Less than a month to go – my AV series #3 debuts at The Deaf Institute on Feb 9th – a new Audio Visual set of Kraftwerk-orientated covers, samples and classics.
Bookings via Ben Child at Hot Cakes
Music
The latest release from Shapes of Rhythm (Tom Central‘s label) is from a new duo from Wroclaw, Poland, Gaijin Blues. The band certainly know how to throw everything at the record and there’s a big Japanese influence running through their music – channeled via Poland – never sitting still long enough for you to pin them down.
The EP is out Feb 1st but is up for pre-order now
In another premiere for the label, they’ve got an extremely limited run of screen prints of the cover illustration up for grabs too by my sometime screen-printing cohort, Hannah Brown, aka Kvist. You can order one here
I was asked in the last post if The Simonsound were still going? Well, now that you mention it, Simon James has just released a cassette of recordings he made in China last year via Nick Luscombe’s label. ‘Musicity 003 – Shenzhen / Shanghai’ appeared just before Xmas so was easy to get lost in the rush before the end of year, it’s a progression from previous works, consisting of field recordings and Buchla treatments of strange and private areas of the cities that the public might not hear. As of writing there are less than 20 cassettes left but the digital release includes multiple bonus tracks that take the playing time to over 2.5 hours.
Annnnnd we’re barely into the new year and there’s a Ghost Box record in the inbox, new Pye Corner Audio, sounding excellent to these ears on the second listen today. I found his first for the label a game of two halves, wasn’t keen on side A but side B did it for me. His second, ‘Stasis’, was much better and ‘Hollow Earth’ is sounding very good too. Supposedly a companion to ‘Stasis’, it mines the same dark channels but with an increasing nod to 80s synth soundtracks and 90’s era techno like The Black Dog (‘Bytes’ era) and B12. Beautiful artwork as always from Julian House, can’t wait to see one of these in the flesh! Out on LP / CD / DL Feb 15th, pre-orders up now.
Two extra tracks on the CD plus a bundle deal with ‘Stasis’ elsewhere in the shop. Listen here
It’s the end of the year and reading down the list of sounds that have moved me most in 2018 I’m struck by how much new music there is after years of digging a lot of reissues over current styles. This may well be because the well is finally running dry on a lot of the stuff I’m interested in but more likely that the old adage of great music being made in times of great strife is coming home to roost again. There is no order to the lists below, no No.1 or ‘best’ of anything although they are mostly chronological as I write stuff down as I hear or see it.
Special mentions though for the Castles In Space label that continues to go from strength to strength, the Confidence Man album which got a lot of play despite me missing them live twice. Trevor Jackson‘s beautiful design for his ‘System’ CD and cassette, so good I bought it three times, The Advisory Circle‘s ‘Ways Of Seeing’ LP and the Tomorrow Syndicate‘s excellent ‘Future Tense’ album, complete with Nick Taylor artwork.
Supporting both The The (on several UK dates) and the Art Of Noise was the stuff of teenage dreams and the former’s biography by Neil Fraser is a fascinating read. The Karminsky Experience Inc.’s ‘See Inside’ VR single was a genuinely eye-opening experience and having them and Markey Funk down at Further was a treat. Walking into the House of Illustration‘s John Vernon Lord exhibition to be unexpectedly confronted with the original drawing of his 1966 masterpiece, ‘Beneath The Tree’, was the art high of the year and the People’s Vote march in October restored my faith in humanity for an afternoon. Electronic Sound magazine continues to excel and their first LP release, Jack Dangers‘ remix of Terry Riley‘s ‘In C’, was another disc that saw a lot of play this year.
On Dec 23rd I played a lot of my favourite releases of 2018 on WNBC‘s Out Of The Wood show which you can hear below, complete with mic. fluffs and wrong track listings.
