A mix of two halves, broadcast 21 years ago with a rap-heavy first half and a Xmas-themed second. LCD’s second single was a short, sharp shock of a 7” after the extended epics of their debut 12” and proved they weren’t a one-hit wonder. I saw them play it that year at the Supersonic festival in Birmingham and met James and Nancy backstage, before they went stratospheric. I remember dropping Un-cut’s ‘Midnight’ at the appropriate hour on New Year’s Eve in Newcastle that year, paired with the Gift of Gab monologue during his mix of DJ Shadow’s ‘Midnight In A Perfect World’ and the place going off. The Christina Aguilera Drum n Bass mix was so rough and ready it would pummel any naysayers into submission (same with Beyoncé and Britney mixes of the same era). Any decent pop song of the age would get a white label DnB makeover by someone for a few years in the early 00’s, it may well be the same now but I don’t check for them. Most were sold in specialist shops around London with no info other than a title and I’ve still no idea who made this one. Into the hip hop now with Notts’ finest The P Brothers from their Heavy Bronx Experience series #4 featuring Eddie Cheeba and Sadat X from over the pond – hard as nails golden era styles made in the UK.

Perverted Monks were a collective associated with Afu-Ra and Jeru The Damaga but never quite hit their heights. The imaginatively-titled ‘Freestyle’, from their third single uses the backing tracks from Nas’ ’Nothin’ and another I forget as a bed, one of a number of those Bollywood-sampling hip hop tracks from around this time, kicked off by Missy’s ‘Get UR Freak On’. Soulwax makeover DJ Shadow’s ‘6 Days’ with a blatant re-edit of the B-52’s ’52 Girls’ and it just works. This was during the height of the mash up craze and they were riding high on the success of their ‘As Heard on Radio Soulwax 2’ compilation. It only appeared on a promo 12” and I’d bet it was a European A&R decision to get them to remix Shadow as it doesn’t fit into anything he was doing at that stage. Punjabi MC’s tune was huge in the UK with it’s jingling hook and Knight Rider bass line, as ubiquitous as Missy’s the year before, getting reworks all over the place in a multitude of styles. The Old School mix was by a duo billed as Banks and Sullivan who seem to have a number of aliases with one release to their name on Discogs. A mystery white label using the a cappella from ‘OK’ by RnB pop band Big Brovaz over ‘Mundian To Bach Ke’ was something I used to play a lot in sets and may or may not have been legal. Dan The Automator revisits his own production again for a third rework of ‘Bear Witness’ from the Dr Octagon album with Q Bert back on cuts before Edan smokes the party with his own ‘MC’s Smoke Crack’ remix. Pitman lightens the mood with his Rob Base & DJ E-Z Rock pastiche and the Polyphonic Spree arrive to prepare us for the Christmas section of the mix.

It’s fair to say that my Xmas mixes maybe aren’t the kind of thing you’d want to put on in the background as you unwrap your presents or tuck into dinner, they swerve all over the place like a Santa who’s had too many brandy’s. Or indeed the manic Ella Fitzgerald version of ‘Jingle Bells’ I try to valiantly keep in time over Tino’s ‘Christmas Is Here’. I wanted to include ‘Coldcut’s Christmas Break’ but it’s generally so terrible I could only manage a few minutes (sorry Matt and Jon but we’ve had this conversation). But how easy is it to make a credible Xmas record? I’d say very difficult and the ones I can happily hear on any given day of the year let alone during the Yuletide period would fit in a very small stocking. The Treacherous 3’s effort occupies a special place because of its inclusion in the Beat Street film and their beat box gag with a young Doug E. Fresh at the end. Milly & Silly’s 1973 ‘Getting Down For Xmas’ is from the Christmas Groove compilation and the mix of Bubba Sparxx’s ‘Ugly’ and Wings’ ‘Wonderful Christmastime’ weirdly works somehow. This was no doubt downloaded from the web amid the whole mash up craze of the time, hence no credit and the inclusion of snippets of early Cassetteboy from their Festive Christmas CD around the mix. The mood takes a darker turn with Hell Interface (aka Boards of Canada) and their ‘Soylent Night’ from the V/Vm Whine & Missing Toe CD until Tino rides back in to save the day with an ethereal jingle groove. Sirconical is usually known for huge, crashing beats but his take on ‘Silent Night’ is genuinely beautiful and comes from the Twisted Nerve Christmas Stocking Filler 7”.

OK, that’s it for this year, have a good one, see you on the other side as I take a break for a week and come back with more 90’s cassette encodings in 2024. Thanks to all subscribers new and old, especially those who have hung in there for the whole hog, I think I can see the end in sight finally as the CDr folder is nearly done, the DAT box is dry and the cassette drawers are nearing completion – I reckon the mix archive could be completed next year. Although there is that USB from Paul Johnson still to go through…

Track list:
LCD Soundsystem – Give It Up
Un-cut – Midnight (MIST 2003 mix)
Christina Aguilera – Dirrty (D&B mix)
The P Brothers – Come On Down
Perverted Monks – Freestyle
DJ Shadow – 6 Days (Soulwax mix)
Punjabi MC – Mundian To Bach Ke (Oldskool mix)
Big Brovaz – OK (Punjabi Rmx)
Dan the Automator – Bear Witness III (Once Again)
Edan – MCs Smoke Crack (remix)
Pitman – It Takes Tea
The Polyphonic Spree – Soldier Girl (Orchestral)
Tino – Christmas Is Here
Ella Fitzgerald – Jingle Bells
Coldcut – Coldcuts’ Christmas Break (edit)
Treacherous 3 feat. Doug E. Fresh – Santas’ Rap
Milly & Silly – Getting Down For X-mas
Unknown – Ugly Xmas
Hell Interface – Soylent Night
Tino – Green Christmas
Sirconical – Silent Night

Sorry this is a bit late, Mixcloud seemingly deleted the original upload that I made last week. I also just noticed that I missed MS172 – which is all ready to go but will have to wait until next year as I have a Xmas mix for next week.

I’m not sure why this is called a ‘Tour Mix’, it’s not a live set for sure but I could have conceivably made it on the laptop on tour – maybe I was out with DK promoting our ’Now, Listen Again’ mix CD, I’d have to check dates. Anyway – Zero db tackle Sun Ra for the opening and I think this only came out on their own Reconstruction compilation of remixes rather than on any official Sun Ra release. John Cale then trades places with James Murphy for his LCD Soundsystem cover, which sounds a bit strained and painful in hindsight now. Next up is the first of three Mr76ix tracks from his 3 (Minority of 1) album on Skam with a magnificent tempo switch down into Def Tex’s ‘Bomber’ – what a bassline! Def Tex were great, always inventive hip hop and this was from their second album on Son Records.

