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Yesterday I finally had time to go back to the Pure Evil Gallery to take some photos of the work in situ, I didn’t have time on the night as there were too many people and we didn’t finish setting up until the last minute. There are a few reviews online of the show by Contemporary Talks, Scraffer and Inkymole with one promised by Art Review too.
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The day had finally arrived and the first problem to be solved was the audio/video one, re-exporting wasn’t an option as there wasn’t the time so I decided to copy both parts to an external hard drive and just hope Charley (Pure Evil gallery owner) had enough kit to play both back separately. Next was the name cards, they were printed but had to be mounted on foam board and then cut out, also there was the matter of framing one of the postcard records I’d made specially for the show. They’d arrived the week before but, with the planetarium gig and others, I’d not had time to put them in for a mount to be cut so that they could be framed. I tried several different backgrounds but decided in the end to just screw the card to the wall and hang a frame around it sans anything else.
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Anyway, time ran out and I left for the gallery, when I got there it was looking fantastic as Charley and Molly had done a great job with the painting and hanging, just the AV thing to sort now and, with the help of Aneek and Mark, who I’d met through Matt Black, we set about trying to find the best combination with the laptop we had. Downstairs was a little stark so the guys hired in oil projectors and it was nearly time to open when we finally got the audio and video projection to synch. The Ninja staff had arrived to set up banners, beer and merch tables but no sign of Henry yet as he’d said he’d be there around 6pm with a box of forty ‘Broadcast’ books.
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Just time to frame one final piece that I’d found and give the pictures a wipe before people started coming in and a queue quickly formed to buy the postcard records. As with every event like this, the rest is a blur of beer, catching up with friends and people asking questions, all the while keeping an eye on the artwork, straightening the odd picture or resetting the audio. Matt Johnson popped by with his girlfriend, Nathaniel aka Natural Self turned up, Matt Black from Coldcut and Pete Quicke, Ninja Tune label manager, with his boys in tow. Tons of friends I’d not seen for a while and a few I knew but had never met in person too. Steve Cook, Rian Hughes and David Hine turned up to represent the comic contingent and soon Steve was tapping me on the shoulder to tell me Henry had arrived. It was great to finally meet him in person as we’d only ever emailed before and he is the nicest, most unassuming guy you’ll ever meet, so good to meet your heroes and not be disappointed.
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The whole thing went on way past 9pm and, right at the end, Mat Ducasse from Skylab, an old friend of Charley’s, dropped in having jut played a 6 minute gig round the corner. Drunk and on cloud 9 with relief that it had all come together, I staggered home and watched the new Noel Fielding luxury comedy which was just what my addled brain needed after the previous four days. I crashed out, only to be woken by a steaming hangover at 6am before getting ready to go to France for two more gigs.
Thanks to everyone who helped out to make it happen and came down to have a look and wonder what it was all about. Most of all I’ve got to thank Charley and Molly at Pure Evil, Will Cooper-Mitchell for his outstanding photos of me in the astronaut suit and of course, Henry Flint, for his amazing artwork which kicked all this off and his continued help and support (donating personal work for the event). Also thanks to the various people who let me use their photos here: Matt Black, Steve Cook & David Hine but if anyone else has shots I’d love to see them.
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It’s on for three more weeks, the last day is Feb 12th and you can pre-order the gicleé prints there, including two which are exclusively available from Pure Evil during the exhibition – ‘Octopus’ (from the ‘Magpies, Maps & Moons’ cover) and ‘Beats Per Second’ (from the ‘Shape Of Things That Hum’ – below). These are both editions of 33, come signed by the two of us and anyone can order via the web or phone too, you don’t have to go to the gallery personally. The previously released prints are on sale too, including the new ‘Cosmonaut’ one featured on the album cover that made its debut last week, plus limited copies of Henry’s book, ‘Broadcast’, which features the original drawings and tons more – on sale for £12.99 which is a bit cheaper than retail price.