As we go into 2019 I’m dreading the first three months, leading up to the Br*x*t deadline, hoping against hope for a last minute chance to reconsider but bracing for a fallout post 29/03/19 that could see chaos come to the UK. I hope that I’m writing a more positive missive this time next year, if not then at least the music will only get better and better…
Music / chat:
The Karminsky Experience Inc. – See Inside 7″ (Patterns of Behaviour)
King Gizzard & The Lizard Wizard – Gumboot Soup LP (Flightless)
Beautify Junkyards – The Invisible Worlds of LP (Ghost Box)
Basil Kirchin – I Start Counting LP (Trunk)
Bigmouth podcast (Audioboom)
The Turbans – Baba Ganooz 7″ (Mona Tone/Delights)
Cavern Of Anti-Matter – Hormone Lemonade LP (Duophonic)
The Advisory Circle – Ways Of Seeing LP (Ghost Box)
Janelle Monae – Make Me Feel (single) (Wondaland)
Confidence Man – Confident Music For Confident People LP (Heavenly)
Concretism – For Concrete & Country LP (Castles In Space)
Trevor Jackson – System CD (Pre_)
Tomorrow Syndicate – Future Tense LP (Polytechnic Youth)
Chaka Khan – Like Sugar (single) (Dairy)
Jonny Trunk – OST show (Resonance FM)
Regal Worm – Pig Views / Use And Ornament (Uranium Club)
Meat Beat Manifesto vs Terry Riley – In C (Electronic Sound)
Patrick R. Park – Library Sounds LP (Castles In Space)
David Shire – The Conversation LP (Trunk)
Amgala Temple – Invisible Airships LP (Pekula)
Adam Buxton podcast
Type 303 – The New Ravelution EP (Insult To Injury)
Luke Vibert – 165 303 – from the Gradients vol.2 LP (Astrophonica)
Luke Vibert presents Garave vol.1 LP (Hypercolour)
Kosmischer Laufer – Vol.4 LP (UCR)
Packaging / design:
The Karminsky Experience Inc. – See Inside VR glasses (Patterns of Behaviour)
Chop – CDL 10″ (Drumetrics)
Concretism – For Concrete & Country LP (2nd edition) (Castles In Space)
Trevor Jackson – System 1st & 2nd edition CD + Cassette (Pre_)
Sculpture – Nearest Neighbour Cassette & comic (Tapebox)
Tomorrow Syndicate – Future Tense Regular + Ltd Ed. LP (Polytechnic Youth)
Spider Jazz – splatter vinyl edition LP (Trunk)
Spun Out Of Control vinyl + cassettes
Aver – River of Ice Cream 7″ promo flexi disc
Listening Centre 5″ lathe cut picture disc (Polytechnic Youth)
Books/Comics:
VS – Ivan Brandon / Eric Ribic (Image)
A Year In The Country ‘Wandering Through Spectral Fields’ – Stephen Prince
The Adventures of Jodelle – Guy Peellhaert (Fantagraphics)
Batman – White Knight – Sean Murphy (DC)
Orla Kiely – A Life In Pattern (Octopus Books)
Electronic Sound magazine
Unusual Sounds: The Hidden History of Library Music – David Hollander (Anthology Editions)
House Industries – The Process Is The Inspiration (Watson-Guptill Publications)
Sculpture – Nearest Neighbour comic (Tapebox)
Proxima Centuri – Farel Dalrymple (Image)
Doomsday Clock – Geoff Johns / Gary Frank (DC)
Saga – Brian K. Vaughn / Fiona Staples (Image)
Long Shadows, High Hopes – Neil Fraser (Omnibus Press)
Judge Dredd – The Small House (Rob Williams & Henry Flint) (2000AD/Rebellion)
Lawless – Dan Abnett / Phil Winslade (Judge Dredd Megazine/Rebellion)
Pete Fowler – Decades of Lead (Unbound)
Diary of a Bookseller – Shaun Bythell (Profile books)
Film/TV:
Inside No.9 series 4 + Halloween special
The Inertia Variations documentary
Flowers series 2
Avengers: Infinity War
Yellow Submarine 50th anniversary remaster
The Karminsky Experience Inc. – See Inside VR + packaging
Bobby Gillespie on Newsnight
The Clock – Christian Marclay, Tate Modern
Bros: After The Screaming Stops (BBC)
Events / Gigs:
Art of Noise, British Library
‘O Is For Orange’ premiere Archspace, London
The The, Albert Hall, The Troxy, London, Royal Concert Hall, Glasgow
The Crystal Palace Festival afterparty @ The Paxton Pub, Gypsy Hill, London – one of those gigs where every track flows and lands just right.
