Openmind ambient mix on Solid Steel 26.09.94

Telepathic Fish 4 webI was asked by the m.cast website to write some background history on a mix I did for Solid Steel with old friend Mario Aguera under the Openmind DJs name back in 1994 (this was before I became part of DJ Food or had been given the Strictly Kev moniker). Here’s a little slice of London ambient history as I remember it:

Openmind originated at 102 Tintagel Crecsent in East Dulwich, South East London around late 1992. The shared house spread across three floors above a shop, rented out by a local chemist specifically to students at a very reasonable £37 each per week, and the occupants came together by chance from different circumstances. Computer programmer Mario Aguera and 3rd year Camberwell School of Art students David Vallade and Kevin Foakes were later joined by Chantal Passamonte at some point in 1993. They frequented many of the clubs, gigs and underground parties of the time like Club Dog, Tribal Energy and Megatripolis but often found themselves enjoying the post-club comedown chill out sessions more than the actual clubs themselves.

After an incident with a synthesiser, a Rastafarian and a bowl of fish (see David Toop’s excellent ‘Ocean of Sound’ book for details) they formed a collective called Openmind and started a series of ambient parties under the name Telepathic Fish. Nearby neighbour Mixmaster Morris took them under his wing and introduced them to many of his contacts.

The first party was held in their house across two floors which held a rave room with strobe lighting and a chill out complete with tower of scavenged TV sets broadcasting trip videos, black lights and Morris DJing from decks on the next door kitchen counter. Advertised through word of mouth and a few posters at the college, the party drew 300 people and they realised that they had to find somewhere else to do the next one.

A squat in Tunstal Road, Brixton was located and a line up of Mixmaster Morris, Aphex Twin and the Openmind DJs (Mario and Kev) with Matt Black (Coldcut) on visuals played throughout a Sunday afternoon into the evening. A second gig was held at the same venue later that year (’93) which saw members of The Black Dog, Psychic Warriors Ov Gaia and The Future Sound of London checking out what was happening. Early flyers included shaped fish pendants and tea bags, hand-assembled using tracing and holographic paper.

After Matt Black’s initial revelatory experience at the Fish (his first ever VJ set) he invited Mario and Kev to guest on his and Jon More’s weekly KISS FM radio show, Solid Steel in the summer of ’93. They appeared a number of times (11.07.93 / 07.11.93 / 04. 03.94 / 15.07.94) and Matt and Morris continued to guest with music and visuals at the parties.

The venue then changed to the Cool Tan building in Brixton for a fourth excursion that included Matt Black on decks with PC (DJ Food), a pre-Leaf Tony Morley and visuals by Hex. Just before that party Mario and Kev were invited back onto Solid Steel on 26.09.94 and you can hear Matt giving the party a shout out in the mix. The sets played here are a pretty good indication of the sort of thing they played at the Telepathic Fish parties, sometimes pooling their then meagre record collections to fill out the nights.

There were more parties after this, usually as part of bigger events – Orbital’s Brixton Academy gig VIP room, Quirky, Megatripolis, a New Year’s Day party at the derelict Roundhouse and a Dutch excursion that saw them playing in a gas silo. They also produced four issues of an ambient fanzine called Mind Food which they sold at the parties, by mail or in various record shops in London.

Mario went on to join Hex for their early explorations into visuals and software and then headed up a team at a major video game developer. Chantal, David and Kev all worked at the Ambient Soho record shop in Berwick St. at certain points. Chantal went on to become Mira Calix and sign to Warp. David designed record sleeves for Warp, Ntone, Worm Interface, MLO and Reflective among others. Kev became part of DJ Food, carrying the Openmind name on as his design alias whilst shaping the look of the Ninja Tune label in the 90s and 00s.


You can down load this mix directly from the m.cast website here

First hour: Mario Aguera (Openmind/Telepathic Fish)

Coldcut – Autumn Leaves (Irresistible Force remix) (BMG)
UVX ‎- Elevator (13th floor spectrum) (Magick Eye Records)
Frankfurt – Tokio Connection – Luminescent Avatar (Harthouse / Rising High)
Golden Girls – Kinetic (Morley’s Apollo mix) (R&S)
Psychic Warriors Ov Gaia – Obsidian (Deconstruction) (KK Records)
The Grid – Crystal Clear (The Orb remix) (Virgin)
Ongaku – Mihon 2 (Fax/Rising High)
UVX ‎- Elevator (13th floor spectrum) (Magick Eye Records)
Deep Forest – Sweet Lullaby (Natural Trance Mix) (Columbia)
Peter Gabriel – At Night (Real World)
Amorphous Androgynous – Mountain Goat (Virgin)
System 7 – 7-7 Expansion (Double Edged Sword mix) (Big Life)
David Morley – Calibration (Apollo)

