Transformers 3

I don’t know where to start, I really don’t. I don’t usually do film reviews and was never particularly into Transformers as a kid so there’s no ‘Michael Bay raped my childhood’ angle here but I thought I’d try and put something down about the film I’ve just seen.

Early reviews suggested that it was ‘epic’, ‘long’, ‘laughably acted’ and ‘better than the second one’. It’s all that but it’s only just better than the second one, that not being difficult because that episode was the most confused, disjointed, stupid, insult to the intelligence since Charlies Angels 2. To start with some positives: it has possibly the best cgi work I’ve ever seen, just amazing stuff, tens of robots and ships in some scenes, all believable, fitting right into the enviroment. The sound design is amazing too, really noticeable as it was in 7.1 where I saw it. The robot design is still as intricate and fussy as you like but they’ve discovered weathering finally, especially on a battle damaged Megatron, who is back with half his head missing after the battle in TF2.

Right, that’s got the plus’s out of the way, on to the negatives. Where to begin? Acting: bad all round but everyone looks like an ageing thespian next to the wooden-ness that is Rosie whatshername, the underwear model who looks like a Barbie and somehow got a leading role in the summer blockbuster without an ounce of charisma. I was wondering why she didn’t speak in any of the trailers and now we know why, every time she opens her mouth it’s like we’re transported from a blockbuster Hollywood film to a school play. It doesn’t help that she has some of the lamest dialogue as well as one line that should go down in history as one of the worst ever in film.

Plot: why does everything have to be so complicated? Why does Sam always somehow get involved in these situations through seemingly random occurrences? Lightning might strike once, maybe twice, but three times? So many scenes and characters could have been edited out of this film and none would have been missed, the story would have gone on it’s merry way. Sam doesn’t need to be in it, Barbie doesn’t, she just provides a reason for him to do stuff amongst the robots, we certainly don’t need his parents or another autobot comedy duo either. We don’t really need the army troops on the ground, as they generally run about completely ineffectually or scout things out until Optimus arrives. I’ve said this before and I’ll say it again, no one goes to see Transformers for the humans, they go for the robots, they’re the stars. The sooner someone realises this and takes people out of the equation the better, the cgi robots can out-act half the cast anyway. But Optimus, ah Optimus, the most righteous, downright dull robot ever, there he goes again with one of his speeches about ‘freedom’ – yawn. At one point a soldier comments. “Why do the Decepticons get all the good shit?”, when some fighter or rocket ship bursts overhead, and you do find yourself rooting for them over the good guys as they at least have some personality.

Where was I? The plot: space race, autobot moon crash, dark secret, space gate, cannisters, Sentinel Prime, military hiding stuff, Optimus pissed off, Sam needs a job, parents visit, girlfriend’s boss has the hots for her, John Malcovich, strange japanese guy knows about Sam, Japanese guy gets killed by a Decepticon, Chernoybl, earthworm Decepticon, CIA, Africa, Sam and hotty have a bust up, cue comedy ex CIA guy and his butler to get involved, chase on a freeway, army, hotty gets kidnapped by her boss who’s in with the bad guys, space gate opens, Decepticons invade, fighting, shouting, comedy autobots, Sam and parents have a chat, ex CIA agent goes to Russian bar, Sam HAS to go into an alien invasion war zone to find his girlfriend and the army help him because ‘they killed one of my buddies’, soldiers jump out of a plane, soldiers run up a building that’s falling down, building falls down, they have to get to a bridge, find camera in the rubble, Barbie and Sam have a hot link to the CIA and tell them what’s happening, soldiers run up another building so they can parachute out again, Optimus battles then gets caught up in some rope, cannisters bring Cybertron to earth, more shouting, Barbie has a chat with Megatron, Sam fights Starscream but can barely kick Barbie’s boss’ arse, Optimus gets free and has a big battle, Sam and Barbie love each other in the middle of a warzone and have a little joke.

But getting back to the plot – there really isn’t one, everything is so rapidfire that you barely have time to register a flippant remark about ‘we’ve got three marks on the screen, closing fast’ before you’re plunged into some fight or chase scene with a random bot who you can’t recognise unless he’s Bumblebee (Yellow and Black) or Optimus (Red and Blue). Every scene seems to be either an action sequence or a lame attempt at comedy with the occasional line of dialogue threading it all together. At one stage there’s a scene of Optimus and Sentinel Prime talking in what looks like the outback of Africa, then we’re back to Chicago. Bay rams the pedal down and cranks the volume up to 11 from the off and it’s all you can do to keep up. There is no dynamic at all, no soft and slow to balance the fast and loud, just a massive race from one set piece to the next with zero tension. The film is the equivalent of an audio track that’s been compressed and brickwall-limited into an oblong waveform.

