Out today, Ollie Teeba‘s first solo album, a LONG time in the making, finally here and it’s a banger. Check out this snippets mix, full of cameos from the likes of Jean Gray, Ghettosocks, the Soundsci crew of course… full of quality tunes with a Darrell Krum cover to boot. Get a copy here, very limited vinyl.
UPDATE: – Digital now online HERE
Techno DJ Colin Faver has died, best known for his Abstract Dance radio show and club night, Knowledge. His and Colin Dale‘s shows on a Monday and Tuesday night on KISS FM in the early 90s were essential listening. It was there that I first heard the Aphex Twin and the emerging UK electronica scene amongst all the other great Hardcore and rave tunes. A pioneer.
I only just saw this, a teaser of just some of the moments during the Empire Strikes Back Secret Cinema event. I’m back there this weekend, playing both nights and the run finishes at the end of the month so be quick if you still want to go. I’ll be dropping a special SW-centric mix before that to commemorate this amazing spectacle.
Some lovely designs popping up on Andy Votel‘s twitter feed for festival appearances this summer, hope Jane tours that Belladonna rescore. There are still a load of radio shows I need to catch up with over on their Soundcloud.
Wish this was real, not sure who it was created by as I found it via Dave Taylor on Facebook and he didn’t know either so please leave a comment if you know as I can’t tell from the signature – there are a few good ones floating around the web including this one below by Paul Hostetler. UPDATE: the image above is by French artist Obion.
I’ve not done a comics round-up in a while and I don’t think I’ve bought an issue of Heavy Metal (well, not a current one) for over 20 years either. But the Jack Kirby cover on this months issue made me pick it up and plenty of the other content inside was a pleasant surprise. What with Grant Morrison promised as editor in future issues then it might be time to return to it.
Brandon Graham and co. continue to redefine what comics can be with the anthology title, Island and issue 3 of 8House with some of the most fantastic art by Penalta, part Moebius, part Geof Darrow.
These three titles from Mike Mignola‘s Hellboy universe are always on the pull list. B.P.R.D. is a fully functioning title of its own now with most of the main characters absent from its pages but enough slow-burn story line to keep me hooked. The Ape Sapien spin-off is still good and finally going somewhere, there’s going to be one almighty pay-off soon, I can feel it. And here’s the annual issue of Hellboy (in Hell) from Mike although we are promised another before the year is out. It’s great to have him back on the art with this and no doubt it will run and run as Hellboy wanders the different levels of the Underworld.
I dithered on Low when it first came out but recently read the first 6 issues in the trade and it’s excellent, so now I’m catching up with the monthlies. The world has been irradiated and mankind has gone underwater to survive with various warring factions, cities and more, the art is gorgeous and it’s a fresh take on a dystopian scenario.
This Damned Band is a fun re-imagining of a 70s rock band (Led Zeppelin basically) told in a Spinal Tap-esque documentary style with the feigned Devil worship more real than a fashion pose and East of West is always on the list along with Black Science, Saga and Ody-C. Other series’ in various stages of completion not featured: The Surface, Nameless, Empty Zone, Lady Mechanika, Kaptara, Space Riders and Sandman Overture. Roll on Xmas for the beginning of the end of Brandon Graham’s Prophet epic too after a wait of a year.
Seeing as today has been turned into *ahem* ‘Force Friday’ by the powers that be here’s a Tie-Fighter from the new Hasbro Star Wars toy catalogue. Still iconic.
Here’s my new 45 Live image by Paul Trewin aka Sub2 – he’s certainly captured the likeness even if I do look a bit serious. Check his work out here and see the whole 45 Live roster below (including new member Jon More from Coldcut). There the start of a new night in Plymouth on the 26th of this month too with myself, Boca 45, Pete Issac and Francois Parker if you’re in the area. There’s be a new mix from me next week to go with it…
We continue the Japanese theme this month with several releases from the Far East. One of Japan’s biggest cultural exports to these shores in the 00s was Nigo whose Bathing Ape clothing empire was an instant underground hit before spreading to the mainstream via people like Pharrell championing it. One of the first to latch on it in the UK was James Lavelle who released several Nigo-fronted records on Mo Wax and many crossover products in Japan from compilations to clothes to toys.
