Mixcloud Select 163: Solid Steel Beats From The Backburner 08/09/2003

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A very funk and beats-orientated set from 20 years ago starting with the Quantic Soul Orchestra featuring Alice Russell where I’m cutting the Melle Mel line, ‘Don’t push me’ from ‘The Message’ in and out. The Hieroglyphics consisted of Del Tha Funkee Homosapian, Souls of Mischief and more and ‘Let It Roll’ comes from their second album, ‘Full Circle’. The Good Dr Rubberfunk now lives in my hometown of Reigate weirdly and his Bossa For The Devil was always a favourite whilst DPF was on Ninja-affiliated hip hop label Son. DJ Revolution and Sinbad’s turntable face-off is genuinely hilarious in places as well as jaw-dropping technically, a turntablism track which invites multiple listens. In the wake of the ‘sexed-up’ Iraq dossier the country was on the march and unhappy about being dragged into a bogus war alongside the US. I took Color Me Badd’s ‘I Wanna Sex You Up’ and cut up a load of news footage over the top to tell the story, it’s an obvious idea but I’m still pleased with it.

Returning to normality we get a version of ‘The Champ’ by the Skatalites, J Rocc cutting up breaks and then two P Brothers Heavy Bronx joints in succession. For me, The P Brothers perfectly channelled a specific period of 80s hip hop that I love and gave it an extra dose of grit. Never slavishly retro and using many UK MCs, the only others to do it so well were Edan and DJ Format. Pest’s gloriously wonky ‘Already Said’ is still one of those Ninja Tune oddities of the era and then we’re back for more J Rocc and a very slick breaks cut up by Cut Hustlers which may or may not have had something to do with DJ Razorcuts but I’m having trouble finding info on it. It features Statler and Waldorf – the two old men from the theatre box in The Muppets – which is why it leads into DJ Streetsahead’s brilliant 1987 remix of Was (Not Was) where they also feature and was the first time I heard the break from ‘Hot Wheels (The Chase)’ cut up.

MS163 PRS 2
Booty Babes’ mash up of Britney over the Massive Attack-sampled ‘Mellow Mellow Right On’ by Lowell will be an ear worm for the rest of the week with 100 Strong’s sensual ‘Brain Busy’ complimenting its laid back vibe perfectly. I added samples and scratches about hitting and crying over the chorus to mirror the vocal, at one point tracking two different scratch patterns, one for each ear – I had more time back then, pre-kids. Aesop Rock’s ‘Freeze’ was a Blockhead-produced cut on Def Jux but then things take a bit of an odd turn with Backini’s electro swing ‘Company B-Boy’ which hasn’t dated too well. I do love that Andrews Sisters sample though, mainly because of its inclusion in Art of Noise’s ‘The Army Now’ but the whole thing goes on far too long. Luckily there’s the bizarre humour of Kid Koala awaiting us at the other end and the low end ‘Caravan’-sampling skank of Galaxian’s ‘Fresh’ to finish but the set drags at the end I felt, could have stopped around the 50 minute mark.

Track list:
Quantic Soul Orchestra – Pushin’ On
Hieroglyphics – Let It Roll
Dr. Rubberfunk – Bossa for the Devil
DPF – Yadda Yadda
DJ Revolution feat. DJ Spinbad – Head to Head
Flexus – I Wanna Flex U Up
Skatalites – Champ
J Rocc – Play This (one)
P Brothers – Ich Nichten Lickten Das Mark Evans
P Brothers feat. Lee Ramsey/Donald D – Rock The House
Pest – Already Said
J Rocc – Kashmere Bonus Beats
Cut Hustlers – On The One
Was (Not Was) – Spy In the House of Love (Streetsahead mix)
Booty Babes – Mellow Me
100 Strong – Brain Busy
Aesop Rock – Freeze
Backini – Company B-Boy
Kid Koala – Stompin’ At The Savoy
Galaxian – Fresh

KLF 23 Seconds To Eternity DVD

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KLF and Justified Ancients of Mu Mu watchers will have been excited by the news a few weeks back that not only had Bill Drummond and Jimmy Cauty delivered their entire recorded output to the British Library, warts and all, for the public to trawl through at will but they also announced a DVD of most of their film and video work which will be released in November. This is exciting enough but I was tickled to see the cover of the DVD featuring their classic ‘T Speaker’ on fire at night which bore more than a passing resemblance to a couple of the fake KLF posters I made back in 2003 to accompany Mr Trick‘s and my mix, ‘The Sound of Mu(sic)’. I messaged Jimmy and he confirmed that it was the inspiration which is mighty fine by me :). With the transferral of the KLF Re-enactment Society to the hands of fans (an online repository for any KLF-related homages or fan made artifacts) could this be the first case of a re-re-enactment instigated by the band I was spoofing?

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Mixcloud Select 162: Solid Steel Beatles 09/12/2002

MS162 CDRA slightly Beatles-themed start to this short set from late 2002 gives it its name – kicking off with two then-current mash ups, the mysterious white label 7”, ‘Bad Production’ and Avril Plays The Beatles. The former pairs ‘Come Together’ with Mary J Blige’s ‘Family Affair’ and the latter glitches up ‘Because’ and adds beats – two of the better examples around at the time when the internet was awash with such things. Incidentally I was just watching a video about AI mash ups and I think we may be on the cusp of the next iteration of the mash up although this time round they’ll be ‘original/unreleased’ tracks by artists no longer with us in every style conceivable. The Future Sound of London turn in a suitably Beatles-esque remix of Robert Miles, sounding more like their Amorphous Androgynous alias which isn’t surprising seeing as they had reactivated it in full psychedelic mode earlier in the year.