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In addition to the prep for the Pure Evil gallery exhibition I was playing at the Pepe Deluxe album launch party at the London Aquarium on Monday night, mixing water, sea and surf inspired music before and after their ‘Queen of the Wave’ LP play back. Out came everything from Jaws, James Bond and The Deep soundtracks to Led Zep’s ‘The Ocean’ and Deep Purple’s ‘Smoke On The Water’. The gig was held in the Ship Wreck Room which has a whole wall of glass looking into a giant fish tank populated by all manner of sharks, fish and three huge Easter Island heads. It was fun to play to an audience who didn’t make requests and gently bobbed their heads to even the most obscure surf soundtracks.
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I finally met Jari and Paul too (Pepe Deluxé) and they gave out mini books containing all the album companions they’d been posting on their site a well as nice little lunch boxes for the post-work crowd to chew on.
Not only is their new album, ‘Queen of the Wave’, (finally) out today but they have a new mix on this week’s Solid Steel too which you can listen to and preview some of the album right now. Buy it here (physical) and here (digital)
There’s also a great grindhouse-esque trailer for the record to give you some sound AND vision – seriously, you need to hear this album, it’s going to be a love it or hate it affair but if you love it you’re going to LOVE it. If you liked ‘Spare Time Machine’ then this is a worthy successor but also even deeper in detail, it takes a fair few listens but will have you humming tunes out of the blue before you know it.
In case you hadn’t already guessed, I love this band and record.
[youtube width=”640″ height=”380″]http://www.youtube.com/watch?v=0gDZn7Klb1c[/youtube]
I’ve heard this album, every track a winner, check the cover art and video preview above. www.djformat.com
The 2 minute postcard records I’ve made specially for the Pure Evil Gallery opening on Jan 26th have arrived 
They are a thing of great beauty and I couldn’t be happier with them. 30 copies only and they will retail for £8 each at the show with any left over available from me direct via this site.
The fidelity isn’t going to win any awards but it’s better than some recent postcard records I’ve acquired and the track is an exclusive ‘discovery’ version of ‘In Orbit Every Monday’, only available here. If you want to make your own there’s more info on where to get these beauties made, and other sizes and formats too. Contact Kenneth Winkler: www.vinylpostcards.com/ or on Facebook: www.facebook.com/Vinylpostcards
The sequel is here (you know, the one everyone loves the most), new SW-themed 2 track 7″ with attached vintage figure. Also, if you missed it last time, they’ve repressed the first Rave Wars. Be quick, 200 copies of each only, more pics when I get mine in the post.
New Demdike Stare release – ‘Elemental’ on Modern Love. The package is a quadruple sleeve with two gatefold sleeves glued into each other, designed by Andy Votel. The first two 12″s of four are included on orange and purple vinyl.
There’s a podcast based on the release too:
Demdike Stare – Irrational Advice by modernlove
New compilation of tracks on Fat City from the out of print ‘Vintage Voltage’ mix by Andy Votel, one of my favourite mix CDs of recent years. If you like analogue electronics, moogs and vocoders then this is for you.
Absolutely love this cover, from the 70’s font to the kaleidoscoped imagery. Now-Again do it again, more beautifully packaged and immaculately researched music unearthed, this time from India. I don’t know anything about them but you can read, see and hear more HERE.
Lush.
Want.
Now.
etc.
After months of ‘will it be in this issue?’, I’m finally in the Christmas issue of Record Collector magazine (with Led Zeppelin on the cover), in ‘The Collector’ article and it was worth the wait. For the first time I can remember they’ve gone from the usual two pages to three to accommodate the ‘Wall of Sound’ photograph Steve Cook took specially (full image above).
I’m so pleased with this and I get a chance to show off some prize pieces from my collection. Several items mentioned aren’t shown because of space but I’ll be posting some of them in the ‘Originals’ posts on this site all week.
Noah Uman put me up on this when I visited him in NYC at the radio station WFMU. I knew about the album as it’s a favourite but not the 45 promo with excepts and lock grooved B side. Noah has been hard at work reissuing the original album and kindly asked me to write a quote about it for the liner notes.