Battles seemed to explode out of nowhere but they’d already made three singles before signing to the label and ‘Race:In’ came from their debut LP, Mirrored. Kidkanevil’s ‘5th Gear’ features Latyrx’s Lateef The Truthspeaker in a horny flute ode to getting down to it with a subtlety rarely present in rap. But here’s another with Pharaoh Monch expertly remixed by Optima Espacio into some sort of slow build electro gospel banger. There’s a guitar solo over a breakdown FFS! Keeping on the love-tip; an overlooked DJ Shadow B side from his Outsider album era sees him mining a psych funk angle on ‘Love, Love’. This was only on the CD single and later download of the ‘This Time’ single, no idea why it didn’t make the album and the non-LP cuts and remixes were frequently better than some of the material on that record IMO.

Oh Pepe Deluxe, how I loved (and still do love) their Spare Time Machine album, two tracks here sum it up – tightly constructed, immaculately produced sunshine psychedelia. They really string out the intro to ‘Apple Thief’ but when it kicks in it’s well worth the wait. ‘Go For Blue’ also inspired a colour-based mix of songs shortly after this including ‘Purple Rain’, ‘Mellow Yellow’ and ‘Mr Blue Sky’ but that’s already on the web. I’m wondering where I heard Candie Payne’s track from as I don’t remember buying it, maybe a promo or a compilation – whatever, she’s got that 60s doom pop sound nailed. Mr76ix sounds like he’s been listening to the last track on Selected Ambient Works II and put some rave beats to it and Battles are back again with the epic ‘Atlas’ – remember that great video of them in the mirrored box? Mr76ix plays out over the breakdown of this with a beautiful beat-less piece called ‘Romanticism’ before we’re back into that drawn out guitar trade off that builds into the final section.

Track list:
Sun Ra – Satellites Are Spinning (Zero db remix)
LCD Soundsystem – All My Friends (John Cale version)
Mr76ix – H.A.A.R.P.
Def Tex – Bomber
Battles – Race:In
Kidkanevil – 5th Gear feat. Lateef The Truthspeaker
Pharoah Monch – Body Baby (Optimo Espacio mix)
DJ Shadow – Love, Love
Pepe Deluxe – Apple Thief
Pepe Deluxe – Go For Blue
Candie Payne – I Wish I Could Have Loved You More
Mr76ix – Spirit of Man
Battles – Atlas
Mr76ix – Romanticism

Nineteen years ago today this show aired on Solid Steel and served as a round up of a current crop of music that had come my way over the previous months. There’s a large rap quota in this hour-long set, mostly from the independent sector and what you could call ‘backpack rap’ (although I wouldn’t). A particularly trippy Solid Steel jingle opens the show by Pedro Chamorra and I have no idea who Levi is/was or where the track featuring BC and Saul Williams came from, nothing’s coming up on Discogs. Diplo’s ‘Big Lost’ is from his debut Florida LP and is still a classic, DK and I were such a fan of this record and props to Big Dada for spotting his talent early on. Not sure if the northern chaps chatting about record collecting over the top are Mark and Lard from 6 Music (or were they on XFM back then?). Natural Self was putting out 45s in the early 00’s on Tru Thoughts and here remixes The Limp Twins (Will ‘Quantic’ Holland and Russell Porter) from the Shapes Yellow TT comp. More Brighton-based music next from the Catskills label with a track from Infinite Potential’s debut 12”, As The Record Revolves – some very tight scratching on that.

The Perceptionists were a US group including Mr Lif and Akrobatik and ’Medical Aid’ was one half of a split debut 12” with another group, 4th Pyramid on Definitive Jux. Mark Rae’s ‘Reach Out To Me’ was from his third album, Into The Depths, with vocals by Veba – should have been a big hit. Busdriver’s first album for Big Dada contained the ‘Kev’s Blistering Computer…’ track and I just found out that he did a third for the label in 2014 that completely passed me by somehow. I loved Busdriver most of all of that Mush crowd, full of personality and an incredible flow, love how the DJ D-Styles cuts up the little blip noise from Herbie Hancock’s ‘Rockit’ for the chorus here too. In the liner notes Busdriver is credited with ‘Vocal Tension & Lyrical Release’, D-Styles with ’Turntable Blasphemy’ and producer Daddy Kev with ‘Strange Rhythmic Noise’. Diverse with Vast Aire came from the Chocolate Industries label as they moved into hip hop territory, with production by RJD2, another artist – like Diplo – who was adjacent to DJ Shadow in the production stakes around this time.

Back over to the UK for Bristol’s Hundred Strong which was the brainchild of Ben from the Purple Penguin record shop, always a destination when we hit the city in the 90s. I used to get sent M.Craft promos in the 00s and I always REALLY loved a couple of tracks on them, I really should investigate his back catalogue a bit more, seems this was from his debut single on 679 Recordings. I don’t recall this Massive Attack song at all, it sounds more like a Barry Adamson take on The Man With The Golden Gun than the band’s usual material. Seems it was from a soundtrack they did to a film called Danny The Dog which can be had extremely cheaply on Discogs although it looks like it was done by 3D alone without Daddy G from the credits.

Quannum released a double A-sided single for their US tour in 2004 and this is the Shadow-produced cut, all drum machines and synths rather than samples and points the way to his work later on. Blade’s ‘Scream’ came from his ‘Pop Idol’ single and is that Mr Thing on the cuts? DFA’s Juan MacLean work over Air in fine electro ‘drug chug’ style before the term was even coined. Sounds like I was caning outer space samples from Megatrip’s Soundbank CDs over the top too. 4 Hero go all Beatles-y with the mellotron on their remix of Chunking’s ‘Making Music’ (another Brighton band!) and then it’s back to the Anitcon crew with Sixtoo from his Ninja Tune 10” ‘BodyAche Summer’ EP – yet another producer up there with Shadow but moving in his own directions. In between this and Max & Harvey’s ‘Untitled Dialogue’ (another 10” on Ninja) I use a piece of speech about seeing sound that I would later fashion into a track on my Search Engine album. One half of Max & Harvey (named after the duo’s dogs I think I was once told) was Paul Frankland aka Woob and also Journeyman – they only released one single on Ninja but all their other releases are available on their Bandcamp and are excellent.
https://maxandharvey.bandcamp.com/music

Track list:
Pedro Chamorra – Solid Steel intro
Levi feat. BC & Saul Williams – Resource : Life
Diplo – Big Lost
The Limp Twins – A Day in The Life Of Mr. Jones (Natural Self mix)
Infinite Potential – Can You Dig That?
The Perceptionists – Medical Aid
Mark Rae – Reach Out To Me
Busdriver – Kev’s Blistering Computer Tan And Driver’s Rapper’s Rapper Moniker
Diverse feat. Vast Aire – Big Game
Hundred Strong feat. Joseph Malik – All Ain’t The Same
M.Craft – On The 389
Massive Attack – One Thought At A Time
Quannum – Put Yer Back Into It
Blade – Scream
Air – Surfing On a Rocket (Juan MacLean remix)
Chungking – Making Music (4 Hero remix instr.)
Sixtoo – Waiting For Anything
Max & Harvey – Untitled Dialogue

