago in Montreal after corresponding online (she went by AlisonWonderland before another DJ claimed the name and went big time). Based out of Boston Massachusetts, her and Paulinnate started Mix-Ins loosely as a way to share the music (mixes and original productions) of the many talented people they are surrounded by. They try to feature an exclusive mix once a month although at times it can vary.
I’ve contributed a half hour guest mix to The Allergies podcast along with a short interview with my old mate DJ Moneyshot (one half of the duo along with Adam Rackabeat). It’s more of a selection than a complex, all guns firing mix where I picked out tunes that really get people coming up to the decks when I play them to ask what the hell they are. These are mostly one-offs, oddities that appeared and were never followed up by anything else in the same vein by the artists involved, songs that don’t sit easily in the background but tap you on the shoulder to get your attention. Some are bizarre, some just silly, all exist on vinyl in one form or another and reside in a section of my collection labelled, ‘Misc.’.
If you like what you hear and want to check out more episodes then…
Subscribe on iTunes > https://apple.co/2tLFJ7z
Stream on Mixcloud > https://bit.ly/2PnVlaj
Stream & DL on Soundcloud > https://bit.ly/2ZsXxCg
It’s a radio sort of week as I spent this morning chatting to George Stewart-Lockhart for the first episode of a new show at Soho Radio about two decades or more of clubbing, starting off in my native Surrey and then moving to London in the 90s. The show will go out in the coming weeks but first I have a 100minute + mix set to debut this Saturday (April 27th) on North American show, Mix-Ins which is a pure acid/rave mash up.
I was asked to contribute a guest mix to Belgian radio show Brokers on The Word radio station in Brussels, which just aired on Monday morning. It’s a little glimpse into what’s currently floating my boat from recent releases with the odd old gem thrown in for good measure.
Hinterhof – Molecular Love With A Molecular Sound (Deep Distance)
Trevor Jackson – Machine Worshippers (Pre_)
Correlations – Resistance Is Underground (Spun Out OF Control)
Todd Rundgren – Born To Synthesize
Meat Beat Manifesto vs Terry Riley – In C (Version 4.2) (Electronic Sound)
The Tomorrow Syndicate – A Glitch In Time (Polytechnic Youth)
Kallaste Elektrooniline Muusika – Pohjast Pinnani Aina Lomalla)
Silke Schwinger und Fatty George – Sexsong (Digitone)
Concretism – Black Special (Castles In Space)
The Tomorrow Syndicate – Altered State (Polytechnic Youth)
Rodinia – Neusi (Now Again)
Nicola Spiromarino – Senza Titolo Uno (Delights)
Popera Cosmic – Batman (Finders Keepers)
Silke Schwinger und Fatty George – SchluBmusik (Digatone)
The The – Occupy Your Mind (Lazarus)
The Natural Yoghurt Band – Satellites (Black Milk Music)
Embryo – Tausendfussler (Wah Wah)
Popera Cosmic – Etreinte Metronomique (Finders Keepers)
Nicola Spiromarino – Senza Titolo Due (Delights)
A little 7″ only set I did instore at my local, Rat Records in Camberwell, this summer to mark Pete’s last day after working there for years. It was sweltering hot and we were all dripping with sweat but it was a fun, laid back day just hanging out and drinking on a Saturday. Rat is one of my favourite record shops in London, always something new in there to find, cheap prices and weekly rack restocks keep me coming back regularly.
Our friend Markey Funk stopped off with us for a few days mid September in the middle of his annual Delights tour and played three sets in London – two of which were recorded and posted here for your perusal. His opening set at Further will have to remain in the the memory of those who were there but the next day he graced the decks at the Book & Record Bar for WNBC‘s Out Of The Wood radio show. Made up of tunes from his set vs tunes he’d picked up along the way, it’s 2 hours of treats and he left a bunch of his Delights releases with the shop if you want to pick them up in London.
After a quick dig through the shop and some late lunch we headed to Kings Cross and Spiritland for a 4.5 hr set stretching into the evening. Monday saw us outside Rat Records in Camberwell at opening time and then back off to West Norwood for a proper dig at the BARB, opened specially for Markey on Michael’s day off.
After lunch it was into Soho for a look in Reckless and coffee with Shindig magazine’s Paul Osborne and then back to mine for a breather after the whirlwind three days. It was great to catch up, show him some London spots and play host, our whole reason for doing Further that weekend centered around the fact that Markey was coming to the UK and looking for a London gig.