An at the time unreleased Sixtoo instrumental is up next with dialogue from a DJ Shadow interview about digging over the top as well as a snatch of Alvin Lucier’s ‘I Am Sitting In A Room’ – which prefigures its usage on my own Raiding The 20th Century mix some two years later. Suktekh’s ‘Privacy’ is a beautiful, brooding Rhodes piece from his ‘Fell’ LP and JG Thirlwell’s Manorexia alias is reactivated for the spooky ‘Canaries In The Mineshaft’. Boards of Canada’s ‘From One Source All Things Depend’ was a bonus track on the Japanese CD of Geogaddi and liberally samples children talking about God from a Tony Schwartz’s The Sound of Children LP. Food was/is a jazz group fronted by Iain Ballamy and ‘Freebonky’ is from their second album, Organic & GM Food which I have to admit that I down to for the gorgeous Dave McKean artwork. The William Burroughs dialogue comes courtesy of Steinski’s ‘Audio Collage 6’ which was on a Cdr of his work he’d given me when I visited him in New York. Finishing up is 80’s Baby, a vaguely horrible concept which seeks to recreate popular songs in a sickly-sweet twinkly lullaby style to play to your child at bedtime. Various different eras were covered and on the 80s edition was a version of Gary Numan’s ‘Cars’ which I thought I’d run the original under in the distance. George Carlin rants about cars and driving over the top just to ram the message home.

Track list:
Bad Production – Bad Production
Avril plays The Beatles – Becoz
Robert Miles – Paths (FSOL Comic Mix)
Sixtoo – Untitled
Suktekh – Privacy
Manorexia – Canaries In The Mineshaft
Boards of Canada – From One Source All Things Depend
Food – Freebonky
Steinski – Audio Collage 6
80’s Baby – Cars
Gary Numan – Cars

Mixcloud Select 161: Solid Steel Boat Party Session 25/10/2004

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Back in 2004 when DK and I had our monthly Solid Steel night residency downstair at Ruby Lo in the west end we decided to put on a boat party for the end of summer. I think it was DK’s idea and he wanted to have a door price that included a free BBQ on entry which was to be served from the deck while people came on board. I won’t post the terrible flyer I made at the time but it did contain the line ‘All hands on decks’ which made me laugh. We co-opted our wives to help serve alongside James Mountain (Solid Steel DJ and Ninja employee at the time) and provided a load of burgers, hot dogs and salad for people our of our own pockets. DJs on the night were Dean Smith (on the top deck whilst food was served), James, Matt Black, PC, Harley Harl, DJ Yoda, Diplo (then still relatively unknown but fast rising as a star in his own right), DK and myself.

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Harley Harl and James Mountain (Solid Steel)
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Matt Black (Coldcut)
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DK (Solid Steel)
The boat we booked was on the dock on the North side of the Thames and the owners were a tad shady, so much so that when we started admitting people it was obvious that other people were coming on board without tickets and going to another part of the boat we didn’t know about. When confronted we were told that there was another private party on board and that it would be Ok, no one would cross over but we knew this was BS. Too late, the party had started and the deck was filling up and the weather was great for a late summer evening. The place was packed and there were three rooms, a main one and a more chilled one plus a couple of bars, at one point we gave everyone free lollies too. The set here is mine from the main room, complete with crowd noise and scrappy mixing but if you imagine a cramped top deck cabin with 100 or so sweaty people crammed in then you get the picture.

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PC (DJ Food)
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DJ Yoda
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Yours truly (DJ Food)
I think I was on either before or after Yoda but sadly missed most of his set as I had to sort stuff out with the food side of things. We had a problem with Diplo as he was flying into the UK that afternoon and coming straight to the boat to play and with no contact we were winging it as to whether he’d turn up in time or not. Luckily he did, literally minutes before he was due to play and proceeded to turn out a storming set – phew! DK went to see the boat owners afterwards to sort out the money and we ended up not having to pay for the boat hire as a result of all the nonsense with the other party – they certainly must have made a fortune on the bar that night anyway.

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Me and Diplo on the boat, it was sweaty!
MS161 PRS

Photos by Elisa Parish, Graham (Fraser?) and another unknown photographer.

I’m not going to go through every track as there are many classics here most will know – keep an ear out for the switch up out of ‘Tour de France’ into Roni Size though – that was a moment. I loved this era of DnB, loads of fun, heavy rolling beats, synth bass lines and pop vocal hooks – check the Britney bootleg. I know Pendulum fell off but ‘Another Planet’ will always be a monster tune for me – never failed back in the day. The Carmel of ’Nujazzkiller’ isn’t the British jazz artist but a one-off on the Fluid Ounce label for 2002.

Track list:
Stas – Solid Steel Intro
Double Trouble – Live At The Amphitheatre
Sugarhill Gang – Rapper’s Delight
Beastie Boys – Triple Trouble
Beastie Boys – Triple Trouble (Graham Coxon mix)
The Chemical Brothers – Leave Home
Boom Bip – Cords Will Be the Death Of Me
Quantic feat. Spanky Wilson – Don’t Joke With A Hungry Man
Awkward – Plug Me In
Gang Starr – Play That Beat ’99
Double D & Steinski – Lesson 1
Steinski – Ain’t No Thing
West Bam – Monkey Say Monkey Do
Think Tank – Hack One
Carmel – Nujazzkiller
Ty – Wait A Minute (acappella)
Brass Incorporated – At the Sign of the Swinging Cymbal
The Beatles – Taxman
Beck – New Pollution
Kraftwerk – Tour De France
Roni Size feat. Rahzel – Out Of Breathe
Kayne West – Jesus Walks
DJ Shadow – Walkie Talkie
Rodney P vs Roni Size – Trouble (Roni Size remix)
Britney Spears – Toxic (D n B mix)
Pendulum – Another Planet
Tribe of Issachar – Junglist (DJ Zinc remix)
Mark 1 – Hoovers & Spraycans
Supergrass – Kiss of Life (Tom Tom Club remix)

September Infinite Illectrik release – Multitrack Tonearm Unit

ii014 cover
We’re missing ii13 this month, not for superstitious purposes, just jumped ahead to ii14 as it’s ready now.
A meditative 2-tracker from the Multitrack Tonearm Unit is September’s release, both recorded earlier this year during rehearsals for the show in Ramsgate.

