Recorded over the Xmas break of ’98/99 (where PC and I went to LA to play at a disastrous New Year party which ended in multiple hospitalisations from a bad drugs batch and police shut down). This sounds like a live set recorded at home, possibly on three decks and is full of contemporary electronica, jazz, library and that end of the millennium weirdness where there wasn’t any dominant scene happening.
A blast of Tape Beatles opens before The Karminsky Experience Inc. and Dynamic Syncopation bring the fast breaks and soundtrack vibes in. People were increasingly becoming interested in OSTs and library tracks at the end of the 90s with lots of bootlegs and a few licensed comps floating around. Air‘s ambient classic on Fax continued this but in a more downtempo vein, not to be confused with the French band of the same name despite using a French title, this was a Pete Namlook alias.
Bruce Haack’s ‘Word Game’ beams in, completely from another galaxy with its chugging Moog groove, only to be superseded by Grooverider‘s excellent ‘Where’s Jack The Ripper’. I felt D’n’B was going through a dull patch at the time with all the dark No U-Turn type stuff not really floating my boat but this had that funk to it that had been lost over the last few years. The Boards of Canada Peel Sessions were out and they always got a lot of love from me on the show so I couldn’t resist halving the tempo and then mixing Grooverider in again over ‘Aquarius’. Followed is Slag Boom Van Loon‘s ‘Poppy Seed’, a track Boards would soon remix for the Planet Mu label.

Part 2 next week!

The Tape Beatles – Intro
The Karminsky Experience Inc. – The Hip Sheik
Dynamic Syncopation – Closer To The Line
Air – Je Suis Triste Et Seul Ici
Bruce Haack – Word Game
Grooverider – Where’s Jack the Ripper
Boards of Canada – Aquarius
Slag Boom Van Loon – Poppy Seed
The Tape Beatles – Outro

Here’s a silly little set from the last show we broadcast on Radio LDN, part of the BBC network, on a Monday nights in the early 00’s.
BBC London could never make up it’s mind around the turn of the millennium; after 18 years of being BBC Radio London and another 12 of Greater London Radio (GLR) they decided to switch to BBC London Live just as we joined the station in 2000. A year later and they changed it again to BBC LDN and then further to BBC London around the time they got rid of most of their specialist programmes in favour of talk radio.

We were part of this cull along with other DJs like Ross Allen and Dr Bob Jones and it came out of the blue, one week we were on, the next we had one show left. I found out from another presenter who casually mentioned “sorry to hear about your show”, whilst I was covering for the others solo one time. Seeing the puzzled look on my face, she realised her faux pas and explained that the station had axed all but two of their late night specialist music shows in favour of a more talk based radio station. We had one week’s grace and that was it but we really made use of that week…

But let’s start with how we came to be on the BBC in the first place: after leaving KISS in Feb ’99 (before we were pushed – big changes were ahead) Solid Steel set up home online, streamed via the Ninja Tune homepage every week, still maintaining it’s 2 hour format, uncertain as to how many people were listening. With DK now firmly in the producers chair, syndications to overseas stations had been instigated and we were looking around for a ‘home’ on a London station. There was a pilot show for GLR on 27/06/99 but the first regular slot was 27/03/2000, the week the station relaunched as BBC London Live. We had a midnight until 2am slot on a Monday night which suited us fine, no playlist, minimal fuss or bother from the powers that be and a proper studio to broadcast from.

The big drawback was that the studio was more geared to CDJing than turntable mixing and the decks there were more of an afterthought than an integral part of the set up. Out went the live mixing and in came the pre-prepared, home studio mixed sets, something that did no end of good for the quality control threshold but which sounds odd at times when listening back as we had to leave instrumental gaps for talking and tracklists in the selection. Another revelation was no adverts other than the occasional station sting for an upcoming event or show – yes! More uninterrupted mixes and less stop / start nonsense.

Initially we took over after Ross Allen‘s Destination Out show which was perfect as we caught a lot of his audience but he moved on to two separate nights of the week as his star rose. Generally two of us would present the show live whilst playing that week’s selection of mixes and we also had the means to take calls for competitions where we gave away tickets to shows or CDs in return for answers to ridiculously easy multiple choice questions. The BBC had a full online streaming web presence too so we were beamed live worldwide and, on occasion, we got calls from overseas for the competitions, including one from New Zealand! Being ‘on the BBC’ also afforded us instant credibility when asking for high profile interviews and both David Axelrod and Herbie Hancock were recorded using their facilities.

