Openmind designs
Items created by by design alter-ego, Openmind
I’ve been told that Ninja have pressed another 500 copies of this 12″ because demand has been high already. That makes 1500 copies for Record Store Day on multi-coloured vinyl and they have reserved 200 copies for the Ninjashop. I’ll post the link to buy or pre-order when it’s up.
Finished copy of the 12″ – hot off the press, more photos when I have one in hand
Pretty excited about this release and it’s been a long time coming. This is the CD Promo version of the forthcoming DJ Food & The Amorphous Androgynous remix 12″ due out on Record Store Day (April 21st). The 12″ contains the 17 minute long Amorphous (hereafter referred to as AA) remix of ‘The Illectrik Hoax’ featuring Natural Self, from my album ‘The Search Engine’. This will be split over two sides of the 12″, on multi-coloured vinyl and cut at 45 rpm for extra loudness.
The CD (which isn’t available in stores I’m afraid, although a download will cover most of it) contains radio edits of one section of the remix plus a shorter version of ‘GIANT’ featuring Matt Johnson from the aforementioned album. Exclusive to the CD and download is a beautiful ambient/acoustic remix of ‘The Illectrik Hoax’ by 2econd Class Citizen which fitted perfectly into my ambient interpretation of the record at the London Planetarium launch party, he really took it to another place.
AA on the other hand do everything you expect and more, 17 minutes split into three distinct tracks: ‘The Illectrik Hoax’ (AA remix) is a madcap jam session, trampling the original track in the dust, ‘Don’t Pray, Don’t Bother (We’re Evil)’ takes the tempo to half time and grinds without mercy until ‘The Electric Images In My Mind (Never Die)’ ups the ante for full all out sonic battery. Natural Self‘s vocal is rephrased and twisted into a repeat refrain that keeps coming back for more over the last eight and a half minutes.
Taken all together they form yet another of the AA’s ‘Monstrous Psychedelic Bubble’ remixes, the likes of which have graced Oasis, Paul Weller and Pop Levi in the past. I’m very pleased to be added to that list and I’ll post pictures of the vinyl version and details of where you can order it as soon as I have them. The artwork is by yours truly with a little help from elements Henry Flint created for the album cover.
Yet another batch of posters arrived from Scraffer (via Henry Flint) to be signed and then sent out to buyers. Above is a small selection of doodles by Henry for the ‘Madman’ print, of which every one has its own bespoke illustration by Henry inside the thought bubble. I think these are close to selling out now whilst the ‘Life Cycle of a Machine’ print is definitely sold out – don’t worry if you ordered and didn’t receive one yet, I just signed the last batch. The ‘Cosmonaut’ print below is also still available as we made that in a higher run.
I did a little interview with the RokRiot blog about the design of my new album.
The limited CD / Book / flexi disc edition of The Search Engine is highlighted on the Creative Review blog. You can still get a copy from the Ninjashop but I’m told they are running low on stock.
That’s right, it’s all coming down, Monday 13th Wednesday 15th * extended for 2 more days* so if you want to see original Henry Flint artwork for my album, original 2000ad comic art for Judge Dredd, Nemesis, Deadlock and the like, original drawings from Henry’s book ‘Broadcast’ (on sale as a cheap price too), buy limited signed prints or just marvel at some nice pics of me in a spacesuit – best get along there before it closes on Sunday night. It’s at The Pure Evil Gallery, 108 Leonard St. London, open 10-6 Friday /Saturday, 11-6 Sunday – free entry.
If you can’t make it, here’s an audio tour and some pictures, courtesy of Strongroom Alive.
It’s been bought to my attention that the download of my new album from iTunes in N. America, Latin America and European stores had the wrong booklet bundled with it. This has now been rectified but existing customers can download the booklet from here or the downloads page as iTunes cannot rectify this for past customers. A few other places to buy the album from:
Google Music (USA only): / Amazon MP3 (USA only): / Bleep: / Boomkat: / Beatport:
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Yesterday I finally had time to go back to the Pure Evil Gallery to take some photos of the work in situ, I didn’t have time on the night as there were too many people and we didn’t finish setting up until the last minute. There are a few reviews online of the show by Contemporary Talks, Scraffer and Inkymole with one promised by Art Review too.