Of course, today is Bandcamp Friday where 100% of revenue generated over the next 24 hours goes to the artists or labels and BC doesn’t take a cut. If you want some recommendations here’s my Buy Music Club list for September with some releases I’m into at the moment as well as a few pre-orders – I have a track on the Buried Treasure comp; an edit of a previous Infinite Illectrik release. Balkan Vinyl/I Love Acid is having a big sale to make way for new release – go here to see what they have. Next month we welcome a very special newcomer to the label for ii13 – more on the 29th. Below is a variant of the cover image that I particularly liked and wanted to show.

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Zodiac posters by Bruce Krefting, 1969

Zodiac Aquarius-Pisces
In my periodic searches for graphic material from the late 60s I came across several sellers on eBay offering these long zodiac door posters from 1969. Designed by Bruce Krefting, printed by Wespac Visual Communications Inc. from San Francisco and standing at 70 inches tall, they form an impressive set of psychedelic typographic designs. Wespac was one of the printing houses that sprung up at the end of the 60s in San Francisco and they produced a number of psychedelic black light posters as well as these. I’ve pieced these together as best I could from various sources on the web but it took a long time to find these in any kind of decent quality. July (Leo) and Nov (Sagittarius) have so far alluded me in any kind of usable quality but I’ll add to the post if I find them.

Zodiac Aries-Taurus Zodiac Gemini-Cancer Zodiac Libra-Scorpio8-12 Zodiac Virgo Capricorn credit 2 Credit

Mixcloud Select 160: Strictly Kev Solid Steel set 12/11/1995

MS160 USBThis set is extracted from a longer recording with PC on the decks before and after me, recorded near the end of 1995. The file comes from a huge caché of shows given to me by Paul Johnston and I’ve yet to fully go through them to see what I have or don’t have on his list. Paul has had a couple of mixes featured on Solid Steel over the years and they are always packed out with hilarious samples and a ton of work. He kindly shared his stash of shows with me so that I could fill in some gaps, thanks Paul. Here’s one he did back in the day – Smoke Filled Adventures

Kicking off with some Alec Empire from his Low On Ice album and a fine piece of twisted filter breakbeat, followed by some excellent unknown acid trip hop – I’d really like to know what this is but it would require a deep dive into the record collection – anyone know? Some vintage Orbital with the opener from their second album appears and then we splice into a break and cello track that again I can’t recall. DJ Food’s’ Spiral’ from the then-current ‘A Recipe For Disaster’ album plays out and I’m trying something with the intro of Mantronix’s ‘King Of the Beats’ and the pitch control over this but thankfully don’t overdo it. Another unidentified snatch of cut up party business is up next and this sounds like something from DJ Smash or the AV8 label from overseas but I can’t find anything after a scour of Discogs. The use of Doug E. Fresh’s “well it started off on 8th Avenue” from his classic ‘The Show’ is the main signifier.

Public Enemy’s excellent ‘You’re Gonna Get Yours (Dub / Terminator X Getaway Version)’ is next and rumour has it that the Terminator didn’t exactly do the cuts on this but it was the Kings of Pressure’s Johnny ‘Juice’ Rosado who was also connected to the Bomb Squad. David Holmes’ ‘Slash The Beats’ has Kooner and Burns of the Sabre of Paradise’s production fingerprints all over it and is a version of the track ’Slash the Seats’ without the acid line and spoken word. Instead I add the acappella to PE’s ‘Bring The Noise’ (starting on the wrong beat!). Air Liquide’s ambient ‘Robot Wars Symphony Part 1 System Engaged’ from their The Increased Difficulty of Concentration double CD is floated over and out of both these before a classic DnB tune that I just can’t pin enters.

Anyone know this? It’s doing my head in and I spent nearly an hour on Discogs looking for it, thought it might be Alex Reece at first, Robin the Fog thought Wax Doctor or DJ Pulse but I couldn’t find anything – please comment if you recognise it. *(Eduard spotted it in the comments below – thanks!) The next track IS Alex Reece by way of a remix of DJ Krush’s ‘Yeah’ on Mo Wax with Cypress Hill’s ‘Scooby Doo’ floated over it, a mix I used to do often back then. Rolling, quite literally, out of this is Autechre’s ‘Rsdio’ and we’re in slow mode so it’s as good a time as any to air DJ Shadow’s ‘In/Flux’, or at least half of it. Up next is a tune I’ve not heard in years but remember so well, Luke Vibert’s near 10 minute remix of Ruby’s ‘Paraffin’. Ruby was Leslie Rankine from the thrash band Silverfish who were always in the indie music press in the early 90s, she then teamed up with Mark Walk and made a vocal trip hop album,’Salt Peter’. Their debut album is excellent and sadly overlooked although several singles were released with remixes by all sorts of contemporary artists and Vibert’s is one of the standouts, all time-stretched vocals and playful twists and turns. The track succeeding this is again lost in the midsts although sounds very familiar, so many records and so many years ago, it’ll come along some day. We play out with Small World’s ‘Dual Tone’ on Hard Hands, a chugging bass banger that got many an airing back in the day.