But all good things must come to a (tr)end and 21/10/2002 was the last show we did at the station, but we weren’t going out without making a statement and Matt, Jon, DK and I were all determined to make it one to remember. I kicked things off with plenty of loaded spoken word and songs aimed at the Beeb – Has It Come To This?,  It’s All Over Now,  The Show Must Go On, Fool If You Think It’s Over, It’s Just Begun – you get the idea. I must apologise firstly for the cheesiness of some of the tracks (a worrying amount of Queen) but mostly for the tuning on some of the mixes – oh my ears! This recording is the original studio mix without talking, not the live broadcast with the ridiculous competitions, shout outs and studio banter. I’ve actually edited this down as some of the tracks really laboured the point and some were in there for us to talk over so sound odd without it. Plus there’s a Stones track in there and Charlie Watts died this week (RIP).

After this (but not included here) Matt turned in a storming old school ultimate breaks and beats cut up using the Street Beat compilations in Ableton Live. Jon waded in with possibly the first BBC jingle and presented a set of mashed up hip hop acappellas, ending with Monty Python‘s phone in sketch. DK ran through some of the show favourites from the last few years, the tracks getting the most plays from the variety of DJs over the course of our tenure, flagged up some of the high profile jingles we’d recorded and ended appropriately with The Specials’ ‘Ghost Town’ as the final word. It was sad to go but we had no choice and it wasn’t as painful as the KISS departure because we had the internet support fully set up by this time, still it was great to be part of the BBC for a while.

Track list:
The Streets – Has It Come To This? (Hi Contrast Remix)
The Who – My Generation
The Rollings Stones – It’s All Over Now
RJD2 – The Final Frontier
Queen – The Show Must Go On
Mr Guder – Super Guder Breaks 3
Chris Rea – Fool If You Think It’s Over
Jimmy Castor Bunch – It’s Just Begun
Studio Housten – It’s Not Right But It’s OK
Blackalicious – Chemical Calathenics
DJ Food – Turtle Soup (Wagon Christ Remix)
Geoff Muldaur – Brazil
The Carpenters – It’s Only Just Begun
Joni Mitchell – Parking Lot
Jackson 5 – Never Can Say Goodbye

This is an odd one because the first 10 minutes or so is an involved multi-layered affair with 2 or 3 tracks overlaid simultaneously in a way that would be virtually impossible with turntables. I can only assume that this section was an early idea for the first Solid Steel mix CD, Now, Listen.
The Aphex Twin/ DJ Food combo is frustratingly slightly out of time at the start and the tuning is a bit off too. Neotropic’s ‘Beached’ is in there and the only track to make it to the aforementioned mix CD and works well with Aphex and the Orb remix of Material ‘Mantra’ although it’s a long, laboured mix and wouldn’t have stood up on the CD. Cornershop’s ‘Easy Winners’ part 1 is such a killer beat, I remember Kid Koala in particular used to cut two copies of this up. It doesn’t quite work with the sombre tone of Neotropic in the background but Mantra rumbles along nicely in there.
After this section we get into some contemporary releases of the day with Andy Votel’s ‘November’ from his and Cherrystones’ excellent 10” EP ‘The Amazing Transplant’. A tempo switch mid-track see the unlikely addition of Hijack’s ‘The Badman Is Robbin’ but one I’m sure Andy would appreciate as it bridges the Cherrystones track from the same EP and they compliment each other for a while. A track from the lone Papa Blue EP on PUU features, still a lost classic and so beautiful and this is another 3 tracks at once mix which makes me think there may have been some computer overdubs going on. Back into another Votel/Cherrystones track and then the mallet instruments continue with Syd Dale’s excellent theme to Screen Test, ‘Marching There & Back’ on Trunk. Incidentally there’s a fabulous compilation album just out celebrating 25 years of the label which is pretty essential if you’re a fan of all things Trunk-related.
Continuing the wacky theme tunes that no doubt gave this mix its name we have an odd 7” on Acupuncture from around this time by Black Lodge that chopped up the ‘Pink Elephants On Parade’ song from Pinocchio to good effect. I think this was the first release on the label and was associated with a shop of the same name, Black Lodge went on to release material in the dying days on Mo Wax. The final track is 9 Lazy 9’s ‘Brothers of the Red’ overlaid with a fictitious listings read by an unknown narrator from Chris Morris’ Blue Jam album and still stands up although who could have predicted that Cerys from Catatonia would end up as a DJ?

