Interesting. Trailer is here, could be fun with the kids but my god the music is bad.
Check these out, Kid Acne has unearthed a pile of his old ‘Council Pop’ LPs and given them a makeover inside and out, added new material and more. He’s got them on sale in a very limited edition over here in a package that includes an extra disc of instrumentals and a customised ‘Radio Music’ 12″, the original single from the album. Three customised discs in an edition of 33 for £33 plus postage – bargain.
He made this 10 years ago with fellow artist Req One and it’s a possibly one of the most honest British rap albums you’ll ever hear. Totally unpretentious, Ed writes about what he knows and sees on the street rather than pretending it’s all about bitches, bling and being bad, he’s more likely to rap about dogs, dracula and going down the dole office.
Below is the piece Ed and Req One did that features on the back of the album cover.
http://www.djfood.org/wp-content/uploads/2013/06/BOC-Semena-Mertvykh-2-web.mov
I decided that the imagery in the Boards of Canada video I made for ‘Semena Mertvykh’, in the post before, was all wrong. Whilst both being excellent clips, the tone was over-bleak with too much grey and black and there wasn’t any warmth in the film. This track has really captured me from the new ‘Tomorrow’s Harvest’ album – it’s dark and bleak but there’s warmth, hope and beauty there too, an incredibly hard thing to pull off. I thought it deserved a different approach and decided to make a new edit using the opening scenes from Richard Stanley‘s 1990 film, ‘Hardware’.
http://www.djfood.org/wp-content/uploads/2013/06/Semena-Mertvykh-web.mov
This Thursday is a special one-off night that Josh from Posthuman and I came up with called ‘A Few Old Tunes’. This is a Boards of Canada-inspired night of music and visuals that we’ll be doing alongside Tom Central and Mach V at Catch on Kingsland Road. It’s free and we’ll be playing BOC and various things that either inspired them or that they inspired from 8pm until 2am.
The video above is something I edited up this morning using footage from Mischa Rozema‘s ‘OFFF Barcelona 2011 Main Titles’ and a film called ‘Forgotten Places’ by Zac Boyet, both sourced from Vimeo, over the final track from ‘Tomorrow’s Harvest’, ‘Semena Mertvykh’.
This week’s Solid Steel has a definite African slant and I kick things off with a mix of music I call ‘Afreaka’. Percussion heavy funk with a tribal feel, from Madlib sample grabs to Malcolm McLaren or Eno & Byrne‘s imagined ethnic soundscapes. For part two we welcome Melt Yourself Down into the guest slot for a whole world fusion of flavours from Ali Hassan Kuban to the Mad Decent stable.
The band release their debut album on June 17th via the Leaf Label after a trio of killer singles that fuse post-punk Pigbag skronk funk with acid electronics. Catch them on tour across the UK right now with a must see live show that recently ripped Jools Holland‘s ‘Later’ show a new one. Check out their site for date, music and merch.
Jon More fills the Solid Steel 25th slot with a mix of African music proper. Over the past quarter of a century, if there’s one continent that has been well represented since day one, it’s Africa. Coldcut have always dug deep into it’s rich musical heritage and Jon More displays another fine selection of Afrobeat and African inspired music. There’s Bala Miller from Nigeria, Alemayehu Eshete from Ethiopia and Julien Babinga from Congo, plus music from Ocote Soul Sounds, Shina Williams and Troubleman.
There’s 3D graffiti by the likes of Delta, Daim, Toast, Made 514 and Replete but I think the King must be Italy’s Peeta. Check out this personal selection or look at even more over on his site.
Damn! Any regular reader of this blog knows that this combines two things I dearly love. There are 5 Lego maps of the London Underground on display around the capital until the end of the summer. More details and locations over at BuzzFeed.
Josh from Posthuman put this excellent little compilation of clips together for to Boards of Canada-inspired night we’re doing next week. Attack magazine have just posted a feature with quotes and anecdotes from Josh, Tom Central, Mach V and myself about why we’re doing it and what we find so special about the world BOC have created and, in turn inspired.
Check this new track out by Toronto’s David Vangel. It closed out the forthcoming ‘Counter Future’ compilation on Berlin’s Equinox label, the third in their series of Sound Exposure showcases. It’s called ‘I Heard you Sing’ and it’s beautiful, there is a video but I would recommend just listening in headphones with the lights down or eyes closed and imagining your own private visions.
Those lovely people at Beat Delete have put the mix PC and I did alongside DJ Krush in ’97 – ‘ColdKrushCuts’ – up for a 3LP repress. Originally only available on CD, (aside from an ultra limited 2xLP version in Japan) they have set a 200 copy limit to be reached before the pressing is closed of which a third have been filled as of writing. Weirdly I only posted about the origin of the ‘The Bug in The Rug‘ sample from the same mix two weeks back.
Beat Delete have steadily been adding other labels to their repress roster too, you can now find selections from Tru Thoughts, KPM (The Big Beat!), Fat City, Mr Bongo, Brownswood, Leaf, Catskills, Ghostly International and Celluloid amongst others. I’m also in the process of curating a compilation of special oddities, offcuts and overlooked tracks for a possible future pressing with them.
