Music

Soul Food – quizzing Matt Johnson about ‘Soul Mining’

On Monday evening I joined Matt Johnson of The The on stage at Rough Trade East in London for a two hr Q&A about his ‘debut’ album, ‘Soul Mining’. It was a great evening with plenty to talk about and 200 eager fans there to listen and ask questions before queuing half way down the shop floor for autographs.

One fan even had the original art for the ‘Soul Mining’ cassette with him, complete with pasted up overlay. Matt recorded it all via clip on mics and I believe someone was video taping as well. I should be editing the audio sometime next week for a podcast. (Top photos by Nancy Brown and Adam James Seth-Ward, photo below posted on Twitter, thank you , please let me know who you are so I can credit you).

The recently released box set is something to cherish with lots of quirks courtesy of Matt’s designer Cally at Antar. Upon lifting the lid you’re greeted with a huge scan of one of the original master tapes on the underside and a 24″ x 36″ foldout containing images and liner notes. The download card is a large replica of a 1/4 inch reel to reel tape and I was thrilled to have a thank you on the reverse for providing images from my archive to the project.
The bonus disc of remixes and B-sides is probably the jewel in the crown as it arrives in a full colour gatefold plastered with Andy DOG Johnson‘s classic imagery. Finally we come to the original LP which is a faithful recreation with an inner sleeve showing the original labels barely visible printed straight on to the paper. Cally tells me he had to fight hard to present details like this and more as part of the package as Sony wanted it all cleaned up but to me these are the details that make it unique, showing off the artifact. More master tape scans finish the experience on the box bottom and the quality is top notch, it all feels as if a lot of care and attention has been taken to put this together.






The audio really doesn’t need rhapsodising over but the bonus Recollected disc contains alternate 12″ and early versions of Uncertain Smile, Perfect, This Is The Day and I’ve Been Waiting For Tomorrow (all of my life) from the album and period B side Fruit of the Heart. The remaster has been very sympathetic to the original and with a lack of outtakes or demos the quality of the songs never dips or falters. You can order a copy direct here and there are several articles doing the rounds on the web at the moment, one of the best being John Doran‘s piece on the Quietus and check the latest issue of Mojo for 6 pages of Soul Mining.


Also I should point out that the box set is (intentionally) large enough to easily fit the dual 12″ of Matt and mine’s versions of ‘GIANT’ that was released for Record Store Day. This was always intended and nicely completes the set of Andy Dog cover art from that era whilst adding a touch of my own take on his work.

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Beyond The Black Rainbow soundtrack by Sinoia Caves

I’ve been waiting for this to drop for over a year now, Spencer from Death Waltz hinted at it a long time ago and has since confirmed it here and there online. I saw him a few weeks back and he was saying September and he’s been true to his word as it popped up for pre-order out of the blue yesterday. A synth and organ-heavy score to the ‘lost 80’s movie’ by Black Mountain member Jeremy Schmidt, it has all the slow moving menace of the film and the sleeve is just as beautiful.

There are two versions : one for Europe on clear vinyl with red smoke effect via Death Waltz and one on clear vinyl via Jagjaguwar for N. America who are also doing a bundle with a DVD of the film.

Posted in Music, Records. | 2 Comments |

14:76 tribute to 76:14 by Heuss

GC 76-14There seem to be an inordinate amount of anniversaries for great albums and films at the moment. 30, 25 and 20 ‘years ago today’ posts pop up every day at the moment, reminding up of countless classics and making me wonder if there’ll be quite so many in 10, 20, 30 years time?

One that no one will argue with is Global Communication‘s masterwork, ’76:14′ – one of the  greatest ambient albums of the 90’s (alongside Aphex Twin’s ‘Selected Ambient Works II’, The Orb’s ‘Adventures Beyond The Ultraworld’ and FSOL’s ‘Lifeforms’).

Apparently it’s 20th has come and to commemorate the occasion a producer called Huess has created a tribute version and flipped the timing around (the numbers of the title refer to the minutes and seconds the album lasts for – maybe Kasabian never heard of GC before?). It’s pretty good and well worth the 15 minute listen.