Track list:
Aphex Twin – Untitled
DJ Food – The Sky At Night
Material – Mantra (Preying Mantra Orb remix)
Neotropic – Beached
Cornershop – Easy Winners part1
Andy Votel – November
Hijack – The Badman is Robbin’
Cherrystones – A Pattern Emerges
Papa Blue – Luna En La Pampa
Andy Votel + Cherrystones – A Pattern Emerges
Syd Dale – Marching There & Back (Screen Test Theme)
Black Lodge – Pink Elephants On Parade
Chris Morris – Club News (9 Lazy 9 – Brothers of the Red)

The second mix on this DAT and radio show, I remember this as I think I’d come back from Europe and found an odd record with snippets of old gangster films in Germany, one of the clips was Humphrey Bogart, the same sample The Herbaliser had used on ‘The Real Killer’. Kicking off with the almighty MBM and one of my favourites of their colossal back catalogue, ‘Acid Again’. Few were making music like this in the late 90s but Jack Dangers and co. never did much of what others were doing. How good is that Wai Wan track? Had totally forgotten about that but it’s a bit of a monster. No idea how The Imperial Brothers wormed their way in here, maybe I had just picked up the 12” as this sounds like it could be a dub mix maybe?

‘Shack Up’-sampling from Rare Force aka Robin from Hexstatic precedes a football-themed Depth Charge tune and another I don’t remember by Schneider TM from one of his earliest releases. Cartel Productions sounds like a Kirk DeGiorgio production but is actually Dave Kempston aka Clatterbox on the short-lived Clear label offshoot, REEL Discs. Mixing rather uneasily into this is the intro to major label years era Wagon Christ’s ‘Rendleshack’ on 33rpm before being catapulted up to the correct speed and bookended by the Bogart sample I alluded to at the beginning.

Part 2
Meat Beat Manifesto – Acid Again
Wai Wan – Nightmare
Imperial Brothers – We Come To Rock
Rare Force – Back On The Streets
Depth Charge – Romario (Rio Percussion Unit mix)
Schneider TM – Up-Tight
Cartel Productions – Park Central
Wagon Christ – Rendleshack

This show was requested a while back but I didn’t have a copy, luckily DK found it in his archive and transferred it direct from the DAT. This sounds like it was recorded up at Ahead Of Our Time studios in Clink St. probably with Ali Tod at the controls. I had to look up Zend Avesta as I don’t remember that at all but it was an early record by Arnaud Rebotini. The Tipper mix of DJ Rap was a club banger at the time with that bass breakdown, must dig that out again. Dynamic Syncopation‘s debut, ‘Closer To The Line’ still stands up as a bit of imaginary 70s soundtrack homage from the late 90s.

Bushflange always produced quality material but are virtually forgotten today it seems, around this time, Pete Herbert from the group had a record shop in Soho that I used to frequent regularly for new releases. This track sounds like a mix of David Holmes and Tipsy and came from their final single, Style Wars Vol.2. Bel Air Project is another I don’t recognise but Neotropic’s ‘Visicous Blooms’ is another mini classic from her second album, Mr Brubaker’s Strawberry Alarm Clock. It’s odd to hear an unknown band called Groove Armada’s debut, ‘At The River’ mixed in and out of Autechre, but who knew?