No mix next week as I’m on holiday, see you in two weeks…

Track list:
Alec Empire – 22.24
Unknown – unknown
Orbital – Time Becomes
Unknown – unknown
DJ Food – Spiral
Unknown – Unknown
Public Enemy – You’re Gonna Get Yours (Dub / Terminator X Getaway Version)
David Holmes – Slash The Beats
Public Enemy – Bring The Noise (acappella)
Air Liquid – Robot Wars Symphony Part 1 System Engaged
Glider State – Atmosphere
DJ Krush – Yeah (Alex Reece remix)
Cypress Hill – Scooby Doo
Autechre – Rsdio
DJ Shadow – In/Flux
Ruby – Paraffin (Wagon Christ remix)
Unknown – Unknown
Small World – Dual Tone

Mixcloud Select 159: Strictly vs Vadim (Strictly Kev sets) 14/07/1996

MS159 Strictly vs Vadim 14:07:1996
Late one Friday evening I was helming the good ship Solid Steel solo – possibly for the first time – up at KISS FM on the Holloway Road, not quite believing that Coldcut had entrusted me to do it without them after listening for all those years. I wasn’t alone though, my guest in the studio was Jazz Fudge label owner and newly-signed Ninja Tune artist, DJ Vadim. We’d only met a few times but I was already a fan of his early self-released work which, to my ears, was as good as any definition of trip hop with his heavy sampling of music concrete and abstract beat patterns. It sounded very lysergic to my ears but Vadim didn’t touch the stuff which was doubly strange. We got along well from the start, so much so that I started designing for him almost immediately and would do so for some years.

He’d bought two friends with him to the studio who I’d not met before, Simon Rose – who would go on to run the label later and I think A-Cyde, an MC/poet who would feature on early records and was always a great laugh with a dry sense of humour. We were to divide the show up into segments and I went first, layering up CDs and vinyl into an ambient collage before the beats kicked in. We were pre-recording – not live – and after about 15 minutes I noticed that the DAT had stopped. I was mortified, standing there with three guys I barely new and the tech had failed me. I had to start again and repeat the whole thing while they waited, only for it to do exactly the same thing again! By this time I was seriously panicking as I had no idea what to do to fix it and restarted, running through the same records and hoping it wouldn’t stop a third time. Luckily it didn’t and the rest of the show went without a hitch aside from some DAT glitches from Vadim’s portable player that he’d bought along with some exclusives.

I’m fairy sure some of those are over parts of my mixes featured here with phone messages and static interjecting here and there. The intro I have no idea the origin of and suspect that’s A-Cyde’s voice in there somewhere over the James Bond theme, maybe even live on the mic. It sounds like a bit of the Percussions De Strasbourg clattering in as well, one of the Philips silver covered records that both Vadim and I were collecting at the time. I can’t find anything about the New Jack Hustlers track after this on Discogs but the Earth Leakage Trip track ‘The Awakening’ was a B side on Rising High and a definite contender for lost early trip hop classic. Cheech and Chong were always in the bag for comedy relief in my chill out sets and this straight vs hippy sketch is a classic. The space-themed ‘The Gemini IV Incident’ was a standout on the Wiseguys’ debut album for Wall of Sound but the name of the Tortoise ambience up next is lost in my record collection somewhere, probably something from the Rhythms, Resolutions and Clusters LP or the single they put out on Stereolab’s Duphonic label.

After a break we have a snatch of Buchanana and Goodman’s early cut up classic, ‘The Flying Saucer’ before Axiom Funk take DJ Krush’s ‘Kemuri’ and scratch all over it before retitling it ‘Order Within The Universe’. This was from a Bill Laswell project that collected all sorts around this time and threw in some early trip hop US style with DJ DXT, Bernie Worrell, Sly & Robbie, Bootsy Collins, Maceo Parker, even Herbie Hancock is on one track, on his Axiom label. It was like a kind of new Funkadelic meets JBs meets reggae all stars things with a Pedro Bell cover, looks amazing on paper but is a bit of a mess in reality. The Runaways were two of the RPM crew from Mo Wax, freshly installed on the Ultimate Dilemma label and S.E.T.I. was an early release on the Ash International label, exploring the Search For Evidence of Terrestrial Intelligence (here overlaid with various telephone messages by Vadim).

We switch things up into drum n bass mode with bangers from Tom Jenkinson, an unidentified track sandwiched between that and Photek’s peerless ‘KJZ’ and Funki Porcini’s insane ‘Carwreck’ which surely has to be one of the craziest bits of thrashy DnB out there. There was a strand that wanted to go faster, madder and trickier with every release at this time, the sheer speed of drum n bass prompting ever-increasing twists and turns to the drum programming. Things calm a little with ‘Edgar Allen’ from The Black Dog’s then newly-released ‘Music For Adverts and Short Films’ album on Warp and then we’re into a mellower section with the Irresistible Force’s ‘Flying High’, an amazing electro track that could be a Jedi Knights things but I don’t think is and Kirk DeGiorgio’s gorgeous ‘Epic’ from his The Message In Herbie’s Shirts album on Clear to play us out. Vadim and I give some shouts and gig news over the earlier Mixmaster Morris tune which gives you a peek into what was going on in our worlds at the time and by 1996 I was a full time DJ and graphic designer, fitting in radio shows, the occasional mix or remix and touring into my day – a golden year.

Track list:
DJ Vadim – Intro featuring A-Cyde
Percussions De Strasbourg – Alternances
New Jack Hustlers – unknown
Earth Leakage Trip – The Awakening
Cheech & Chong – Blind Melon Chitlin’
The Wiseguys – The Gemini IV Incident
Tortoise – Unknown
Buchanan & Goodman – The Flying Saucer
Axiom Funk – Order Within The Universe
Runaways – Finders Creepers
S.E.T.I. – Gathering + (Vadim phone messages)
Tom Jenkinson – Happy Little Wilberforce
Unknown – Unknown
Photek – KJZ
Funki Porcini – Carwreck
The Black Dog – Edgar Allan
The Irresistible Force – Flying High + Vadim and Kev shout outs
Unknown – unknown
As One – Epic

Middle Earth posters

Middle Earth poster colour
Continuing the occasional overview of British psychedelic club advertising I’ve been compiling over the years…
I’ve not come across too many posters for the Middle Earth club, the psychedelic happening in Covent Garden that sprung up and eventually succeeded the UFO club in 1967 through to 1969. Michael English illustrated possibly the most famous poster for the club above and the original art was sold some years ago at auction.
From the auction blurb: “Michael English’s detailed explanatory letter explains that this was the last, and technically the most sophisticated, poster created under the Hapshash name. Printed by offset lithography rather than the usual silkscreen process, the image takes its theme from J.R. Tolkien’s books, from which the Middle Earth derived its name.