The Indie Label Market, Spitalfields, London
The People’s Vote march in October
Jane Weaver at EArtH, London
The Soundcarriers, Gloria and Strange Majick @ The Victoria, London
Dirty Fan Male at the Bethnal Green Working Man’s Club, London
Exhibitions:
Sister Corita Kent – Ditchling Art & Craft Museum
Orla Kiely – Fashion & Textile Museum, London
Aphex Twin posters – Elephant & Castle underground, London
The Shape of Light, Tate Modern, London
May The Toys Be With You – New Walk Museum, Leicester
John Vernon Lord – The House of Illustration, London
Peanuts – Somerset House, London
Daniel Mullen – Lisa Norris Gallery, London
“Another year over and what have I done?”
Designed Peshay‘s ‘Reflections’ LP for the De:Tuned label
Created a 3 minute spoken word collage for Penguin/Random House‘s Voices event at the London Palladium on World Book Day
Supported the Art Of Noise at The British Library
DJed multiple times at Secret Cinema presents Blade Runner
Opened for The The at several of their UK gigs including the Royal Albert Hall, Brixton Academy, Glasgow Barrowlands and Glasgow Royal Concert Hall
Further at the Portico Gallery with Pete Williams, Markey Funk and the Karminsky Experience Inc.
Designed a nine disc set for De:tuned‘s forthcoming 10th anniversary releases
Mixes for Solid Steel, 45 Live, Brokers, Rat Records, Out Of The Wood, Diggers Dozen and radio show appearances for Resonance and Soho Radio
Overhauled my Openmindesign.uk website
RIP: France Gall, Ken Dodd, Stephen Hawking, Matt Dike, Lovebug Starski, Jabo Starks, Tom Wolfe, Aretha Franklin, Orla Kiely shops, Carlos Ezquerra, Paul Allen, Stan ‘The Man’ Lee, HMV, June Whitfield.
Looking forward to: The Delaware Road 2019, Keith Haring retrospective at Tate Liverpool, the Wobbly Sounds book, Further at the Ace Hotel, Sister Corita Kent at the House of Illustration, De:tuned‘s monthly 10th anniversary 12″s, Avengers: Endgame
Happy New Year!
I’m very pleased to have been asked to design the De:tuned label’s 10th anniversary releases, nine 12″s released monthly throughout 2019, which they have just announced. The above image is a representation of elements of the nine sleeves which, when put together, form a larger image. I’ll be posting them here as they’re released along with pre-order links, the line ups are a who’s who of electronica from the past 25 years, some of which are revealed below.
“De:tuned celebrates their 10th anniversary with a 10 part EP series released across 2019. The first part is planned for February and the project will continue each month throughout 2019. The artwork of the first 9 releases of the series forms a 3 x 3 poster display.
PRE-ORDER l Phonica: https://bit.ly/2QNtuVi
De:tuned have called on designer Kevin Foakes (Openmind, DJ Food, Ninja Tune) to create all graphic work.
‘DE:10.01’ kicks off with a special treat from the golden 90s era: on offer a welcome combination of previously unreleased DAT material by Kirk Degiorgio and affectionate As One remix treatments of both original Sensurreal and Jedi Knights (Mark Pritchard and Tom Middleton) work, pure bliss.
PRE-ORDER l https://bit.ly/2BypxZV
The second EP of the series dives deep down into the ambient techno world. The A side makes you drift away on a rare Sun Electric get together, followed by a beautiful Higher Intelligence Agency piece. DeepChord’s dubbed lushness completes this highly intense journey.
PRE-ORDER l https://bit.ly/2LtqIOZ
John Beltran, Mark Archer, Future Beat Alliance and max 404 line up on the third 10 years anniversary 12″ for De:tuned. Both John and Mark deliver a timeless, Detroit indebted techno vibe, resulting in 2 dancefloor-friendly tracks. FBA and max 404 activated their DAT recorder and struck gold with previously unheard crisp yet sensitive cuts.”
PRE-ORDER l https://bit.ly/2ByYTQA
Tickets are already on sale and the line up is being drip feed out over the Xmas period for The Delaware Road‘s third incarnation next August at a secret military base somewhere in Salisbury. This promises to be the biggest and most ambitious version yet, and those who were present at the first two will know that there is nothing quite like them. I’m very pleased to be asked to play for a second time and so far the whole line up is looking like a who’s who of the leftfield electronica/radiophonic/hauntology scene. Put August 17th in the diary and get in on the early bird tickets before they’re gone.
“A unique festival of music, theatre, film, sound & light inside a secret military base near Stonehenge.