Part 2 next week

Part 1
Zend Avesta – Queen of Siam
DJ Rap – Bad Girl (Tipper mix)
Dynamic Syncopation – Closer To The Line
Bushflange – Foot Thought
Bel Air Project – Chimix
Neotropic – Visicous Blooms
Groove Armada – At The River
Autechre – Unknown

Debuting almost exactly 18 years ago today, this downtempo wander through the less club-friendly side of electronica is peppered with one of those stoic announcers talking about radio waves, probably taken from the Internet Archive. After Mackay’s classic ‘Take Me Over’ there’s an odd spoken word cut up called ‘Cokeboy’ featuring a rabid raver babbling away under the influence by Kids With Toyz. This weird one-off was released during the mash up craze with a version of ‘One Nation Army’ and nothing else was ever released under that name. From the same scene, Loo & Placido were one of the better purveyors of the genre and they fuse The Beatles and Aretha Franklin to make something that goes further than a cool acappella over the unlikeliest of instrumentals. Prefuse 73 features from the excellent ‘One Word Extinguisher Outtakes’ CD as does the beautiful Boards of Canada remix of Boom Bip’s ‘Last Walk Around Mirror Lake’.

I don’t remember this Bola track at all but it’s sublime, I really must check his stuff out again. I was wracking my brains to work out what the track N.A.G – demo no.4 was and finally I twigged, it was a program that pulled random spoken word from the web and mashed it together in random collages of sound. I did a bunch of experiments with it and must have overlaid it on the Bola track before the beats kick in. It’s still archived here
The Boards of Canada track that follows was from the ‘A Few Old Tunes’ tape that was doing the rounds on the web around this time. ‘Murmuring Mermaids’ is another one I have no memory of, originally listed as Lunz, but Discogs tells me that it was a project between Hans-Joachim Roedelius and Tim Story and that Lunz was actually the title of the album(s) they made.

NOTE: The date on the above PRS sheet was wrong, it was the 28th of July, not the 25th, the mix listed above was uploaded to Mixcloud last week as No.66 in this series.

Mackay – Take Me Over
Kidz With Toyz – Cokeboy
Prefuse 73 – Suite For The Ways Things Change
Loo & Placido – Safari Love
Boom Bip – Last Walk Around Mirror Lake (Boards of Canada remix)
Bola – Aguilla
Various – N.A.G – demo No.4
Boards of Canada – Finity
Hans-Joachim Roedelius & Tim Story – Murmuring Mermaids

Watch your bass bins because we’re about to go Darkside! I was definitely channelling the heavier side of my music tastes on this one, sometimes you need some good old fashioned nastiness to get the accounts done. Amen Andrews – a rave/jungle hybrid from Luke Vibert – kicks things off and Killing Joke’s excellent Seeing Red awkwardly tries to mix out of it. Jagz Kooner did an amazing remix of this track which is even more brutal. The P Brothers are well known for some of the heaviest production in hip hop and here they put Dick Hyman’s cover of Give It Up & Turn It Loose through a barrage of gunshots. Then things crank up a gear with Amon Tobin and Jeff Waye’s retooling of Slayer’s Angel of Death, complete with Satanic messages overdubbed, I think I might have been putting this through my old CDJ FX unit too – like I said, brutal.

Love Marilyn Manson, although this was from probably his last great record – Broadcast need no introduction, neither does The Bug, remixed by Aphex Twin no less. Evil Twin was one of those mash up artists who came and went in the blink of an eye, I checked Discogs and the only mentions of him are in mixes of mine. Here heard replaying Justin Timberlake to the tune of Kraftwerk’s Trans Europe Express. Poj Masta stuck around a bit longer, a young guy on the mash up scene who had some serious production chops, I wonder what he’s doing now? He cuts Girls Aloud’s debut Sound of the Underground to bits although it’s strictly mp3 quality. The Evolution Control Committee are arguably one of the groups responsible for kicking off the mash up movement with their 1996 Whipped Cream Mixes 7” which got a repress in 1999. Here they cut together the title lyric from dozens of songs, which I’m sure was as much a statement from me about the contents of this mix as it was from them.

The date on the CD isn’t one that corresponds with a Solid Steel show, there was one I featured on on the 18th that seems most likely so I could have mislabeled the disc. The PRS sheet says 25/08/2003 for this mix but I don’t feature on that week on the solidsteel.net site.
*UPDATE – Anton tells me it was the 18th – the Solid Steel oracle has spoken!