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The day had finally arrived and the first problem to be solved was the audio/video one, re-exporting wasn’t an option as there wasn’t the time so I decided to copy both parts to an external hard drive and just hope Charley (Pure Evil gallery owner) had enough kit to play both back separately. Next was the name cards, they were printed but had to be mounted on foam board and then cut out, also there was the matter of framing one of the postcard records I’d made specially for the show. They’d arrived the week before but, with the planetarium gig and others, I’d not had time to put them in for a mount to be cut so that they could be framed. I tried several different backgrounds but decided in the end to just screw the card to the wall and hang a frame around it sans anything else.
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Anyway, time ran out and I left for the gallery, when I got there it was looking fantastic as Charley and Molly had done a great job with the painting and hanging, just the AV thing to sort now and, with the help of Aneek and Mark, who I’d met through Matt Black, we set about trying to find the best combination with the laptop we had. Downstairs was a little stark so the guys hired in oil projectors and it was nearly time to open when we finally got the audio and video projection to synch. The Ninja staff had arrived to set up banners, beer and merch tables but no sign of Henry yet as he’d said he’d be there around 6pm with a box of forty ‘Broadcast’ books.
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Just time to frame one final piece that I’d found and give the pictures a wipe before people started coming in and a queue quickly formed to buy the postcard records. As with every event like this, the rest is a blur of beer, catching up with friends and people asking questions, all the while keeping an eye on the artwork, straightening the odd picture or resetting the audio. Matt Johnson popped by with his girlfriend, Nathaniel aka Natural Self turned up, Matt Black from Coldcut and Pete Quicke, Ninja Tune label manager, with his boys in tow. Tons of friends I’d not seen for a while and a few I knew but had never met in person too. Steve Cook, Rian Hughes and David Hine turned up to represent the comic contingent and soon Steve was tapping me on the shoulder to tell me Henry had arrived. It was great to finally meet him in person as we’d only ever emailed before and he is the nicest, most unassuming guy you’ll ever meet, so good to meet your heroes and not be disappointed.
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The whole thing went on way past 9pm and, right at the end, Mat Ducasse from Skylab, an old friend of Charley’s, dropped in having jut played a 6 minute gig round the corner. Drunk and on cloud 9 with relief that it had all come together, I staggered home and watched the new Noel Fielding luxury comedy which was just what my addled brain needed after the previous four days. I crashed out, only to be woken by a steaming hangover at 6am before getting ready to go to France for two more gigs.
Thanks to everyone who helped out to make it happen and came down to have a look and wonder what it was all about. Most of all I’ve got to thank Charley and Molly at Pure Evil, Will Cooper-Mitchell for his outstanding photos of me in the astronaut suit and of course, Henry Flint, for his amazing artwork which kicked all this off and his continued help and support (donating personal work for the event). Also thanks to the various people who let me use their photos here: Matt Black, Steve Cook & David Hine but if anyone else has shots I’d love to see them.
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It’s on for three more weeks, the last day is Feb 12th and you can pre-order the gicleé prints there, including two which are exclusively available from Pure Evil during the exhibition – ‘Octopus’ (from the ‘Magpies, Maps & Moons’ cover) and ‘Beats Per Second’ (from the ‘Shape Of Things That Hum’ – below). These are both editions of 33, come signed by the two of us and anyone can order via the web or phone too, you don’t have to go to the gallery personally. The previously released prints are on sale too, including the new ‘Cosmonaut’ one featured on the album cover that made its debut last week, plus limited copies of Henry’s book, ‘Broadcast’, which features the original drawings and tons more – on sale for £12.99 which is a bit cheaper than retail price.
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