Middle Earth poster original canvas
“In typical post-Freudian Hapshash style the content was heavily sexualized but the less explicit version of the two lovers was printed and used for promoting the club’s concerts. Above the lovers, entwined in foliage very much in Alphonse Mucha style, are two windows into two worlds, one of darkness, one of light. Locked in eternal balance, they are a symbol of the symmetry of space-time, as are the lovers – a reflection of each other, independent, yet inter-dependent. English recalls that, at the time, he felt it was somehow dishonest to hide the boy’s genitals in the printed version as it somehow diluted the force of their love and consequently weakened the message.”

Below is the background colour printing plate and below that a rather aged example of an original print.

Middle Earth poster colour plate
Middle Earth Mar April
There’s little info about this landscape poster except the credit at the bottom and the names Marc Tracy and Paul Bennett hidden in the hair. The V&A hold a copy in their archive, originating from 1967 but despite the title, ‘A Trip To Middle Earth’, it’s not clear whether this was for the club or just a Tolkien reference.

Middle Earth poster
Below is a strange anomaly I found; a minute scan of a Middle Earth poster or advert – now upscaled – that cribs its main image and type from an American poster by Clifford Charles Sealey for the Summer of Love festival in San Francisco, dated March 1, 1967. From the dates on the British poster it must be from late 1967, over six months after the American event, I guess the similarity of the name was too good to pass up and they swiped it.

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CTME orig 1967

New 45 Live mix tonight on Dublab and more

DJ Food 45 Live Mix 10th 2023 v2 web
My now annual 45 Live mix has come around again, a set made entirely of 7″ records of any persuasion. The crew has been running for nearly a decade now, originated by Boca 45 and Pete Isaac to celebrate the 45 format. As usual I’ve been stockpiling dance singles from the late 80s and early 90s and this year’s offering is heavy with Hip House, a genre that shone brightly for around a year in 1989 having notable releases in both the UK and US with us Brits arguably being the first to get a track out with The Beatmasters featuring the Cookie Crew in 1987.

That doesn’t feature here but there’s plenty of UK action to balance things out including a bit of Skacid (Ska + Acid) and even a bit of Bleep. As usual Greg Belson will be holding things down Stateside as the host of the show (which hits episode 200 next year) and my mix will feature at some point in the middle of the show. You can tune in live at 4am GMT (Aug 5th UK time) as the show goes out 8pm-10pm PST on the west coast tonight. https://www.dublab.com/shows/45-live-radio-show
UPDATE: Here’s the show

PS: No Mixcloud Select upload this week because of this mix, back on it with more 90s tapes next week.

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Of course Aug 5th is a big one as it’s the first iteration of a new book and zine fair, initiated by Velocity Press in the same spirit as the indie label market. I’ll be popping my head in as Four Corners Books have a stall and it will be good to support. Then I’ll be heading straight to Iklectik to set up for the second annual Fog Fest party, hosted by Robin The Fog (shhhhh… it’s his birthday, bring cake). I’ll be taking part in a modified turntable soundclash with Graham Dunning alongside visuals from PuttyRubber and Leon Trimble and from the rehearsals we had the other week it should be a lot of fun (see below). Also on the bill are Robin in his Howlround guise, Steve Davis DJing and live sets from Lauren Sarah Hayes, Nad Spiro and tpwiikatj. Here’s a snippet from our rehearsal the other week

FogFest 2 Poster v1 - web
I almost forgot, today is the return of Bandcamp Friday and the monthly Infinite Illectrik release is out – for ii012 it’s the (re)turn of the Electrostatic Headshell Assembly with a 3 track techno/electro set recorded earlier this year. There’s more to come before the year is out including some new names to the label and possibly even a physical release to round the year out.


ii012 cover 2 web

Also – more Food-related collaborations if you want to support digitally today or any other day:
https://djfood.bandcamp.com/
https://celestialmechanic.bandcamp.com/
https://thenewobsolecents-cis.bandcamp.com/album/the-superceded-sounds-of

Mixcloud Select 158: Solid Sloth Pt.3+4 (Strictly Kev) 23/06/1996

MS158 Solid Sloth 3+4 23:06:1996
**I only just realised that I didn’t put this live last week – slightly confusing as there’s no upload this week – just can’t keep up with everything going on at the moment.

Continuing the mix from last week there’s more Solid Sloth although my tape had nearly two hours worth of mixes from me and also so from PC so I’m not sure if something was mislabeled. I’m fairly sure last weeks was all me but this seems to be my selection too so… I don’t know, it was over 25 years ago, these things get lost in the mists of time and who really cares anyway? To the music…!

The intro spoken word originally comes from The Warriors, but I was playing it from a Renegade Soundwave promo sampler of past classics that preceded their re-emergence onto the scene with new music that year. Blacka’nized’s ‘Vibe’rations’ opens proceedings with an almost ’Night Interlude’ vibe, that it has the subtitle ‘Summer Madness’ says it all. Their Music For Your Mind EP can be had for a pound currently on Discogs. Showroom Recordings were part of the Cheap label Vienna set with Patrick Pulsinger and Gerhard Potuznik among them, only releasing two 12”s of which ‘The Big Shmoov’ is taken from the first. I will never forget hearing this the first time at Mixmaster Morris’ Camberwell flat one rainy night and I always imagine it’s raining when I hear this. The Headphonauts only put out two 12”s but for me they personified trip hop at the time, or what I wanted it to be – which was ultimately NOT what it became. Properly tripped out long form jams with downtempo beats, much like early UNKLE and Major Force West productions, it was a shame they didn’t do more, again they can be had for a few quid online.

