Pure Evil Gallery preparations – Mon/Tues/Wed

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What a week it’s been, after the planetarium shows on Thursday 19th, straight off to gigs in Amsterdam and Brighton on the Friday and Saturday and back home for a brief respite on Sunday. Monday 23rd saw the release of the album in Europe (Feb 7th in N. America) and final preparations for the show opening with Henry Flint‘s work at the Pure Evil Gallery in Shoreditch. I’d done a fair bit of framing over the Xmas period so some of the larger pictures were ready but there was still a lot of smaller pieces to finish and the show to hang. In addition to this I was playing at the Pepe Deluxe album launch party at the London Aquarium that night (see upcoming post for more). It was an early finish (mercifully for a Monday only 9pm) then it was back home to try and get some more done for the exhibition but I had to give up after half an hour as I was falling asleep.

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The first setback was on Tuesday morning when I picked up the huge front cover image from the framers and realised that it just wasn’t going to go in the car. That would have to wait another day while I worked out how to get it there. The rest of the day was spent at the gallery with the owner, Charley and his assistant Molly, working out where to put things, audio and video considerations and lighting.

When I returned that evening I still had a load of framing and mount cutting to do and ended up pulling an all-nighter to get it done. As I set off for another day at the gallery, after less than 3 hours sleep, I set the audio visual piece off rendering and figured it would be done by the time I got home. The problem of the huge picture was solved by hiring a cab driver I know with a Range Rover to deliver me and the last batch of pictures to the gallery, even then, the picture only just fitted inside. Second setback was upon arriving at the gallery I found it all locked up and no answer on any phone numbers I had. After waiting an hour in the car, dodging traffic wardens with the meter running, texting and calling everyone who I could think of with no joy, I phoned my agent whose office was down the road to ask if I could drop the pictures at his place.

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After doing that and a quick post-planetarium meeting to go over future options I went back to the gallery to find Molly and Charley there apologising profusely. Turns out Charley had to go to the American Embassy for a visa and had to leave his phone behind in the office, Molly had had a little too much to drink the night before and didn’t have my number but all was fine (although Charley got refused a visa, despite living there in the past). We’d lost the morning though and there was still a lot to painting to do where the walls had images in the past that needed covering up.

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Also there was the fact that all my pictures were sitting down the road but luckily Ninja had sent an intern up to help and we took three trips back and forth to ferry them all to their intended destination. By the end of the day we’d nearly got it all in place or had an idea where it was going. I got home to find that the AV file was still rendering and set about designing the title cards for each piece now that I knew exactly what was going in the show. Eventually the AV piece finished after 13 hours but had inexplicably only rendered the video, not the audio. Shit, I tried all sorts to embed the audio or re-export it but was so tired I was falling asleep at the machine (again).

 

Henry Flint x Strictly Kev limited print #3

New print from Scraffer.com.

The third in our series of Henry Flint x Strictly Kev prints.

This time it’s a standalone image of the cosmonaut that features on the cover of the new album, ‘The Search Engine’.

Signed by both artists and printed on 300gsm Somerset Photo Satin cotton paper, the gicleé print measures 64.5cm x 47.1cm.

The edition is limited to 100 hand numbered prints, at £55, comes unframed and rolled in a sturdy cardboard tube and will ship sometime in February.

Two more prints will be available for pre-order only from the Pure Evil Gallery during the 3 week run of the exhibition which starts tomorrow.

Build The Search Engine

The record for this so far is Anders with ‘about a minute’, can you beat that? The album is out today at long last, very happy to finally have that particular monkey off my back, just the exhibition to sort and hang for this Thursday and then it’s off to France for gigs, developing the dome show more and adapting the various elements to the regular DJ sets. You can buy a variety of formats of the album from here, it should also be available on iTunes, Amazon (it has explicit lyrics apparently), Bleep and through all the usual channels.

Planetarium: important info for ticket holders

Well, the time is nearly upon us, the launch of ‘The Search Engine’ at the Planetarium in deepest South London. As this isn’t a regular gig and the margin for error is high, I’ve put together six main points for those who might not have properly read the transport and schedule info that came with the ticket. Timings are tight for the performances and there will be no admittance once a show has started and I’d hate for people to miss out by not reading the info properly.

Postcard records have arrived!!!

The 2 minute postcard records I’ve made specially for the Pure Evil Gallery opening on Jan 26th have arrived :) They are a thing of great beauty and I couldn’t be happier with them. 30 copies only and they will retail for £8 each at the show with any left over available from me direct via this site.


The fidelity isn’t going to win any awards but it’s better than some recent postcard records I’ve acquired and the track is an exclusive ‘discovery’ version of ‘In Orbit Every Monday’, only available here. If you want to make your own there’s more info on where to get these beauties made, and other sizes and formats too. Contact Kenneth Winkler: www.vinylpostcards.com/ or on Facebook: www.facebook.com/Vinylpostcards

DJ Food & Henry Flint exhibition reminder

I know I’ve already published details of this a while back but it’s been announced to the press in general this week and already been blogged by Design Week, Secret Oranges and ECBT2000ad amongst others. Here’s the final flyer with opening times, myself and Henry will be there on the opening night to drink chat and sign things if you wish.

There will be free booze, kindly provided by Peroni, and you can order signed gicleé prints direct from Scraffer.com which will also be on display (third one to be announced next week) as well as pick up an ultra limited postcard record (if they arrive from Vienna in time).

 

‘The Search Engine’ limited book/CD & flexi disc

Limited comic-sized 48 pg booklet / CD / flexi disc version of the DJ Food album ‘The Search Engine’. Available to pre-order at the Ninjashop for just £12 for a limited time.

The booklet features artwork by Henry Flint and Openmind, photography by Will Cooper-Mitchell, lyrics and more, the flexi disc will only be available with this package.

‘Magpies…’ inner sleeve close up


The incredible line work of Henry Flint from the inner sleeve of the ‘Magpies, Maps & Moons’ vinyl.

The 12″ EP and download, out Nov 7th, is available to preview and pre-order at the Ninja shop.

Henry’s book of ‘doodles’, ‘Broadcast’ is supposed to be released today but is still on pre-order at Amazon.

The Magpie Music mp3 treasure hunt continues today with the second mp3 available on a certain site, use your search engine to find it.

The first segment, ‘Finders Keepers’ was here, pretty close to home, the second won’t be so easy.

 

My eyes!

Something I just knocked up, probably further ruining my eyesight in the process. Probably the only time I’m going to be able to use the Victor Moscoso font and get away with it. Possible CD design for limited edition of my ‘Solid Psyche’ mix of tracks from Ninja, Big Dada, Counter and Brainfeeder for Japan.

Henry Flint x Strictly Kev limited print #2

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It’s time to unveil the second print in the series of my collaboration with Henry Flint‘Mad Man’, from the ‘One Man’s Weird Is Another Man’s World’ cover. As with the first print, it is printed to the very high standards of the Fine Art Trade Guild on 300gsm Somerset Photo Satin which is a 100% cotton paper. It measures 64.5cm x 47.1cm, in an edition of 33, all signed by myself and Henry and is available from Scraffer.com as a pre-order, to be shipped on Nov 12th.

The difference with this print (and the cause of a slight price hike) is that each one will come with an individual doodle drawn into the blank speech bubble in the centre by Henry himself, making each print unique. The quality is hard to convey without having them in hand but these really are the most gorgeously printed items I’ve seen in a long while, of course I’m biased but I can’t think of a better way to see these images. Really excited to see all the different things Henry draws for this one :)