It’s my turn again to provide a guest mix for the 45 Live radio show, hosted by Greg Belson and featuring only music played from 7″ vinyl. As usual I wanted to stray from the path and have been digging hard to find rare or obscure acid house singles that either I or 45 Live co-founder, Pete Isaac, haven’t played before on our 303-heavy mixes. Pete and I have been collecting acid 45s alongside one another for the last few years now and a healthy competition has developed between us in finding tunes from this tiny niche. But it’s a microscopic playing field, even counting today’s modern acid scene, and only numbers in the hundreds of releases on the 7″ format. It’s heartening to see current labels like BBE and Get On Down finally putting some classic house and acid gems on 45 in recent months to add to this finite corner of the digging world.
My first all-7″ acid mix was for the I Love Acid radio show a couple of years ago, the second for 45 Live last year and for this third outing I’ve spent months finding euro oddities from the 80s to give an authentic period mix – the one exception being the lead track, Mr. Fingers’ ‘Washing Machine’, which was first released in 1986 but not issued on 7″ until 2018. All other tracks featured were released in ’87, ’88 or ’89 with one lone 1990 release (ACR’s ‘Good Together’ which first appeared on a stamped pink label 12″ in ’89). At times I’ve felt like I’m scraping the barrel but there’s always an unexpected gem to be found where you least expect it.
Here’s a few things I’ve learned whilst digging for acid 45s over the years:
Most of them originate in the UK or Europe, there weren’t many US 7″s pressed as it was the longer running 12″ that was the most ideal format. Because the music charted heavily in the UK, record labels pressed 7″s with edited versions of many releases into the early 90s when they were eventually replaced by CD singles around ’92/’93. You can also find a limited supply of rave 45s fairly easily but by the time jungle happened they were a dead format for dance music save for the odd magazine freebie.
In Belgium, Spain, Italy and Germany there was a small industry in copycat cash-in singles feeding off the MARRS ‘Pump Up The Volume’ / Bomb The Bass ‘Beat Dis’ / Coldcut ‘Doctorin’ The House’ / S-express style of cut-up house, often using whatever synths they could find to emulate the Roland TB-303 acid sound. All these singles are peppered with ‘enjoy this trip’ radio announcer-style samples, Run DMC ‘ah yeah’s’ or ‘check this out’s’ and cries of ‘acieeeeeed’ if they were released in ’88. They must have all been sampling from the same sources and, with only a few exceptions, these records are universally awful, have smiley’s on their sleeves and have dated horrendously.
For a short period of time in the late 80s it seemed that any old pop act got an acid makeover – Bros, Bananarama, Yazz, Sigue Sigue Sputnik, Army of Lovers, even Sam Fox got into the act (‘Love House’ – the ‘Sulphuric Mix’ is actually passable). There are all sorts of acid mixes hidng on the B-sides of British pop artists, by some of the greats of the house genre – Bam Bam, Adonis, DJ Pierre, Steve ‘Silk’ Hurley and Kevin Saunderson all have some of their earliest major label remixes hidden away on singles by the most unlikely artists. Some of Saunderson’s first remixes were for the Wee Papa Girl Rappers (‘Heat It Up’, ‘We Know It’ and ‘Blow The House Down’ alongside Adonis) and he also serviced Neneh Cherry, Paula Abdul, Sam Fox and Loose Ends.
Bam Bam – of acid classics ‘Where’s Your Child and ‘Give It To Me’ – had his fingers in many pies remixing Coldcut, Yazz, The Shamen (years before their 90s pop success) and most bizarrely, Brass Construction.
Ex-Frankie Goes To Hollywood backing singer, Paul Rutherford, had some of the best acid makeovers for his debut single, ‘Get Real’, produced not by natives of Detroit or Chicago but by Martin Fry and Mark White aka Sheffield’s ABC! Of the three 12″ versions of the single out there the rare nine minute ‘Hardcore’ mix is the best but hardest to find as it was pressed with the ‘Sinister’ mix label and cover and you can only tell a copy by checking the matrix number on the run out groove. I’m betting Hardlfoor heard this mix before writing their huge ‘Acperience’ track years later.
But we’re straying from the subject of the 7″ – typically, few of these remixes made it to the 45 version but occasionally one would turn up on a foreign pressing. There’s an acid version of a worldwide late 80’s hit that exists only on one of two different french pressings that’s so far alluded me, the differences between the versions being so minescule that most sellers simply list the wrong version when it comes up for sale. By 1990 things had died down as the fad had passed in the fast-moving world of dance music and Hip House and the Italo sound replaced the unfashionable acid squiggle and smiley. But it had made its mark, the Madchester scene, Deee-lite and Screamadelica were all products of acid house and the Dutch and Germans sped up the tempo and pushed it into new forms of techno throughout the 90s. I already have nearly enough 45s for a 90s-00s acid mix but this new one is possibly my last word in 80s era cuts save for a handful of singles that I’ve yet to find.