I found it so hard to enjoy the good stuff simply because I was reeling from either a jump cut from elsewhere or some useless scene that need never have been in the film in the first place. Watching it is like being repeatedly punched, spun round, amazed and assaulted whilst having lame jokes thrust upon you for 2/3 hours. The 3D is nothing to write home about, in fact the film has some of the worst ghosting in parts that I’ve ever seen, really shoddy compositing. So much is happening in each scene, as well as rapid edits, you never get a chance to focus on the 3D much. Another thing was the beginning, where they included original 60’s news footage to show Kennedy implementing the space race. Intercut with restaged, retro-styled footage, both artificially grained and clean, the artificial grain looked cheap and nasty and didn’t match the original footage at all, more like a cheap Final Cut Pro filter, the whole thing just didn’t work.

All in all a massive let down but marginally better than the second, which isn’t saying much. Here’s a short film on the sound design of it all to end on a positive.

Posted in Film, Robots. | 4 Comments |

Transformers 3 posters

Going to see Transformers 3 at the Imax on Friday (after TF2 I’m not expecting much but, giant robots in 3D can’t be ignored). Here are two variants on a poster that will be given away at the Arclight cinema, Hollywood for the midnight screening tonight. The artist is Jesse Philips and the gold variant will be available to buy sometime Wednesday online.

Augustine Kofie in the UK

Finally Augustine Kofie will be making it to the UK and showing work in two shows, one in Glasgow, one in London. First off he is part of ‘Rudimentary Perfection’ with work by: SheOne / Duncan Jago / Jaybo Monk / Matt W. Moore / Poesia / Nawer / Derm / Morten Andersen / Mark Lyken. It’s at the Recoat Gallery 323 North Woodside Road, G20 6ND,  Glasgow and opens July 1st.


The second is Scream presents West End Rebellion, a group show featuring urban and contemporary artists including;
Faile, Retna, Banksy, Futura, Swoon, KAWS, Giles Walker, Aroe, Antony Micallef, Adam Neate, Os Gemeos, Herakut, Chaz Bojorquez and Shepard Fairey. At the Scream Gallery, 34 Bruton Street, London WIJ 6QX, UK and it also opens July 1st and runs for a month.

More info on both HERE

Posted in Art, Event. | No Comments |

Cutting and mastering

Spent the day at Soundmasters in Latima Road, West London, cutting my third EP before the album gets compiled. Kevin Metcalfe was again in control and Aaron Thomason aka 2econd Class Citizen came down to oversee the track we had collaborated on. It all went well until the Analogue to Digitial converters started playing up, causing a drop out as we were cutting the actual disc. I had to leave before the end but I’m assured it won’t be on the final cut. Here’s a few shots of the mastering room, the kit and cutting the disc.

This is the third of three EPs which will form the DJ Food album proper, this one totals about 27 minutes over 5 tracks. That means I have nearly 90 minutes of music to choose from for the album, some tracks from the EPs won’t make it, four from the previous two EPs have been reworked or remixed so will be in different states when it’s all finished. I’m mastering these four next week and then compiling a running order for the CD which will be all mixed, with the downloads as separate tracks.

 

Posted in DJ Food, Music. | No Comments |

Unarchiving old work

I am periodically asked by Ninja to find designs and artwork for old releases as they’ve been lost over time and they need to repress them. In order to do this I have to go through an ever lengthening process as time and technology marches on.

First of all I have to find the files amongst folders of CDr‘s

Then boot up an old G4 Powerbook that has the classic environment installed, the file formats are too old to be read by current Mac’s.

Transfer the files onto the laptop so that I can use the Extractor program to decompress them, hoping they haven’t corrupted in the ensuing years.

Bounce the files back to the Mac Pro and open them in Freehand 10, making a note of any fonts or files that haven’t been archived with the set.

Find said files and fonts, reload them and open the files.

Cut and paste the whole lot into InDesign to tweak and make print-ready for today’s environment. There is usually a bit of work to do as old files never convert exactly, certain details have changed over time (address, distribution etc) or things need tidying up as my design skills were lacking back in the day.

Convert to a Postscript PDF for the printer

Sorry for possibly the most dull post ever but I’m sure some designers will sympathise.

DJ Food – 3rd EP finally finished

It’s been a productive week for music, I finally finished the 3rd EP in the trilogy that will make up my album. Plus the cover version of The The’s GIANT featuring Matt Johnson on vocals that I’ve literally been working on for years. The keen-eyed among you will also have spotted that Matt’s friend and sometime musical collaborator, JG Thirlwell appears on one track too.

I have one more track that I’m reworking from a previous EP to finish for the album and then I have to sequence it all for the CD version and do artwork. Also next week I am remixing Loka for the first single from their second LP, due out this autumn on Ninja Tune. 2econd Class Citizen, whom I collaborated on this EP on one track, has also turned in a remix for this which is a nice touch.

