Loose Lips Radio show mix


A little off-the-cuff mix I did on Monday evening at the Market Place pub in Brixton for the Loose Lips Radio Show, was going to play a load of acid and then decided to go into outer space instead. Their Meat Transmission venue in Old Street was shut down just the week before so they quickly relocated to the back of the pub and we squeezed into a tiny DJ booth to do a Q&A before I took over to play to the rapidly-filling room of drinkers and diners. There’s a little teaser about a night I’m doing next year plus a couple of tracks that I picked that signpost my musical influences. The Loose Lips guys, Fred and Dan, are up first and then my bit starts around the 52 min mark onwards.

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You Say You Want A Revolution exhibition at the V&A, London

GrannyNewly opened last weekend, the Victoria and Albert Museum in South Kensington plays host to a celebration of the latter part of the psychedelic 60s under the banner, ‘You Say You Want A Revolution: Records & Rebels 1966-1970’. It’s an often stunning and inspiring look back at a small section of the counter culture that we now think of as ‘The Swinging Sixties’, encompassing music, art, fashion, politics, advertising, product design, expos and the space race. What was interesting, in the light of the recent drug-related deaths forcing Fabric to close, was that LSD was mentioned copiously in the quotes as you entered the exhibition and kept popping up throughout, as a catalyst for the many strands of the hippy movement. One national institution celebrates drug-fuelled counter culture in the heart of the richest part of the city just as another is closed in the East End – the irony.

The exhibition isn’t just about the beautiful flower children chanting ‘hari krishna’ and wearing threads from the Kings Road via India either (*slight spoiler alert!*). A middle section brings you down to earth with a bump, confronting you with the more political side of events at the end of the decade, the Vietnam War, racism, The Black Panthers, police brutality, feminism, gay rights and more. The starkness of this section, largely in monochrome, against the multi-coloured blossoming of earlier rooms, is a reminder that it wasn’t all peace and love man, and that the curators weren’t wearing rose-tinted spectacles the whole time.

It was worth the price of admission alone to see Mati Klarwein‘s original ‘Grain Of Sand’ painting up close. I’ve always loved this piece, never thought I’d see it in the flesh but there is was, nestled behind the entrance as I walked in. Absolutely wondrous.

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There is a LOT to see and take in, an associate who works at the museum confided that the curators wanted ‘everything’ but were restricted by time and conservation rules. There was some padding in parts, a section about consumerism and advertising sees corridor walls plastered with ads, interspersed with huge mirrored sections which give the impression of much more in the reflections but ultimately can’t conceal that not much is actually on display. Film and TV is given fairly short thrift aside from a section about Blow Up, a selection of experimental shorts in a walled-off cinema area and the Woodstock footage (although it has to be said that the Woodstock room is very well put together). Underground comics were almost entirely missing aside from one interior spread used to comment on the Manson murders, no Robert Crumb, Zap, Furry Freak Brothers... The Oz trials were mentioned but I didn’t see any copies of the magazine, or IT, or Ink. There was a lot in it but some omissions were glaring.

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Leaving, to the strains of Lennon‘s ‘Imagine’ and a fast cut montage zooming through the decades up to the present day, you’re depressingly but inevitably taken via the gift shop where you’re confronted with sanitised, consumable versions of the era to take home. Most of it is utter tat and the price tags are enough to burn a huge hole through the Levi jeans they seem to think were a good idea to have on sale. Cleverly, and as a sign of the vinyl-resurgence times we currently live in, they’ve released a compilation album alongside the usual book of the exhibition. Unfortunately the cover – a denim jacket covered in band logo badges – is so horrendous it looks like the kind of three quid compilation you’d find in a service station. There are some beautifully executed repro posters but the prices are so exorbitant I’d rather seek out an original, they’d probably only be a little more.
Still, there may not be many revelations or things you’ve not seen before in an era that’s been to widely celebrated already but it’s well worth the entrance fee. It runs until Feb 26th 2017 – more info here.

 

Four From Food Fridays 2

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Forgot to put this up on Friday – Four From Food Fridays – a weekly look at four music releases that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Akiha Den Den – S/T (Castles in Space)
Cosmic EyeDream Sequence (Light In The Attic)
The Pattern Forms – Peel Away The Ivy (Ghost Box)
Various – I Love Acid #10 (Balkan Recordings)

Peter Thomas’ Space Patrol 50th anniversary 7 inch

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“SPACE PATROL (“Raumpatrouille – Die phantastischen Abenteuer des Raumschiffes Orion”) was the first German science fiction television series. Its seven episodes were broadcast by ARD TV, the first episode being aired on September 17th of 1966. Being a huge success with audience ratings up to 56%, the series acquired a distinct cult status in Germany and worldwide.

Peter Thomas composed and recorded the original score, which has become a soundtrack classic and collector’s item among rare groove aficionados since its original release on Philips. The music, floating between avant garde jazz, big band beat and spaced-out psychedelia, set a new benchmark in the history of film music and science fiction scores and became one of Thomas’ best known works. The title theme is the first known piece of music in pop history to feature a vocoder, a device that until then had exclusively been used for voice encoding in military warfare. Peter Thomas borrowed a device from the Siemens factory to process his voice for the recording of the countdown.