Featuring an incredible line up of artists, DJs, video producers, sound designers, record labels, speakers, writers, illustrators & agitators. Gathered inside the austere military complex of New Zealand Farm near West Lavington, artists will perform work inspired by landscape, myth, broadcast propaganda & the transformative nature of sound.
Performances start at 5pm Saturday evening & end at 3am Sunday morning. Licensed bar, food & merch stalls.
Overnight camping & parking. This event contains adult themes & strobing effects. Under 18s must be accompanied by a responsible adult.”
The line up so far:
THE SEANCE / FRONT & FOLLOW / KEMPER NORTON / THE SLOWEST LIFT / EMBLA QUICKBEAM / ARC SOUNDTRACKS / DJ FOOD \ SARAH ANGLISS / CLAY PIPE MUSIC / SIMON JAMES / REVBJELDE / CASTLES IN SPACE / THE TWELVE HOUR FOUNDATION / CONCRETISM / POLYPORES / PSYCHE TROPES / SCULPTURE / HOWLROUND / MERKABA MACABRE / A’BEAR / DOUG SHIPTON / NICK TAYLOR / ALISON COTTON / IAN HELLIWELL / RADIONICS RADIO
Tickets : https://fixr.co/event/839412645
I’m loving these new designs by Luke Insect for Margate’s Transmission record shop. Skulls, giant eyeballs in green and orange, you can’t lose. Available now and you get 20% off today if you use the code ‘fuckfriday’.
Big piece on the Fax label by Red Bull Music Academy using my tribute poster to Pete Namlook from a few years back (hi rez downloadable here). They also have a whole host of articles under the umbrella of Synths & Psychedelia that’s worth diving into.
Not much flexi disc action this year aside from the odd purchase here and there but there has been a flurry of activity of late regarding our flexible friends.
First up, Aver from The Natural Curriculum contacted me with a super limited lathe cut flexi promo from his new album, ‘Dressed For CCTV’ – out today. The track is cut onto x-rays of his dad’s broken pelvis from an accident years ago, each one is unique and you can see the various different cuts on his Instagram. There’s only one feature on his largely instrumental album but it’s a big one, Cappo – say no more. You can get the album here
Next up, earlier this week I joined Stephen and Paul of X-Ray Audio fame at Soho Radio to pre-record a one hour show all about flexi discs. We were also accompanied by Barry Cain, one of the original publishers of Flexipop magazine, the anarchic early 80s pop monthly that came with a free disc each issue containing exclusive music from some very big artists of the day (The Jam, Adam & The Ants, Soft Cell, The Cure, Spandau Ballet…).
We all bought a handful of favourite flexi’s to play and Barry showed us a super rare promo compilation of some of the flexi’s the mag had featured, cut onto a vinyl LP. The programme will air mid November as part of a week-long residency by the X-Ray Audio team including five themed shows and an installation in the front of the station.
Lastly, I’m pleased to be involved with a forthcoming book from Four Corners Books called ‘Wobbly Sounds’ which will form part of their Irregulars series of esoteric collections. Jonny Trunk (Trunk Records), Shane Quentin (Garden of Earthly Delights) and myself have pooled our collections of UK-manufactured flexi discs for a selection of these playable plastic curios and it should be out in the Spring next year.
Fantastic new official video created for ‘Glass Onion’ ahead of the reissue of The White Album next week.
If, like me, you find the tales behind band logos and graphic design fascinating then you’ll love this site. BandLogoJukeBox brings together the stories behind some of the most recognisible band logos of all time, written by designers with a love for music.
I was asked to contribute a guest mix to Belgian radio show Brokers on The Word radio station in Brussels, which just aired on Monday morning. It’s a little glimpse into what’s currently floating my boat from recent releases with the odd old gem thrown in for good measure.