Summer 2003 and I’ve no idea what the opening use of Pinocchio’s clock sequence was intended to convey but lots of the food-related spoken word overlaid came from Megatrip’s excellent sample collection that he’d send to us via CDr. John Book’s ‘eBay Trauma Centre’ comes from the first Tru Thoughts compilation ‘Shapes One’ and is – I think – the only track released under his own name so far, his band Crut however, have released plenty. I’d just discovered Mr. Bungle’s amazing ‘California’ album via old school friend Steven Baker (RIP) and still hold it in high regard as their masterwork to this day – I seriously recommend it as an example of incredible song writing collage and masterful playing, I mean come on, Dave Lombardo plays drums and a song called ‘None of them knew they were robots’ has to be good, right?. Not being a Streets fan I used the instrumental, non-Mike Skinner vocal version of Grafiti vs The Bug’s only single and filled in some of the vocals with spoken word snippets from Megatrip’s aforementioned Soundbank collection. I’d only just discovered Akufen’s My Way LP from the previous year and absolutely caned it around this time, still a peerless release that will forever be associated with painting a picture for my Dad’s 60th birthday where I listened to it on repeat.

Amalgamation of Sounds, always good value, LFO’s ‘Freak’ absolutely killer tune, RIP Mark Bell, caned that Five Deez ‘Funky’ a cappella for years over all sorts of tracks in clubs with DK. Hey, this mix is pretty slamming now, oh here comes DJ Zinc with Dynamite MC to tear the roof off with ‘People 4’, one of his most creative tunes of the era, a beats/rap match made in heaven. Big tempo switch up and then Reprazent homies Krust and Die cut in with a further switch up from 33 to 45rpm – this section is reminiscent of my club sets at the time, fast-moving shifts through different styles and we’re into the Nextmen and Cyantific’s computer game-flavoured ‘High Scores’ before sliding into another DnB cut that Spotify tells me is ‘Future Sonic’ by Tele Music but I have no memory of. Dipping out of the club and back into radio land with another Mr Bungle cut, ‘The Air Conditioned Nightmare’. This is another example of the band’s seamless collage style, mixing examples of different artists and musical styles into one song and making it work. I swear I once heard a live set from them where they sounded like they were tuning through a radio dial and switching music styles every few bars.

The mix into Jackson’s ‘Utopia’ isn’t too smooth but this track is similar to Akufen’s in that it takes tiny snatches of voice and re-edits them into a patchwork melody, the female vocal was a recording of his mother apparently and this was played from the original French release before he got picked up by Warp. I really should have taken it out of the mix faster rather than leave it under the Matthew Herbert Big Band, it’s painful. I loved this record (Goodbye Swingtime) and Matt’s move away from his earlier experiments for a full live band experience. Seeing them at The Big Chill one year blew me away – always inspirational. Four Tet needs no introduction of course but back in 2003 he was still building his rep with this single from his third album, Rounds. Next up, the Returner is a lesser-used alias of Mark Pritchard, creating a fine DJ tool in his ‘Throwdown No.1’ of which I proceed to cut up two copies before editing into Loon’s Schoolly D-quoting, Kelis-featuring ‘How Do You Want That’. This was a Neptunes-esque production despite not being by them and shows how much they’d influenced contemporary hip hop by this point. We finish up with Schoolly’s classic ‘Saturday Night’ because, why not? Live two copy cut ups from DJ Code Money, you can even hear the records jump and wobble in places, pure hip hop and swearing on record way before NWA made it hip. I think the final spoken word coda may have been from John Cage although it sounds like someone impersonating him rather than his actual voice.

Track list:
Pinnochio – Clock Sequence
John Book – eBay Trauma Centre
Mr Bungle – None of Them Knew They Were Robots
Grafiti vs The Bug – What IS The Problem?
Akufen – Late Night Munchies
Amalgamation of Sounds – Sharm
LFO – Freak
Five Deez – Funky (a cappella)
DJ Zinc feat. Dynamite MC – People 4
Krust & Die – Movin’ Fast
The Nextmen feat. Cyantific – High Score
Tele Music – Future Sonic
Mr Bungle – The Air Conditioned Nightmare
Jackson – Utopia
The Matthew Herbert Big Band – Misprints
Four Tet – As Serious As Your Life
The Returner – Throwdown No.1
Loon feat. Kelis – How Do You Want That
Schoolly D – Saturday Night

This cassette was amongst a batch of tapes given to me recently by my ex-wife that she wanted digitised and probably dates from around early 1997. It’s also a very short tape as the whole mix is only 30 minutes long and that’s both sides! The Outer Limits (and later, Alexei Sayle) both hail from the original Comic Strip Presents album, recorded live at the Comedy Store before The Young Ones TV show propelled them all to fame. The Average White Band’s ‘Work To Do’ used to be on our answerphone, partly in jest that I used to work all hours and Sister Goose & The Ducklings ‘Super Shine #9’ is from the Gordon’s War OST. Marc Moulin was a new passion around this time due to a dodgy boot ‘reissue’ of his Sam’ Suffy album and the (re)discovery of his band, Placebo. You’ll notice a high quota of French artists on this tape as my ex is a huge Francophile and I wanted to showcase a few bits for her. Yusef Lateef is from his excellent Gentle Giant LP and the Gainsbourg cut was probably from some dodgy bootleg compilation as there were many floating round at the time.

Dimitri From Paris opens the B side with a fake trailer from the La Yellow 357 compilation on Yellow Productions. DJ Cam’s track is from his debut LP, Underground Vibes which is followed by the exceedingly un-French ‘Detttwork SouthEast’ by Black Twang, a perfect encapsulation of the South London vibe on vinyl. Blackanized 360 never really get remembered but this Edinburgh duo had some tunes back in the day when Acid Jazz was turning into Trip Hop and ‘Vibe’brations is from their debut 12” – ironically sampling the same source as an early Blackalicious 12” – it can be had for pennies on Discogs. The Herbaliser up next with their second single from their forthcoming second album, Blow Your Headphones, featuring What What and an oddity to close with Steady B’s ‘Rocking Music’. This is really a DJ track, sans Steady but featuring his DJ, Tat Money, and bears similarities to Jazzy Jeff’s ‘A Touch Of Jazz’ before the tape runs out.

