On May 1st 2020, in the midst of the first lockdown, I quietly started my online label, Infinite Iklectik. Like most people at the time, I was housebound and in the midst of a mass of creative activity now that all the hours of the day were mine. I was also about to turn 50 and thought it would be good to have my own label online by the time I turned half a century. The reason for creating a label of my own? I’d built the first version of the four-armed Quadraphon turntable the summer before and been recording all sorts of material on it to test it out.

Created through simultaneously playing vinyl records with multiple locked grooves (infinitely looping single grooves) with four needles and then patching the individual channels through an FX pedal to build and alter rhythmic tracks, there was hours of audio to go through. Having time on my hands I’d slowly been editing down the jams to their highlights, careful to keep track of which records I’d used for each one. Now was the time to give them a home and Bandcamp was the most obvious place to easily host files that I had no intention of releasing in a physical format but wanted to see the light. Being that this material is very different to the music I release as DJ Food – and also the fact that I’m signed to Ninja Tune under that name – I elected to create a series of pseudonyms with a nod to the turntable more than anything to play the part of the various groups that would be signed to my label. It’s fun to play label manager, artist, designer, A&R and PR agent all on your own, I could do anything I liked without having to refer to others to sign anything off, guess I am a control freak sometimes.

I uploaded seven releases on May 1st and a further Four Tet remix a month later and then nothing… Other work got in the way (not least three albums under the DJ Food, Celestial Mechanic and The New Obsolecents monikers) plus artwork duties and further improvements to the Quadraphon which would take another two years to complete. With a gig earlier this year at the Ramsgate Music Hall I started rehearsing and recording in earnest, again amassing a huge array of material, you can record albums worth in a matter of days with this thing. Anyway, to cut a long story short, three years on from the initial label debut I’ve readied a batch of releases which will be released monthly, the first being this Friday, May 5th, which is coincidentally my birthday.

Forthcoming releases:

The keen-eyed will notice a new name on the list; jamesinreallife is from New Zealand and has unknowingly been working along the same lines as me with his own device for years too. I hadn’t intended to release anything but my own music on II but when he sent me some of his first recordings it was too good to ignore. More about him in time, his release is a way off yet and there’s much to discuss there. Anyway, here’s a short clip of the Ramsgate gig where I’m remixing the locked groove side of Four Tet’s ‘Sixteen Oceans’ LP live. I’ve been posting more clips on my Instagram and YouTube channels too.