Hinterhof – Molecular Love With A Molecular Sound (Deep Distance)
Trevor Jackson – Machine Worshippers (Pre_)
Correlations – Resistance Is Underground (Spun Out OF Control)
Todd Rundgren – Born To Synthesize
Meat Beat Manifesto vs Terry Riley – In C (Version 4.2) (Electronic Sound)
The Tomorrow Syndicate – A Glitch In Time (Polytechnic Youth)
Kallaste Elektrooniline Muusika – Pohjast Pinnani Aina Lomalla)
Silke Schwinger und Fatty George – Sexsong (Digitone)
Concretism – Black Special (Castles In Space)
The Tomorrow Syndicate – Altered State (Polytechnic Youth)
Rodinia – Neusi (Now Again)
Nicola Spiromarino – Senza Titolo Uno (Delights)
Popera Cosmic – Batman (Finders Keepers)
Silke Schwinger und Fatty George – SchluBmusik (Digatone)
The The – Occupy Your Mind (Lazarus)
The Natural Yoghurt Band – Satellites (Black Milk Music)
Embryo – Tausendfussler (Wah Wah)
Popera Cosmic – Etreinte Metronomique (Finders Keepers)
Nicola Spiromarino – Senza Titolo Due (Delights)
A little 7″ only set I did instore at my local, Rat Records in Camberwell, this summer to mark Pete’s last day after working there for years. It was sweltering hot and we were all dripping with sweat but it was a fun, laid back day just hanging out and drinking on a Saturday. Rat is one of my favourite record shops in London, always something new in there to find, cheap prices and weekly rack restocks keep me coming back regularly.
This went down well when I posted it on social media yesterday, a CD insert that did the rounds in the mid 90s by Charles Uzzell-Edwards (otherwise now known as Pure Evil), it was inserted into some Fax releases and also printed in XLR8R magazine. Some things never change it seems.
The Spun Out Of Control label – purveyors of limited cassettes featuring synth-heavy soundtracks to real and imaginary films – has started releasing vinyl. The first is a reissue of Steve Nolan‘s ‘Sodium Party’ soundtrack, originally the third release from the label in 2016 and the second, a new outing by Correlations, ‘Aftermath’, a sort of follow up to his previous ‘Night Acquisitions’ album of last summer. This release features a few names familiar to readers of this blog, Simon James (The Simonsound / Akiha Den Den) and Pablo Clements (The Psychonauts / Toydrum) both contribute on certain tracks and the whole album is mastered by the busiest man in electronic music, Jon Brooks.
Musically the label leans towards synths and dark ambience in the Carpenter/Howarth, Vangelis, Tangerine Dream vein without sounding completely retro. With over 20 releases in under three years, usually limited to 100 copies, the label is just testing the water with vinyl. Their latest tape arrives this weekend for Cassette Store Day in the shape of Stefan Bachmeier‘s ‘The Infernal Machine’. Hiding behind a back story of an author who wrote soundtracks to accompany his books and then disappeared leaving his tapes to Stephen Buckley (Polypores), this is the second of Bachmeier’s archive excavations, with a beautiful clockwork skull in pink and green cover.
If you’re looking at the Bandcamp page and wondering where to start I can recommend the Correlations and Bachmeier releases obviously, the Jan Borré and Turquoise Moon too, ‘WASP’ by Bryce Miller, Steve Nolan and the Repeated Viewing releases have some great moments too and that’s about as far as I’ve dug in so far. The design for the label is spot on too (yes, that’s a real obi strip, not printed on the sleeve), provided by Eric Adrian Lee who has the whole Mondo / Deathwaltz horror genre down pat with his beautiful work. Check more of it here.
There’s a lot of great music coming out at the moment so I thought I’d stick it all in one post.
Above is Trunk’s reissue of David Shire‘s ‘The Conversation’, a minimal piano-led score available on vinyl for the first time. Initial ‘transparent overcoat’ copies are already scarce and completely sold out at the label but some shops may have them, otherwise it’s standard black vinyl only, no download on this one.
One of my favourite artist discoveries of the year so far is Regal Worm aka Jarrod from I Monster / Cobalt Chapel. His new album, ‘Pig Views’ is a contemporary prog masterpiece as is its forerunner, ‘Use & Ornament’ – check out his Bandcamp page and dive into the world of Regal Worm.
After buying the initial yellow CD version of ‘System’ from Trevor Jackson at the Indie Label Market earlier this year I’ve been playing it non-stop at home. I’m glad he didn’t leave it to languish as just a limited edition CD because the reworked white design must be contender for one of the best-looking releases of the year and musically it’s too good to only be heard by the few. Some of the most sublime techno you’ll hear this year, I think the 2nd edition CD is sold out but there are still some cassettes left.