Full preview of ‘Prey’, the track I did with JG Thirlwell aka Foetus / Steroid Maximus / Manorexia / Clint Ruin / Wiseblood etc. etc. on my new EP. To say I’m happy with this is an understatement, it was a huge honour to get JG’s contribution after being a fan of his for over two decades.
DJ Food – ‘Prey’ feat. J.G. Thirlwell by Ninja Tune
In 2002 I remixed his track ‘Suspect’ from the album ‘Flow’ (still one of his best) for the compilation ‘Blow’. Instead of payment I asked for either a remix or a guest vocal on a future project and it took nine years to call in the favour. JG came to the UK in March this year and we agreed to meet up at Matt Johnson‘s place as I had tracks for both of them. I spent a hugely enjoyable morning chatting with them over tea, talking about everything from the state of the music business to The Monkees.
This was one of those tracks that came together incredibly fast and, upon delivery of the vocal, I had to make very few changes to anything, just a slight rearrangement of a vocal here and there. An instrumental, retitled ‘Beast of Prey’, will be available as a bonus on the Japanese CD of ‘The Search Engine’ in December.
The third 12″ EP and download, are out today at the Ninja shop and all other good retailers. You get a 5 track EP, full colour inner sleeve and wrapround A2 sized poster with it (see above).
The album, ‘The Search Engine’ – as I’ve already posted, is also up for pre-order now at the Ninja shop in a multitude of formats, not least the limited version with art book and flexi disc for a cheap early price.
Lots of exciting news to announce soon too…
The gorgeous Ghost Box 7″ Study Series continues with a double header from Pye Corner Audio with The Advisory Circle – out in two weeks, pre-order it here.
I really like the look of this so pledged an amount, they are still a way off their target with only 6 days to go, maybe you can help? It looks like a great film. More info over at the Kickstarter page for the film, lots of different rewards for pledge amounts including a 7″ record, T-shirt and even a private party for the top pledges.
Love this cover of JRocc‘s new single, artwork by Gustavo Eandi.
I recently came across a couple of new postcard records, people are suddenly reviving old vinyl pressing techniques the likes of which I never thought I’d see again. The first one was by The Stepkids, a massive favourite of mine after only one album, on the excellent Stones Throw label, and came free with online orders of the new record. It’s a short exclusive track called ‘Bitter Bug’ and the grooves are cut right into the cardboard so the sound quality is not far short of dirt (but that’s not the point, it looks great).
The second one I chanced upon on Facebook and is the creation of Markus Oberndorfer as part of an art project called Lenscape#02 for which he created 33 copies. I was lucky enough to secure the last copy and the difference between this and the Stepkids one is that the grooves are cut into a transparent slice of plastic and the postcard is fixed to this.
I have several records like these and most get filed along with the flexi discs I collect as they are usually 5 or 7 inches in size and square. These postcards are, well, postcard sized and have the space to write a name and address on the back.
The incredible line work of Henry Flint from the inner sleeve of the ‘Magpies, Maps & Moons’ vinyl.
The 12″ EP and download, out Nov 7th, is available to preview and pre-order at the Ninja shop.
Henry’s book of ‘doodles’, ‘Broadcast’ is supposed to be released today but is still on pre-order at Amazon.
The Magpie Music mp3 treasure hunt continues today with the second mp3 available on a certain site, use your search engine to find it.
The first segment, ‘Finders Keepers’ was here, pretty close to home, the second won’t be so easy.
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Equinox Records out of Berlin have been around for a while and they currently have a sale on in their shop so I recently hoovered up some bits I fancied. The packaging and design aesthetic of the label is very strong, being overseen by the label head Gunter Stoppel aka DJ Scientist. There is a look of unbleached card, circular designs, B&W inner sleeve photography and a multitude of formats including colour and clear vinyl, 5″ and postcard records, cassettes and other oddities. It’s a varied roster, mainly concentrating on instrumental beats and electronica with a heavy leaning toward Hip Hop and sampling. Of course I would be first to recommend 2econd Class Citizen but the new David Vangel album is excellent as are releases by Davinci and Deckard amongst others.