Track list:
The Outer Limits – Lenny Flowers
Average White Band – Work To Do
Sister Goose & The Ducklings – Super Shine #9
Marc Moulin – Humpty Dumpty
Yussef Lateef – Jungle Plum
Serge Gainsbourg – Meurtre á l’extincteur
Alexei Sayle – Break
Dimitri From Paris – Bande Announce (The Trailer)
DJ Cam – Dieu Reconnaitra Les Siens
Blak Twang – Dettwork SouthEast
Blacka’nized 360 – Vibe,brations
The Herbaliser – New & Improved feat. What What
Steady B – Rockin’ Music

More hoovering up the recent crop of promos and new finds in the second Bits & Bobs show of 2007 (not too great with the titles there but I was juggling 20 month old twins at the time).
Starting concurrently, the Emperor Machine remix of White Line Circus makes an excellent bed for Break Reform’s ‘Cut A Map In The Soles of my Feet’ even if I say so myself. Both killer tunes in their own right and I seem to remember that the La Boca sleeve design for ‘Rocket Ride’ is one of their best of the era when they were designers for DC Recordings and the label bearly put a foot wrong for a few years. The Bamboos, still going strong on Tru Thoughts, this time with Ohmega Watts paraphrasing Double Trouble’s ‘At the Amphitheatre’ rap from Wild Style. Skipping a couple of tracks I had completely forgotten that Lost Idol made stuff with heavy beats like this, always one to watch for, glad I was hip to his stuff in 2007. Kids In Tracksuits featured a certain Matt Cutler who most will now know as Lone and I think this track comes from their ‘Get Your Kit On’ EP.

The RamaSutra track is a bit of a tune, seems it was one of the last things he put out in 2003, not sure how I was playing it in 2007. Bit of a sharp cut into !!!’s ‘Myth Takes’ and then into AmmonContact’s ’Drum Riders’ from their album on Ninja at the time, Cut Chemist on the cuts. DJ Dren’s ‘Wot Da Hell’ is from the excellent ‘CTRL C / CTRL V’ comp from 33 Throwdown Recordings, must dig that out again as it has all sorts of cut up goodness on it. Remix heat from Cherrystones for Pedro and more Emperor Machine, this time on his own track but again with a female vocal over it from another track, I seemed to have a thing for this at the time. The song in question is Stephanie Dosen’s cover of ‘Within Without You’ which doesn’t quite work tuning-wise and certainly should have been mixed out by the time The Dragons’ ‘Peace Garden’ arrives in the mix. We were on the cusp of releasing their unissued debut album on Ninja at the time and this track comes from a soundtrack, ‘A Sea For Yourself’.

Up next, an unidentified vocal talking about originality before an Eno track from the second compilation of Curiosities, a pair of collections put together by one of Eno’s studio assistants at the time I believe from selections of the vast catalogue of unreleased material he had. Having been absorbed in Eno’s Lighthouse station on Sonos for most of this and last year – a constant stream of over 400 previously unreleased tracks from his archive – I can see what prompted these CDs. They were meant to be a series but only two were ever released, maybe they didn’t sell or maybe the compiler moved on? Friction = Fire’s Dunmore East was the last track on an Irish compilation on the Alphabet Set label which I must have been given when I performed one of the Head soundtrack gigs over there and Peter Wyngarde’s short outro comes from the actor’s very odd solo album to round things up.

Track list:
White Line Circus – Rocket Ride (Emperor Machine remix)
Break Reform – Cut A Map In The Soles Of My Feet
The Bamboos feat. Ohmega Watts – Get In The Scene
Yoko Ono w. Shitake Monkey – O’ Oh
Natalie Walker – No One Else
Lost Idol – We Can Find Love
Kids In Tracksuits – Real Axe
Regal – Capt. Ahab
Ramasutra – The Curse of the Eye
!!! – Myth Takes
AmmonContact – Drum Riders
DJ Dren – Wot Da Hell
Pedro – Fear & Resilience (Cherrystones mix)
The Emperor Machine – Fear of Woman
Stephanie Dosen – Within Without You
The Dragons – Peace Garden
Brian Eno – Haslet
Friction = Fire – Dunmore East
Peter Wyngarde – Pay No Attention

By 2007 vinyl production was slowing down and a lot of this set was mixed off of CDs or digital files by the looks of the waveform on this file when I booted it up, there’s compression and crushed waveform peaks all over the place. Promos were starting to come in digital form as it was quicker and cheaper to produce CDrs with paper inserts in plastic wallets than mail out 12”s after weeks(!) away at the pressing plant. I think streaming and digital promos were maybe just starting around this time too but the music industry was still in freefall from digital downloading and any costs that could be cut would be. Dublin’s Kormac kicks off the show this week before we’re quickly into ‘The Riddle’, produced by The Sugarman and voiced by Harry Dean Stanton. This came to me via a promo CD and the group were apparently a trio of reclusive South Londoners who self-released this single (with remixes from Ashley Beedle and more) and an album which was possibly promo only. I’m not sure if the vocal is sampled from anywhere but that’s quite a cameo for a debut single if not. DJ Pandaj hails from Italy according to discos and Mirrorsystem was an offshoot of Steve Hillage and Miquette Giraudy’s System 7 project for the more ambient side as their main group became more techno-orientated. They cover Jam & Spoon’s ‘Stella’ to fine effect before The Bamboos’ try their hand at Max Segdley’s ‘Happy’. And is that Matt Berry talking about Fairlight samplers before it kicks in?

!!! (aka Chk Chk Chk)’s ‘Yadnus’ is still such a tune, love that swinging glam beat on anything. DJ Kentaro featuring Spank Rock from his debut Ninja Tune LP next and you’ve never felt smaller as a DJ than when you have to step up to play after him in front of a home crowd in Tokyo, truly humbling. Tiga’s ‘You Gonna Want Me’ takes inspiration from Altern8’s ‘Infiltrate 202’ which in turn sampled Candi Staton’s ‘I Know’ vocal (amongst other things) and this version is the Van She remix. Deekline & Wizard’s collaboration with SOTO on Ghetto Blast Ya uses the metronome tick as a percussion device and I think I must have played the radio mix of Tim Deluxe’s ‘Let The Beats Roll’ here as I remember a much longer intro on this than here. l played this to death in the clubs for a while back in the day, there’s a great dub version too if you’re not into the vocal.