Markey Funk‘s Delights label releases its tenth serving in two weeks time and this one’s from a mystery artist, Nicola Spiromarino, with two slices of giallo soundtrack electronica and beats, a top notch release, both tracks killer, let’s hope there’s more to come. Pre-order here
A new release from Dinked Records sees Run DMC‘s Hair-sampling, Pete Rock & CL Smooth-featuring ‘Down With The King’ paired with an instrumental in a beautiful gatefold sleeve (perfect for storing doubles if that’s your thing). Pre order now
Buried Treasure come up trumps with a comp of Amphonic & Soundstage library music, ‘Moodsetters’, featuring Keith Mansfield, Alan Parker, Paddy Kingsland, Jim Lawless and the Art of Noise‘s Anne Dudley among others. Library seems to be the word at the moment with the recent KPM Allstars gig, the release of the Library Music Film that Shawn Lee’s been making for years + forthcoming complimentary compilation as well as a companion disc to the recent ‘Unknown Sounds’ book about to hit.
Finders Keepers, always with one foot in the opposite direction, release the excellent ‘Popera Cosmic ‘Les Esclaves’ French musical concept album from 1970 and adds a no-stone-unturned account of its genesis and demise, penned as ever by that fount of all leftfield musical knowledge, Andy Votel.
Julius Vanderbilt has so far (to my knowledge) only cropped up as a footnote on the LP by The Dandelion Set, ‘A Thousand Strands’ (seriously – grab a copy of this, there are a handful left, it’s the ‘Dr Z’ of 30 years time plus it’s great!). Julius may or may not be closely related to a member of the Set and he’s released a cassette and CD of library (it’s that word again) cues in a beautiful little package called ‘Action Catalyst’. Purchase herewith.
And last but not least (because I’ve devoted a whole other post to the label but you might not see that) Spun Out of Control, the limited edition cassette label specializing in real and imagined soundtracks, has started pressing vinyl!
This is a bit special – Howlround’s ‘A Creak In Time’ soundtrack to Steven McInerney‘s film of the same name – remixed both aurally and visually. The third release on Steven’s Psyché Tropes label, it features exclusive new tracks by Howlround, Dan Hayhurst, Tom White, Merkaba Macabre and Ian Helliwell. 180g Toxic Yellow LP, available now in a limited edition of 275.
The film component has been reworked from 16mm film reels that didn’t make the final cut, resulting in a zero waste film project. The album features two exclusive Howlround tracks, one brand new composition and one outtake from the original sessions.
Our friend Markey Funk stopped off with us for a few days mid September in the middle of his annual Delights tour and played three sets in London – two of which were recorded and posted here for your perusal. His opening set at Further will have to remain in the the memory of those who were there but the next day he graced the decks at the Book & Record Bar for WNBC‘s Out Of The Wood radio show. Made up of tunes from his set vs tunes he’d picked up along the way, it’s 2 hours of treats and he left a bunch of his Delights releases with the shop if you want to pick them up in London.
After a quick dig through the shop and some late lunch we headed to Kings Cross and Spiritland for a 4.5 hr set stretching into the evening. Monday saw us outside Rat Records in Camberwell at opening time and then back off to West Norwood for a proper dig at the BARB, opened specially for Markey on Michael’s day off.
After lunch it was into Soho for a look in Reckless and coffee with Shindig magazine’s Paul Osborne and then back to mine for a breather after the whirlwind three days. It was great to catch up, show him some London spots and play host, our whole reason for doing Further that weekend centered around the fact that Markey was coming to the UK and looking for a London gig.
It’s my turn again to provide a guest mix for the 45 Live radio show, hosted by Greg Belson and featuring only music played from 7″ vinyl. As usual I wanted to stray from the path and have been digging hard to find rare or obscure acid house singles that either I or 45 Live co-founder, Pete Isaac, haven’t played before on our 303-heavy mixes. Pete and I have been collecting acid 45s alongside one another for the last few years now and a healthy competition has developed between us in finding tunes from this tiny niche. But it’s a microscopic playing field, even counting today’s modern acid scene, and only numbers in the hundreds of releases on the 7″ format. It’s heartening to see current labels like BBE and Get On Down finally putting some classic house and acid gems on 45 in recent months to add to this finite corner of the digging world.