Amen Andrews – Fear
Killing Joke – Seeing Red
The P Brothers feat Mr 45 – Showstopper Pt2
Player – Angel of Theft
Marilyn Manson – Doll Dagga Buzz Buzz Ziggety Zag
Broadcast – Violent Playground
The Bug feat Daddy Freddy – Run The Place Red (AFX mix)
Evil Twin – The Lady & The Lake
Girls Aloud – S.O.T.U (Poj Masta mix)
Evolution Control Committee – I Don’t Care

A telling peek back at the end of the 90s when the musical roller coaster of the decade was winding down after the relentless innovation of multiple genres. I remember finding it harder to find music that excited me around the last couple of years of the decade, not that there wasn’t good stuff out there but the sheer flood of great music released throughout the 90s every year as new scenes exploded was sometimes overwhelming. The post-rock scene is in evidence here with Isotope 217, Fridge and Rothko as well as trip hop/hip hop from Dynamic Syncopation, Major Force and Jadell. Four Tet and Add N To X point to an analogue electronica in thrall to Krautrock and Plaid and Anjali kick things off with a beautiful downbeat pair of tracks which set the mood for the mix title.

Track list:
Plaid – Ralome
Anjali – Astra
Isotope 217 – Hodah
Dynamic Syncopation – Ground Zero (acappella)
Fridge – Fbad Ischl
Major Force – ?
Archive – The Way You Love Me (Super Collider remix)
Rothko – Rivers Become Oceans
Four Tet – Glasshead
Add N to X – This Is The Flex (Lo Fi mix)
Jadell – Come & Get Some

An early ’95 set for Solid Steel with Jon More and PC, lots of trip hop, hip hop, acid and a bit of drum & bass on the wrong speed. Coming out hard and heavy with RSW and FSOL and a couple of Wagon Christ tracks from one of my favourite eras of Luke’s work, the Throbbing Pouch album and satellite singles. Hustlers of Culture were a short-lived act on early Wall of Sound, Mantronix everyone knows, Art of Noise make an unexpected entry, slightly derailed by Jon having to read the KISS competition. This was the bane of the show, having to do ads was bad enough but there would be promo spots to read out sometimes that DJs were obliged to do to be on message for the station.

Back to the music, Ninja business from 9 Lazy 9 with a remix from Marden Hill who were a Mo Wax affiliate which was a big deal at the time. 4E’s Temple Traxx was a staple of my record box for years as it grooves along at hip hop tempo with acid squiggles, it was a side project of Khan as in Khan & Walker and he made several releases around the mid 90s. Andy Weatherall’s incredible dubbed-out remix for Galliano was another monster cut that was always on hand of which Studio Pressure aka Photek slides out of, on 33rpm instead of 45. A short snatch of Tusken Raiders aka Mike Paradinas aka Muziq plays us out to the news.

Track list:
Renegade Soundwave – Blast ’Em Out
Future Sound of London – Snake Hips
Wagon Christ – Yeah
Wagon Christ – How You Really Feel
Hustlers of Culture – Herbs & Spices
Mantronix – King of the Beats
Art of Noise – Close Up
9 Lazy 9 – Train (Marden Hill remix)
Jungle Brothers – Jungle Beats
4E – Temple Traxx
Galliano – Skunk Funk (Cabin Fever mix)
Studio Pressure – Touching Down… Planet Photek
Tusken Raiders – Gaderffi Stick

I have no tape or CD-R of this set, only a digital file, and no idea where it came from. I do recall there was a video online, filmed with multiple cameras for a local TV show of this set or a similar one in 2000. But it’s an example of my club DJ sets at the start of the millennium and was recorded on tour in North America at the Reverb in Toronto according to the file title. The first section reprises part of the Xen Cuts 10th anniversary set I made the previous autumn, complete with wobbles, pushes and pulls – remember, this is all coming off vinyl. I

Amazingly I had the flyer for this show so can confirm the date and venue is correct but, trying to find info on the web about this, I found this review on NME.com of all places. It was dated as Sept 2005 so I can only deduce that it was posted later on, possible from elsewhere. I can guarantee you that I wasn’t in Toronto in Sept 2005 though as my kids were about to be born.

DJ Food: Toronto The Reverb – Ninja Tunes stalwart rips up the jazz-hop breaks…
By NME 12th September 2005

Tonight, a courageous young gentleman in the audience is decked out, perhaps unreasonably, in full ninja regalia. It’s a cartoonish, obscenely intricate costume – one quite obviously modelled after the pesky record-flinging mercenary that makes up the Ninja Tune logo. This, you see, is indicative of the kind of unabashed devotion that DJ Food and labelmates Fink and Dynamic Syncopation will bask in this evening.

