My latest Freaky Formats piece for The Vinyl Factory just went up – this time it’s about holograms on both records and their sleeves, I even sneaked a CD in. 
Records
Several boxes were ticked last Monday night when I was invited to Abbey Road Studios in North London to feature on a panel to talk about Star Wars and its influence on music over the last near 40 years. It was part of the launch of a new vinyl edition of the soundtrack to Star Wars: The Force Awakens, complete with holographic Tie Fighters and Millennium Falcons etched into the surface of the two discs by Tristan Duke.
Journalist Andrew Harrison (Your Empire Needs You T-shirt) chaired a small panel of myself, Tristan Duke (peeking over my shoulder) – the man responsible for the holograms, and Alex Milas (centre back, editor of Metal Hammer magazine and life-long SW fan). After plenty of nerdy fan banter two First Order Storm Troopers strode in to deliver the LP to Tristan who then played it as it was projected onto the screen above. Food was served, vinyl was cooed over, photos were taken with Storm Troopers and much was discussed of a fanboy nature.
A few days later I took on trying to capture the holograms from my vinyl copy at home. This was easily achieved with just direct sunlight or you can use a torch or lamp in dark conditions. This is what the hologram looks like in normal light (above) and this is what it looks like when having direct light pointed at it (below)
The LP sleeve is printed on thick mirror board card which makes the star field sparkle when light hits it and the cover logo is embossed. It’s a beautiful package that Disney/Universal have really gone the extra length to get looking and feeling special. There’s also a 16 page 12″-sized booklet with a forward by JJ Abrams and stills from the film.
It’s released worldwide on Friday, June 17th.
On the panel I remarked on how the new release is so like the original OST in layout – minimal and tasteful. That made be want to dig out my 1977 copy, check the poster and gatefold. I’d forgotten how big the poster was!
How many Millennium Falcons? Early John Berkey concept painting when the Falcon was a rebel fighter – there’s a fascinating glimpse at more Star Wars Berkey prelim paintings on his site
Two dates for your diaries: June 25th I’ll be DJing with Jonny Trunk at Camberwell’s finest used record emporium, Rat Records. They recently bought in a really good selection of soundtrack, electronic, library and weird records which we’ll be playing selections from before adding them to the racks for punters to buy. Let US try, before YOU buy.
But before that – this Saturday to be precise – I’ll be sitting in for Jonny on his OST radio show on Resonance 104.4 FM from 4.30-6.40pm. There’ll be a theme to the show and I’ll have special guest Jonny Cuba from Soundsci talking about library digs and soundtrack finds. Listen here this weekend
The front and back covers of two amazing religious spoken word records – love the double entendre.
Below: Four Music De Wolfe 10″ library records, the ‘Electroshake’ is particularly good, there’s a vol.2 as well…
45 finds – the Public Enemy includes the instrumental on the flip
A fun little flexi disc from Fermaley Flame – nice electronics at the beginning and end
Lastly – a beautiful Robert Crumb sleeve from 1974
I’ve always been fascinated by this cover art, the artist is simply listed as ‘Corrigan’. On the back of the Castor LP it has a passage about the cover, possibly written by Corrigan (?):
“The illustration depicts Jimmy Castor in a double role: as a Gemini and Cancer personality. Gemini’s aspects are described as egocentric, intellectual and airy. Castor’s egocentric aspect is affirmed by his unconcealed face; his intellect is symbolized by the tube running from a fitting on his temple to a fitting in the musical tree. His mind drives his music. A second tube runs on to a small cluster of clouds hovering near Castor’s head, symbolizing his airy and mutable nature. Castor’s Cancer aspects are symbolized on the right by the slum tenement which rises out of wasteland. Castor is directly above a large opening in a wall containing his heart; this serves to stress Cancer’s intuitive qualities. Castor’s face is partially concealed to correspond to the introverted nature of Cancer personalities. The tube which runs from his heart is attached to an armored egg; spilling out of the egg are three elements associated with Cancer: the moon, water and food. The prehistoric, “Troglodyte”-like figures are the end products of the intellectual, emotional and astrological input of Castor from above.”
After a bit of help from fellow facebook-ers, it seems the man responsible was Dennis Corrigan, a surrealist American illustrator who only has one other record sleeve listed on Discogs (The New York Rock & Rock Ensemble, front and back covers below).
Still with us and now teaching at Marywood University in Pennsylvania, he has work in various art institute collections and illustrated for the likes of The New York Times, Random House, Pan American Airways and more. He’s had several books of his work published, ‘The Amusement Park’ from 1982 and ‘True Love Knows No Boundaries’ from just last year. You can find more about his weird world at his website, Dennis Corrigan Artist.
Ted Coconis – love this cover art, he didn’t do many record covers but the ones he did are beautiful.
I did some pack shots of the new Belbury Poly LP for Jim Jupp at Ghost Box. The multi-coloured cover art and Rainbow-esque inner sleeve does the music justice; a seemingly random collection of tunes emanating from approximately 1974. Autobahn-era Kraftwerk meets Glitter Band glam stomp meets folk-tinged vocals and sunshine Sesame Street ‘ba-ba-bum’ singalong harmonies. New Ways Out is a perfect title for this release in many ways, it’s his most curious and varied work to date and – much the same as The Soundcarriers and Hintermass releases – pushes out of the usual territory you’d expect from the label. Be prepared to be taken in new directions on 10 track vinyl and 11 track CD, up for pre-order on the Ghost Box shop now.