The Chris Carter feat. Fine Cut Bodies track is almost speed garage and I’d forgotten that Mark Spiler tune, how crazed, not sure what time signature that’s in. Pendulum’s ‘Blood Sugar’, this came out between their first and second albums and was kind of where I checked out as the next record upped the guitar quota and left me a bit cold. Fracture and Neptune were (are) always good value and were spearheading a kind of return to Photek-era DnB in the 00’s. Can you tell the DJ Fresh mix of DJ Shadow is off vinyl? I had to turn it up on the file here as the drop from the previous track was like a cliff face – such a killer club track but that abrupt ending was always difficult to get out from. Fracture & Neptune are back to play us out with a big Steve Miller Band sample on ‘Ventura’ and there’s a random drugs spoken word collage to finish. Back for part 2 next week…

Track list:
Kormac – Mr Heidi Hi (intro)
The Sugarman – The Riddle
DJ Pandaj – The Lazy Trip Project
Mirrorsysytem – Stella (Duende mix)
Bamboos – Happy
!!! – Yadnus
DJ Kentaro – Space Jungle
Tiga – You Gonna Want Me (Van She remix)
Deekline & Wizard vs SOTO – Ghetto Blast Ya (VIP)
Tim Deluxe – Let The Beats Roll
Chris Carter feat. Fine Cut Bodies – Frogmarch
Mark Splier – Globul Bleu
Pendulum – Blood Sugar
Fracture & Neptune – A Clue
DJ Shadow – Enuff (DJ Fresh remix)
Fracture & Neptune – Ventura

I fell in love with Javi P3z’s music when I discovered his and Camping Gaz’s ‘Circus World’ 12” on Novophonic and played it to death. It’s strange mix of skanking batucada with theremin top line mixed with circus clowns and children cheering (yes, really). Totally unhinged and unlike anything else, I once found five copies in a bargain bin for £1 each and proceeded to give them to anyone who would take one. Here’s his follow up, under another of his many aliases – ‘Safari-Hari’ – an equally audacious romp through the jungle if less on the crazed side but beautifully packaged in a cardboard shopping bag as part of the Onze Sports double 7”.

Mr Melvis – ‘A Walk Through The Powerhouse’ was featured on a 2xCD compilation of “Strange and unusual music from the Exotica Mailing List” put together by my friend Otis Fodder on his Comfort Stand label. Otis and I had met online when he started the 365 Days Project in 2003, posting a weird and wonderful track or album every day via the WFMU website. This was a great resource in the early days of file-sharing on the web and the whole project is a wonderland of treasures. Otis was a resident in Montreal at the time (or was it Toronto?) and we later met up a few times when I toured over there, bonding over our love for strange music from the margins. Despite saying ‘never again’ once the year was up, he repeated the feat through 2007 and both are still archived online. http://wfmu.org/365/

Anyway, Mr Melvis is covering a favourite, Raymond Scott’s ‘Powerhouse’ before we subtly shift into a deep house masterpiece of a remix by Charles Webster that totally captivated me when I heard it. Doing away with all but a single phrase from Martina Topley-Bird’s ‘Soul Food’ Webster grooves on a cappella cooing and deep bass pads and I could listen to this all day, I wouldn’t call myself a deep house fan but this could covert me. M*A*R*Y was a Richard X alias, this track was the sole release on a split 7” single with Liquitex until 2022 when an archive album appeared called High Noise Cassette – no doubt the product of lockdown hard drive excavation like so many of us. The Emperor Machine was a no brainer for me as soon as I heard Andrew Meecham’s analogue radiophonic stylings and this was the beginning of a golden run of releases on the DC label through the 00’s. NSM I don’t remember much about but it was short for New Sector Movements, IG Culture’s loose collective of broken beat collaborators.

I don’t remember this DJ Zinc boot of ‘Milkshake’ either, no idea where I got that, dodgy offbeat mix by me there too, sloppy. Coldcut remix the Dr Who theme, this was another that came and went with little fanfare although there’s plenty of work in there transforming it into a half time dub with female vocal replacing the main melody. In fact I can’t find any info about it on Discogs so I’m wondering if it even came out? I asked Jon More and he confirmed that the Beeb shelved it, to quote the Guardian: “The best series of songs inspired by Dr Who is annoyingly locked away in a record company vault. In 2004 the BBC planned an album called Resistance Is Futile: Doctor Who Remixed, which was to feature St Etienne (who finished recording There There My Brigadier), 808 State (The Master’s theme), The Orb and Coldcut. But production delays had it jostling with the launch of the revamped TV series and it was scrapped.” I’ve spun the infamous outtake of Tom Baker in the vocal booth over the beginning which was a popular meme doing the rounds in the early days of file downloading. LCD Soundsystem’s amazing ‘Yeah’ still sounds utterly relevant and exciting and I’m thinking I must have compiled some of this mix using my old Numark CDJ as the pitch shift up and subsequent phase FX into the DJ Zinc track after bear all it’s hallmarks. Bit of Kylie over the top there before the switch and that’s quite a tempo increase, hold tight! ‘Next Tuesday’ was from Zinc’s Faster album, a decent attempt to make a well rounded dance album covering all styles rather than just club bangers.

Aaaah, Sixtoo and Damo Suzuki – what a track, what a beat, could listen to this all day, was so proud to have had a hand in bringing Rob to Ninja Tune back in the day, wasn’t for everyone but it floated my boat. This is a really random selection, we go through the heavy Krautrock-isms of Sixtoo to dark electronic rap via the Shadow Huntaz and then acoustic pop from Air. P-Love’s ‘Clausland Man Rd’ from his time on Bully Records (with my dodgy scratching over the top) into Ricci Rucker’s ‘New Dirt’, always interesting on the scratch/beat tip – rounding out a truly eclectic selection of contemporary tracks of the day.

Listening back to this (and a lot of the mixes in this archive) I’m reminded how much music soundtracks our lives and how I’m not currently soundtracking the present day by recording shows of current music and digging finds. I guess I didn’t expect to be listening back to these mixes nearly 20 years later and getting so nostalgic for the eras they evoke. Maybe when this is over I’ll start something new but it’s a big commitment and I’m not sure I could do it every week anymore. Maybe a new kind of show, I don’t know, what kind of music-related show would you tune in to?

Track list:
Digital Onze – Safari-Hari
Mr Melvis – A Walk Through The Powerhouse
Martina Topley-Bird – Soul Food (Charles Webster’s Bangin’ House Dub)
M*A*R*Y – 73 Club
The Emperor Machine – Expanding in Reproduction
NSM – Trying Times
Kelis – Milkshake (DJ Zinc remix)
Delia Derbyshire – Dr Whooligan (Coldcut remix)
LCD Soundsystem – Yeah (Stupid version)
DJ Zinc – Next Tuesday
Sixtoo feat. Damo Suzuki – Storm Clouds and Silver Linings
Shadow Huntaz – Razbar
Air – Cherry Blossom Girl
P-Love – Clausland Mtn Rd
Ricci Rucker – New Dirt

I’ve completely forgotten which show these were recorded for on 6 Music or why they needed two 16 minute mixes (if anyone remembers please drop a comment) but they’re on a disc with a private mix I did for my then wife in February of 2004. Parts of this resemble DJ sets of the day including the whole ‘Clapping Song’ routine with multiple copies on 7” that I’d switch between in quick succession. J Star who kicks things off did a series of white label reggae mash-ups at the time that were some of the best around, crazy to think people were actually pressing these bootlegs on vinyl but I suppose it’s no different to the multitude of 7” re-edits doing the rounds today. As the real Cure morphs into Kurtis Rush’s Missy Elliot/George Michael medley I thought I’d better double check if my memory was still correct as to who was behind the name. Yes, Kurtis was in fact Erol Alkan who made a trio of white label mixes around 2001/2002 and was also rumoured to be behind the Kylie/New Order blend that she premiered at the Brits that year.