For his part, the chain-smoking Fink performs admirably, wheeling off an expertly constructed set of electroid bleeps and rapid-fire, stuttering breaks. And although they’re questionably occupying the closing slot, Dynamic Syncopation are also wholly dependable, weaving together a heady pastiche of ’70s funk and retrograde hip-hop.

But the night quite obviously belongs to Food, who are on this occasion solely represented by the venerable Strictly Kev. His set is, in a word, fierce. Piecing disembodied remnants of rejigged classics together with more contemporary reference points, Kev’s got the audience in rapture. By the time he gets round to spinning a handful of re-Tuned swing numbers, they’re engaged in the kind of frantic, hands-up revelry normally reserved for someone about to be saved by a gasbag televangelist.

A storming evening then – even Kev walks offstage with a bemused smile. And why not? If it’s good enough for the ninja, surely it’s good enough for the rest of us.

Mark Pytlik  https://www.nme.com/reviews/reviews-nme-3935-328553

Track list:
The Herbaliser – Mr Chombee Has The Flaw
The Cinematic Orchestra – Channel One Suite
Mr Scruff – Fish
Neotropic – 15 Levels of Your Stealth
Up, Bustle & Out – Revolutionary Woman of the Windmill
Cabbage Boy – Bean (To This World)
Amon Tobin – Sordid
The Herbaliser – Mrs Chombee Takes The Plunge (DJ Food remix)
Quantic – Lie In The Rain
Jurassic 5 – Swing Set
Wagon Christ – Get Your Head Down
Breakestra – Live Mix Part 2
Colour Climax – Plug It In
Rufus Thomas – The Funky Bird
LL Cool J – Illegal Search (Keep On Searching’ Mix)
Grandmaster Melle Mel & The Furious Five – Pump Me Up
Art of Noise – Beatbox (Diversion One)
Westbam – Alarm Clock
Banbarra – Shack Up
The Beatmasters – Boulevard of Broken Dreams
De La Soul – A Roller Skating Jam Named Saturdays
K. Scope – The Set Up
Major Force – The Re-Return Of The Original Artform (Cut Chemist mix)
Jungle Brothers – Beyond This World (acappella)
Unsung Heroes – Daily Intake
LB – Ashes To Ashes
Wagon Christ – Cris Chana
Massive Attack – Safe From Harm
Photek – Complex
Quincy Jones – Soul Bossa Nova

In the Spring of 2002 I went to NYC for 10 days and stayed in Manhattan on a working holiday. The plan was to visit the Children’s Television Workshop and go through their archive for a compilation, visit Steinski at his studio and work on a track together and, of course, do some record shopping. I also visited Double Dee in his studio with Stein and DK who was also in town for a couple of days (jet-setter that he is) and we recorded an interview with them both for Solid Steel. The interview with Douglas and Steve was great fun, two personal heroes who were instantly at ease in the studio as I repeatedly cocked up my intro spiel, cracking us all up and breaking what little ice there was.

CTW was amazing, I sat in a small studio for a few days with access to a console with a searchable database of clips and shows from the early 70s through to the 00s and watched old clips all day, making notes of the ones I wanted transferred later for the music and video content. This was all pre-YouTube so that kind of access was a goldmine and a unique form of digging. I was also given a huge pile of records to go through from their archive from all different countries, many I’d never seen before. Steinski’s studio was far less successful, full of wonderful records and memorabilia as it was, we had far too good a time hanging out although we did get a chorus of a song made but little else. Oh, and the tapes for the uncompleted Lesson 4 came up in conversation which I got to re-edit for the interview and the duo later finished and released last year.

But the record shopping was great, as you can imagine, even though I didn’t venture outside of Manhattan and most of this mix was bought on the trip although I chucked in a few New York-centric tracks to flesh out the theme too. It’s a decent mix of then contemporary hip hop, vintage funk with a few cut ups and pop songs for good measure. RIP Duke Bootee. There are several tracks, listening back to the set, that I’d completely forgotten about, one being Si Begg’s ‘It’s the Weirdest Thing’, which I cannot for the life of me remember the origin of. I have to apologise for the Frank Sinatra mix near the end, not sure what I was thinking.