The composer remembers: “When producing the score, I had complete creative freedom. No one had ever been into space, so no one would dare to tell me how the music should sound like.”

Now, 50 years on, The Mighty Mocambos teamed up with the legendary musical mastermind a recorded an up to date, truly global and funky 2016 version in tribute of the original theme. “Space Patrol (Raumpatrouille)” is the only official recording of the track released for this anniversary and authorized by Peter Thomas, who even plays on it himself. To give this 50 years version a new twist, the specially formed Mocambo Astronautic Sound Orchestra adds steel band orchestration to the massive brass and funky rhythm section.”

Orion 2016 is available as a 7inch single in a deluxe picture sleeve on Mocambo Records and as a digital download on Légère Recordings. There’s a v. ltd. 50 copy edition in gold too.

Space Patrol Gold

Akiha Den Den starts this Thursday

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Simon James (The Simonsound) and Neil Cargill have created a 6-part audio drama which begins this Thursday. It centers on a radio ham (Ian McDiarmid) who picks up a mysterious voice which belongs to a girl (Joy McAvoy) trapped in an abandoned amusement park called Akiha Den Den. A whole community resides there, whose words and music become woven into a plea for help and when one of the trapped inhabitants finds a way into our
world his impact on us could be as devastating as an unknown virus. I’m lucky enough to have heard the first episode and it is extremely weird.

After a preview on Glasgow’s Radioprenia this weekend just gone and a very limited, 50 copy 7″ on Castles In Space selling out in hours (see below), the full radio play launches online on Thursday 15th September at 7.45pm at www.akihadenden.com. There is also a special launch event open to everyone – at Underdog, 1 Union Street,
Aberdeen on Thursday 15th September, doors open 7pm, starts 7.30pm. It features exclusive
excerpts from the series’ soundtrack performed by Simon and insights behind the scenes by Neil. Free, but you need a ticket – available from www.aberdeenperformingarts.com or The Lemon Tree, Aberdeen, or His Majesty’s Theatre, Aberdeen or phone 01224 641122, and also on the door on the night.
Artwork featured here is by the excellent Nick Taylor

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Four From Food Fridays

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Here’s something new I’m going to attempt to do: Four From Food Fridays – a weekly look at four music releases that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
The Mesmerizing EyeA Musical Light Show (Mercury)
Pye Corner AudioStasis (Ghost Box)
Lost IdolChrome Machine Tales (EOE Recordings)
Juice AleemWarriors (lead single from his new album VooduStarchild) (Gamma Proforma)

Out of the Wood radio at FEAST this Sunday

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Above are some of the records I’ve pulled out for this Sunday’s live session of Out Of The Wood radio hosted by WNBC London from the Book & Record Bar in West Norwood. I’ll be on with Pete W. before Alex and George take over for their monthly afternoon Cakelab session. Pete and I will be playing selections from his recent digging finds in the French countryside along with some new pieces of recently acquired vinyl. You can listen live here and it will be uploaded to Mixcloud later. As usual, it’s FEAST weekend which means loads of food stall dotted around West Norwood, food, craft and vintage markets too, all for free and loads of music to soundtrack it all.

*UPDATE* – and here’s the mix (with very low mic. levels) and a photo by Pete of me playing, check his mix after mine, so many great tracks.

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Ennio Morricone – Paura Vol.1 & 2

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I remember seeing the cover to volume 1 of this Ennio Morricone collection last year and liking it, now there’s a second will another great image to continue the series. Both on trnasparent vinyl in an edition of 499 copies on Rustblade Records. Showcasing “the darker experimental side of Ennio” vol. 2 contains “Frightening orchestrations, dark jazz tapestries and unsettling piano movements…” apparently on vinyl for the first time. Both volumes and much more are available from OneWayStatic.com.
Paura

New comps from Mr Bongo

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Loving the covers of these two new compilations from Mr Bongo. Above is Pedro Santos, ‘Krishnanda’ was released in 1968 and is described by them as, “an album in the truest sense of the word-a spiritual, psychedelic Brazilian masterpiece from start to finish”. Below is the new ‘Mr Bongo Record Club’ compilation series – “a selection of favourites, recent discoveries and sought after obscurities, which form the basis of the Bongos Sound System DJ sets and their radio show of the same name”. Find out more about both of them here

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El Paraiso Records Videodrones teaser

The love affair with El Paraiso Records continues with this new video teaser. Coming on like a cross between parts of Ghost Box, Beyond The Black Rainbow and Board’s of Canada‘s ‘Tomorrow’s Harvest’, it has pretty much everything I want in sight and sound. No more info at present except that it’s an LP that’s ‘out soon’... *UPDATE: Out Sept 30th, 300 copies, pre-orders up NOW! Just look at that cover!

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Check these two videos for Causa Sui while you’re here for that sun-bleached super 8 feel.