2 Player (Jon Tye and a fresh out of school Daniel Pemberton) remixed by The Herbaliser was on Ntone (Ninja’s sub label) but it sounded like if should have been on the parent label. Organised Sound was a pseudonym of DJ Vadim although it’s not hard to tell is it? NT’s ‘Distances By Air’ is another lost gem from the mid 90s, they made a few authentic soul tracks way before it was fashionable back in the day but this little number was on the B side of their first single, easily findable for pennies yet again. More Ninja business from the London Funk Allstars the LL Cool J’s ‘Boomin’ System’ – not sure why, maybe I’d just bought a copy? Cabbage Boy aka Si Begg on Ntone with possibly my worst ever cover design (sorry Si – so busy around that time) the Neil Hefti’s ‘Batman Chase’ which was the B side to the theme tune. State Login were on Renegade Recordings and this wasn’t ‘Poetry In Motion’ as PC later states but ‘Live in Session’ – I must have got the sides mixed up.

Samuel Purdy is a real weird one, this turned up on a promo 7” one day and I remember liking the instrumental which basically strips away the main song vocal but still leaves all the backing ones. It sounds so 70s to me, almost Steely Dan or Carpenters-esque which is why it’s in here, love those harmonies. This really is a random selection the B-52’s followed by Jimi Tenor which we had got on an acetate so we must have been mixing the Blech CD around this time because Warp made up some one-off discs for things yet to be released so that the mix would be bang up to date once it was released. There’s a quick blast of Herbie Hancock’s ‘Rain Dance’ whilst PC backtracks through the set (not Miles as he says), we loved this track and sampled it here and there (maybe – shhhhhh…). There’s a break and then we’re back with a classic slice of techno in the guise of Carl Craig’s 69 alias with ‘Microlovr’ – such an awesome piece of music, again, first played to me by Mixmaster Morris who was championing Craig well before anyone else. Uriel’s ‘Proxima Session’ is a lush piece of French jazz house that came on a 12” with a 45 middle cut out of the label, the only one I’ve ever seen. We finish as we began with a bit of Renegade Soundwave and ‘Ozone Breakdown’, the original B side of ‘The Phantom’ in 1989, still sounding contemporary.

Parts 3+4 Track list:
Blacka’nized – Vibe’rations (Summer Madness)
Showroom Recordings – The Big Shmoov
Headphonauts – Cedez Le Passage
2 Player – Sometimes (The Herbaliser remix)
Organised Sound – Nocturnal Thought
NT – Distances By Air
London Funk Allstars – How To Be A Ninja
LL Cool J – The Boomin’ System
Cabbage Boy – Planet Domination
Neil Hefti – Batman Chase
State Logik – Live In Session
Samuel Purdy – Whatever I Do (Inst.)
B-52s – Planet Claire
Jimi Tenor – Downtown
Herbie Hancock – Rain Dance
69 – Microlovr
Uriel – Proxima Session
Renegade Soundwave – Ozone Breakdown

Mixcloud Select 157: Solid Sloth Pt.1+2 (Strictly Kev) 23/06/1996

MS157 Solid Sloth 1+2 23:06:1996
These track lists get harder and harder the further we go back, Discogs and Shazam are called on more and more as the memory gives up and the gaps in the record collection once filled with these tunes appear empty. Back in mid-’96 PC did a show he christened Solid Wood (available on the 20 years of Solid Steel DVD I believe) and a week later we christened this one ‘Solid Sloth’ – not sure exactly why. After a custom Solid Steel intro I’d forgotten that appears to be made from our Journeys By DJ scratches and a DJ Food off-cut we jump into an amazing sound collage of which I have no recall at all. The original DAT this was taken from was seriously messed up and I had to cut all manner of glitches out, not that it’s that apparent in the tornado of sound we’re dropped into. The old Decca LP with the ‘This Is A Journey Into Sound’ sample appears over the top before we’re into Spacer’s ‘Contrazoom’. This was the first time I remember hearing Alison Goldfrapp’s amazing vocals, coming on like Shirley Bassey over a Bond theme mixed with drum n bass, incredible. This mix is littered with a league of producers putting their take on DnB which had, by mid ’96, well and truly made its mark on the electronic music landscape outside of its origins.

Luke Vibert, an early adopter with several Plug EPs under his belt, takes the easy vocals and horns of the Mike Flowers Pops and blends them into a smooth cheese before Amon Tobin carves up the terrain with the frantic ‘Cruzer’ in his original Cujo guise shortly before signing to Ninja Tune under his own name. DJ Shadow’s hard to find Legitimate Mix of Zimbabwe Legit’s ‘Doin’ Damage’ was finally widely available via the Mo Wax Headz compilation so this got an airing along with a suitably downtempo War cut, ‘Four Cornered Room’ which I later found out used to get airplay from Alex Paterson at Land of Oz. Mo Wax was truly in its golden age at this point, every release a winner with multiple remixes across singles from some of the best names covering all genres. DJ Krush’s collaboration with CL Smooth gets a going over by Attica Blues and then I mix in something sampling his and Shadow’s beat from their ‘Duality’ collab, except it features a beautiful synth line over the top. The identity of this escapes me but it smacks of someone like Stasis or As One although I don’t think they’d be that blatant with the beat-swiping. If anyone recognises it then please leave a comment.

A brief hip hop interlude in the form of Erule’s ’Synopsis’ reminds me that I’ve literally just trading this single with a bunch of others for a stack load of comics via a US connection so it’s going back overseas to where I first picked it up. Aphex gives his own unique take on DnB with a mix of his ‘Girl Boy’ single and then we run into a couple of unknowns. I’ve racked my brains (and other’s) to identify this next track, scoured the shelves and Discogs but to no avail, at first it sounds like Squarepusher but it’s a bit too straight for him. Then I thought Danny Breaks/Droppin’ Science but no, too heavy/tricksy in the drum programming – I’m now convinced it’s T-Power in some form or other but I’m damned if I can pin it – please put me out of my misery. The next track is the same, I thought maybe early Hospital Records but no, drawing a blank here too as is Shazam. Mo’ Mo Wax business with the DJ Crystl remix of Dr Octagon’s ‘Blue Flowers’ before the madness of Squarepusher’s complete write-off of Funki Porcini’s ‘Carwreck’ rounds the hour out as PC scratches in his first record for the next set.

