I’ve just started helping a friend sort out a basement full to the brim with 20 years worth of accumulated records, books, magazines and assorted ephemera. The task is huge and it will take us months as we can only commit to one day a week at the most. Before we can even dig properly we need to organise it into some sort of order and along the way we’re finding all sorts of things. I’ll share these on here periodically, great, odd or funny cover art and the like, stay tuned…
Records
A full page ad found in the back of Cozmic Comix #6, 1974 and the record it advertised by Robert Crumb.
By complete coincidence The Observer just published an extensive Crumb interview today too.
Back in early 1989 – aged 18 – I was going out with a girl who loved Guns n’ Roses‘ debut album with a passion. Wanting to make something personal for her as a present before her birthday I decided to paint a version of Robert Williams’ cover image from the original album cover (it was later replaced when the group blew up commercially). What I was thinking I don’t know what with the very dodgy subject matter it contained but that’s the fog of love for you.
I’d discovered Williams’ work a few years before via Zap Comix and loved this painting, despite the sexually assaulted woman (lord knows what she’d have thought of it, had it been finished). I set about copying it as accurately as possible in acrylics on a large piece of thick card, primed and gridded out to get the proportions correct. Below are a couple of in-progress shots I found from ’89 and you can see that I was enjoying painting the orange monster to start with. The chrome elements were incredibly difficult (and boring) to paint given the small reproduction I was working from (an LP cover borrowed from a friend, that I still have, sorry whoever has a sleeveless copy from back then).
I’d covered up the lower part of the image, partly to stop it getting dirty as I was generally leaning on the bottom half but mostly because I was still living with my parents and I was embarrassed about the subject matter of the assaulted woman. I wasn’t looking forward to painting that part at all if truth be told but it was integral to the original. As it turned out I never got to because she dumped me about a month before her birthday, any impetus to finish it vanished instantly and it was filed away in an old portfolio.
Over the years I’ve spotted it whilst rifling through the folder, pulled it out a few times and admired the level of dedication I must have had to go to such lengths. I recently shot details of some of the more finished bits to share here, you can see the layers of acrylic paint in parts and I was working with totally inadequate brushes, some with only a few hairs for tiny details.
One day I’ll have to finish it, just so all that work doesn’t go to waste but I’ve no desire to include the stricken woman so maybe I’ll paint something else in her place. As much as I admire Williams’ work – and copying this gave me a next level appreciation of the techniques he used – his depiction of the woman in this piece is the only thing I’m not a fan of.
Finally – for fans of horror soundtracks, library music, hauntology and dark psychedelia – Markey Funk‘s new album is up for pre-order at Bandcamp. Markey has been flying the freak flag for years in Jerusalem and has a wealth of knowledge and record collection to match where out-there music and film is concerned.
I was honoured to be asked to write the sleeve notes for this album, a classic blend of all the genres mentioned above and more, a soundtrack just waiting for a film to attach itself to. Available on LP or DL with extra mixtape or debut album bundles, here are the first images of the finished vinyl. Anyone who enjoyed the Mordy Laye & The Group Modular album, the Ghost Box catalogue or Italian horror soundtracks will love this record.
We’re excited to announce a brand new radio show broadcasting live out of Los Angeles CA, on Friday 6th November, 8pm US PST (4am UK GMT) on the legendary Dublab.com featuring the entire 45 Live Crew!
‘The 45 Live Radio Show’ will be on air bi-monthly which will fall on the first and third Friday of each month. Your host will be soul, funk & gospel connoisseur DJ Greg Belson, and it’ll feature a guest on a rotational basis from the 45 Live elite (full roster here if you want to know who will be featured).
My last album cover (The Search Engine, 4-panel vinyl edition) that I collaborated on with Henry Flint is the first cover you see in an exhibition of record sleeves by comic artists entitled PHONO+GRAPHIC, curated by artist Sean Phillips.
This is a bit of a dream come true for me, to be one of 60 sleeves displayed alongside artists like Brian Bolland, Dave Gibbons, Brett Ewins, Hunt Emerson and Moebius!
It opens next week at the Kendal Museum and will be on until the 20th October, including the weekend of the Lakes International Comic Art Festival. Many thanks to Sean for selecting the cover completely unbeknownst to me until he’d announced the exhibit and framing it so nicely.
Photos taken from Sean’s blog and here’s more info
As if I’ve not been banging on about Divine Styler and Gamma Proforma enough this year, here’s another reason but this time I’m involved in the release. I was asked to remix a track from his last album, Def Mask and chose ‘Pandorum’ which will sit alongside other guests like EVAC (Touchin Bass), Mophono (Liquid Amber), GFQ, Audiosyncracy, Monkphat, Co-Pilot, Auxilary Phoenix, Third Shock & Methodblack. It’s due out Jan 2016 but you can pre-order it here and comes with a Will Barras cover and print. Here’s a preview
Another upcoming Gamma event sounds very promising, this was tweeted today…
“10th Dec 2015, London. Rammellzee – Cosmic Flush Exhibition Ft. Futura, Doze Green, Delta, Ian Kuali’i and more.” Make a note in the diary.
Also don’t forget the 4th part of the 7-release Rammellzee Cosmic Flush album is available to order here featuring a Doze Green cover and a remix from Edan.
Kid Acne delves into his archives for a week-long exhibition at Unit 26 of the Boxpark in Shoreditch this week. For opening times please check the BOXPARK website + join them on October 1st from 6 – 9pm for #FirstThursdays + beer, music, animation and art.