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‘Rare Psych, Moogs & Brass’ compilation

Enjoying this new compilation on Buried Treasure that takes a slightly different angle on the library comp from what’s been done before. They add ‘Brass’ to the line up of Psych and Moogs, not something that you usually find but it’s there alright.

The tracks come from the German Sonoton Music Library and they’ve done a great job with superb mastering and a fatastic sleeve by Rob Crespo to pull you in. John Fiddy and Sammy Burdson seem to make up around half of the tracks and it’s all new to me.

There’s some really great material on here and whilst I would question the amount of ‘Psych’ in the selection there’s plenty of Brass and modular keyboard sounds. Most of all there’s some superb playing all over the selections even though is can slip into cheese occasionally.

Sven Perner‘s ‘High Tension’ is a thinly veiled take on Led Zep‘s ‘Whole Lotta Love’ whilst ‘Crime & Glamour’ by Hermann Langschwert & Wolfgang Killian is a classic slice of spy funk. More info and clips here.

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Mark De Clive-Lowe ‘Church’ album

Really enjoying this new album by Mark De Clive-Lowe, was attracted by the cover and gave it a listen on Bandcamp. He’s one of those names I’ve seen around for years and probably heard a few things but would be hard-pressed to name any of them. This album is a full on jazz epic taking in guests vocals, raps and solos but all wrapped up in modern production techniques and sampling. The overall tone reminded me of Stanley Clarke / Return To Forever or moments of Weather Report and I was taken by the opening instrumental jazz track that suddenly flipped and sampled itself, turning into a rap tune within a few bars. Hear and buy it here.

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Farmfest podcast and Bass Explorer interview

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I did a couple of interviews for the upcoming Farmfest in Someret on August 1st/2nd: one for their first podcast (above) and another Q&A for the Bass Explorer website where I added my then current top 3 favourite tunes. Farmfest is one of a growing breed of smaller festivals, very cheap tickets starting at £53 and with a pro-organic slant to the food and drink onsite. If you repost their podcast you will be entered into a draw to win a pair of tickets.

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Pye Corner Audio ‘The Black Mist’ EP


Really liking this new Pye Corner Audio 12″ on Front & Follow, ‘The Black Mist EP’. The EP features an extended mix of the title track ‘Black Mist’ (the original featured on last year’s Outer Church compilation), new track ‘Bulk Erase’ and a remix of ‘Black Mist’ by fellow OC collaborators Old Apparatus. Released on August 18th as a limited edition (of 500) 12” on 180g vinyl and download, more info and order details here.

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The Quietus talks to Matt Johnson

Matt Johnson of The The doesn’t give many interviews any more but he made an exception for John Doran from the Quietus recently and the resulting piece is chock full of revealing anecdotes and information.

Only two weeks away from my own interrogation of Matt at Rough Trade for the release of the deluxe ‘Soul Mining’ reissue and I’m cursing John as he’s used a good few of my questions already :)

Nevertheless, this is a fascinating piece that reveals many aspects of Matt’s past career and present state of mind.

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Count Counsellor

This is an interesting use of vinyl to promote a new artist. This arrived a while back now but I’ve only just got round to putting it up here. This LP arrived in the post unannounced, no clue as to where it came from (although I have a possible lead). It’s a used album (Peters & Lee in this case) with ‘CC’ 07.04.14 screen printed over the front with another black square covering most of the back.


The record inside is unplayable due to two large paper square’s being stuck over the grooves, one blank but for a ‘cc.’ in the centre and the other with message and illustration. “Want a tune for today? Well here’s two. Take a listen, you might just smile, Count Counsellor www.viewsource.cc“



I think this is first time I’ve seen vinyl used a the carrier for a web link and it’s a clever way to get the attention in an age of digital promos. The image of the head viewed from the back suggests that the Count isn’t ready to fully reveal himself yet although I see a few music blogs have picked up one track last month. If you visit the site at the link above you will be able to hear two tracks with very little other information aside from a few ‘coming soon…’ messages. A curio for sure but an innovative attempt to engage the attention by customising a music format to carry a message rather than a sound.

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Death Waltz Record Store Day releases

Death Waltz Recording Company releases for Record Store Day 2014 (only 2 of the 4). Each album has a splattered colour vinyl disc, a huge 36″x36″ poster, a 12″x12″ card print of the poster plus sleeve notes, a housebag that’s both embossed and debossed and a paper wraparound with release details.