Second hour: Kevin Foakes (Openmind/Telepathic Fish – pre-DJ Food)

Frankie Goes To Hollywood – Warriors of the Wasteland (End) (ZTT)
Harold Budd & The Cocteau Twins – Memory Gongs (4AD) / S’Xpress – Coma (Record Mirror) No-Man – Days In The Trees (Reich) (One Little Indian)
KLF – What Time Is Love (Virtual Reality mix) (KLF Communications)
Jesus Jones – Zeroes & Ones (Aphex Twin Reconstruction 2 mix) (Food/EMI)
David Sylvian – Home (Virgin)
This Mortal Coil – Andialu (4AD)
B12 – Soundtrack of Space (Warp)
Spacetime Continuum – Fluorescence (Reflective)
Eurhythmics – The City Never Sleeps (Capitol)
Moody Boys – Free (XL)
Depth Charge – Depth Charge (Drum Death Version) (Vinyl Solution)
Material – Mantra (Praying Mantra mix) (Axiom)
Dub Syndicate – What Happened? (On-U Sound)
Moody Boys – Pumpin Dumpin (XL)
Plaid – Yamemm – (Warp)
unknown (Digidub or Moody Boys?)
Minnie Ripperton – Lovin’ You (Epic)

Solid Steel: DJ Mighty Atom vs DJ Shadow + DJ Food vs De:tuned

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The latest Solid Steel show features DJ Mighty Atom‘s deconstruction of DJ Shadow‘s ‘Endtroducing’ album, now 20 years old, in hour 1 and my taster mix for the new De:tuned Records ‘Brainbox’ compilation in hour 2. I’m biased but that’s a great way to spend 2 hours this weekend IMO.

Mighty Atom’s mix follows Solid Steel’s tried and tested blueprint of finding the original sources used in heavily sampled classics (see Beastie Boys, De La Soul, Public Enemy, Beck and Nas of past shows) and adding spoken word snippets relating to the making of said album. He rises to the challenge admirably and this has to be one of my favourite mixes of the year.

My own mix takes a sample of tracks from the huge new 6xLP ‘Brainbox’ compilation, adds some past releases from the same label and hides some exclusives not due until next year in too. For fans of 90s era electronica from labels like Warp, R&S, Red Planet or Axis then this is for you – lots of familiar names, all brand new tracks.
SS imageDJFoodvsDeTuned

Future Shock 3AV mix

Future Shoc 3AV
After the audio version on Friday’s Solid Steel, here’s the video version, a collection of retro-futuristic sounds from the past and present that premiered at the recent Videocrash night in London. A host of specially edited videos assembled from my visual archive with interjections from ‘This Is Marshall McLuhan’ and ‘Magic Trip’ among others. Spot the difference between this and the audio version…


Due to various streaming problems we’ve put it on two different platforms, if one doesn’t work for you try the other

DJ Food – Future Shock 3 (AV-Mix) from ARMTONE on Vimeo.

Coming this Friday to Solid Steel…

Beck YoDelay

Last week, DJ‘s Cheeba & Moneyshot finished their deconstruction of Beck’s album, ‘Odelay’, which celebrated it’s 20th anniversary on June 18th. As he plays Glastonbury this coming weekend, Solid Steel will premiere the mix on Friday 24th, entitled, ‘Yo! Delay’. A long time in the making, it’s over an hour of the LP broken down into samples, interview snippets, scratch routines and more, in the same way our ‘Caught In The Middle of a Three-Way Mix’ did with the Beastie Boys’ ‘Paul’s Boutique’ a few years back.

Lucky enough to hear it before the public, I stuck it on and we had a message session via Facebook, below are some of my (edited) comments as I listened for the first time…

you get a Devil’s Haircut acappella?
is that the Stones with the guitar riff?
mad JB cover there
I reckon Beck might thank you for not putting the track list out there
This is great guys
oh that New Pollution sax break is great
Oh Lee Michaels! – you have that album? Killer
I hope you got Mantronix into Where It’s At?
There she blows!
hairs on the back of the neck moment
Anyone ever do a porno with whales called ‘There she blows’ Roy?
ah this is f**king great guys, I’m grinning
This extended freakout bit with samples and spoken cuts is redefining the mix guys – insane
oh! Dick Hyman!
f**k guys, mix of the year so far
A few people are going to have their dreams shattered though – “I thought Beck wrote that!”
make a little commentary to go with it, the first real time mix commentary – you could break down what you did?
Well, guys – mix of the year so far, you nailed it, didn’t want it to end – well done

Cavern of Anti-Matter Solid Steel mix

I totally forgot to post this last weekend as I was away. After their storming gig in London in February I asked Tim Gane from COAM if he’d be up for a Solid Steel mix for us. Not only did he say yes but he delivered two exclusive hour long mixes titled ‘Whiteout Mix’ and ‘Blackout mix’ that parallel each other with some of the same artists appearing on both hours. As a result we gave the whole of last week’s show over to him.