A very special mix went up yesterday on the Solid Steel Soundcloud, something we’ve been angling for for months now and finally the stars have aligned perfectly. On the eve on the release of Boards of Canada‘s new LP, Peter Serafinowicz, actor, comedian, musician and voice of Darth Maul himself, has provided us with a BOC-inspired mix including some of his own compositions as well. It’s a beautiful collection of tracks and a perfect accompaniment to the albums which is hitting UK letterboxes all over as I type.
Also not to forget DK opening the show with his usual style and grace and another lovely guest mix from First Word artist Yosi Horikawa on the eve of his album release.
Here’s a trailer I put together to give a flavour of what’s in ‘The Search Engine’ full dome show, of course you can’t get the real surround sound feel of the dome but you get the idea.
To celebrate the release of the new Boards of Canada album and – purely because Josh from Posthuman and I would really love a space to play their kind of music all night long – we bring you ‘A Few Old Tunes’. We’ll be joined on the decks by Tom Central from Keep Up! and Mark Van der Vord on visuals.
The premise is simple: occupy the upstairs room of Catch on June 20th for a night of music and film by or inspired by Boards of Canada. Don’t worry, it won’t be back to back BOC, we want this to be more than a 1 band love-in. Expect plenty of Ghost Box, electronica and hauntological material with a fine set of suitably degraded visuals to go with it.
Looks like Boards of Canada and Warp will be streaming the new album this Monday night, 9pm GMT, via their site.
We went back to ’89 last week for United States of Audio‘s De La Soul ‘3 Feet High & Rising’ tribute mix and this week we slip another year to ’88 with Robin from Hexstatic. For this week’s Solid Steel 25th guest mix he takes us on a trip to Clink Street in London Bridge, here’s why…
“1988, 25 years ago, and the ‘Summer Of Love’ in London, little did I know how much this street would come to mean to me. An explosion of new music, new headspace, new ideas. The birth of Solid Steel on Kiss FM. It is highly coincidental that driving from the suburbs up to the infamous Clink Street raves for the first time we were listening to that exact show on the radio. To Borough, and down a side street,… at the time nobody went to this area. You could park your car on a double yellow all weekend and not get a ticket. And so into Clink Street, the RIP nights, run by Mr C and his merry cohorts. The sound here was always a bit ‘darker’, heavier beats, stripped down music and decor, the strobe and smoke. This place was definitely about the dance,..you couldn’t really hear anything but music and see anything but your hands in front of your face 
Evil Eddie and Kid Batchelor were my favourite DJ’s at the time and I’m pretty sure Coldcut played there too? Little did I know. The Jungle Brothers even came down once to do a PA of ‘I’ll House You’. They looked pretty bemused. There’s a video of it on Youtube somewhere, with Mark Moore jacking at the end. Skip forward nearly a decade of dance and I’m back in Clink Street, Winchester Wharf, a few feet opposite Clink prison, at Ninja Tune HQ, talking to Matt Black about animations for their forthcoming album. Who’d have thought it. I spend a fantastic few years there and later teamed up with Stuart (Warren-Hill) as Hexstatic, we hire our own studio in the building and embark on the task of making an AV album with a couple of pocket calculators. The building was great, full of music and arts people coming in and out all the time, (David Byrne and Jean-Jacques Perrey just dropped in once!) I was signed to a label, travelling and working with people who I greatly admired. I go past now and again. It’s luxury flats and a bloody Starbucks now 
“
To the music. We start with Nitro Deluxe and a track that bridged the gap between eclectic clubs like the Opera House and the start of Acid House, a few years old but was still getting played years later on the scene. Cultural Vibe’s ‘Ma Foom Bey’ had such a heavy slow sound, coupled with the African chanting it was the first time I’d heard a mix like this,..early Tony Humphries on the cut. Next up Sueno Latino, the first ‘Balearic’ track I came across, it would always send the floors into a trance wherever it was played. ‘Voodoo Ray’ was arguably the first UK ‘Acid House’ record, it sounded so fresh when it came out, fusing an almost ‘electro’ sound with the 303, people would always dance a certain way to that record, freaky like. Another UK record and Baby Ford’s ‘Oochy Koochy’, this was the straight up sound of the early scene to be sure. Next, one of several from Todd ‘The God’ Terry in his ‘Black Riot’ moniker. I loved this record so much I danced to it in a car park in Kingston once. ‘Big Fun’ was termed ‘techno’ on release,..seems funny now,..but it was also a big hit in the UK, Inner City even shot the video in London to capture the vibe of the time. Fallout’s ‘The Morning After’ had that lovely, slightly melancholic vibe that always felt refreshing, especially early in the morning. Think Tank and WestBam, were those freaky records that would spin everyone out,..turning to a friend with a massive grin and gesturing,..”what the hell is this?!”. Jungle Brothers get their ‘House’ in order next and then into more Todd product with a reworking of the classic ‘Weekend’. Next, the all time hands in the air anthem of anthems, ‘Let The Music Use You’ just brought a super smiley, almost spiritual vibe to dance floors,..I think most DJ’s tried to judge the ‘peak’ moment to drop it,..matey Next up, probably my favourite proper ‘acid’ track of all time, Bam Bam’s ‘Give It To Me’,.. 25 years later I still can’t decide if it’s pure genius or complete rubbish, followed by two more ‘Acid Trax’ classics from Charles B and the mighty Adonis. Stakker next and the video game sampling ‘Humanoid’, another track with that distinctive UK sound, fusing break beats with acid and crazy samples that later spawned FSOL. KC Flightt bringing a hip hop vibe to house without the cheesy ‘Hip-House’ tag and into another mix of ‘UK centric’ elements with the Afro Acid mix of Mory Kante’s ‘Yeke Yeke’,…and we finish on the upbeat sound of Longsy D and the reggae acid of ‘This Is Ska’,..yes mate.”