More Dan Lish Egostrip images

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It’s been a while since I featured any of Dan’s work but he’s been churning them out and here’s just a small selection. Above: Biz Markie Below: MF Doom, J Dilla, James Brown, Leaders of the New School, King Tubby, Man Parrish, Melle Mel, Pete Rock and CL Smooth, The Pharcyde, Wu Tang Clan, Invisibl Skratch Piklz, Breakbeat Lou, The Cold Crush Brothers. Buy prints from Dan’s site here...

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FEAST this Sunday and Out of the Wood radio

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The monthly FEAST in West Norwood is upon us this Sunday with myself and Pete Williams back for the Out of the Wood show on WNBC radio (West Norwood Broadcasting Company). Broadcast live from the Book & Record Bar from 12 midday until 2am when Dr Alex Paterson and George Holt wheel out the 2nd edition of Cakelab for the afternoon. Not sure what I’m going to be playing as yet but I have half a mind to do an El Paraiso Records special as I’ve played little else at home recently. You can listen in live here

Elsewhere it’s well worth coming down in person as there’s all kinds of luscious food, craft and vintage stalls, live music and more – all for free.

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More fire from Gamma Proforma – Divine Styler, Juice Aleem, Deflon Sallahr

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Gamma Proforma are dropping all sorts of treats and freebies on their site, here’s a taster for an upcoming LP on the label from Deflon Shallahr. All artwork by the amazing Will Barras.

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Divine Styler remixed: Over the coming weeks Gamma will be dropping the complete set of Def Mask Remixes, grab the digital album for free and each week you’ll receive a new track. Here’s Mophono‘s take on ‘Carriers IQ’

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Second track from the forthcoming Juice Aleem album…

Spider-Man Music 1967-69 (ALL Background Music)

This is SO awesome – all the background music by Ray Ellis from the first season plus some from seasons 2 and 3 of the late 60s Spider-man cartoon series. Check the tracks at 54:52 and 1:04:50 ! YouTube user 11db11 explained how he put it all together:

“I cut out every piece of music from all 3 seasons (that took like a month) – Then I grouped them together (multiple incidents of each song) – Then I built each song from the best parts of the multiple versions. – I had to EQ each individual clip to even the levels, bass, treble … – – I left the video alone so people could see where the clips came from.”

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Daydreaming with Stanley Kubrick

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The Daydreaming With Stanley Kubrick exhibition started a few weeks back at Somerset House in London’s West End and it’s well worth a look. Curated by James Lavelle, it features many familiar names that hint that his phone book must be a thing to behold. Artists, film makers and musicians from around the world have contributed but with over 40 pieces to look at there’s always going to be some stronger than others.

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For the most part, I enjoyed the more literal, graphic interpretations; the hexagon-patterned floor from The Shining, Space Invader‘s Rubix-cubed Alex from A Clockwork Orange and Doug Foster’s homage to the stargate scene in 2001, ‘Beyond The Infinite’ – a mesmerising widescreen kaleidoscope that constantly shifted to a soundtrack by UNKLE. I was surprised there wasn’t more reference to Hal from 2001 outside of some of the graphics for the exhibition branding though and there was a missed opportunity to do something with Kubrick toys seeing as James has had an affinity with them for so long.

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One of my favourite pieces was Philip Castle‘s 70s airbrushed illustration for the original film of Alex with dentures in a glass. Unfortunately this was represented as a slide blown up rather than the original painting but it still had enough presence, menace and period textured beauty to outshine most of the other exhibits.

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Elsewhere, several installation pieces were the most successful in invoking Stanley’s spirit. A vertical pulsing strip of LED lights by Chris Levine burned images onto the retina from the end of a corridor so that, when you looked away, you saw split second flashes of Kubrick’s face. A ‘breathing’ camera by Nancy Fouts, sat eerily in another corner, rasping in and out to itself. A room of 114 wireless’ all tuned to the same channel in a dimly-lit workshop created a WWII-like atmosphere and the exhibition guide revealed that a huge cast of celebs had made the soundtrack playing through the tinny speakers. Peter Kennard‘s ant-war collages were further bolstered by additions from Dr. Strangelove although it felt largely transplanted from his recent Imperial War Museum exhibit with some added Kubrickisms.

Possibly equal to Foster’s AV piece was Toby Dye‘s small room showing four different scenes from The Corridor, each one using a Kubrick technique of focus pulling in or out of a centralised corridor. This, when shown full frame on each of the four walls, gave the viewer a sense of unease or vertigo as the walls appeared to shift around them. Very effective if off-balancing. David Pellam‘s classic Droog design featured twice, once in the show branding and once in Paul Insect‘s updating of his work, ‘Clockwork Britain’. An iconic design, connected with Kubrick by the simplification of his visualisation for the Droogs, it sits alongside the Shining carpet as a graphic motif instantly connected to his films. A VR headset with interior 2001 space station scenario was also installed but the queue was just too long so don’t head to it at peak weekend hours if possible.

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