A common ground for both in Nigo’s homeland was the monthly style and culture magazine Relax which featured Bape wear heavily and even had a regular ‘what’s happening’-style page from Lavelle called LTD. EDT. at one point as well as many features on Mo Wax artists. Like a lot of magazines of its ilk it usually came with a high quality free gift (I’ve bought magazines with a wallet by Delta and a Bathing Ape mirror!) and flexi discs were given away too. I have two such discs, both by Nigo with collaborators, the first here given away with issue 36 in 2000, a mellow version of his ‘Kung Fu Fightin’ release produced by K.U.D.O. of Major Force.
Two issues earlier Nigo had teamed with another Mo Wax alumni – Money Mark – for ‘Relax Dub (Part II)’ . I’ve no idea where you can hear the original or Part 1 but it was again produced by K.U.D.O. with both discs nestling inside custom Bape die-cut covers. There were only two flexis to my knowledge although there was a Bape mini-CD included with the mag a year later. I think Relax ceased publishing in 2006 but it held the kind of ‘style-bible’ respect of The Face magazine over here, covering music, art, fashion and underground culture from around the world with themed issues containing exhaustive research and excellent photography.
Back over in the West we had Dazed & Confused magazine which – keeping with the Mo Wax connection – included a Money Mark flexi with issue 42 in 1998. The flexi disc was pressed at Eva-Tone in the US (the UK’s main flexi manufacturer Lyntone having closed down in 1991). It featured ‘Trust’, taken from his Push The Button album of the same year and is the only flexi that Mo Wax released. Unfortunately none of this audio is freely floating around on YouTube or the like and seeing as these artists are contemporaries I don’t really want to be putting their material up here from my own recordings. Mark’s LP doesn’t seem to be available in digital form from the usual outlets but he’s giving his 1st album, Mark’s Keyboard Repair away free on his website. Nigo’s Ape Sounds album is available on iTunes.
Sad to learn from Jim Thirlwell that artist The Pizz has passed away. He was of the Ed ‘Big Daddy’ Roth school of custom cars and monsters, very much in the vein of Robert Williams, Savage Pencil and the whole ‘Lowbrow’ movement. I’ll always remember him best for the Steroid Maximus and Garage Monsters artwork he did for Jim.
Beautiful posters for Expo 67 in Montreal I discovered at various places online – just stunning.
Cliff Robinson has been knocking out some stunning Judge Dredd pieces for 2000ad over the years and the cover of The Mega Collection #15 (on sale now) is another – a similar riff to a Mike McMahon cover for 2000ad back in the late 70s. He’s also recreated another McMahon, complete with surrounding graphics, below for a commission some years back. Keeping with the homages he referenced the poster for Clint Eastwood vehicle ‘The Gauntlet’ for the Lille Comic Con poster recently too.
My good friends, Sarah ‘inkymole’ Coleman and Leigh Adams have made a short film about working creatives called Stupid Enough (the reason for the title becomes evident when you watch the film). They talked to friends in a multitude of different creative industries about how they work and each give a glimpse into how they started, got to the position they now occupy and impart their personal knowledge of how to make it on your own in worlds with few rules or guides. I feature alongside rapper Sage Francis, director Gareth Edwards, gallery owner Jonathan Levine and more and its got some great advice buried in it.
Interviews were conducted over a period of six months in New York and at locations around the UK, including a Bristol barber’s shop, gallery space; a Manhattan apartment, hen-filled workshop, steamy kitchen and Battersea Park. Where possible, they filmed people in their working environments – and any background noise was just part of the atmosphere on the day.
It’s being premiered at creative event ‘Schmiede’ in Austria, on Thursday 10th September, and shown again at a historic cinema ‘across the river’ near Salzburg on Sunday 13th September.
The film was made with the purpose of touring it to colleges and universities here and abroad, presenting and engaging in lively discussions about the nature of creativity in business, and installing (hopefully) enthusiasm and optimism among people about to embark on their creative careers. If you are a lecturer or tutor; student president or keen student about to enter your final year and want to show the film – then let them know, they are reaching out to these educational sorts over the next few months.