UPDATE: Si Begg tells me it was from Noodles Discothechque Vol.4

Various – Back from NY intro
Tino – H-Bomb
Steinski – NY, NY
Tino – Jazz Overload
Blackalicous – Chemical Calisthenics
Baker Brothers – Paste
Natural Self – Raise The Game
Emil Richards – Garnet (January)
Otto Von Schirach – Smelly Mustard
Kenyon Hopkins – Hard Latin
Ursula 1000 – Ooops There Goes the Crowd
Adam & the Ants – Deutscher Girls
The Osmonds – My Drum
Mr Lif – Fulcrum (Edan remix)
Duke Bootee – Broadway
J-Live – Like This Anna
Lighthouse – Love of a Woman
Si Begg – It’s The Weirdest Thing
Odyssey – Native New Yorker
Paul Humphrey & Cool Aid Chemists – Baby Rice
Frank Sinatra – New York
Harlem Underground Band – Smokin’ Cheeba Cheeba

NB: written on the bottom of the PRS sheet was this multiple choice question – presumably, who directed ‘Jubilee’? (because of the inclusion of Adam & The Ants’ ‘Deutscher Girls’ from the soundtrack)

This was taken from the end of a show I opened with 45 minutes of REALLY odd/awful versions of songs in ways that you wouldn’t expect. I was obviously still into the mash up thing as it pitted Melle Mel with Grenadier Guards, Dick Hyman covering James Brown, an Adam & the Ants cut up and Autechre reworking Rakim (from a live set by the group themselves). A set of tunes named after days of the week are shoehorned together by some unknown creator while Beyonce and Destiny’s Child get twisted into reggae and ragtime styles. It went on and was all a bit of a car crash, lots of it had aged pretty badly so I won’t be featuring it here I’m afraid – believe me, I’ve spared you. But that was version 1 – I’ve since discovered that I felt pretty much the same way back in 2004 and reworked the mix into something much better which I’ll share next week.

Si Begg aka Cabbageboy was the guest that week and then I wrapped up the show with this 30 minute mix which has faired far better over the 17 years since it was first broadcast. Around the early 00’s we had a competition for listeners to rework the show intro and were inundated with material, it was a seriously difficult job choosing favourites. One of mine was by someone under the name of Pangaea who made a beautifully musical version using the bleeps we provided which opens this set.

As you might guess from the mix title, this is a restrained affair featuring music for the quieter hours. Max Richter’s ‘The Blue Notebooks’ are featured twice, from the original release on Fat Cat sub label 130701 and this was the first time I’d heard of him. It’s a beautiful album and has since been quite rightly reissued after his later success. Stunningly atmospheric late night music, I used to listen to it in headphones, working to the early hours and it’s all too short. Neotropic appears from a compilation called ‘Crossfaded: Vol.2’ which I don’t remember at all, or it could have come from a CDr Riz gave me at the time because this track also appeared on her ‘White Rabbits’ LP four years later.

This is a far more mature set than the one that preceded it with M Craft and Animal Collective providing some contemporary folk songs before The Free Design beam in from the 60s. I think their records were being rediscovered and reissued around this time and Stones Throw did a series of remix EPs. I have no idea how Status Quo got to close the show but I was delving into psychedelia around this time and was surprised to find out that their early, pre-denim riffing was quite a bit different. From their second album, ‘Spare Parts’, and not written by the group, it’s a full on post-Sgt. Pepper ‘flower children’ epic with strings and brass but they were a little behind the times with this arriving in ’69 and it was a commercial flop. They changed musical course after this, dropped the psychedelia and the rest is history…

* Dates on the CDR refer to when the mixes were recorded, the PRS sheet says 28th, Solid Steel.net says 31st.

Track list:
Pangaea – Solid Steel intro
Max Richter – The Blue Notebooks
Neotropic – Feeling Remote
Max Richter – Shadow Journal
M Craft – Cone To My Senses
Animal Collective – Leaf House
The Free Design – 2002 A Hit Song
Satus Quo – Mr Mind Detector

This mix was the third part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels.
A more restrained intro with Fridge’s Steve Reich-esque ’Astrozero’ from their Anglepoised release on Output Recordings blending into ‘Orgien IV’ which was a really odd LP by Khan I found in New York on tour. Khan is the brother of Cem Oral, part of Air Liquide, and they would often feature on the same compilations so I’d always look out for his work which could range from acid techno to ambient. Around the time he was living in NYC and owned a record shop in Manhattan called Temple Records (quite possibly where I found this) and a label of the same name. The album came wrapped in a huge A1 sized poster printed on newsprint that was folded around the disc.