Track list:
DJ Food – Solid Steel intro
Unknown – Journey Into Sound
Spacer – Contrazoom feat. Alison Goldfrapp
Luke Vibert & The Mike Flowers Pops – Mfp Chunks
Cujo – Cruzer
Zimbabwe Legit – Doin’ Damage (Shadow’s Legitimate Mix)
War – Four Cornered Room
DJ Krush – Only The Strong Survive feat. CL Smooth (7th Samurai mix by Attica Blues)
Unknown – (Stasis? AsOne?)
Erule – Synopsis
Aphex Twin – Girl Boy (£18 Snarerush Mix)
Unknown – Unknown (T-Power ?)
Unknown – Unknown
Dr Octagon – Blue Flowers (The Flower Bed Mix 2 by DJ Crystl)
Funki Porcini – Carwreck (Squarepusher Mix)

Mixcloud Select 156: Strictly Solid Steel Steve Roach 1/2 hr 29/06/1997

MS156 Tape
Summer of 1997, I did a set for Solid Steel that comprised one entire track on one turntable and various others on the other, all slurped together to make a whole larger than the sum of its parts. Said track was all 29 minutes of Steve Roach’s ‘Structures From Silence’, side two of his 1984 album of the same name. Roach has a 40 year career under his belt at this point, debuting in 1982 and clocking up nearly 200 albums so far, releasing between five and ten albums a year. I wish I could tell you where to start but the beginning seems as good as any (Structures… was his third album).

Drifting in and out of Steve’s sublime synths are snatches of Cluster & Eno’s ‘Wehrmut’ from their self-titled sole collaboration, ‘Riversong’ from Tonto’s Expanding Headband from their Zero Time LP. DJ Spooky gets two tracks in quick succession – ‘Juba’ and ‘Thoughts Like Rain’ from his 1996 Songs of a Dead Dreamer LP then there’s a final electronic track from D.I.A.L. (on Spymania) before we return to Steve for the final say, as we do throughout the set. I’ve left an advert for Wild Brew alcoholic Guarana beer on the end as it seemed the perfect coincidence to come in straight after such a chilled set, such a shame it’s cut short at the end, great ad too.

Normal service will be resumed next week…

Track list:
Steve Roach Structures From Silence
Cluster & Eno – Wehrmut
Tonto’s Expanding Headband – Riversong
DJ Spooky – Juba
DJ Spooky – Thoughts Like Rain
D.I.A.L. – Silent Waves
Wild Brew – Guarana beer ad

Tomorrow Syndicate remix and video


Incredible AI-generated video for the new Richard Norris remix of the Tomorrow Syndicate‘s ‘Hyper-receptive’ from their latest album, ‘Higher Resolution’ on Feral Child. Channelling everything from Moebius‘ The Time Masters designs to pulp sci-fi, the album is available from all good indie stores like Piccadilly Records, Norman, Juno, Rough Trade etc. This single will be available Friday 14th via Bandcamp with all proceeds going to MND Scotland.

Tomorrow Syndicate LP

Mixcloud Select 155: Strictly Solid Steel 25/08/1995

MS155 Strictly Solid Steel 25:08:1995
A late August show with Matt Black and I at the controls in which I kick off with three tracks straight from The Sound of MZEE compilation – a German label obsessed with Britcore rap. The two No Remorze tracks are straight out of the Hijack book of hardcore hip hop but with a German slant. Find their first album if you can, amazing record. Hearts of Darkness were the first release on Manchester label The Ruf errr… Label, releasing a couple of 12”s in the mid 90s before the label went full on hip hop. Alex Reece’s classic swinging remix of DJ Krush’s ‘A Whim’ should be familiar to all Mo Wax heads out there but Chronicles of Intense was lost in the mists of time to me and only Matt’s brief back track near the end gave any clue to it. Also lost is the identity of the stumbling breaks-y DnB cut after it that sounds like it’s nearly tripping over its own shoelaces, even more so when I turn it down to 33 rpm. As ever, if any of you recognise it, please leave a comment. UPDATE: Found it! The Committee – Profound Love on Creative Wax (but played here on 33rpm).

Kirk DeGiorgio’s Elegy slides in nicely and I discovered Kirk has not one but two compilations of rare material on his Bandcamp page featuring a whole host of bits and pieces from singles, comps and the like, no doubt excavated during lockdown – nearly 75 tracks in all spanning 1991-2014 – the man’s a genius. BPMF is a US 12” I picked up whilst working in Ambient Soho, really odd four-tracker that I still have somewhere on the Rancho Relaxo label. ‘Untitled #4’ is a bubbling acid thing that grooves away nicely out of Kirk’s track and then into Redcell (aka B12, a version of which also on a companion release to the Elegy track – ART 7.1/B1214.1). ‘Primitive Lites’ was taken from the then-new ‘Time Tourist’ LP and later featured in our Blech mix, still sounds like a futuristic city at night to me. Meat Beat Manifesto’s ‘That Shirt’, from their criminally under-appreciated Satyricon LP, still makes me laugh and exclaim, ‘It’s a Ben Sherman!’ whenever I chance upon one of their fine wares. Autechre’s ‘Second Bad Vilbel’ from the Anvil Vapre EP plays us out, brand new at the time, we didn’t know how good we had it, this was just another single on white label back then. I think it was either for this or the Keynell EP where I was staying at Sean and Rob’s after a gig in Sheffield and they were sampling kitchen utensils for beats and percussion sounds.