A double whammy of flexi’s from Japanese band Plastics this week courtesy of Steve Cook who gifted me these from his excellent collection before heading for the sunny climbs of LA in a few weeks time. It’s not often you see a full colour ‘picture disc’ flexi but that’s one right there (pressed more than a little off-centre it must be said). Given away free only with UK copies of their 1981 album, Welcome Back, they cover The Monkees with a bizarre bontempi version of ‘Last Train To Clarksville’. As with the first track on the disc, ‘Paté’, the band come on like an electropop ‘Rock Lobster’-era B-52s with a bouncy, slightly hysterical style that relies on a minimal drum machine to propel them along. Here’s a live version with the top lyric, “Chinese ping pong big pink tits”.
The gold ‘Diamond Head / Peace’ flexi was given away free to customers at record shops like Our Price in 1981 to help promote their Welcome Back album, in the same manner as the Joy Division and Durutti Column flexi’s I featured last week. In the early 80’s music papers, journalists like Tony Mitchell in Sounds were pushing Japanese techno pop as a new fad and record labels were clamouring to sign and promote these acts for a moment off the success of bands like Yellow Magic Orchestra. Plastics fitted the bill although were far from serious or sombre, ‘Diamond Head’ sounding not far off Piero Umiliani‘s ‘Mahna Mahna’, made famous by the Muppets meeting Devo.
Another Japanese band, Spoozy’s, covered ‘Diamond Head’ on a Plastics tribute album in the late 90s and made it into a fantastic surf rock tune.
A year is a long time but when you’re working for the love of it and trying to pull together nearly 40 artists and writers to make a free comic that showcases the wealth of talent in the UK for children’s comics it can go in the blink of an eye. A year on from the first issue Moose Kid is back, helmed by Jamie Smart (who draws Bunny vs Monkey and Looshkin for The Phoenix amongst other things).
Among the old faces back from issue one like Gary Northfield (Gary’s Garden, Julius Zebra), Tom Paterson and Alan Martin‘s Young Tank Girl there are new faces too. Jonathan Edwards and Felt Mistress contribute a photo story of their character Tippy and one newcomer, Aisyah Stevens, is only 15 and was discovered at a Moose Kid comics workshop last year. You can read the new issue, as well as the first one, for FREE over on the Moose Kid website. Any parent with children who love comics should read this and, like The Phoenix, no adverts, no tie-ins to films, computer games or TV shows, all original content.
A new record from Ghost Box is always a cause for celebration on this blog but this next one is actually celebrating their 10th anniversary so congratulations are in order. It’s a double album of highlights from the back catalogue on CD and LP with thirty one re-mastered tracks, heavy with The Advisory Circle, The Focus Group and Belbury Poly as you would expect. Graphic design as ever is by Julian House and extensive sleeve notes are by music writer, Simon Reynolds (who coined the term ‘Hauntology’).
Only one track is new – from the forthcoming Hintermass album – and you can hear clips from the compilation here. They promise a double CD with booklet or gatefold LP with DL code. Available on 9th October 2015, (pre-orders in the Ghost Box shop from 19th September). I’m really looking forward to listening to this in one sitting, from one of the most consistent labels out there and a constant inspiration.
Love the psychedelic background, the way Brian has signed ‘Lewis’ bottom right and just look at that 3D op-art typeface on the book cover below. I found this book for £4 in the Notting Hill Book exchange last week after being alerted to it by members of the Brian Lewis fan page on Facebook.
A real oddity of a book, cobbled together under different themes with random images from artists as diverse as Giger, Achilleos, Burns and Foss etc. held together with a narrative from Harrison. Several Star Wars concept paintings by Ralph McQuarrie feature as well for some reason and Lewis illustrates several weapons from the film as well. Here’s another image by Brian that was posted on the group, taken from David Kyle‘s ‘The Illustrated book of Science Fiction Ideas & Dreams’, Hamlyn 1977.
Original zoetropes made by Reuben Sutherland of Sculpture, approx. A5 in size. Each animate at 45 or 78 rpm on a turntable viewed through a video camera at 35 fps and a fast shutter speed.
Don’t miss Jonny Trunk sitting in for Jarvis Cocker on his BBC 6 Music Sunday Service from last weekend. It’s available to listen to (region permitting) for another month or so and is well worth it. Photo by Eilon Paz from the Dust & Grooves book launch party in London last year. The record was a John Rydgren Silhouettes 45.