“An abstracted trawl through some prized recordings. Music can be like a fever dream with no rational interpretations possible and all these tracks have given me that rush. Over the years they have shown me the door and window to another kind of sound and new forms of composition and an endless collage of possibility.Totally shocking listening to these tracks again and putting the mix together. I have included one of my own mess about loops from about 8 or 9 years ago.”

The Comet Is Coming Solid Steel mix


The Comet Is Coming celebrate the release of their debut album Channel The Spirits on The Leaf Label, King Shabaka, aka Shabaka Hutchings (also of Sons Of Kemet and Melt Yourself Down) drops his first mixtape with a quality selection of music personal to him.

“I’ve never done a mixtape before so when asked to do this I immediately though back to my favourite DJs and what their selections did for me. I love it when I hear massive leaps in genre during a set which seem to make sense despite all the odds and retain a trajectory of intensity. Immediately I think of Gaslamp Killer who I toured with last year and was able to see him do his thing up close, and Ntone Edjabe who is a DJ extraordinaire based in Cape Town. These are all tunes that have meant a lot to me at various points in my life so it’s interesting for me to see the narrative which connects them.”

Near Mint show Pt.1 & 45 Live Show mix


For all those who won’t see the updated posts further down the feed; here’s last night’s new Resonance FM show, Near Mint, that I featured on with some highlights of my collection. Plus here’s the 45Live Radio Show I had an all-45s guest mix slot on with Greg Belson last Friday night/Saturday morning on Dublab.

Researching the Ramm.Ell.Zee

RAMM_Will_IanRAMM_DrZuluRacer2

Last week I played at the opening of the ‘Cosmic Flush’ exhibition in London at the Magda Danysz Gallery. The contents of which celebrated the work and life of Rammellzee, the MC and artist who passed away in 2010. Instigated by the Gamma Proforma label, it was full of art from the new album and attended by a who’s who of the leftfield art scene. Pieces by Futura 2000, Kofie 1, She One, Will Barras, Dan Lish and Poesia sat with art from three of Ramm’s crew: Doze Green, Ian Kuali’i and one of Dr Zulu‘s Lego letter racers. There were also life-size cut-outs of Rammellzee in full battle gear by Will Barras with backgrounds by O.Two.

RAMM_OTwoRAMM_Futura

The exhibition will run until 22nd December. The gallery is open daily from 11am-7pm, closed Mondays.
You can buy the seven releases that make up the ‘Cosmic Flush’ album from Gamma’s online store.

During the run up to the exhibition opening The Quietus website premiered a piece I’d written about Ramm which you can read in full here. It featured a previously unseen image by Timothy Saccenti, made in collaboration with Rammellzee, for a photo session they did in 2005. Here’s another unpublished image from the same time and I’m incredibly grateful to Timothy for letting me use these great images for the piece.

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At the opening I played an all-Rammellzee set including a new mix I made for Solid Steel celebrating his musical career. The object was to map an aural history of Rammellzee‘s recorded output, in roughly chronological order, to showcase his music, theories and wordplay for those who wondered what all the adulation and legendary status was about. Take a trip from the early 80s up to the present day, through Ramm’s intricate, confusing, yet always unique recording career from his old school origins through to his final masterpiece.

As an addition to The Quietus piece, for which I had way too many images, here’s an extended look at some of his releases over the years. Going back to the beginning, want to see Profile Records‘ original master tape of the ‘Beat Bop’ single? It was recently unearthed by Noah Uman and given a proper reissue after countless bootlegs over the years. Originals now go for triple figures, but here’s the no frills master tape box that was taken from Jean-Michel Basquiat‘s original reel.
Beat Bop Master tape frontBeat Bop Master tape back

Here’s the Slinky Gym School single he featured on in 1983

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The 1985 Death Comet Crew 12″ on Beggars Banquet 

Ramm DCCfrontRamm DCCbackThe Gettovets album with Shock Dell and Delta II, produced by Material on 4th & Broadway in the late 80s
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RammGhettovetsbackRammGhettovetsdetail

Whilst researching the mix I came across some beautiful sleeve artwork from the various Japanese-only albums and DVD releases in the 00s. Some of these were news to me but well worth tracking down.
Ramm Japanx3Ramm discRamm Japanx32

 

DJ Food ‘Music On A Shoestring’ mix [Psychonavigation 2000 – 2015]

MusicOnAShoetringHere’s the details for the Psychonavigation Records 2000-2015 mix CD I’ve just finished: 23 tracks from the 45 track ‘Music On A Shoestring’ digital compilation, mixed by yours truly into a 74 minute head trip. Here’s an online stream of the mix in full, see what you think…

If ambient electronica, deep space dub, classical piano and acoustic pieces are your thing then this is for you.
Some names you might recognise from the line up: The Future Sound of London, Autechre, Brian Eno, Alex Paterson, Thomas Fehlmann, Dr Atmo, Spacetime Continuum
It was very hard to fit all the tracks I wanted onto one disc as the hit rate on the compilation is so high, my original wishlist was 35 of the 45 tracks. You can pre-order the mix CD here or buy the full digital compilation for only €10(!), selected by label boss Keith Downey from the last 15 years of releases. I can’t convey how many beautiful tracks are on this comp and all for €10 is an absolute steal, some of them are available to preview on the Bandcamp page right now.