Chuck Brown & The Soul Searches’ pre-Go Go classic ‘Ashley’s Roach Clip’ is immediately recognisable for the drums that Eric B & Rakim nicked for their ‘Paid In Full’ classic. I add in a Jungle Brothers acappella which really needed to be chased along with the wavering tempo. Coldcut of course remixed ‘Paid In Full’ into an even bigger classic and it’s their ‘instrumental’ of the mix under the title ‘Not Paid Enough’ that begins the second mix, with Martine Girault’s beautiful ‘Revival’ over the top which was enjoying a errrrm… revival at that time. Out of this is the Play School breakbeat monster ’Bang On A Drum’ that Coldcut sampled for the outro of their remix and then we get into some country and western hip hop comedy with Ricky V. Valentine who I’m still no wiser as to the identity of. This little skit appeared on a 12” on the C Side Trax label and Ricky was never heard of again. This Kid Named Miles’ cover of ‘Ring of Fire’ didn’t leave my DJ box for about five years I think, always a great end of nighter and Nicky Thomas’ version of ‘Soul Power’ pads out the end of the mix.

Track list:
Pts.1&2
J Star – No Diggity
The Meters – Hand Clapping Song
Shirley Ellis – The Clapping Song
Malcolm & The Humphries Singers – The Clapping Song
Ray Russell – The Clapping Song
Pia Zadora – The Clapping Song
The Cure – Close To Me
Kurtis Rush – George Gets His Freak On
Chuck Brown & The Soul Searchers – Ashley’s Roach Clip
The Jungle Brothers – Jimbrowski (acappella)
Coldcut – Not Paid Enough
Martine Girault – Revival
Play School – Bang On A Drum
Ricki V. Valentine – Ghetto Classics
This Kid Named Miles – Ring Of Fire
Nicky Thomas – Soul Power

Tony Morley was the guest this week – who had then just launched his Leaf label – still going strong all these years later and releasing great music too. We met through Chantal aka Mira Calix (RIP) who interned at 4AD where he was working at the time and DJ’d with him at Robin ‘Scanner’ Rimbaud’s Electronic Lounge at the ICA. We invited Tony to play at both Telepathic Fish and onto Solid Steel and later he and I would go on a possible midlife crisis pilgrimage to Dusseldorf together to see the old men of techno perform their Man Machine and Computer World albums but that’s another story. This mix is a weird one, the selection is all over the place and the mixing too, maybe I was too busy chatting and not concentrating much, consider this all about the selection rather than any mix skills.

Starting as I ended a few weeks back with Jimi Tenor’s ‘Cafe Europe (live)’ (which Jon refers to as easy listening funk) there’s an oddity from a Flora Purim promo that was doing the rounds with remixes of her back catalogue – the best of which was the Guy Called Gerald one which is horribly out of tune with Jimi for a few bars at least. This clatters into a Doctor Rockit track from his Ready To Rockit EP on Clear, ‘Cameras & Rocks’, where this Matthew Herbert alias took his usual modus operandi of making tracks solely from sounds listed in the titles. After this is some unknown breakbeat track, possibly from the American New Breed label but I can’t place it and neither can Spotify but the Jaziacs & Snowboy tune after I had not heard in years and bought back many good memories. Hunt this 12” down (starting at 99p on Discogs) it’s a great snapshot of the acid jazz/trip hop crossover happening at the time which a huge dose of old school scratching over ‘Beat Street Strut’ on this track.

PC used to do a great impression of the Doctor Rockit track next, the opener of the aforementioned Clear EP but I’m not sure what the big electronic interference is that suddenly appears, possibly a mixing desk mistake! Then the DnB is back with Luger, from guest Tony Morley’s Leaf label, this was the third release I believe. An odd trio of Keith LeBlanc tracks follow from his Global 2000 album under the name Spike (he’d dropped the ‘DJ’) which was CD only, unusual for me to play three in a row from the same artist. Jimi Tenor is back and then Bjork thunders in after what was most likely an advert break there – tune! Some un-ID’d DnB after – maybe more Droppin Science? and then another tune that I’d not heard in years. Gliderstate’s ‘Landscapes’ – what a beautiful piece of music – airy, melodic DnB with hints of jazz that still retains some weight via those pushing hi hats driving it along. More Clear business with the best title from the Greg Fleckner Quartet’s ‘A Gentle Intro To The GFQ’ 12” in ‘Oi, That’s My Bird’ but definitely not a good mix with Gliderstate, ouch. I’m not sure I even tried to mix Up, Bustle & Out’s ‘Ninja Principality’ out of this but it still sounds tough, Clandestine Ein could program them beats.

Track list:
Jimi Tenor – Cafe Europa (live)
Flora Purim – What You See (Ghost of Flora’s Dream remix by A Guy Called Gerald)
Doctor Rockit – Cameras & Rocks
Unknown – Unknown
Jaziacs & Snowboy – Give It Up Me
Doctor Rockit – Hello
Luger – Pass Agent (Leaf)
Spike – Change
Spike – Story Of Violence
Spike – The Mark
Jimi Tenor – Europa (Main Theme)
Bjork – Army Of Me
Unknown – unknown
Gliderstate – Landscapes
Greg Fleckner Quartet – Oi, That’s My Bird
Up, Bustle & Out – Ninja’s Principality

A very funk and beats-orientated set from 20 years ago starting with the Quantic Soul Orchestra featuring Alice Russell where I’m cutting the Melle Mel line, ‘Don’t push me’ from ‘The Message’ in and out. The Hieroglyphics consisted of Del Tha Funkee Homosapian, Souls of Mischief and more and ‘Let It Roll’ comes from their second album, ‘Full Circle’. The Good Dr Rubberfunk now lives in my hometown of Reigate weirdly and his Bossa For The Devil was always a favourite whilst DPF was on Ninja-affiliated hip hop label Son. DJ Revolution and Sinbad’s turntable face-off is genuinely hilarious in places as well as jaw-dropping technically, a turntablism track which invites multiple listens. In the wake of the ‘sexed-up’ Iraq dossier the country was on the march and unhappy about being dragged into a bogus war alongside the US. I took Color Me Badd’s ‘I Wanna Sex You Up’ and cut up a load of news footage over the top to tell the story, it’s an obvious idea but I’m still pleased with it.