This era (or slightly later) was highlighted by Vice magazine in a surprisingly non-smug fashion when Clive Martin wrote an article on the YouTube comments made by partygoers under classic rave anthems. Read the comments under his article as well. We didn’t think about it at the time, same with music in the 90’s, it was just everywhere, classic after classic release, week after week. All of these tracks stand up there with any of the acknowledged Rock and Pop classics we’re constantly bombarded with on radio and in the press. I wonder when the music magazines are going to wake up and start writing features on these artists and their legacies rather than recycled the smallest piece of information on the Beatles, Stones, Who, Dylan, Hendrix et al into features for eternity?
Beautiful new video and song by The Heliocentrics from their new album, ’13 Degrees of Reality’ on Now Again. The video reminds me of old Len Lye animations, make sure you watch it in HD for the best quality. It was done by Plastic Horse apparently.
Many times I’ve been asked what the origin of the story of ‘The Bug In The Rug’ was, a spoken word piece that was overlaid in the ColdKrushCuts mix that PC and I did in 1997. Until recently even I didn’t know where it came from because the original source was one of PC’s inclusions, possibly sourced from Jon More‘s record collection.
Patrick took a monologue from this record, ‘Four Dreams of Man’ by Dr. John Furbay, heavily edited it and laid it over Hex‘s track, ‘Harmonic’. The record is a kind of lecture and motivational speech about man’s place in the world released on Lecture Recordings in, I guess, the early 60’s.
This is my copy, it’s actually signed by Furbay, who was an international traveler and speaker at many schools, institutions and companies. He believed the world was getting better and could foresee greater integration of different races and cultures in the future. You can hear the original section of the mix below, the speech starts about 2.10 mins in.
I did this on Friday night because – for purely selfish reasons – I wanted the original to go on longer. It’s ‘Reach For The Dead’, the first track made available by Warp Records from the new Boards of Canada album, ‘Tomorrow’s Harvest’. The album is out on June 10th and you can pre-order it here.
“Now waaaaaiit a minute!” People are really pulling out the stops for the Solid Steel 25th year anniversary guest mixes at the moment. Last week Gilles Peterson not only made a Brit Funk mix but also a special video promo to go with it.
This week though, sees the return of United States of Audio aka Dave Trigg with what I’m already calling ‘Mix of the Year’. Riffing off the same idea as our ‘Paul’s Boutique’ reconstruction last year, he takes on De La Soul‘s classic ‘3 Feet High & Rising’ LP. I’ll turn it over to Dave for the explanation:
“Several years in the making (well it’s an idea that’s been knocking around for a while anyway!), and including around 100 tracks, this is my personal tribute to De La Soul’s ‘3 Feet High and Rising’. Using original sample sources, album tracks, interviews and rarities, ‘How High’s The Water Mama’ tells the story of one of hip hop’s most influential albums.
When De La Soul’s debut album dropped in 1989 I was ten years old. Yet, by some stroke of amazing good fortune a cassette copy of ‘3 Feet High and Rising’ found its way into my hands thanks to my best mate’s older brother (though I’m pretty sure said brother had no idea of this fact!). The music was a revelation and had a significant influence in shaping my musical tastes – in fact I can’t think of any other album that has had such a profound effect on me as this one. Thus ‘3 Feet High and Rising’ holds a special place in my musical affections. Now, some twenty-five years after its original release, it’s time to pay my respect to Pos, Dove, Mase, and Prince Paul…”
The pace and flow of this mix is a masterclass in how to put songs together and the ease with which he balances the sonics of a huge number of vastly different genres can only have meant hours of mixdown time. The reconstruction of the ‘Cool Breeze On The Rocks’ section is worth the price of admission alone (with a great nod to Solid Steel too). It gives a fresh take on ‘3 Feet…’ and reminds you of how many great songs they recontexualised within it. It’s also a history lesson, with interview segments where the band talk about the making of the album, the hippy tag and the sample lawsuits.
This is the one to beat in 2013. Also, in a bizarre coincidence, the latest issue of Wax Poetics features De La talking about the making of the very same album.
If you haven’t already pre-ordered then go here.