The 45 Live Radio show airs twice a month on a Friday night from dublab in LA but you can catch up from their Mixcloud page or subscribe through iTunes. Much love to DJ Greg Belson for hosting and curating it over the last three years and Pete and Scott for steering the 45 live ship.
It’s less than a week until the next Further at the Portico Gallery, and i’ve has put a special preview together of the acts playing for the Out Of The Wood radio show on WNBC.London.
The first hour consists of a primer for special guests The Karminsky Experience Inc. and Markey Funk followed by a selection of Boards of Canada – the subject matter for my ‘O Is For Orange’ audio visual performance. Finishing with the kind of eclectic set co-host Pete Williams will be spinning in the last half hour, you get the gist of the sounds going down this Saturday 15th in West Norwood.
Add copious amounts of retina-singeing visuals, the Karminsky’s giving away copies of their new VR glasses (see above) and tasty local food on sale via the Pimento ’62 people (see menu below) and you get the idea about what to expect. Final batch of tickets for Sept 15th available here.
Finally, my 3 hr set at the Welcome To The Dark Ages Graduation Ball – Invisible Wind Factory, Liverpool, 26.08.17
Originally thought lost after only a recording of the final 11 minutes could be found on my laptop after the gig, the remainder of the set was hidden as an untitled file, found months later during the Christmas TOTP special of 2017. Re-edited back together with the odd touch up, I present the full set played after Badger Kull‘s debut/final performance.
Contains JAMs/Timelords/KLF samples and sources tribute / acid house classics club set / winding down to 3am with occasional attempts to clear the dance floor (didn’t work, the diehard stayed until the end).
For my fully illustrated ‘diary’ of the events of ‘Welcome To The Dark Ages’ check here
Part 1. / Part 2. / Part 3. / Part 4. and my post-happening comedown Chill Out tribute mix at Emotion Wave the day after.
UPDATE: I recently also found my notes for this mix with a rough outline and potential other sections that I could have played including a ‘Liverpool bands’ medley and ‘money’ section that never made it. Bill Drummond had sent me a scan of the page from 2023 that lists the performers at the Xmas Top Of The Pops so I could cram a lot of things into the set list that would later be relevant. Of course, all this stuff is well and good in theory and in the safety of your studio but in the heat of the moment you have to judge what will work and what might not with a crowd in front of you. I was passed a USB stick by Phil Blake on the day of the gig with two fan-made tracks featuring badger samples (Little Fluffy Badgers…) that I threw into the line up at the 11th hour too.
Mark your calendars, diaries or whatever you use to save a date for this Saturday 28th of July because Robin The Fog and I are hosting a 2 hour edition of Jonny Trunk‘s OST show on Resonance FM.
With Le Fog and I at the controls it can only mean one thing: Sesame Street, we’ve collected our favourite songs, skits, incidental music and themes for a joint celebration of all things from the Children’s Television Workshop.
Tune in to Resonance 104.4 FM on Saturday the 28th, 4.30pm-6.30pm – or if you can’ t then the show will be on the Mixcloud archive
UPDATE: And here’s the show!
Simultaneously (because we’ve pre-recorded the show) I’ll be in Bedminster, Bristol at Upfest, the annual street art paintathon, providing music outdoors to soundtrack the art. There will be food, drink, sunshine if this weather keeps up and it should be a great family day out.
I was a guest on Bigmouth last week – the weekly pop culture podcast – pontificating/nerding out on Avengers: Infinity War, Janelle Monae’s ‘Dirty Computer’ LP, new Sky Atlantic series, ‘Barry’ and the latest ‘Too Slow To Disco: Brasil’ compilation. There are masses of spoilers for Avengers so don’t listen if you’ve not seen it yet but it is at the end of the show so there’s plenty to listen to before we start giving the game away.
I was recently asked by Penguin/Random House to go through their audio books and put together a 3 min piece for World Book Day. They then asked me to perform it onstage at the London Palladium! It’s at the end of the podcast here but I can’t seem to embed it so here’s a link.
Crowds outside the Palladium beforehand, this was an employee’s only event, just after we’d had that huge snowstorm.
Squid Soup‘s lighting rig with Ruth Jones on the video screen shortly before I took the stage.
Emily Maitless gives me possibly the best intro ever…
What you sadly can’t see is the animated video I also made to go along with it and the lighting by Squid Soup (who did the recent Four Tet gigs). The photo at the top was taken by an old friend of mine from the Camberwell College days, Liz Catchpole, who works for Penguin and had no idea I was playing until she saw me on stage. Massive thanks to everyone at Penguin / Random House who helped out on this, especially WiIliam Smith at Vintage and Richard Lennon from the audiobook dept.