Returning to normality we get a version of ‘The Champ’ by the Skatalites, J Rocc cutting up breaks and then two P Brothers Heavy Bronx joints in succession. For me, The P Brothers perfectly channelled a specific period of 80s hip hop that I love and gave it an extra dose of grit. Never slavishly retro and using many UK MCs, the only others to do it so well were Edan and DJ Format. Pest’s gloriously wonky ‘Already Said’ is still one of those Ninja Tune oddities of the era and then we’re back for more J Rocc and a very slick breaks cut up by Cut Hustlers which may or may not have had something to do with DJ Razorcuts but I’m having trouble finding info on it. It features Statler and Waldorf – the two old men from the theatre box in The Muppets – which is why it leads into DJ Streetsahead’s brilliant 1987 remix of Was (Not Was) where they also feature and was the first time I heard the break from ‘Hot Wheels (The Chase)’ cut up.

Booty Babes’ mash up of Britney over the Massive Attack-sampled ‘Mellow Mellow Right On’ by Lowell will be an ear worm for the rest of the week with 100 Strong’s sensual ‘Brain Busy’ complimenting its laid back vibe perfectly. I added samples and scratches about hitting and crying over the chorus to mirror the vocal, at one point tracking two different scratch patterns, one for each ear – I had more time back then, pre-kids. Aesop Rock’s ‘Freeze’ was a Blockhead-produced cut on Def Jux but then things take a bit of an odd turn with Backini’s electro swing ‘Company B-Boy’ which hasn’t dated too well. I do love that Andrews Sisters sample though, mainly because of its inclusion in Art of Noise’s ‘The Army Now’ but the whole thing goes on far too long. Luckily there’s the bizarre humour of Kid Koala awaiting us at the other end and the low end ‘Caravan’-sampling skank of Galaxian’s ‘Fresh’ to finish but the set drags at the end I felt, could have stopped around the 50 minute mark.

Track list:
Quantic Soul Orchestra – Pushin’ On
Hieroglyphics – Let It Roll
Dr. Rubberfunk – Bossa for the Devil
DPF – Yadda Yadda
DJ Revolution feat. DJ Spinbad – Head to Head
Flexus – I Wanna Flex U Up
Skatalites – Champ
J Rocc – Play This (one)
P Brothers – Ich Nichten Lickten Das Mark Evans
P Brothers feat. Lee Ramsey/Donald D – Rock The House
Pest – Already Said
J Rocc – Kashmere Bonus Beats
Cut Hustlers – On The One
Was (Not Was) – Spy In the House of Love (Streetsahead mix)
Booty Babes – Mellow Me
100 Strong – Brain Busy
Aesop Rock – Freeze
Backini – Company B-Boy
Kid Koala – Stompin’ At The Savoy
Galaxian – Fresh

A slightly Beatles-themed start to this short set from late 2002 gives it its name – kicking off with two then-current mash ups, the mysterious white label 7”, ‘Bad Production’ and Avril Plays The Beatles. The former pairs ‘Come Together’ with Mary J Blige’s ‘Family Affair’ and the latter glitches up ‘Because’ and adds beats – two of the better examples around at the time when the internet was awash with such things. Incidentally I was just watching a video about AI mash ups and I think we may be on the cusp of the next iteration of the mash up although this time round they’ll be ‘original/unreleased’ tracks by artists no longer with us in every style conceivable. The Future Sound of London turn in a suitably Beatles-esque remix of Robert Miles, sounding more like their Amorphous Androgynous alias which isn’t surprising seeing as they had reactivated it in full psychedelic mode earlier in the year.

An at the time unreleased Sixtoo instrumental is up next with dialogue from a DJ Shadow interview about digging over the top as well as a snatch of Alvin Lucier’s ‘I Am Sitting In A Room’ – which prefigures its usage on my own Raiding The 20th Century mix some two years later. Suktekh’s ‘Privacy’ is a beautiful, brooding Rhodes piece from his ‘Fell’ LP and JG Thirlwell’s Manorexia alias is reactivated for the spooky ‘Canaries In The Mineshaft’. Boards of Canada’s ‘From One Source All Things Depend’ was a bonus track on the Japanese CD of Geogaddi and liberally samples children talking about God from a Tony Schwartz’s The Sound of Children LP. Food was/is a jazz group fronted by Iain Ballamy and ‘Freebonky’ is from their second album, Organic & GM Food which I have to admit that I down to for the gorgeous Dave McKean artwork. The William Burroughs dialogue comes courtesy of Steinski’s ‘Audio Collage 6’ which was on a Cdr of his work he’d given me when I visited him in New York. Finishing up is 80’s Baby, a vaguely horrible concept which seeks to recreate popular songs in a sickly-sweet twinkly lullaby style to play to your child at bedtime. Various different eras were covered and on the 80s edition was a version of Gary Numan’s ‘Cars’ which I thought I’d run the original under in the distance. George Carlin rants about cars and driving over the top just to ram the message home.

Track list:
Bad Production – Bad Production
Avril plays The Beatles – Becoz
Robert Miles – Paths (FSOL Comic Mix)
Sixtoo – Untitled
Suktekh – Privacy
Manorexia – Canaries In The Mineshaft
Boards of Canada – From One Source All Things Depend
Food – Freebonky
Steinski – Audio Collage 6
80’s Baby – Cars
Gary Numan – Cars

Back in 2004 when DK and I had our monthly Solid Steel night residency downstair at Ruby Lo in the west end we decided to put on a boat party for the end of summer. I think it was DK’s idea and he wanted to have a door price that included a free BBQ on entry which was to be served from the deck while people came on board. I won’t post the terrible flyer I made at the time but it did contain the line ‘All hands on decks’ which made me laugh. We co-opted our wives to help serve alongside James Mountain (Solid Steel DJ and Ninja employee at the time) and provided a load of burgers, hot dogs and salad for people our of our own pockets. DJs on the night were Dean Smith (on the top deck whilst food was served), James, Matt Black, PC, Harley Harl, DJ Yoda, Diplo (then still relatively unknown but fast rising as a star in his own right), DK and myself.

Harley Harl and James Mountain (Solid Steel)

Matt Black (Coldcut)

DK (Solid Steel)
The boat we booked was on the dock on the North side of the Thames and the owners were a tad shady, so much so that when we started admitting people it was obvious that other people were coming on board without tickets and going to another part of the boat we didn’t know about. When confronted we were told that there was another private party on board and that it would be Ok, no one would cross over but we knew this was BS. Too late, the party had started and the deck was filling up and the weather was great for a late summer evening. The place was packed and there were three rooms, a main one and a more chilled one plus a couple of bars, at one point we gave everyone free lollies too. The set here is mine from the main room, complete with crowd noise and scrappy mixing but if you imagine a cramped top deck cabin with 100 or so sweaty people crammed in then you get the picture.