These retail at an average of £20 each – incredible when you see the prices of other releases only offering half that. Plus Spencer Hickman, the label owner, is a straight up dude, one of the soundest people I’ve come across in the music industry. DW details x2

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Mo Wax 21 / Urban Archaeology exhibition, London

I visited the MoWax 21 / Urban Archaeology exhibition that opened at the Southbank Centre in London, currently home to the James Lavelle-curated Meltdown season.it was stuffed with everything you could want from a visual label retrospective with memorabilia and artwork from across the label’s history and beyond into post MW UNKLE releases.

For those familiar with the label there us much here to wallow in but plenty of behind the scenes stuff too. A letter from Mike D about a planned MoWax / Grand Royal ‘Battle of the Beats’ record, working drawings and model for Futura Pointmen toys and plenty of original art that graced many a sleeve. There are toys in every kind of colourway, some still at prototype stage, flyers reaching back to the early 90’s to when MoWax was more of a Talking Loud wannabe than the trip hop and electronica powerhouse of its heyday.

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It’s free but only open until June 22nd so you only have this week to catch it before it’s gone. But if you don’t manage to make it down then there is an extensive book now available with even more info and photos. Initially funded via Kickstarter, I received a copy last week and it’s beautiful to behold, a perfect visual encapsulation of the label.

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808 State Cassettes from Artoffact Records

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These beautiful objects are soon to be available from Canadian label Artoffact Records. 808 State’s classic turn of the decade albums, ’90’ and ‘Ex:el’ have been made in 8 different colours on cassette at the very reasonable price of CAN $9.98 each.

For the completists out there they are also selling a bundle of all 8 tape colours for CAN$74.98. View all the different colours and buy here.

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‘Giant’ 12″ plug and ‘Soul Mining’ Q&A

Nice to run across a little plug for The The’s ‘GIANT’ 12″ I share billing with in the latest issue of Classic Pop magazine (issue 11, Kate Bush cover). For all those who remember Smash Hits from back in the day and yearn to break free of the endless rehashing of the Beatles/Stones/Who/Dylan/Zeppelin pop/rock mafia in the other music monthlies – this is the mag for you. Not as lightweight as Smash Hits but not as nerdy as Record Collector, it finds a fine balance between in-depth interviews, retrospective pieces, current reviews and where are they now and what have they been up to news.

In other The The news (try saying that when pissed) it’s only 3 weeks until I get to quiz Matt Johnson about the making of ‘Soul Mining’ over at Rough Trade East on June 30th. The same day sees the release of the 30th anniversary edition of the album of the same name. You can find out more info here.

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‘The Search Engine’ returns to Dome Club

My 360º fulldome presentation, ‘The Search Engine’, returns to Dome Club at a new location this summer – the Q Club Complex, Birmingham. There will be three showings – all playbacks, I won’t be present – during July, August and September.

Tickets are £10 or £8 concessions and this will be in the new portable dome they have acquired which means viewers can lie on the floor for the best experience.

Dates and ticket links: 18th July /   15th August /    19th September

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Clone – Son of Octabred

Beautiful artwork on the new Dead Cert release which is another Clone record taken from a tape of instructions for birthing! Image and text taken from the Boomkat mail out:

“Utilising the ARP 2600, ARP Odyssey, Polymoog, harmonica/synthesiser interface, Eventide Omnipressor, Roland vocoder and genuinely bizarre narration imploring the listener to “push…” over a background of retro-futuristic space-age progressions, these recordings edge the concept of extreme American outsider music to its furthest reaches.

Originally broadcast as a one-off transmission for electronic harmonicist Gary Sloane’s Import Hour show on Anchorage radio station KGOT FM, it’s one of the rarest recordings in the very limited line of Clone breadcrumbs released to date – the audio discovered by Sloan in his own time capsule of C60 compact cassettes used to document the unlikely synthesised wing of an untravelled North American micro industry.”

At 10 and 12 minutes a side it’s debatable whether this should qualify as an ‘album’ but it’s certainly one of their most intriguing releases recently. Listen and buy here.

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