We pick up the pace with the excellent ‘Ape Shall Never Kill Ape’ from UNKLE, possibly the last everyone-pile-into-the-studio-and-see-what-comes-out track from James Lavelle and co. before Shadow stepped in a took the reigns. It’s an excellent breaks and Planet of the Apes soundtrack cut up with scratching by Tony and Joel from The Scratch Perverts and production by Jadell but we can now see that James had his eyes on something a bit bigger in scope. This was later retitled as ‘March of the General’ and released on Nigo’s album in 2000, this would have been from a Japanese 12” release at the time I played it. A really rather ropey mix of Stasis’ ‘Samba de Fat Bloke’ lurches into the fray and shows that just because two things are in time, they don’t necessarily go together smoothly.

I’d completely forgotten this A Reminiscent Drive track, aptly named ‘The King & The Elephant’ because it sounds like a large mammal lumbering along, from his debut album, Mercy Street on F Comm. ‘Iced Cooly’ by Boards of Canada is from their debut 12”, Twoism and yes, this was played from an original copy which I still own – proof I had one back in ’98. The Fifty Foot Hose track isn’t from an original sadly, from another one of those dodgy Italian compilations that were so prevalent in the late 90s (The Might Mellow – A Folk – Funk Psychedelic Experience) and we close with the beautiful ‘Lillian Lust’ by Dudley Moore from the Bedazzled soundtrack.

Fridge – Astrozero
Khan – Orgien IV
UNKLE feat. Nigo & Scratch Perverts – Ape Shall Never Kill Ape
Stasis – Samba de Fat Bloke
A Reminiscent Drive – The King & The Elephant
Boards of Canada – Iced Cooly
Fifty Foot Hose – Rose
Dudley Moore – Lillian Lust

This mix was part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St. before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels. Ali was the resident engineer around this time and also helped mix tracks on Kaleidoscope and loads of club and live events.

The Psychedelic Beach Trip Part 3 remix of The Lightning Seeds was by Ashley Beedle, from a promo 12” of the time that includes Psychedelic Beach Funk Part 1 & 2 mixes on the flip and can be had for less than £1 on Discogs. The bizarre but brilliant version of Melle Mel and the Furious Five’s ‘White Lines’ was by UK hip hop DJ’s Pogo and Cutmaster Swift. This was from some reissue around this time and their slowing down of the song to make a jazz version using the same bassline that The Herbaliser had half-inched for ‘Scratchy Noise’ a few years earlier was pure genius. ‘King Wasp’ was Add N To X’s second single on Satellite Records before then signing to Mute and old flatmate Chantal Passamonte’s debut on Warp as Mira Calix, ‘Sandsings’, features briefly. Two takes on Lalo Schifrin’s ‘Bullit’ theme tune appear in the form of The Midnight Funk Association (a Mark Broom project) and The Black Dog’s late 90’s remix version.

The Giancarlo Gazzani ‘Under Drama’ track was alas not from an original but from the excellent set of Easy Tempo compilations out of Italy that were around at the end of the 90s. At this point there were so many comps of soundtracks, easy listening and library around, some legal, most bootlegs, that it was hard to keep up but these were definitely good ones and ran to ten volumes by 2003. Tadashi Takatsuka’s ‘Odd Job’ was from a great little 4 track 7” EP titled Man From Electone that I must have picked up in Tokyo on tour.

The Lightning Seeds – Psychedelic Beach Trip Part 3
Grandmaster Melle Mel & The Furious Five – White Lines (Swift & Pogo mix)
Kid Loco – Relaxin’ With Cherry
Add N To X – King Wasp
Mira CalIx – Sandsings
Midnight Funk Organisation – Byte The Bullet
Lalo Schifrin – Bullit (Black Dog mix)
Giancarlo Gazzani – Under Drama
Tadashi Takatsuka – Odd Job
Rhys Chatham – Domestik Life