PC (DJ Food)

DJ Yoda

Yours truly (DJ Food)
I think I was on either before or after Yoda but sadly missed most of his set as I had to sort stuff out with the food side of things. We had a problem with Diplo as he was flying into the UK that afternoon and coming straight to the boat to play and with no contact we were winging it as to whether he’d turn up in time or not. Luckily he did, literally minutes before he was due to play and proceeded to turn out a storming set – phew! DK went to see the boat owners afterwards to sort out the money and we ended up not having to pay for the boat hire as a result of all the nonsense with the other party – they certainly must have made a fortune on the bar that night anyway.

Me and Diplo on the boat, it was sweaty!

Photos by Elisa Parish, Graham (Fraser?) and another unknown photographer.

I’m not going to go through every track as there are many classics here most will know – keep an ear out for the switch up out of ‘Tour de France’ into Roni Size though – that was a moment. I loved this era of DnB, loads of fun, heavy rolling beats, synth bass lines and pop vocal hooks – check the Britney bootleg. I know Pendulum fell off but ‘Another Planet’ will always be a monster tune for me – never failed back in the day. The Carmel of ’Nujazzkiller’ isn’t the British jazz artist but a one-off on the Fluid Ounce label for 2002.

Track list:
Stas – Solid Steel Intro
Double Trouble – Live At The Amphitheatre
Sugarhill Gang – Rapper’s Delight
Beastie Boys – Triple Trouble
Beastie Boys – Triple Trouble (Graham Coxon mix)
The Chemical Brothers – Leave Home
Boom Bip – Cords Will Be the Death Of Me
Quantic feat. Spanky Wilson – Don’t Joke With A Hungry Man
Awkward – Plug Me In
Gang Starr – Play That Beat ’99
Double D & Steinski – Lesson 1
Steinski – Ain’t No Thing
West Bam – Monkey Say Monkey Do
Think Tank – Hack One
Carmel – Nujazzkiller
Ty – Wait A Minute (acappella)
Brass Incorporated – At the Sign of the Swinging Cymbal
The Beatles – Taxman
Beck – New Pollution
Kraftwerk – Tour De France
Roni Size feat. Rahzel – Out Of Breathe
Kayne West – Jesus Walks
DJ Shadow – Walkie Talkie
Rodney P vs Roni Size – Trouble (Roni Size remix)
Britney Spears – Toxic (D n B mix)
Pendulum – Another Planet
Tribe of Issachar – Junglist (DJ Zinc remix)
Mark 1 – Hoovers & Spraycans
Supergrass – Kiss of Life (Tom Tom Club remix)

This set is extracted from a longer recording with PC on the decks before and after me, recorded near the end of 1995. The file comes from a huge caché of shows given to me by Paul Johnston and I’ve yet to fully go through them to see what I have or don’t have on his list. Paul has had a couple of mixes featured on Solid Steel over the years and they are always packed out with hilarious samples and a ton of work. He kindly shared his stash of shows with me so that I could fill in some gaps, thanks Paul. Here’s one he did back in the day – Smoke Filled Adventures

Kicking off with some Alec Empire from his Low On Ice album and a fine piece of twisted filter breakbeat, followed by some excellent unknown acid trip hop – I’d really like to know what this is but it would require a deep dive into the record collection – anyone know? Some vintage Orbital with the opener from their second album appears and then we splice into a break and cello track that again I can’t recall. DJ Food’s’ Spiral’ from the then-current ‘A Recipe For Disaster’ album plays out and I’m trying something with the intro of Mantronix’s ‘King Of the Beats’ and the pitch control over this but thankfully don’t overdo it. Another unidentified snatch of cut up party business is up next and this sounds like something from DJ Smash or the AV8 label from overseas but I can’t find anything after a scour of Discogs. The use of Doug E. Fresh’s “well it started off on 8th Avenue” from his classic ‘The Show’ is the main signifier.

Public Enemy’s excellent ‘You’re Gonna Get Yours (Dub / Terminator X Getaway Version)’ is next and rumour has it that the Terminator didn’t exactly do the cuts on this but it was the Kings of Pressure’s Johnny ‘Juice’ Rosado who was also connected to the Bomb Squad. David Holmes’ ‘Slash The Beats’ has Kooner and Burns of the Sabre of Paradise’s production fingerprints all over it and is a version of the track ’Slash the Seats’ without the acid line and spoken word. Instead I add the acappella to PE’s ‘Bring The Noise’ (starting on the wrong beat!). Air Liquide’s ambient ‘Robot Wars Symphony Part 1 System Engaged’ from their The Increased Difficulty of Concentration double CD is floated over and out of both these before a classic DnB tune that I just can’t pin enters.

Anyone know this? It’s doing my head in and I spent nearly an hour on Discogs looking for it, thought it might be Alex Reece at first, Robin the Fog thought Wax Doctor or DJ Pulse but I couldn’t find anything – please comment if you recognise it. *(Eduard spotted it in the comments below – thanks!) The next track IS Alex Reece by way of a remix of DJ Krush’s ‘Yeah’ on Mo Wax with Cypress Hill’s ‘Scooby Doo’ floated over it, a mix I used to do often back then. Rolling, quite literally, out of this is Autechre’s ‘Rsdio’ and we’re in slow mode so it’s as good a time as any to air DJ Shadow’s ‘In/Flux’, or at least half of it. Up next is a tune I’ve not heard in years but remember so well, Luke Vibert’s near 10 minute remix of Ruby’s ‘Paraffin’. Ruby was Leslie Rankine from the thrash band Silverfish who were always in the indie music press in the early 90s, she then teamed up with Mark Walk and made a vocal trip hop album,’Salt Peter’. Their debut album is excellent and sadly overlooked although several singles were released with remixes by all sorts of contemporary artists and Vibert’s is one of the standouts, all time-stretched vocals and playful twists and turns. The track succeeding this is again lost in the midsts although sounds very familiar, so many records and so many years ago, it’ll come along some day. We play out with Small World’s ‘Dual Tone’ on Hard Hands, a chugging bass banger that got many an airing back in the day.

No mix next week as I’m on holiday, see you in two weeks…

Track list:
Alec Empire – 22.24
Unknown – unknown
Orbital – Time Becomes
Unknown – unknown
DJ Food – Spiral
Unknown – Unknown
Public Enemy – You’re Gonna Get Yours (Dub / Terminator X Getaway Version)
David Holmes – Slash The Beats
Public Enemy – Bring The Noise (acappella)
Air Liquid – Robot Wars Symphony Part 1 System Engaged
Glider State – Atmosphere
DJ Krush – Yeah (Alex Reece remix)
Cypress Hill – Scooby Doo
Autechre – Rsdio
DJ Shadow – In/Flux
Ruby – Paraffin (Wagon Christ remix)
Unknown – Unknown
Small World – Dual Tone