Posted in DJ Food, Music, Ninja Tune. | 5 Comments |

Smash Hits & The Kraftwerk Kollection

I’ve been waiting for this issue to crop up on Brian McClosekey‘s excellent ‘Like Punk Never Happened’ blog – the 1981 issue with Adam Ant on the cover –  one that I strongly remember, being mad about anything with an Ant attachment at the time. Brian posts complete issues of Smash Hits, every two weeks, 30 years to the day they were first published and he’ll continue until his collection stops. The pages are viewable via Flickr and are slowly forming an excellent time capsule of late 70’s and 80’s pop, in context, as it happened. I was eleven when this was published and 1981 was Adam Ant’s year, he was everywhere, from the pop charts to TV to the daily newspapers. He looked and sounded great, gave good copy and they couldn’t get enough of him.

Another page in this issue caught my eye later on though, a half page advert for five Kraftwerk albums. They had a freak number one in the UK with ‘The Model’ in February 1982 – a traditional post-Xmas quiet spot for record releases. It seems Phonogram were eagerly flooding the market with reissues of their back catalogue at this point though because they’d just released the Computer World album. When I first saw the ad (obviously, re-reading the mag later) I thought, “What? how can they have five albums?”, little knowing that there were another four at least to add to this list. Unfortunately none of these made it to my local record shop but I did manage to get copies of ‘Computer World’, ‘The Man Machine’ and ‘Trans Europe Express’ – all on cassette – the latter of which I took back to the shop, complaining to them that the tape only had one track on side 2 when it listed four. Again, little did I realise all four tracks segued into one so there weren’t any breaks in between (!) I love the way they’ve spelt picture with a ‘k’ in the text and my god do I wish I’d been old enough to see them on that tour.

Posted in Kraftwerk, Magazines, Music. | 3 Comments |

Crazy scenes at the last ever Mixed Bizness

I played in Glasgow last night as the special guest at Boom Monk Ben‘s last ever Mixed Bizness night at the School of Art. After my 90 minute AV set Ben played the final hour and the crowd went progressively crazier until he ended with Beck’s ‘Mixed Bizness’ (what else?) and a full on stage invasion. Predictably ‘one more song’ was requested to which he responded with Chaka Khan’s ‘Ain’t Nobody’ at which point there was full on crowd surfing! Another stage invasion occurred and demands for one more ‘one more song’ were granted by Roots Manuva’s ‘Witness’ and the place erupted. I think Ben feared the whole table and laptop were going to be pushed over at one point from the amount of people on the front of the stage and behind the decks.

It was a great end to years of regular nights Ben has been doing at the Art School, which is due for renovation and will be closed for at least 2 years while they rip everything out. The week before, I did a phone interview with Shaun Murphy for Mixed Bizness about the forthcoming show and my forthcoming album, which you can listen to here

I stayed in the lovely Citizen M hotel when I was there which is full of great designer furniture by the likes of Panton and Eames with compact rooms that resembled Japanese pod hotels.

Posted in DJ Food, Gigs. | 2 Comments |

Jon Brooks – Music For Deiter Rams

I don’t know how he does it but here’s another one from Jon Brooks on Café Kaput. “Every sound on this record, from the melodic sounds to the percussion, the atmospheric effects to the bass lines originates from the Braun AB-30 alarm clock.”

Listen and buy here

Posted in Music. | No Comments |

RIP Martin Rushent

Martin Rushent, the man behind The Human League‘s incredible ‘Love and Dancing’ remix album from 1982, has passed away.

Rushent described working on Love and Dancing during an interview in 2007:
“The dub mixes started because we didn’t have time to do ‘B’ sides, We’d send Virgin Records a track and they’d want to rush-release it. I’d been listening to Grandmaster Flash and played it to Phil (Oakey). He liked it so I suggested doing a remix of “Love Action” by chopping it up and adding effects, then we could get Virgin off our backs!

When it was all finished I had four or five remixes. Phil wasn’t sure about releasing them on an album and left me to make Love and Dancing on my own. It was mixed on a board, so I had the multitrack of Dare feeding in, a Harmonizer on send one, delay lines and phasers everywhere and I’d flick it about. I’d do a section and if I liked it I’d make a tape cut and splice it in. There were thousands of edits on the master and it took forever to do.”

This album was a major inspiration when I was young and continues to be today. Synth pop twisted and remixed before the genre really existed and any rules were set in stone. This predated the Art of Noise and Trevor Horn‘s remix frenzies and, I’m fairly certain, could probably lay claim to being the first remix album. Certainly one by a chart-topping band at any rate.

Posted in Music. | No Comments |