My first all-7″ acid mix was for the I Love Acid radio show a couple of years ago, the second for 45 Live last year and for this third outing I’ve spent months finding euro oddities from the 80s to give an authentic period mix – the one exception being the lead track, Mr. Fingers’ ‘Washing Machine’, which was first released in 1986 but not issued on 7″ until 2018. All other tracks featured were released in ’87, ’88 or ’89 with one lone 1990 release (ACR’s ‘Good Together’ which first appeared on a stamped pink label 12″ in ’89). At times I’ve felt like I’m scraping the barrel but there’s always an unexpected gem to be found where you least expect it.
Here’s a few things I’ve learned whilst digging for acid 45s over the years:
Most of them originate in the UK or Europe, there weren’t many US 7″s pressed as it was the longer running 12″ that was the most ideal format. Because the music charted heavily in the UK, record labels pressed 7″s with edited versions of many releases into the early 90s when they were eventually replaced by CD singles around ’92/’93. You can also find a limited supply of rave 45s fairly easily but by the time jungle happened they were a dead format for dance music save for the odd magazine freebie.
In Belgium, Spain, Italy and Germany there was a small industry in copycat cash-in singles feeding off the MARRS ‘Pump Up The Volume’ / Bomb The Bass ‘Beat Dis’ / Coldcut ‘Doctorin’ The House’ / S-express style of cut-up house, often using whatever synths they could find to emulate the Roland TB-303 acid sound. All these singles are peppered with ‘enjoy this trip’ radio announcer-style samples, Run DMC ‘ah yeah’s’ or ‘check this out’s’ and cries of ‘acieeeeeed’ if they were released in ’88. They must have all been sampling from the same sources and, with only a few exceptions, these records are universally awful, have smiley’s on their sleeves and have dated horrendously.
For a short period of time in the late 80s it seemed that any old pop act got an acid makeover – Bros, Bananarama, Yazz, Sigue Sigue Sputnik, Army of Lovers, even Sam Fox got into the act (‘Love House’ – the ‘Sulphuric Mix’ is actually passable). There are all sorts of acid mixes hidng on the B-sides of British pop artists, by some of the greats of the house genre – Bam Bam, Adonis, DJ Pierre, Steve ‘Silk’ Hurley and Kevin Saunderson all have some of their earliest major label remixes hidden away on singles by the most unlikely artists. Some of Saunderson’s first remixes were for the Wee Papa Girl Rappers (‘Heat It Up’, ‘We Know It’ and ‘Blow The House Down’ alongside Adonis) and he also serviced Neneh Cherry, Paula Abdul, Sam Fox and Loose Ends.
Bam Bam – of acid classics ‘Where’s Your Child and ‘Give It To Me’ – had his fingers in many pies remixing Coldcut, Yazz, The Shamen (years before their 90s pop success) and most bizarrely, Brass Construction.
Ex-Frankie Goes To Hollywood backing singer, Paul Rutherford, had some of the best acid makeovers for his debut single, ‘Get Real’, produced not by natives of Detroit or Chicago but by Martin Fry and Mark White aka Sheffield’s ABC! Of the three 12″ versions of the single out there the rare nine minute ‘Hardcore’ mix is the best but hardest to find as it was pressed with the ‘Sinister’ mix label and cover and you can only tell a copy by checking the matrix number on the run out groove. I’m betting Hardlfoor heard this mix before writing their huge ‘Acperience’ track years later.
But we’re straying from the subject of the 7″ – typically, few of these remixes made it to the 45 version but occasionally one would turn up on a foreign pressing. There’s an acid version of a worldwide late 80’s hit that exists only on one of two different french pressings that’s so far alluded me, the differences between the versions being so minescule that most sellers simply list the wrong version when it comes up for sale. By 1990 things had died down as the fad had passed in the fast-moving world of dance music and Hip House and the Italo sound replaced the unfashionable acid squiggle and smiley. But it had made its mark, the Madchester scene, Deee-lite and Screamadelica were all products of acid house and the Dutch and Germans sped up the tempo and pushed it into new forms of techno throughout the 90s. I already have nearly enough 45s for a 90s-00s acid mix but this new one is possibly my last word in 80s era cuts save for a handful of singles that I’ve yet to find.
The 45 Live Radio show airs twice a month on a Friday night from dublab in LA but you can catch up from their Mixcloud page or subscribe through iTunes. Much love to DJ Greg Belson for hosting and curating it over the last three years and Pete and Scott for steering the 45 live ship.