45 Live Radio Show on Dublab.com starts Nov 2015

45 Live Radio ShowWe’re excited to announce a brand new radio show broadcasting live out of Los Angeles CA, on Friday 6th November, 8pm US PST (4am UK GMT) on the legendary Dublab.com featuring the entire 45 Live Crew!

‘The 45 Live Radio Show’ will be on air bi-monthly which will fall on the first and third Friday of each month. Your host will be soul, funk & gospel connoisseur DJ Greg Belson, and it’ll feature a guest on a rotational basis from the 45 Live elite (full roster here if you want to know who will be featured).

DJ Food meets Ambigraph – Dune AV mix

Last Saturday (Sept 12th) I played an hour long set after a showing of ‘Jodorowsky’s Dune’ documentary at one of the FEAST film nights in West Norwood’s Portico Gallery. During the mix the audience were greeted with a film of the slowly evolving, geometric designs of Ambigraph aka Ameet Hindocha.
Night co-ordinator Pete Williams recorded the mix and Ameet has reworked his visuals to accompany it in an hour long, meditative soundscape where all tracks are sourced from releases connected with Frank Herbert‘s most famous novel. *I recommend viewing in HD, probably late at night with the lights off.

Dune Screening
Over the decades many artists have been inspired by this work and there are many concept albums built around themes from his books. As well as Toto‘s score for David Lynch‘s big screen adaptation there’s also music from the forthcoming soundtrack to the documentary I mentioned and tunes from Bernard Szajner‘s ‘Visions of Dune’ release among others.

4xDune

The Tracks Go Off In This Direction… a Star Wars mix

topps star wars cardweb
Finally, after a long hiatus, I’ve managed a new mix, and a audio visual one at that. The school summer holidays are a killer creatively when you have kids to attend to but now that the little ones are back to the 9-3.30 I’m back in gear. Something else that’s been occupying my time this summer, since May to be precise, is Secret Cinema‘s production of The Empire Strikes Back that I’ve been playing at in various locations and guises since it opened. Last night was my last gig, sound-tracking the Cantina Bar post-film with the run finishing completely in two weeks.

SWSC poster
To say it’s been an experience is an understatement and it’s one I will cherish forever as it is like nothing else out there. If you were one of the thousands who attended then you’ll know what I’m talking about and I’ll do a full post about my time there in a few weeks time when it’s closed as I don’t want to spoil things for those yet to go. But to commemorate the end of my run I’ve put together this 30 minute Star Wars-themed mix, complete with a video accompaniment, featuring some of the songs I played in amongst the rest of the themed tunes selected for the different areas.


Titled ‘The Tracks Go Off In This Direction…’ it follows the hunt for the Droids as songs and styles from the SW canon get progressively more random. It’s all Star Wars, plenty of which you will have seen and heard before, but I like to think I’ve dug a little and unearthed some hidden gems that might not be as familiar as Meco‘s ubiquitous disco-fied Star Wars Theme.

Rico - Ska Wars

For example: Rico Rodriguez, The Specials‘ trombonist who recently passed away, released a cover version called ‘Ska Wars’ (what else?) in 1977 on Island records which I’ve included as a tribute. Dickie Goodman, creator of the infamous UFO ‘break-in’ records’ made a ‘Star Warts’ 45 to cash in the same year, I’ve included a later (better) version and several cuts from Herbie Hancock‘s modular synth sidekick, Dr Patrick Gleeson‘s analogue Star Wars album.

Rave Wars disc
It’s not all period covers though, there’s plenty of modern day Hip Hop, Rave and Techno from the likes of AGT Rave Cru, Mark Archer, DJ Shadow and all manner of, shall we say, ‘copyright infringing’ releases under pseudonyms. At the start of the Secret Cinema run, when they also ran a separate satellite Cantina Club in Hoxton, I made a ton of video clips to go with tracks for a one-off AV performance and some of the work I put into those has found its way into the video mix. With a property like Star Wars this is a red flag to a bull so how long it will stay up is anyone’s guess. Grab it while you can…  UPDATE – Sorry folks, I’ve been asked to take it down…  back up!