On March 13th I was invited to be one of the selectors at Diggers Dozen, a monthly get together at the Ace Hotel in Shoreditch, where each DJ is asked to play 12 records. The rules are: vinyl only, no reissues, no compilations – aside from that there’s no stipulation on music policy but it’s a sort-the-men-from-the-boys kind of situation in an age where anyone can have anything in digital format and a large proportion of what were once holy grails have been reissued or compiled over the last two decades or so.
Which of course isn’t to say there isn’t still plenty of gold out there, not all of it expensive either, you just have to know where to look, be patient and dig a bit deeper sometimes. Of late I’ve been getting into spiritual records and rock operas which have provided many unexpected treasures, especially from certain eras. Above are the records I played and the mix itself. Thanks to Maxwell, who runs the night, for inviting me and you can check out the other sets and more over on the DD website.
Last Friday I was thrilled to be asked to play before Dudley / Jeczalik / Langan aka The Art of Noise at the British Library in London. I put together a set consisting entirely of music they had written, remixed, reworked or had a hand in – careful not to play any obvious tracks that they would be playing as they rebooted their In Visible Silence album plus some of their biggest hits. I recorded my mix and you can hear it above, complete with exclusive edits made specially for the show and a rare appearance from AON fan Kenneth WIlliams at one point.
Witness the group below at the soundcheck performing ‘Moments In Love’.
Highlights were thundering versions of ‘Beatbox’, ‘Close (To The Edit)’, ‘Legs’ and ‘Peter Gunn’, a beautiful ‘Moments In Love’ (with blink and you’ll miss it ‘In The Army Now’ interjections) and lots of story-telling in between. Many friends and familiar faces from ZTT fandom were present and I had the pleasure of chatting to Anne Dudley‘s husband before the show about her early library recordings for Amphonic (some of which are soon to be reissued by Buried Treasure). JJ Jeczalik strolled up and introduced himself before my set and, during an airing of Frankie Goes To Hollywood‘s ‘Pleasurefix’ (a fan favourite remix of the epic album cut by Gary Langan), I turned around to see Langan himself watching and listening only a meter away with keen interest. “Hi, I’m Gary”, he said, leaning over to shake my hand.
The whole evening was a fan fest with signed prints, records and T shirts on sale, people watching from the stairwell’s and balconies and an incredible Bowers and Wilkins sound system that made everything shine. I chatted to ex-ZTT artist Andrew Poppy after the main set who regaled me with tales of rescuing his artwork from a skip outside the label one day! Big thanks for the ‘Where’s DJ Food?’ crowd photos above by Peter Williams and shots of me by the stairwell below by Mark Nicholson. Another one for the CV and highlights of 2018.
Robin The Fog‘s recent Out Of The Wood session is a masterclass in ambience. Absolutely beautiful listen, the restraint and pacing he displays over the two hours is admirable. Got to up my game for the next set.
Show #100 is 5 weeks away and there should be an all star cast playing short sets in an extended edition.
The Out Of The Wood show is back, firing on all cylinders for 2018; each Sunday a local, invited guest or patron of The Book & Record Bar in West Norwood gets 2 hours live on the decks inside the shop, playing to whoever wanders or tunes in. It’s a chance to grab a bag of anything and play around for yourself, try things out and spread out. In my first show of the year I’m bringing a box of recent buys, gifts, samples, a few forthcoming gems and throwing out some improv soundscaping into the mix in places, something I’ll be building on all year.
I’m very proud to say that my set for the Soundsci launch party that Diggers Dozen put on last year won their most loved poll for 2017! “12 records each. Only 2 turntables play. No compilation. No bootleg. Always original vinyl.” is the DD ethos and that particular night saw myself guesting with Mr Thing, Ollie Teeba, Jonny Cuba, Jonny Trunk and Maxwell Pastor – who runs the nights. Listen to the selection above, I’d pulled out a particularly odd Library set, I think there’s at least one bit of dead air (because I was chatting) and at points, if you strain hard enough, you can hear that chatter through the head of the needle in the quiet parts..
Hi there, sorry for the lack of posts recently, the home renovation continues as does the 2 week (!) half term my kids have been bestowed with and many other things like preparation for the next Further at the Portico Gallery on Nov 18th. The mix that I made of material both released and unreleased from the Death Waltz Originals label run by Spencer Hickman has materialised as a free CD available with all orders of Death Waltz or Mondo releases while stocks last. It should also be available at selected independent record shops too and you can also listen to it here via Soundcloud. The spoken word throughout is from a private tape where my friend Steve Cook is interviewed by John Tomlinson about experiences he and his family experienced growing up in a haunted house.