Also out now is a Ltd. Edition 10″ six track EP from Mongrels (Kid Acne & Benjamin). The sleeve is screen-printed by Edna and all 300 copies have been signed, stamped and numbered on the back plus each record comes with a vinyl sticker and lithograph insert. BUY IT here and see the sleeve being made below:
Something to get you in the mood for the 45 Live gig this Saturday at Factory in Plymouth.
All 7″s, no track list yet, bonus point for those that get the title reference without googling it.
After a drought I’m overflowing with mixes at the moment and there’s more to come…
Great post over on Scarfolk this week…
I was very pleased when one of these popped through the letterbox the other day – a present from one of my consistently favourite labels. Ghost Box records are 10 and what does any self-respecting label do when they reach that anniversary? They compile some of the best bits and that’s exactly what ‘In A Moment’ showcases.
Nestling in the credits as well… that’s very serious company to be keeping. The comp is out on 9th October on double vinyl, CD and DL with sleeve notes by Simon ‘Hauntology’ Reynolds.
Obsolete formats: I have no way to play these first few items and already own them in several other forms but I couldn’t resist picking these up today.
The ‘…Pelham 123’ release is a Video disc in a huge plastic ‘cartridge’, bigger than an LP, I originally thought this was the same as the Laser disc system but it seems it’s an earlier, failed format that was read with a physical needle rather than a laser! – more info here.
I was amazed that the Derek & Clive release was even on 8-Track – this one almost as dirty as the audio it contains. The Curtis Mayfield cart is just a beautiful object.
This is Toolshed‘s first ever release from 15 years ago, a 2 track 7″ in a ziplock bag with screen-printed, folded card cover. Toolshed is Graham Massey‘s occasional all-star experimental supergroup featuring the likes of Paddy Steer, Seaming To and many more.
‘Punk Funk’ was my favourite track from The Brotherhood‘s Elementalz album back in the mid 90s and I never even knew this existed on 7″. With a great heavy remix by 12 Rounds (who included Atticus Ross among their members) exclusive to this format it’s probably my favourite find of the day. This particular version is not on YouTube so you’ll have to take my word for it.
Finally found this Psychedelic Furs 7″ with a flexi stuck to the cover, play the sleeve as well as the 45 inside!
This Jona Lewie single is actually only 6″s in size and includes a funny little disclaimer about the realities of automatic turntables trying to play it. Stiff Records up to their old tricks again, strange that they should do a 6″ and a 7″? This one was bought purely for its odd format and joins the tiny ranks of my irregular-sized vinyl collection.
Here’s my new 45 Live image by Paul Trewin aka Sub2 – he’s certainly captured the likeness even if I do look a bit serious. Check his work out here and see the whole 45 Live roster below (including new member Jon More from Coldcut). There the start of a new night in Plymouth on the 26th of this month too with myself, Boca 45, Pete Issac and Francois Parker if you’re in the area. There’s be a new mix from me next week to go with it…
Sad to learn from Jim Thirlwell that artist The Pizz has passed away. He was of the Ed ‘Big Daddy’ Roth school of custom cars and monsters, very much in the vein of Robert Williams, Savage Pencil and the whole ‘Lowbrow’ movement. I’ll always remember him best for the Steroid Maximus and Garage Monsters artwork he did for Jim.
I’m very pleased to announce that the Frankie Goes To Hollywood box set I co-designed last year with Philip Marshall and Ian Peel for Union Square Music has just been nominated for an award in the ‘SPECIAL CATALOGUE RELEASE OF THE YEAR’ category in the AIM (Association of Independent Music) awards. We’re up against Oasis, Bjork, Imogen Heap, The Pretty Things and the Cities of Darkscorch boardgame – fingers crossed. Regardless of whether we win or not it’s also been announced the Ninja Tune HAVE won the ‘Innovator Award’ so well done Matt, Jon, Peter and everyone involved in the label.
The fabulous Jane Weaver has a new digital single out in the form of ‘Mission Desire’, one of my favourite tracks from last year’s album, ‘The Silver Globe’. Check the video for it above too, featuring French cartoon Marie Mathematique which serves as a trailer of sorts to a forthcoming DVD on Finders Keepers. There will be a split 7″ arriving soon shared with another Bird artist: Cardiff’s Tender Prey.
Also just released and already on the turntable is an offshoot recording, ‘Neotantrik Globes’ – teased at the end of ‘The Amber Light’ 2xCD extended album. It’s a 1-sided LP with an ambient collage recorded live late last year by Andy Votel, Suzanne Ciani, Sean Canty and featuring Jane’s vocals and other parts from the record.
Big News! I’ll be present at the inaugural 45 Live night at Factory in Plymouth on September 26th alongside Boca 45 and Pete Issac. You know the concept by now, all vinyl, all 45s, all night. That doesn’t just mean Hip Hop, Funk, Soul and Latin either, I’ll be chucking in plenty of Psyche, Rock, Beats, Pop, Electronica and Acid too.
I’ve been away for the last four days at Camp Bestival with the family but it looks like biggest news of the weekend is this monster. The Rammellzee ‘Cosmic Flush’ project just gets better and better and is shaping up to be release of the year if it continues like this. Here’s the blurb: “Part 4 in Rammellzee‘s Cosmic Flush project brings together Doze Green and Edan, two heavyweights who need no introduction. Pre-orders are now live, limited to 500 copies with 250 signed print editions.”
An absolute gem of an album recently surfaced on Trunk Records – ‘Galactic Nightmare’, a kind of low budget War of the Worlds first released on cassette in 1986 and now transferred to a double vinyl album with gatefold sleeve, printed inners and extra art. There’s a nice story behind it on the Trunk website and I love that GN logo above – so 80s. Only 500 copies on double vinyl, sold out on the label website but they have digital if that’ll do you. A real special one-off as only Trunk can do, look out for it, here’s a short preview…