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What a week it’s been, after the planetarium shows on Thursday 19th, straight off to gigs in Amsterdam and Brighton on the Friday and Saturday and back home for a brief respite on Sunday. Monday 23rd saw the release of the album in Europe (Feb 7th in N. America) and final preparations for the show opening with Henry Flint‘s work at the Pure Evil Gallery in Shoreditch. I’d done a fair bit of framing over the Xmas period so some of the larger pictures were ready but there was still a lot of smaller pieces to finish and the show to hang. In addition to this I was playing at the Pepe Deluxe album launch party at the London Aquarium that night (see upcoming post for more). It was an early finish (mercifully for a Monday only 9pm) then it was back home to try and get some more done for the exhibition but I had to give up after half an hour as I was falling asleep.

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The first setback was on Tuesday morning when I picked up the huge front cover image from the framers and realised that it just wasn’t going to go in the car. That would have to wait another day while I worked out how to get it there. The rest of the day was spent at the gallery with the owner, Charley and his assistant Molly, working out where to put things, audio and video considerations and lighting.

When I returned that evening I still had a load of framing and mount cutting to do and ended up pulling an all-nighter to get it done. As I set off for another day at the gallery, after less than 3 hours sleep, I set the audio visual piece off rendering and figured it would be done by the time I got home. The problem of the huge picture was solved by hiring a cab driver I know with a Range Rover to deliver me and the last batch of pictures to the gallery, even then, the picture only just fitted inside. Second setback was upon arriving at the gallery I found it all locked up and no answer on any phone numbers I had. After waiting an hour in the car, dodging traffic wardens with the meter running, texting and calling everyone who I could think of with no joy, I phoned my agent whose office was down the road to ask if I could drop the pictures at his place.

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After doing that and a quick post-planetarium meeting to go over future options I went back to the gallery to find Molly and Charley there apologising profusely. Turns out Charley had to go to the American Embassy for a visa and had to leave his phone behind in the office, Molly had had a little too much to drink the night before and didn’t have my number but all was fine (although Charley got refused a visa, despite living there in the past). We’d lost the morning though and there was still a lot to painting to do where the walls had images in the past that needed covering up.

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Also there was the fact that all my pictures were sitting down the road but luckily Ninja had sent an intern up to help and we took three trips back and forth to ferry them all to their intended destination. By the end of the day we’d nearly got it all in place or had an idea where it was going. I got home to find that the AV file was still rendering and set about designing the title cards for each piece now that I knew exactly what was going in the show. Eventually the AV piece finished after 13 hours but had inexplicably only rendered the video, not the audio. Shit, I tried all sorts to embed the audio or re-export it but was so tired I was falling asleep at the machine (again).