Also coming soon is Other Voices 08 featuring two tracks from Beautify Junkyards on June 10th…
Bit late on posting these as it’s been on for a few weeks but I thought I’d let RSD die down a bit and there’s still time to view the Secret 7″ entries before buying day. As every year, I went along to see what was being cooked up on the custom 45 front. This year they reside in the Sonos building in Shoreditch and the sleeves are displayed until May 1st. On May 2nd they are all up for grabs at £50 each which, this year, goes to Amnesty International UK. There are 700 this year and, if you go, make sure you check upstairs as I nearly missed that half.
Psychedelic stoner rock from Dead Sea Apes with a gorgeous cover by Luke Insect on Sunrise Ocean Bender and Cardinal Fuzz. More info, sound and buy options here
Zyprazol 7″ animation picture disc by Sculpture from Sculpture on Vimeo.
As usual with Sculpture, they just knock things out the park again with this new single/video. More ideas in one second of music and video that most songs in the top 40. Pre-order here.
Czech this out (sorry, couldn’t resist) via Jonny Trunk’s fabulous weekly newsletter comes a trailer for a remastered mix of live action and animated collage from 1958 (!) Think Jules Verne meets Terry Gilliam.
The launch party for Jonny’s new book, ‘The Music Library’, last night was excellent with a bit of celeb-spotting going down (Jarvis, Matt Berry) and a storming reggae cover version set from Jerry Dammers. The book is an expansion of the original version he released 10 years ago, this time with twice as many covers and a nifty, if pricey, slipcased edition with a 10″ record. There is of course a reasonably priced version without either of those two as well, get them both here.
Size isn’t everything but… my third installment for The Vinyl Factory‘s Freaky Formats series is all about odd-sized records – check it out here.
Yes, you read that right, Stolid Seal, not Solid Steel unfortunately as this mix got squeezed out of the selection process due to an overflowing number of guest mixes piling up for the show. I asked Glyn and PK from The Dandelion Set to do a mix last year after the band had played at the Delaware Road event in Reading. To me this is prime SS material and he’s done a sterling job but alas, it wasn’t to be. But, by the miracle that is the internet, you can still hear it and see what you’re missing.
I’ve featured The Dandelion Set before, way back when their releases were confined to digital only, and I’m now pleased to learn that their debut album is coming out on a favourite label of mine, Buried Treasure. It also features the sleeve notes, lyrics & vocals of none other than Alan Moore (surely no introduction necessary?) among others. Inhabiting the worlds of folk, radiophonics, jazz, psychedelia, library music, soundtracks and spoken word, the album is packed with over 20 tracks and enough tricky time signatures to require some very deep listening. ‘A Thousand Strands’ is out April 22nd on CD, LP, cassette (yes!) and download from Buried Treasure. Beautiful cover too
The, by now, ubiquitous Ghost Box post when they release a new record (they’re not paying me, honest). Hintermass – a collaboration between Jon Brooks and Tim Felton – just came out on LP, CD and DL and lovely it is too. Next up is an album by Belbury Poly (at last!), Jim Jupp‘s recording alias which is coming in May. Download these two posters HERE.
The vinyl heads among you may want to jump sharpish over to the Drumetrics store and secure a copy of this gorgeous op art-covered, die-cut triangular picture disc and sleeve (300 copies only). If you don’t know about Drumetrics then you need to visit their site
Sleeve way better than the music
One of the first ever rap records, we all know ‘Rapper’s Delight’, Fatback Band‘s ‘King Tim III’ and ‘Christmas Rapping’ but this is up there from 1979 as well.
German pressing of these two Pierre Henry classics
The Hintermass LP arrived yesterday in all its summery glory, just check out that artwork, good enough to eat. As with all things Ghost Box it’s another piece of Julian House wonder, how he does it I do not know, always different but always quintessentially ‘House’. The music is a new collaboration by Jon Brooks (The Advisory Circle etc.) with lyrics on half the tracks by Tim Felton (Seeland / ex-Broadcast). A mixture of folk-tinged songs and ‘Krauty’ electronica, it’s too early to fully comment at the moment but on first listen I’d say it’s worth it for the last track alone. Listen and buy here
A few weeks ago, when I played the Resonance FM fundraiser at The Book & Record Bar, I gave Zoe ‘Lucky Cat’ Baxter a couple of Ultraman 45s from my collection as a present. I’d picked them up in Japan over 15 years before and had bought them in to an OST show with Jonny Trunk years ago, more to show him the sleeves than to play the music. I met Zoe for the first time there as she has the show before Jonny and she recently reminded me that she was wildly coveting the records back then as she loves East Asian culture.
They’d been sitting in my collection for years, unplayed and unseen, so I thought, ‘why not give them to someone who will appreciate them more than me?’, seeing as we were on the same bill. She’s already put them to good use by including them in an Ultraman special on her radio show and showing off the covers on her Instagram (see above and below). She has a wealth of information on the show and it’s nice to know that they’ve gone to a good home.
Thanks very much to Josh from Posthuman for putting me on his excellent radio show, there’s no chat in this one due to studio gremlins and my mix begins about 58m mins in.
The world’s first ever all 45 Acid mix? There’s a 7 day download link in the comments too
Yes I am biased, as two of my closest friends are part of the group, but, true to the golden rule of this blog – that I don’t post anything that I don’t personally love – this needs to be featured. I was lucky enough to wangle a digital file of the B side, ‘All Hands On Deck’ out of the crew last summer and played it as the last track in a gig in Russia where it finished the night in fine style. An uptempo cut with a triple DJ cut jam between Ollie Teeba, DJ Woody and Mr Thing that should leave scorch marks at any B-Boy jam. You can preview & buy the 45 or DL now from here