Track list:
Coldcut – Solid Steel intro
No Remorze – Interlude
No Remorze – Condemned To Death
Fast Forward – Day Of Infamy (Instrumental)
Hearts of Darkness – Don’t Fight The Featherweight
Coldcut – Solid Steel jingle
DJ Krush – A Whim (Alex Reece remix)
Chronicles of Intense – Prophecy
The Committee – Profound Love
Elegy – /P Switch
BPMF – Untitled #4
Redcell – Infinite Lites (Primitives mix)
Meat Beat Manifesto – That Shirt
Autechre – Second Bad Vilbel

Donna Summer zoetrope


It’s not every day that you get a text message saying that Donna Summer‘s estate has approved your design’ but that’s what happened a few months back after I designed a zoetrope for the reissue of her ‘Another Place And Time’ album. I even shot and edited this little promo video, yep those are my hands and turntable. The album’s out today on picture disc with die-cut front cover – order here
Use the third party app StroboScopeApp to view it through an iPhone https://apps.apple.com/gb/app/stroboscopeapp/id1260603638

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July Infinite Illectrik release – Magnetic Cartridge Quartet

ii11 cover web
A day early but who’s counting, this month’s Infinite Illectrik offering is from the Magnetic Cartridge Quartet, two techno travelogues that stem from locked groove records by Ritchie Hawtin and the Poly Kicks label, mashed up on the Quadraphon turntable.


There are a few physical releases in the pipeline featuring edits of some of these pieces, more info when I have it. Also I’ll be having a modified turntable soundclash with Graham Dunning at Fog Fest 2, Iklectik, London on August 5th., tickets on sale soon…

Mixcloud Select 154: March/April Sets 12/04/2004

MS154 CDr
An approximation of a DJ Food club set around 2004, this is the kind of thing I was playing out at the time via two decks and a CDJ, still using vinyl, no Serato yet. Kicking off with Peloton’s entry for the Solid Steel intro competition which we’d conducted via the Ninja Tune forum. Sounds like I was plundering the Megatrip Soundbank collection of spoken word for samples featuring the word ‘more’ too over Roots Manuva and Ty’s ‘Oh You Want More?’. This, Alex Cartana and the Rootz n Works rework of Prince’s ‘Sign of the Times’ were examples of the Bangra rhythm style made popular by Missy and M.I.A. around this time. Speaking of Missy, here she is with Timberland over a bit of ‘Dark Lady’ although I can only hear The Human League’s ‘Being Boiled’ with this since our second Solid Steel mix CD.

A little funk section from That Kid Named Miles, Quantic Soul Orchestra (featuring Alice Russell), Roy Budd (from the ‘Vigilante! Remixes EP) Nostalgia 77 and Bobby Shad – (from Coldcut’s Life:Styles compilation of the same year) before a brace of hip hop numbers from Edan & Insight, a mash up of Obie Trice by Dizzy Bull and classic UK old school from Caveman. Back to the funk with classic Roy Ayres and I get scratch happy with Double Dee & Steinski’s James Brown cut up, ‘Lesson 2’ before things go into the unexpected with the I Royals’ reggae cover of the Coronation Street theme. This was possibly the first outing on the show too for my now good friend Stephen Coates’ Real Tuesday Weld with his ‘Bathtime In Clerkenwell’.

MS154 PRS
Another Solid Steel intro entry, this time from DJ Flywheel, for a change of tempo into Billy Squier’s (big) beat break into Steve Miller’s equally classic B-Boy sample-fest and general all round anthem, ‘Fly Like An Eagle’. Not sure what I was thinking with this section, it’s a very odd selection of tunes, possibly more linked by tempo than anything else although Floormaster Squeeze (aka Coldcut) goes pretty nicely into Japan’s ‘Visions of China’. Japan into Serge Gainsbourg into Boards of Canada – not something I’d attempt most days but it sort of works, especially the Indeep track over the top of the latter, something I’d repeat years later in my ‘O Is For Orange’ mix. We end as we began with another jingle competition entry, this time from Laptop Nancyboy, I wonder what happened to them?

Track list:
Peloton – Solid Steel intro
Ty feat. Roots Manuva – Oh U Want More? Refix
Alex Cartana – Hey Papi (Ross Orton Remix)
Prince – Sign ‘O The Times (Rootz n Workz mix)
Grandmaster Melle Mel & Duke Bootee – The Message
Timberland & Magoo feat. Missy Elliot – Cop That Shit
DJ Food – Dark Lady
That Kid Named Miles – Ring of Fire
Quantic Soul Orchestra – Pushin’ On
Roy Budd – Foxy
Nostalgia 77 – Thing
Bobby Shad – I Want You Back
Edan feat. Insight – The Science of The Two
Dizzy Bull – Got Some Teeth
Caveman – I’m Ready
Roy Ayres – Brother Green (The Disco King)
Double D & Steinski – Lesson 2 (The James Brown mix)
The I Royals – Coronation Street
The Real Tuesday Weld – Bathtime In Clerkenwell
DJ Flywheel – The Beaten Match Solid Steel intro
Billy Squier – The Big Beat
Steve Miller Band – Fly like An Eagle
Floormaster Squeeze – Kick Out The James (Again)
Japan – Visions of China
Serge Gainsbourg – En Melody
Boards of Canada – Nlogax
Indeep – Last Night A DJ Saved My Life
Laptop Nancyboy – What’s Everyone’s Obsession With Intros?

Nicole Claveloux posters

Nicole C pill 1970
Recently found whilst looking for something else, four posters by French illustrator Nicole Claveloux ranging from 1970 to 1973. Above appears to promote taking the pill from 1970 and below is an Aviation Tourism poster for the UTA Company from the same year in collaboration with Bernard Bonhomme.

Nic Clav Aviation- Tourism - UTA Company., 1970
N claveloux LOVE
The Love poster above is from 1973 and was Danish in origin, as was the Romeo & Juliet poster below, both designed for a Dutch bank, Sparekassen. The former was for the annual ‘Savings Day’ in 1973, the latter as a giveaway for new account openers in 1970 and published by Minerva Poster, Copenhagen. Ahhhh, the 70s…
N claveloux R&J